Hold Me

Create a 1990s-style romantic end-credits ballad for a tragic love story, The mood is intimate, bittersweet, and deeply emotional, evoking the tenderness of a final goodbye and the ache of love remembered, It should sound timeless and human—simple words carried by pure feeling, The arrangement should feature a full live orchestra supporting a gentle, heartfelt female vocal performance, The pacing should be slow and deliberate, gradually building from quiet reflection to a powerful, emotional release near the end before fading into stillness, The song must feel cinematic and elegant, like the credits theme of a 90s fantasy romance, leaving the listener suspended between sadness and peace

Acoustic guitar only version, male vocals

Intimate, late-night solo male vocal and guitar performance, Haunting, breathy delivery with fragile falsetto, soft crackle in emotional peaks, and tender, floating phrasing, Finger-picked electric guitar with clean tone, gentle reverb, light tremolo shimmer, and occasional natural harmonics, Slow pace, deep pauses, and space for silence to breathe, Mood: aching nostalgia, quiet longing, spiritual stillness, moonlit river melancholy, No percussion, No bass, Organic room sound like a tiny club after midnight — warm air, close mic, soft ambient hum, Subtle dynamics, never loud or busy, Minimalist, reverent, personal, Let every note feel like a confession and every breath feel like a prayer whispered to the dark

Create a slow, emotional piano ballad that sounds like a young man falling apart as he sings, The arrangement should stay minimal — solo piano with faint string swells or ambient pads, nothing polished or produced, The tempo should be around 60 BPM, painfully slow, letting silence hang between phrases, The male vocal must sound fragile, imperfect, and breaking down — shaky breaths, cracked notes, voice straining by the final chorus, Begin calm and restrained, but let the emotion unravel: his voice should tremble, maybe even choke up mid-line, Add subtle reverb to make it feel like he’s in an empty room at night, In the final minute, let the piano drift slightly out of time, like his hands can’t keep steady, No drums, no rhythm section — just voice, piano, and heartbreak, The mood should be devastating, raw, and real — the sound of someone realizing they’ve already lost the person they’re begging to hold them

Create a dark, high-energy hard rock heavy metal song with multiple awesome electric guitars, sick guitar solos, and breathtaking drums, Layer in synth textures or ambient pads with enough juicy to make you bounce through the roof

Slow, moody 1950s crooner jazz ballad (~58–64 BPM) with no swing—just a steady, sighing pulse, Arrangement built around piano playing soft extended chords, upright bass sustaining gentle notes rather than walking, and brush drums whispering time with snare swirls and cymbal shimmers, Add muted trumpet or tenor sax for mournful fills, plus a small string ensemble or vibraphone for warmth and atmosphere, Lead vocal: deep male baritone, intimate and world-weary, recorded close to a vintage ribbon mic—smooth breath control, subtle vibrato, phrasing conversational but aching, Capture that “2 a, m, at the empty bar” tone: quiet, honest, resigned, Mix mono or narrow stereo, warm tube saturation, minimal reverb so the voice feels inches from the listener, Overall mood: wistful, reflective, lonely elegance—Sinatra after the crowd’s gone home