3:20

4:09

3:04

Real Love
v4.5-all
rap, Shimmering synth-rap crossover with female vocals; intimate verses over sparse pads and sub-bass, half-spoken/half-sung flows, Choruses bloom with wide saw leads, airy harmonies, and a steady mid-tempo groove, Subtle arps and vocal chops answer the topline; bridge strips to keys and 808-style low end before a final, anthemic hook, emotional, female vocals
1:19

1:44

2:30

Ghost
v4.5-all
rap, sad, melancholic, synth-driven with a blend of rap and melodic female vocals, soft pads, minimalistic beats, and haunting synth leads create a dreamy, emotional texture, female vocals
3:12

2:29

Idiot Boy
v4.5-all
female vocals with raw energy and a pulsing beat, intense, emotional, sad, female vocals, synth-driven
1:19

Play the Piano
v3.5
emotional, piano-driven, heartfelt ballad with soft dynamics and a gradual build to an intense climax
2:43

2:54

2:46

3:34

2:59

2:54

2:46

female vocals, soft, guitar, beautiful, Refrain part very soft and smooth, slow, country
2:22

2:49

2:59

3:00

2:41

Fade
v4.5-all
rap, dark, synth-heavy, layered with haunting arpeggios and a thumping bassline; female vocals cut sharp and emotional, layered with occasional distorted backing vocals for emphasis, female vocals
2:16

In Their Eyes
v4.5-all
rap, sad, introspective rap with synth layers, female vocals, the instrumental features moody, atmospheric synth pads, a sparse but punchy drum beat, and a haunting piano loop weaving through the mix, the tone is melancholic yet defiant, with room for emotional vocal delivery, female vocals
3:03

2:21

2:42

First Love Fever
v3.5
pop ballad, minimal piano and strings, raw and heartfelt, emotional, insecure delivery with occasional cracks, female vocals
2:48

2:36

4:28

Enough for me
v4.5-all
Sparse, intimate piano ballad with female vocals, First verse over soft, close-miked keys and subtle room reverb, Chorus swells with rich piano voicings, low strings, and a distant reverse swell before each entry; vocal doubles on key phrases for emotional weight, Second verse adds gentle pads and a few high register piano touches, Bridge pulls everything back to almost a cappella then blooms into a final, powerful chorus drenched in reverb, soft choir layers, and a long tail on the last chord, female vocals, beautiful, sad
2:41

Silver
v4.5-all
electronic; female vocals; driving synths with heavy basslines, layered harmonies, and bold drum beats for an anthemic feel, pop, powerful, female vocals
3:27

3:26

1:59

2:00

2:00

The Menu
v4.5-all
punchy; layered with driving basslines and sharp hi-hats, synth-heavy, switching between rap and melodic delivery for impact, dark, interwoven with melodic synth pads; female vocals with an assertive tone, female vocals, rap
1:19

1:57

3:46

Raindrop
v4.5-all
female vocals, full of feelings, sad but powerful, sad piano, beautifull, full of feelings, sad
2:40

Take it all to heart
v4.5-all
rap, Aggressive synth-rap beat, simple hard going beat, rap, Moody piano and airy synth pads under female vocals that drift between melodic hooks and confessional rap; verses stay intimate and close-mic’d, then the chorus swells with stacked harmonies and heavy low-end hits for a sad-but-defiant lift, final section strips back to solo vocal and sparse keys for a raw emotional finish, sad, female vocals
3:23

Built Like Stone
v4.5-all
rap, Moody piano and airy synth pads under female vocals that drift between melodic hooks and confessional rap; verses stay intimate and close-mic’d, then the chorus swells with stacked harmonies and heavy low-end hits for a sad-but-defiant lift, final section strips back to solo vocal and sparse keys for a raw emotional finish, sad, female vocals
4:45

Roses For One
v4.5-all
rap, Dark, cinematic K-pop with female vocals trading lines in the verses, close and intimate over deep sub-bass, muted drums, and airy synth pads, Pre-chorus slowly swells with strings and distant choirs, then a heavy, dramatic chorus slams in with pounding beats, sharp orchestral stabs, and layered harmonies, Second chorus adds high ad-lib runs and octave-doubled topline for impact, final hook strips back to voice and strings for a haunting outro, orchestral, emotional, pop, female vocals, slow, k-pop, dramatic, deep, beats
3:13

Paper Towns In My Head
v4.5-all
female vocals, full of feelings, sad but powerful, sad piano, beautifull, full of feelings, sad, catchy, so beautiful, made for stage, emotional, makes you cry, cutting deep, disney, can't catch me now from olivia rodrigi
4:01

Hate Myself
v4.5-all
Intimate sad piano ballad with female vocals; close, breathy tone in the verses, then a fiercer belt in the chorus, Sparse left-hand chords and a fragile right-hand melody that swells into wide, cinematic voicings on the hook, Subtle reverb and distant vocal doubles on key lines to heighten the ache, then a final, almost-whispered refrain over nearly bare piano for a raw, lingering finish, female vocals, sad
4:37

3:07

Nie dein
v4.5-all
rap, Moody piano and airy synth pads under female vocals that drift between melodic hooks and confessional rap; verses stay intimate and close-mic’d, then the chorus swells with stacked harmonies and heavy low-end hits for a sad-but-defiant lift, final section strips back to solo vocal and sparse keys for a raw emotional finish, sad, female vocals
2:11

Midnight Drift Kill
v4.5-all
Aggressive electronic phonk with distorted 808-style low end, crunchy cowbells, and eerie chopped vocal stabs, Dark techno pulse at 138-142 BPM, sidechained pads washing under a gritty lead synth, Verses sit in a tight, muttered pocket; chorus explodes with shouted gang-style hooks and wide stereo reverb tails, Male vocals, saturated and slightly pitched for menace, techno, beats
