5:29
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
5:39
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:33
Brain Candy
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:59
Brain Candy
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:29
Sweet Medicine
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
5:42
Sweet Medicine
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:06
Everlasting Ghost
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:48
Everlasting Ghost
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:49
You Are Here
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:11
You Are Here
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:59
Teeth Like Fire
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:14
Teeth Like Fire
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:26
Take What You Want
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:37
Take What You Want
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:35
Born in 1996
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:42
Born in 1996
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:53
Philosophy Blues
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:24
Philosophy Blues
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:02
This Heaven
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:59
This Heaven
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:55
[Zebrahead]
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:32
[Zebrahead]
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
5:52
Holographic Hotel
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:27
Holographic Hotel
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:53
Lunatic
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
5:34
Lunatic
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:30
Manic Parade
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:13
Manic Parade
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:18
Stars Are Collapsing
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:29
Stars Are Collapsing
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:57
Take a Seat
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:14
Take a Seat
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:05
Close the World
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:36
Close the World
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:51
Mystical Dance
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:30
Mystical Dance
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:59
Another Side
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:15
Another Side
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:59
Downstream
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:59
Downstream
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:59
She Saw Through It
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:52
She Saw Through It
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:59
Never Good Enough
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:54
Never Good Enough
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:27
Fly So High
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:43
Fly So High
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
6:42
Tears on a Bell
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
5:51
Tears on a Bell
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:09
Holes in My Pocket
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length
7:35
Holes in My Pocket
v4.5+
Psychedelic indie rock, 1996-2016 era, swirling guitar textures, analog tape warmth, washed-out reverb, tremolo-drenched chords, baroque pop arrangements, mellotron flutes and strings, understated rhythm section, male falsetto vocals, layered harmonies, Nigel Godrich-inspired production, dynamic shifts from hushed verses to explosive choruses, tape saturation, organic room ambience, melancholic yet euphoric mood, introspective lyrical themes, 4-6 minute song length