5:03

How Far
v4.5+
Deep, hypnotic deep-house track with a pulsing four-on-the-floor kick, warm sub-bass, and lush atmospheric pads, Minimal but driving percussion with tight hi-hats and crisp claps, Subtle filtered synth plucks weave through reverb-heavy ambient textures, Build tension with rising sweeps before each drop, keeping the groove sensual and immersive, Vocals should be smooth, breathy, and intimate with layered harmonies in the chorus, delivered in a controlled yet emotive tone, Use rhythmic phrasing that blends seamlessly with the beat, evoking mystery and allure while keeping it dancefloor-ready
3:56

Pulse (Remastered)
v4.5+
Emotional deep house with punchy four-on-the-floor kick, lush ambient synth pads, and rising filtered synths, Track should include clear build-ups with snare rolls and tension, followed by powerful drops with deep bass and vocal chops, Verses should be driven by minimal percussion and warm chords, with space for expressive, soulful female vocals, Vocal delivery should be confident, emotive, and dynamic — blending pop clarity with club energy, Chorus should be catchy and energetic, with layered harmonies and reverb to fill the space, Use chopped vocal samples post-chorus repeating phrases like “stay in this” over the drops, Include a breakdown bridge with stripped-back drums and reverb-heavy vocals, then rise into a final high-energy chorus
3:24

Want To Survive
v4.5
Create a futuristic, retro-electro dance track blending groovy, robotic vocoder-style lead vocals with lush analog synth layers, funky disco-inspired basslines, and crisp, tight drum programming, Incorporate repetitive, hypnotic grooves with warm, filtered synth progressions and a four-on-the-floor house rhythm that builds tension through minimal, spacey breakdowns and releases into dynamic, infectious drops, Throughout the track, layer subtle but catchy vocoder-processed background vocals chanting "A, I Pop" to add a mechanical, anthem-like hook that blends into the groove, Use vintage synth textures and side-chained pads to create a cinematic, robotic soul feel with human emotion woven into the beat, The overall mood should balance 70s-80s disco and funk influences with sleek, futuristic house and electro elements, designed for immersive, late-night dancefloor energy and head-nodding home listening
5:03

Breathing
v4.5+
Generate a moody, cinematic alt-electronic track with atmospheric synths, layered textures, and subtle organic elements like distant piano or ambient guitar, Vocals should be airy, emotive, and intimate—almost fragile—with light reverb and space, The rhythm should be slow and pulse-like, driven more by feeling than beat, Focus on building emotional tension through dynamics and minimalism, No big drops, no pop hooks—just restrained intensity, haunting melodies, and a sense of beauty in isolation
4:19

Beauty In The Limit
v4.5+
Generate a moody, cinematic alt-electronic track with atmospheric synths, layered textures, and subtle organic elements like distant piano or ambient guitar, Vocals should be airy, emotive, and intimate—almost fragile—with light reverb and space, The rhythm should be slow and pulse-like, driven more by feeling than beat, Focus on building emotional tension through dynamics and minimalism, No big drops, no pop hooks—just restrained intensity, haunting melodies, and a sense of beauty in isolation
5:06

Cut The Blade
v4.5+
Ethereal, atmospheric indie-electronic soundscape, Begin with sparse piano and airy synth pads, swelling gradually into layered textures of reverb-soaked guitars, pulsing bass, and cinematic drums, Build tension through crescendos that crash and dissolve into silence, Vocals should be fragile yet soaring, with falsetto runs, whispered intimacy, and echoing harmonies that feel both vulnerable and expansive, Tone is haunting, emotional, and immersive, carrying abstract poetic lyrics about impermanence and memory
3:00

The track blends synthwave’s lush pads and pulsing arpeggiators with electrohouse and techno energy, It builds tension with tribal percussion and escalating synth layers, surging into a euphoric drop driven by syncopated dance beats and soaring female vocals, Airy pads and plucked synths create a delicate, haunting outro
4:45

Upbeat emotional EDM track with layered synth stabs, ambient pads, rising white noise FX, pulsing sidechained bass, and a pounding four-on-the-floor kick, Vocal is male, smooth and lightly falsetto, with a driving, cinematic tone, Verses are minimal with space to build tension, The chorus features chopped vocal layers, reverb-heavy atmospheres, and an explosive drop, Inspired by late-night highway drives and the feeling of racing to someone you love
3:32

2:07

6:35

Blue Waves
v4.5+
852 hz frequency, female voice, fantasy, epic, tribal, healing, handpan, psychedelic violin, drum and bass, romantic, flute, dreamy, percussion, powerful, trance, techno, dembow
5:51

3:24

Drink Still Full
v4.5+
An abstract night scene viewed through the smoky glass of a club window, Blurred neon lights in deep reds, purples, and golds pulse in the background, Inside, only shadows move — suggesting motion without showing identity, A spilled drink glistens on a dark floor, catching light like it's frozen mid-chaos, A single heel print leads away from it, disappearing into soft haze, The mood is electric, fleeting, a moment that almost became something — but didn’t
4:13

Nowhere Else
v4.5+
A lush deep house/trance track at 122 BPM opens with airy synth pads and gentle sub-bass, Rolling, syncopated rhythms layer in as sparkling arpeggios flicker above soft, reverberant chords, Subtle, otherworldly vocal chops swirl throughout, leading to an emotional, euphoric drop marked by expansive pads and immersive textures, giving a sense of weightlessness ideal for nocturnal journeys
3:57

Lonely Star
v4.5+
Emotional deep house with punchy four-on-the-floor kick, lush ambient synth pads, and rising filtered synths, Track should include clear build-ups with snare rolls and tension, followed by powerful drops with deep bass and vocal chops, Verses should be driven by minimal percussion and warm chords, with space for expressive, soulful female vocals, Vocal delivery should be confident, emotive, and dynamic — blending pop clarity with club energy, Chorus should be catchy and energetic, with layered harmonies and reverb to fill the space, Use chopped vocal samples post-chorus repeating phrases like “stay in this” over the drops, Include a breakdown bridge with stripped-back drums and reverb-heavy vocals, then rise into a final high-energy chorus
5:22

We Were Almost
v4.5+
Emotional Deep House / Club
Instrumentation:
Warm chords, ambient pads in verses
Snare roll build-ups before drops
Four-on-the-floor kick throughout
Deep, thick bass in chorus
Filtered synths rising into drops
5:26

Climax🫦
v4.5+
cinematic, atmospheric sensual trance, euphoric trance builds, pulsing low-end, breathy female vocals, atmosphere escalating tension, Seductive adlibs, spacious layering
4:08

3:10

3:45

Chasing Colours
v4.5+
layered synths, pulsating bassline with intricate percussion loops, fast-paced, drum and bass
5:03

3:31

PRODIGITAL Redux
v4.5+
Dubstep, electronic, electric guitar, epic drums, drum & bass, cyberpunk, techno, Japanese, koto, shamisen, taiko
3:39

An intelligent, new fashioned, playful modern minimal deep house track in 125bpm with an underground club vibe for open minded people, The track is built on a tight, driving slightly organic 4/4 groove, The core atmosphere is a lush, immersive soundscape of shimmering, evolving and slightly unstable analog lo-fi chords, filtered and looped 1970 Japanese underground Jazz Record-Samples, and a single, haunting, introverted, androgynous, untrained, amateurish shy emotional vocal hook, A raw, androgynous intricate vocal performance, The overall mood is a masterful blend of organic house and fancy lo-fi-loops and filtered fancy 1970s Flower Power-record-loops and underground electronic micro-deep house, designed for a late-night, emotionally charged crowded New York City Underground House Club at 2am, ‑EDM, ‑Dance, ‑Dancefloor, ‑Piano, ‑Screaming, ‑Klavier, ‑Shouting, ‑Exaggerating, ‑Guitar, ‑Trance, ‑Hard-Trance, ‑Synth-Pop, ‑Synth-Wave, ‑Dark-Wave, ‑Wave, ‑Gothic, ‑Sadness
6:20

The sparse and bitchy and dub-infused minimal house and detroit minimal techno club banger in Scale Slendro-derived Pentatonic in 124 bpm with a fusion of organic sounds and a slight avant-garde edge, in the style of Crosstown Rebels, The track is built on a slow, relentless evolving sparse 4/4 groove and a deep sub- and Moog-bass, The core atmosphere is a warm, beautiful, elegant soundscape of tense, filtered lo-fi and Korean Glitch-Pop chord-samples tape echoing into a vast space, groove is layered with Persian percussion, The vocal performance is a unstable, slightly off-grid with quiet casual expression and an intimate, and androgynous unstable off-key sound, delivered in a half rap, half-sung style with an amateurish punk-attitude, The overall mood is a masterful blend of electronic analog and organic sounds, an electronic vibe: A club hit at 3am for Tokio House Underground Clubs
5:59

An unique, slightly experimental, intimate, textural, and minimalistic underground house-track in 123bpm and Pelog Scale track with a strong focus on a fusion of organic and electronic sound design and a beautifully imperfect, handmade feel, The track is a complex, shuffling groove built from a fusion of warm, analog drum machines and intricate unusual weird chord-samples and unique found-sounds incorporated in the constantly changing groove, The atmosphere is an introspective, and bittersweet soundscape based on the Pelog Scale, A restrained, introverted, shy, sad, slightly mad and weird androgynous vocal is treated as a sentimental, sampled texture, chopped into fragments and woven into the sonic fabric, The overall mood is deeply groovy, introspective, and full of emotional depth, i, e, late-night texture packed with tension, ‑Trance, ‑Funk, ‑Soul, ‑Dance-Music, ‑EDM, ‑Hardtrance, ‑Pop, ‑Piano, ‑Flügel, ‑Klavier, ‑Kitschy
3:25

3:43

2:58

It's Not On
v4.5+
bass house, 132bpm, subtle choppy wavy piano licker, long round wet dystopian slices, wavy rolling terminal stabs, sharp warm mechanical earthen roller, filthy uk garage wubs, deep tight chaotic sine bassline, ‑slow, ‑downtempo, ‑downbeat, ‑halftime
3:05

Drowning in the Drop
v4.5+
A sultry female vocal glides over a modulated sub-bass riff and glitchy, syncopated percussion, with fractured vocal chops weaving through the mix, Drops feature aggressive, distorted wubs, punchy snares, off-kilter hi-hats, A spacey, FX-heavy bridge gives way to a bold, club-ready outro, West Coast, Suave, 808's Sub Bass Deep
3:06

Female, Heavy, distorted 808 bass hits with aggressive trap-influenced percussion patterns, [Phonk – trunk-rattling 808s, Memphis-inspired chopped vocals, dark lo-fi textures]
[Brazilian Funk (Funk Carioca / Funk Proibidão) – call-and-response chants, percussive vocal rhythms, slang-driven street energy]
[Drift Phonk – slowed-down feel, hypnotic looping samples, atmospheric layering]
[Trap – hard-hitting hi-hats, rolling 808 basslines, rap cadence]
[Lo-Fi Hip-Hop – tape saturation, ambient noise, muffled edges that add nostalgia]
[Ambient / Atmospheric – background pads, environmental sounds, ghostly reverb tails] drag the tempo down to around 95 BPM in B minor, with stretched-out 808 sub-bass that lingers in the air like fog, ‑male vocals, ‑male singer, ‑male, ‑male vocalist
4:22

bass house, 132bpm, subtle chopped twinkling triangle tapper, long dystopian rolling terminal stabs, sharp cold mechanical steamy roller, filthy uk garage wubs, deep tight wobbly sine bassline, ‑slow, ‑downtempo, ‑downbeat, ‑halftime
3:22

3:05

5:50

[Genre & Mood: Big-room progressive house with a soulful, emotional edge—uplifting yet slightly melancholic, perfect for festival mainstages]
[Intro / Build: Start sparse—soft filtered pads and reverb-heavy vocal chops—gradually introduce syncopated percussion, risers, and subtle arpeggiated synths]
[Verse Sections: Keep drums minimal, let the emotional topline breathe; use low-passed supersaws and wide stereo pads to create anticipation]
[Pre-Drop: Filter-sweep the synths upward, stack risers and noise sweeps, automate reverb tails on the vocal to add tension]
[Drop: Full, polished kick and snare, side-chained supersaw leads, sub bass glued to the kick; add bright, wide synth stacks and delayed plucks to create a huge stereo field]
[Breakdowns: Strip back to pads, atmospheric FX, and vocal ad-libs—allow dynamic contrast before rebuilding energy] [Sound Design: Use layered supersaws with detune for thickness, side-chain compression for pump, and subtle saturation to enhance warmth]
4:14

This is an electronic dance music track with a driving beat and a dark, aggressive atmosphere, The song features a male spoken word vocal, heavily processed with autotune and delay, delivering a menacing monologue, The instrumentation includes a prominent synth bassline, a four-on-the-floor kick drum, and various electronic percussion elements, The tempo is fast, and the key is minor, contributing to the intense mood, Production elements include heavy compression, reverb, and distortion on the synths and vocals, The song structure is verse-chorus based, with instrumental breaks that build tension, The melody is primarily carried by the synth bass and a high-pitched synth lead, both featuring repetitive, driving patterns, The overall mix is loud and punchy, with a focus on low-end frequencies
4:00

3:07

EDM, phonk, aggressive, driftphonk, brazilianphonk, Фонкa, Фонк, brazilianphonk, Female Vocals with Deep Male Vocals
2:49

Bittersweet EDM pop at 110-115 BPM opens with warm pads, crisp hi-hats, and emotional female vocals—clean, polished, slight fry on lows, powerful belts in the chorus, Verses use bright synth stabs and catchy topline, building to a dynamic club drop with chopped "not the same" vocal samples, layered harmonies, atmospheric reverb, and a four-on-the-floor beat, Energetic yet melancholic; production evolves with lush textures and punchy synths, keeping it danceable yet deeply emotional
4:24

4:07

Run
v4.5+
An energetic tech house track at 150 BPM kicks off with a pulsing four-on-the-floor groove, syncopated hats, and deep bass stabs, Sleek synth textures groove beneath uplifting female vocals in the verses, The chorus explodes with vibrant layers and bold drops, punctuated by dynamic female rap sections

































