1:54

Upbeat indie hip-hop groove with jangly clean electric guitar riffs layered over dusty boom-bap drums, Add playful 8-bit chip-tune arps and bleeps weaving in and out like retro arcade textures, Keep the rhythm tight and bouncy with simple but driving drum patterns, Bassline should be warm, round, and steady, locking in the groove, Occasional vinyl crackle and light claps for that underground street feel, Bright, feel-good energy, perfect for skate vibes and city nights
5:01

Male lead vocal, classic radio announcer, authoritative, Music: Upbeat, jazzy newsreel for intro/outro, Mysterious, shimmering violin; triumphant yet conflicted orchestra, Comedic trombone slide, bewildered woodwinds, Seismic tremor, "THWIP!" sounds, Maintain an earnest, slightly comedic tone, lo-fi
2:08

Oh well
v4.5+
This lo-fi hip-hop track opens with a dusty vintage sample and playful pitched vocal chops, Offbeat, swung drums create a relaxed groove, complemented by warbly electric keys, Quirky percussion—toy xylophones, kazoo, tape hiss, and found sounds—add a bright, whimsical, nostalgic tone
2:12

Solo piano track built around a playful, catchy lullaby motif, using simple childlike melodies that veer into odd scales with dropped or ‘wrong’ notes, The rhythm feels uneven with pauses and abrupt tempo changes, Occasionally, low rumbles or detuned clusters disrupt the clean piano timbre, using FX for immersive resonance and unexpected broken sounds, The addictive hook repeats amid this quirky, eerie yet cheerful atmosphere, blending technical sound design with a magnetic, immersive direction
2:17

Cotton Circuit
v4.5+
The track should feel playful, surreal, and dreamlike, as if walking through a carnival that’s glitching, Energy is bouncy but slightly unsettling, with bright tones that shimmer like neon cotton candy and low pulses wobbling like warped rides, Female vocals dominate with playful staccato verses, falsettos drifting unnaturally high, whispers circling like laughter, and shouts cutting through for chaos, Vocal chops act as rhythmic pulses, gated sharply like broken carousel lights, Texture wide and colorful, highs sparkly and sweet, mids full of quirky movement, subs wobbling softly, The overall feeling is whimsical, dizzy, and hypnotic, balancing fun and unease — like being pulled through a carnival made of circuits and sugar
1:54

1:00

1:59

Craft a satirical pop-punk song in the style of early 2000s Green Day (American Idiot or Dookie era), brimming with biting humor and mockery, lampooning the commercialization of punk rock into a "pink, " watered-down version of itself, Point fingers at fictional culprits like Pixie (too glittery), Robbie (pop sellout), and Zombie (auto-tuned poser), while ridiculing SUNO AI’s paywalled attempts to revive punk and Mr, ChatGPT’s AI-generated punk songs raking in royalties, Feature fast, aggressive power chord riffs (G, D, A, E progressions) at 170-180 BPM, paired with punchy drums (sharp snares, crashing cymbals) to channel Green Day’s raw, rebellious sound, Vocals should be nasally, whiny, and dripping with sarcasm, delivering ha ha ha laughter in verses and heh heh heh in choruses for a cheeky, piss-take tone, Structure the song as verse-chorus-verse-chorus-bridge-chorus-outro, with a slower, palm-muted bridge to underscore the corporate jab at SUNO’s paywalls
5:09

Life Sucks
v4.5+
ac dc inspired, British accent high pitched frayed, raspy vocals, heavy metal, 80's, blues rock
3:03

techno industrial boom bap, brazilian dance club kizomba carribean new orleans soulful, duet, expressive voice, soaring vocals, neo-shamanic drum and bass marching band drum and taiko drum, trance, techno, industrial, edm 260 bpm, speed rap
2:36

tam-tams, syncopated beats, hypnotic texture, pop, and retro snes-inspired soundscapes; male or female vocals layered with beatboxing loops for a bouncing, art pop with haunting synths, bounce, art pop
2:42

A nostalgic and emotional fusion, primarily composed of Lo-fi Hip Hop and Chillwave (approx, 60%), with a strong influence of 90s Japanese Technopop (approx, 40%), The track captures the bittersweet feeling of a man reminiscing about a lost love, where warm memories are interlaced with vivid, digital flashbacks, The track is driven by a modern, minimalist techno beat with a solid four-on-the-floor kick, but the groove is softened by a dusty, unquantized hi-hat pattern, The low end is a deep, warm sub-bass that feels like a gentle heartbeat, The core harmony is centered around warm, Fender Rhodes-style electric piano chords and gentle, clean electric guitar licks, This is constantly contrasted by iconic 90s digital synthesizer textures (like a Yamaha DX7 or Korg M1), featuring bright synth brass stabs, shimmering arpeggiated patterns, and crystalline bell tones, The entire track is heavily saturated with a variety of atmospheric SFX: subtle vinyl crackle, tape hiss, reversed piano notes
1:58

2:33

A Korean indie-style song with witty, playful spoken-word lyrics over a steady beat, describing the AI friend "Cooper" who quietly helps in everyday life, The vocals focus on rhythm, not melody, delivered like narrative storytelling, No emotional singing—just laid-back, casual speech that fits the beat, The lyrics repeat key phrases for groove and humor, like a comic monologue, The mood is light, quirky, and slightly absurd, resembling a fun conversation with a smart assistant, The track uses a steady 4/4 beat at around 98 BPM, with kicks on beats 1 and 3 and snares on 2 and 4 for a consistent “boom-chak” rhythm, Tight 8th-note hi-hats leave room for rhythmic speech to land naturally, There is no traditional melody—only a percussion-based groove and expressive delivery, The overall tone is clever and ironic, leaning into the charm of monotone humor and dry wit, capturing a lighthearted view of AI-human interaction through rhythm and repetition
3:45

Chill stoner rap with sing-rap melodic chorus, Tempo around 82 BPM, hazy trap drums, deep bassline, dreamy synth pads, slight psychedelic FX, Humor + bounce like a cartoon stoner anthem
3:32

2:05

Experimental art-punk boom bap instrumental titled “X Marks the Noise”, Raw underground REDTAGGO energy, Beat should sound like abstract graffiti scribbles turned into rhythm, Dirty off-grid boom bap drums with irregular kick placement and slightly delayed snare, Hi-hats made from marker scratches and paper texture, Layer vinyl crackle and sharp percussive glitch pops to represent scattered neon X shapes across a canvas, Distorted sliding bass that feels like heavy black scribble streaks cutting diagonally through the mix, Add detuned guitar stabs like quick paint hits, Industrial metallic clanks for impact points, Use spray can hiss and page-flip textures as transitions, turntable scratching as the main hook cuts that sound like crossing out the beat repeatedly, Occasional reverse pulls that suck the instrumental inward before slamming back, Structure should feel unstable but still nod-worthy, like controlled chaos and visual noise translated into sound
2:42

90 BPM, 90s alternative, indie rock ballad, Male lead vocals oscillate between manic spoken word and melodic ranting, layered with distorted harmonies and stuttering effects, Build tension with synth swells and sudden beat stabs, The track should feel unstable, seductive, and satirical—like a dopamine crash in a glitter-soaked alley behind a pound shop, Vocal style is British urgent and semi-spoken
2:53

A pagodinho track opens with classic cavaquinho and syncopated percussion, then tabla rhythms weave through, adding intricate Indian textures, Angular synths and oddball percussion toys create a surreal, playful groove, while unexpected breaks highlight the track’s quirky freshness
3:41

The track weaves Chanson Française guitar and accordion motifs with rapid-fire 2000s rap in a thick Brazilian accent, layered atop dark, low-end bass and glitchy chiptune leads, Verses ride crisp programmed drums; choruses brighten with swirling accordion and pixelated synth breaks
3:08

Aggressive Funk-Ska-Hardcore mixture, Heavy distorted funky slap bass, punchy kick drums with sub-bass weight, Sharp, gritty ska guitar upstrokes blended with high-gain hard rock riffs, Dominant, loud, and chaotic horn section hits, Verses have a deep funky groove and manic vocals, Chorus explodes into a thick wall of sound, anthemic brass-filled mayhem, Bridge features a heavy metal breakdown with complex percussion, leading to a high-octane, horn-saturated finale, Raw, high-fidelity, high energy
3:09

Silly and funny male vocals, Lush stringed orchestra, jangle banjo, Angels choir harmony, surround sound
4:02

Mid-tempo Korean city pop track with a sophisticated jazz-fusion influence, characterized by a groovy, syncopated bassline and shimmering electric piano chords, The arrangement features a clean, funky electric guitar providing rhythmic stabs and a smooth, melodic saxophone that leads the instrumental breaks, The drums are crisp with a prominent snare and a steady four-on-the-floor kick pattern, maintaining a danceable yet relaxed feel, The male vocals are airy and smooth, utilizing light vibrato and melodic phrasing that sits comfortably within a tenor range, The song structure follows a standard verse-chorus-bridge format, with lush synth pads and subtle percussion adding texture to the mix, The production is polished and bright, with a clear separation between instruments and a touch of reverb on the vocals to enhance the dreamy, urban atmosphere, The key is in a major tonality with frequent use of seventh and ninth chords, typical of the city pop aesthetic
























