1:09

electronic, bass synths, drum and bass, clean voice, dramatic, uptempo
3:44

Opens with academic spoken-word over glitchy synth textures, Angular math rock guitars interlock with precise, motorik krautrock drums and pulsing synth arpeggios, Verses: German narration, syncopated staccato piano, Choruses erupt with dynamic piano, tight bass, and assertive male vocals, all sustaining relentless drive, Closes on stark narration and fading synth
2:29

Wir warten...
v4.5-all
This 1920s swing jazz track kicks off with syncopated percussion, finger snaps, and upright bass beneath sparse, rhythmic German vocals and scattered laughter, Verses add bright brass and clarinet; the chorus bursts with handclaps, brass stabs, and playful FX, A lively bridge uses unpredictable fills and creative delay effects, while the outro fades with layered vocal snippets and echoing percussion for an animated, vintage finish
3:31

Dreggsagg_v1.2 (Cover)
v4.5-all
The track opens with tight, live drums and crisp fingerstyle bass, anchoring the groove at 96bpm, Layered guitars and rich vocal harmonies create depth in Dolby surround, The deep male rap vocals carry a strong North German accent, blending seamlessly with soulful R&B female backing vocals
3:54

Säge, Kette, Hand....(version1)
v4.5-all
A playful German country track in A minor, led by an expressive male vocal, Verses feature fingerpicked acoustic guitar, upright bass, subtle accordion, and brushed snare, The chorus bursts with a lively choir harmony, added zither, and handclaps for warmth—no synths throughout
2:33

Klopapier (Volkslied Cover)
v4.5-all
A male German chanson singer from the 1920s performs live, rhythmically accompanying military march music, He delivers brilliant vocals with high-quality recording precision, The audience joins in, singing along to the repetitive parts, The song masterfully blends a happy tone with ironic and sarcastic undertones, incorporating elements of jazz and swing to create a harmonically complex composition
3:50

Viel Grau (rock edition)
v4.5-all
The track fuses German rap delivered in a deep voice over a driving 2-step groove, interwoven with classic 80s hip hop drum patterns and gritty turntable cuts, Layered glitch textures, bursts of digital noise, and distorted rock guitars punch through the mix, while tightly syncopated drumstep fills energize each transition, The arrangement evolves dynamically, shifting between stripped-back, glitchy verses and explosive, guitar-laced choruses, maintaining a kinetic, genre-blurring soundscape from start to finish
3:08

3Ecken (7army mix)
v4.5-all
This glitch hop track merges gritty, syncopated beats at ~120 BPM with psychedelic guitar licks and chill jazz-rap keys, Female vocals are gentle but manipulated by wild glitch effects and pitch shifts; odd time signatures and swirling synth lines offer surprises, Ear candy—tiny percussive bursts, reversed samples, and filtered pads—keeps the texture captivating and unpredictable
4:10

3Ecken (house mix)
v4.5-all
Laid-back glitch hop at 130 BPM opens with filtered jazz chords and a droning sub-bass, Male vocals alternate between gentle and deep registers, layered with stuttering glitch effects for unpredictability, Jazz-rap phrasing cuts through syncopated drums; ear candy and surprise FX jump out in the breakdown, adding offbeat textures
3:37

Sonne un' Stich
v4.5-all
Psychedelic Rock, Jazz Fusion, Experimental Rock, Jazz Rap, relaxed, sharp, syncopation, laid-back, sophisticated, Bass Vocal Fry, Male singer, Male Voice, gentle voice, 80-120 bpm, male voice
3:18

Tasse Kaffee (tribut)
v4.5-all
A musical composition blending Krautrock, Post-Punk, and Indie genres, this piece creates a nuanced sonic landscape, The mood oscillates between relaxation, motivation, and an awakening intensity, delivered through a mezzo piano dynamic with a subtly excited undercurrent, Instrumentally, the track features a muted kick drum, brushed snare, and closed hi-hat providing rhythmic complexity, while piano, alt-saxophone, and triangle add textural depth, The acoustic guitar serves as the lead instrument, supported by electric bass, creating a rich harmonic foundation, Vocally, the performance is distinguished by a dramatic bass register, with a raspy quality sung in German and characterized by a distinctive Hamburg accent, The tempo dynamically shifts from the measured Adagio to the more energetic Allegro, creating a compelling musical journey that challenges genre expectations and invites listeners into a unique auditory experience
1:54

Alle meine.. (bubble bath)
v4.5-all
GLITCH HOP, Glitch Effect on Voice, Jazz Rap, Drone and Deep Bass, ear candy, laid-back, sharp, Surprise, Weird, Male Voice, gentle voice, bass voice, 130 BPM
3:22

Alle meine... (growling depth)
v4.5-all
This glitch metal/thrash track opens with jittery chopped guitars and glitched vocals, quickly joined by frenetic drums and syncopated bass riffs, Verses rely on staccato glitch effects and guttural vocal fry, building to massive, distorted guitar drops, Aggressive, low male growls dominate, layered atop industrial effects and wild glitch edits in the choruses, Each breakdown features pitch-bent electronics and sudden tempo shifts, giving the whole song an unpredictably joyful madness rooted in D major
4:32

Open with a raw, charismatic spoken intro—no backing, highlighting the dialect, Guitars crash in under a pounding 6/8 hullabaloo groove, snarling with distortion as bass locks in the rhythmic drive, Male bass leads rowdy verses; raucous male choir responses echo, all in gritty northern German lilt, Accordion and pounding floor toms weave shanty flair with metal heft, The gang choruses erupt over rollicking motifs, tempo pulsing in the upper range, Live atmosphere, call-and-response hooks, and audacious guitar fills make each section feel rowdy and infectious
4:24

Opening with a solitary, rhythmically spoken word in German, the track springs to life with a tight upright bass and bright brass stabs, Syncopated jazz drums in 6/8 swirl into punchy horn lines, layered with playful piano runs, while funk guitar riffs and record scratches punctuate the groove, Verses flow with melodic hip hop phrasing; choruses explode with a cheeky, tight-knitted joyful female choir call-and-response, Live, lively textures and crisp dynamics dominate as you move between sassy rap verses and raucous, swinging jazz rap hooks
6:05

Sechs & Zwanzig
v4.5-all
Liquid Dub Step, Glitch Hop, trip-hop, Circular Breathing, 120-160 BPM, Vocal Fry, hoarse voice, energetic, forward, uplifting, evolving, glitch-effect, sharp, soulful
3:44

Eene Meene (Gospel)
v4.5-all
A modern gospel track led by a triumphant piano and swelling organ, anchored by soulful drums and clean bass, Gospel choir takes center stage with rich call-and-response in German, contrasted by glitched, vocoder-tinged lead vocals for a striking textural twist
5:34

Viking Gardener
v4.5-all
Viking pagan folk, Nordic bardcore, shamanistic war chant, German accent vocals, syllable-timed delivery, acoustic battle hymn, tribal drums, frame drum pounding, hurdy-gurdy drone, throat singing undertones, Mongolian overtone influences, tagelharpa, bone flute, male baritone to guttural roar, raw emotional delivery, group chanting responses, 4/4 time, D minor, 100 BPM building to 120, ritualistic crescendos, bonfire atmosphere, epic cinematic folk, aggressive dynamics, cathedral reverb on choir, dry close-mic on lead, war cry energy, ‑Modern pop, ‑EDM, ‑synthesizers, ‑auto-tune, ‑pitch correction, ‑trap beats, ‑808 bass, ‑drum machines, ‑electric guitar, ‑clean production, ‑polished vocals, ‑sweet harmonies, ‑major key, ‑upbeat cheerful, ‑radio friendly, ‑jazz, ‑swing, ‑country, ‑reggae, ‑dubstep, ‑lo-fi bedroom, ‑overcompressed, ‑children's vocals, ‑whisper vocals, ‑breathy delivery, ‑smooth R&B, ‑falsetto, ‑operatic soprano, ‑robotic vocoder, ‑American accent, ‑British accent
5:52

New Species Of The Swamp [GER]
v4.5-all
Style: Cajun swamp blues, bayou, dirty slide guitar, slow shuffle
Tempo: 65 BPM
Mood: Creeping, sarcastic, gritty, humorous menace, laid-back
Vocal style: Male vocal, deep and raspy, strong Cajun accent, lazy drawl, spoken-sung phrasing, behind the beat
Instrumentation: Slide guitar, tremolo guitar, swampy bass, loose drums, harmonica accents
Production: Raw, humid, live-room feel, minimal polish, binaural 3D audio, spatial audio, immersive audio, head-tracked 360° sound, ultra-wide stereo, deep soundstage, tall soundstage, sounds above/below, sounds rotating around the head

