MJ LISTENING PARTY - JAN 4TH.2026

Detroit Techno, Hypnotic Techno, B Dorian, 160 Bpm, 4/4, synths, kick drown, electronic effects, distortions, ambient soundscape, female-voice, groove

Modern French post-punk / dance-rock built on restraint rather than release, Steady mid-tempo groove with no build and no drop, Angular, repetitive guitar figures and a tight, forward bassline maintain motion without melody, Drums are dry and disciplined, avoiding fills or dramatic transitions, Vocals are delivered in calm, declarative Parisian French with minimal inflection and no chorus lift; the voice states rather than emotes, Instrumental sections simply continue the groove with no variation, functioning as pauses rather than features, The track remains cool, nocturnal, and emotionally settled throughout, creating tension through repetition and space rather than escalation

Genre-Fluid Chaos, Happy Hardcore meets Industrial Metal, Ska-Punk Offbeat Guitars, Aggressive Novelty Vocals, Tempo Instability 140-180-220 BPM, Glitchy 8-bit Floppy Drive Leads, Distorted Tuba Bass, NO SLOP

This post-punk/synth-tinged track moves at 120 BPM, driven by tom-heavy mid-tempo drums and a warm melodic bass, Guitars play arpeggios soaked in chorus for airy textures, supported by soft analog pad synths and gentle swells evoking oceanic depth, Expressive baritone vocals float above, with a dreamy, restrained atmosphere, The mix is crisp and balanced, layering subtle psychedelic delays and reverbs for twilight-hued, bittersweet vibes—never muddy, always emotionally taut yet understated, Within the binaural soundscape harmonies soar, and the vocal delivery is even and consistent, ‑lo-fi, ‑cassette hiss, ‑vinyl crackle, ‑tape noise, ‑radio static, ‑distortion artifacts, ‑harsh sibilance, ‑shrill treble, ‑saxophone, ‑brass solos, ‑smooth jazz elements, ‑distorted electric guitars, ‑heavy guitar riffs, ‑metal guitars, ‑rock power chords, ‑shredding guitar solos, ‑glam-metal or stadium-rock energy, ‑hard-rock drums, ‑double-kick drums, ‑live rock kits, ‑raspy rock vocals, ‑scream or growl vocals, ‑theatrical choirs, ‑choir “ahhh” or “ooh” pads, ‑cinematic choral swells, ‑gospel-style backing vocals

evolving hybrid soundscape — begins with clean finger-picked acoustic guitar and spacious ambience, gradually layering in distorted tones, percussive rhythm, and textured electronic movement, mid-section shifts into a groove-driven passage with deep bass and crisp rhythmic pulse, then swells back into intense layered guitars and bright melodic patterns, smooth transitions between warmth, weight, and high-energy motion, wide stereo image, tight low end, clear transient detail, emotional yet forceful progression with full-song structure that builds from calm introduction to explosive finale

Neo-Disco Funk Fusion, Seductive • Playful • Electric • Late-Night Groove, Tempo: 108 BPM Key: A minor, Bass-baritone lead with falsetto harmonies and call-and-response ad-libs, tight low end • bright guitar comping • vocal compression with plate reverb • side-chained synth pads • light tape saturation

A hard-hitting thrash/death metal track with a strong industrial / cyberpunk element, The guitars are using DOD FX86B distortion pedals for a tight, crunchy death metal sound, The drum kit consists of twin 22 inch bass drums, 14 inch snare, tuned deep, a pair of 10 inch tom toms and a series of cymbals and high-hats, The bass is deeply distorted with a Behringer UM300 pedal, Synthesizers are analog Korg MS-20, The vocals are female, growled or shouted, with high pitched shrieks and screams throughout, Effects include glitches, static drops and hard change-ups, all within a groove-driven sound, Mood is dark, violent and menacing, Tempo should be 204 bpm 4:4

Cinematic Noir Rap duo, Ichigo and Papa D collaborate with a slow-burning trap foundation and dual vocal contrast, Ichigo delivers steady, mournful verses with a journalistic cadence—his tone is low, reflective, and emotionally restrained, layered over deep 808s, sparse hi-hats, and echoing snares, His bars are vivid and grounded, painting trauma with clarity and control, Papa erupts with chaotic, poetic energy—his flow is fragmented, percussive, and unpredictable, drenched in distortion and reverb to mirror fractured memory and emotional volatility, Haunting piano loops, reversed synths, and ambient textures drift like smoke, while ghostly vocal samples and silence create tension, The chorus is a ritual chant—“I’m a survivor, not a saint”—delivered with layered group vocals and a street gospel edge, This is survival music: haunted, honest, and heavy, where pain becomes scripture and every bar is a scar that speaks

Theme: Momentum meets reality, recklessness ends, confrontation with self, Mood: Stunned, heavy, reflective aftermath, Energy: Mid-slow, grounded, emotionally raw, Slow-to-mid tempo, ambient post-rock, muted drums, female vocals raw and emotional, cinematic textures, subdued synth pads, heavy atmosphere, reflective, stunned aftermath, feeling of collision or recklessness ending, tension mixed with melancholy • Sparse drums, heartbeat-like percussion • Ambient synths or minimal piano • Vocals intimate, slightly shaken • End with a long decay/fade into silence • Keep tension in the mix, don’t resolve completely

folk, Brutal folk-metal hybrid with hurdy-gurdy drones grinding against 8-string guitars and relentless double-kick, Sections swing between tightly side-chained, glitch-sliced build-ups and catastrophic dubstep drops, with modal hymn motifs cutting through the chaos, Mix is wide, aggressive, and cinematic, punctuated by stutter edits, bass growls, and rising feedback swells, metal, edm, dubstep