3:57

3:04

3:09

[Style: tokyo city pop, ambient]
[INSTRUMENTATION: Clean electric guitar, Electric Piano, bass, drums, synthesizers]
[Mood: viblant, Atmospheric, Lush, Clean]
[TEMPO: 140 BPM]
2:47

Minimal, experimental mix of rhythmic Kawaii future bass and Jpop at 150-160 BPM, Airy synth stabs, crisp, choppy percussion, and playful glitch elements underpin light Jpop vocals, Insert chanson-style, Harmonium is used to play the accompanying chords, Native French rap bridges sections, blending into the texture
3:49

韃靼(だったん)人の踊りから
v4.5
A laid-back Hiphop, rap and Chillstep fusion at 90bpm, built around lush electric piano chords, Snare rolls and subtle hi-hats float over deep sub-bass, with gliding synth pads filling out the atmosphere, Gentle melodic motifs and minimal beats layer to keep the groove calm and immersive
3:19

野イチゴみたいに冷たい
v4.5
A slowcore, ambient, alternative R&B track unfolds at 95 bpm with airy acoustic guitar picking and languid clean rhythm guitar woven through a lush, reverberant space, Moody bass underscores each section, while subtle, organic percussion pulses softly, maintaining a lyrical, dramatic yet light and romantic atmosphere
3:56

A relaxed 140bpm flow opens with airy, glassy synths and spacious pipe organ chords, layered over a soft TR-808's Jersey Beat with deep kicks and crisp hi-hats, Playful KAWAIIcore vocal chops and sparkly future bass arps cascade gently, all blending into a lush, calming IDM-chillstep palette
3:42

intro and transition : Trumpet with Wah-Wah Pedal Effect
Starts with Cloud rap and alt trap: driving 808s, heavily auto-tuned vocals, glitch techniques, chopped samples, and surreal textures at high intensity, After an 8-bar mood-shifting interlude, the second half shifts to alt R&B with Amapiano rhythms, layered synths, and melodic vocals
Tempo: 150-170BPM
4:31

Nine Out of Ten
v4.5+
A female whispered vocalist delivers gentle lines over deconstructed slowcore: sparse, delayed acoustic guitar pairs with lo-fi percussion, IDM blended Glitch-laced folk drones wander hymns, melody dancing just like melting into amorphous catharsis as textural chaos swells
3:29

[Style]
Avant-garde jazz, acid jazz, Mixolydian mode
[a] 1st Half — 24 bars
Structure: [Verse 8 bars] → [Bridge 4 bars] → [Chorus 12 bars]
Intro: 4 bars of powerful soprano saxophone blowing, followed by a drum/piano/bass fill leading into the first half, The main melody follows the G♯ Mixolydian mode, with the soprano saxophone leading, [Verse 8 bars] stays in G♯ Mixolydian, From [Bridge 4 bars] into [Chorus 12 bars], the saxophone melody modulates in minor thirds:
G♯ Mixolydian → B Mixolydian → D Mixolydian → B Mixolydian, repeating this cycle, The piano and bass backing remain in G♯ Mixolydian throughout, [b] 2nd Half — Improvisation
Begins with a powerful saxophone blow, then moves into an improvised solo, The saxophone continues to modulate in minor thirds just like in the 1st half:
G♯ Mixolydian → B Mixolydian → D Mixolydian → B Mixolydian, repeating, [c] Outro / Fade
Percussion and drums continue while three players add prayer-like vocal phrases, Gradually fade out
3:01

rap, trap, Ambient, Aoustic guitar
[Tempo: 80-95 BPM]
[accoustic guitar]
[Mood: clearly]
3:42

Soukous, Alternative R&B, Deep Bass, [tempo: 160 BPM ]
[mood: brightest and brightest]
[Vocal: Male high tone African native singer style]
[Accent: Lingala-flavored French :
Roll the R softly, not heavily, from the back of the throat
Open vowels (a, o, e slightly wider)
Don't swallow the end of words; pronounce consonants firmly
Rhythm like soukous guitar: “flowing + bouncing”
Closer to chanting than English, a faintly singing French
Example: Sapeur → sapē (u softened)
illumine → illumēn (n softened)
monde → mondū
dignité → dignité (g softened) ]






