5:14
3:31
Indie Folk, male voice, guitars, bass, drums, flute, metals, tambour, percussion
3:49
Traditional slow blues would work beautifully:
• Key: E or A
• Tempo: slow (60–70 BPM)
• 12-bar blues progression
male voice
E chord
E7 | E7 | E7 | E7
A7 | A7 | E7 | E7
B7 | A7 | E7 | B7
Instrumentation
• slide guitar
• acoustic guitar
• harmonica
• brushed snare drum
• very raw vocal
4:39
Indie, slow, keyboard, drums, sax, acoustic guitars…
Am – F – C – G (slow, reflective)
Keep the guitar fingerpicked and minimal in verses; let her voice be intimate, almost whispering, • Chorus can swell slightly with soft synth or strings to underline the emotional lift of “I hold on, I breathe, I fight, ”
• Bridge could be spoken or softly sung to heighten tension and the mother’s fear, • Tempo: slow (around 60–70 BPM) to let each word land
3:09
Slow tempo, mourning blues feel, girl voice, acoustic guitar
Am – F – C – G
4:50
gospel, classical, blues, violin, male vocals, flute, dramatic, male vocals, classical, dramatic, violin, gospel, blues
4:32
gospel, classical, blues, violin, male vocals, flute, dramatic, classical, gospel, dramatic, male vocals, violin, blues
3:26
Indie Folk, male voice, guitars, bass, drums, flute, metals, tambour, percussion
3:28
Classique, male voice, Tonalité : Mi mineur (ou Ré mineur pour plus grave)
Tempo : 66–72 bpm
Intro : Piano seul, accords arpégés
Couplets : Piano + contrebasse légère
Refrain : Ajout des cordes (violons longs, soutenus)
Pont : Modulation vers Sol majeur (lueur d’espoir), puis retour mineur
Final : Ralentissement + dernière phrase presque parlée
3:37
Empreintes
v5.5
Ambiance :
• Tempo lent (70–80 BPM)
• Guitare en arpèges (style fingerpicking)
• Tonalité : G majeur (ou E mineur pour plus de mélancolie)
• Progression principale : G – D – Em – C
Male voice
3:53
If I was There
v5.5
Hip hop/rock/RandB
Tempo & Key
• BPM: 72 (slow, reflective pocket)
• Key: F minor (deep, somber, soulful)
Core Chord Progression (Loop)
Use soft, sustained voicings:
Fm9 – Dbmaj7 – Ab – Eb
• Let chords bleed into each other
• Add subtle reverb + delay tails
• Play slightly behind the beat (human feel)
Male voice
3:33
Minor-key Haitian trap-ballad, midtempo; male vocals, Verses ride over sparse plucks, distant siren FX, and sub-bass pulses; chorus blooms with airy choir pads and layered harmonies, Kick and snare stay steady and heavy, with occasional dropouts under key lines, Bridge strips back to voice and reverb, then final hook comes bigger with call-and-response ad-libs, sleep