My favorite songs by The Soother

Female Voice, Rock / Blues-Rock / Neo-Classical Shred Mood: Emotional, soaring, and dynamic—shifting between: Delicate introspection (clean tones, reverb-kissed arpeggios, whispered bends) Fiery intensity (harmonized shred, dive-bombing whammy cries, volcanic climaxes) Sound Palette: Lead Guitar Tone: Smooth, vocal-like (liquid legato, controlled feedback, weeping bends) EQ: Mid-forward, with glassy highs and a tight low-mid growl Effects: Touch of tape delay, plate reverb, and dynamic compression for sustain Rhythm Guitars: Crisp, punchy crunch Amp Drive: Just enough breakup to bark, but stays articulate and earthy Bass: Warm, melodic, and supportive, mirroring lead lines, adding harmonic depth Drums: Organic and dynamic—swings between tight blues-rock grooves and explosive, jazzy fills Playing Style: Lead Guitar: Bluesy bends (wide, vocal-like vibrato) Fast alternate picking (precise) Lyrical legato, Dissonant tension Harmonies: Twin-guitar harmonies, modal interplay

Female Voice, Rock / Blues-Rock / Neo-Classical Shred Mood: Emotional, soaring, and dynamic—shifting between: Delicate introspection (clean tones, reverb-kissed arpeggios, whispered bends) Fiery intensity (harmonized shred, dive-bombing whammy cries, volcanic climaxes) Sound Palette: Lead Guitar Tone: Smooth, vocal-like (liquid legato, controlled feedback, weeping bends) EQ: Mid-forward, with glassy highs and a tight low-mid growl Effects: Touch of tape delay, plate reverb, and dynamic compression for sustain Rhythm Guitars: Crisp, punchy crunch Amp Drive: Just enough breakup to bark, but stays articulate and earthy Bass: Warm, melodic, and supportive, mirroring lead lines, adding harmonic depth Drums: Organic and dynamic—swings between tight blues-rock grooves and explosive, jazzy fills Playing Style: Lead Guitar: Bluesy bends (wide, vocal-like vibrato) Fast alternate picking (precise) Lyrical legato, Dissonant tension Harmonies: Twin-guitar harmonies, modal interplay

Electric Guitar-Centric Version – Slow-Burning, Atmospheric, Blues-Jazz Fusion, Blues-Rock Melodic Phrasing → Progressive Metal Shred → Balalaika Traditional Interlude, Style: Moody, reverb-drenched electric guitar leads, ambient textures, soaring solos, dynamic builds, Tone Guide: Blues Rock: Tube screamer + PAF humbuckers (semi-clean breakup), Metal Shred: High-output pickups → pitch-black delay (1/4 dotted notes), Traditional: Piezo acoustic sim + EQ scoop for balalaika effect, Key Guitar Techniques Used: Volume swells (for ambient textures) Slide guitar (for emotional, vocal-like cries) E-bow (for infinite sustain) Reverse delay (for experimental bridge) Harmony leads (for chorus climaxes) Wah-wah & tremolo (for dynamic shifts)

Electric Guitar-Centric Version – Slow-Burning, Atmospheric, Blues-Jazz Fusion, Blues-Rock Melodic Phrasing → Progressive Metal Shred → Balalaika Traditional Interlude, Style: Moody, reverb-drenched electric guitar leads, ambient textures, soaring solos, dynamic builds, Tone Guide: Blues Rock: Tube screamer + PAF humbuckers (semi-clean breakup), Metal Shred: High-output pickups → pitch-black delay (1/4 dotted notes), Traditional: Piezo acoustic sim + EQ scoop for balalaika effect, Key Guitar Techniques Used: Volume swells (for ambient textures) Slide guitar (for emotional, vocal-like cries) E-bow (for infinite sustain) Reverse delay (for experimental bridge) Harmony leads (for chorus climaxes) Wah-wah & tremolo (for dynamic shifts)

A Blues-Djent-Balalaika Fusion Hymn, Tuning/Textures: Slide Guitar (Open G): Drenched in tape delay, playing microtonal balalaika-style licks 8-String Djent (Drop E): Surgical palm mutes under balalaika arpeggios Russian Folk Elements: Fretless guitar mimicking balalaika tremolo, quarter-tone bends Cultural Collision: Delta slide meets balalaika microtones over Meshuggah-grade polyrhythms Dynamic Theology: The lyrics’ humility contrasts with the instrumental grandeur Textural Storytelling: The fretless guitar “weeps” while djent represents life’s harshness

Female Voice, Instrumental Rock / Blues-Rock / Neo-Classical Shred Mood: Emotional, soaring, and dynamic—shifting between: Delicate introspection (clean tones, reverb-kissed arpeggios, whispered bends) Fiery intensity (harmonized shred, dive-bombing whammy cries, volcanic climaxes) Sound Palette: Lead Guitar Tone: Smooth, vocal-like (liquid legato, controlled feedback, weeping bends) EQ: Mid-forward, with glassy highs and a tight low-mid growl Effects: Touch of tape delay, plate reverb, and dynamic compression for sustain Rhythm Guitars: Crisp, punchy crunch Amp Drive: Just enough breakup to bark, but stays articulate and earthy Bass: Warm, melodic, and supportive, mirroring lead lines, adding harmonic depth Drums: Organic and dynamic—swings between tight blues-rock grooves and explosive, jazzy fills Playing Style: Lead Guitar: Bluesy bends (wide, vocal-like vibrato) Fast alternate picking (precise) Lyrical legato, Dissonant tension Harmonies: Twin-guitar harmonies, modal interplay

Female Voice, Instrumental Rock / Blues-Rock / Neo-Classical Shred Mood: Emotional, soaring, and dynamic—shifting between: Delicate introspection (clean tones, reverb-kissed arpeggios, whispered bends) Fiery intensity (harmonized shred, dive-bombing whammy cries, volcanic climaxes) Sound Palette: Lead Guitar Tone: Smooth, vocal-like (liquid legato, controlled feedback, weeping bends) EQ: Mid-forward, with glassy highs and a tight low-mid growl Effects: Touch of tape delay, plate reverb, and dynamic compression for sustain Rhythm Guitars: Crisp, punchy crunch Amp Drive: Just enough breakup to bark, but stays articulate and earthy Bass: Warm, melodic, and supportive, mirroring lead lines, adding harmonic depth Drums: Organic and dynamic—swings between tight blues-rock grooves and explosive, jazzy fills Playing Style: Lead Guitar: Bluesy bends (wide, vocal-like vibrato) Fast alternate picking (precise) Lyrical legato, Dissonant tension Harmonies: Twin-guitar harmonies, modal interplay

Sound & Musical Style: 1, Atmosphere & Texture: Intro: A shamisen plays a lonely melody, slowly joined by clean, fingerpicked guitar in an open tuning (Drop A#), Field recordings of wind through abandoned buildings, creaking metal, and distant birds, Glitchy, pulsing synths mimic radiation’s unseen presence, 2, Dynamics & Structure: Verse 1: Odd-meter groove (7/4) with jazzy, dissonant chords, singing in a mournful yet warm tone, Pre-Chorus: A sudden drop to silence, then a single, distorted bass note pulses like a heartbeat—plays microtonal bends, Chorus: Post-metal crescendo, with vocals soaring over open chords and harmonized leads, Bridge: A shamisen and guitar duel—traditional vs, modern, decay vs, growth—over a polyrhythmic djent riff, Outro: The shamisen returns, fading into the sound of rain on rusted steel, 3, Guthrie’s Solo: A fusion of Eastern phrasing and legato, weaving between the shamisen’s notes—no shredding, just aching melody

Blues-Rock / Neo-Classical Shred / Djent Fusion, Mood: Soul-crushing gratitude – shifts between smoky blues lament and fiery neo-classical fury, MUSICAL DNA: Blues-Rock: Bent-note sobs, Wurlitzer swells, gospel choirs Neo-Classical: Sweep arpeggios, harmonic minor fury, contrapuntal harmonies Djent Fusion: Polyrhythmic chugs, mechanical precision under blues chaos Dynamics: From whispered prayers to orchestral djent explosions Thematic Depth: Lyrics mirror the poem’s tension of entitlement vs, gratitude Shred Innovation: Qur’anic maqam scales fused with Texas blues bends

Prog Metal / Psychedelic Djent / Space Blues, Lush, atmospheric verses (Floydian soundscapes, haunting vocal harmonies), Gargantuan djent grooves (Periphery-style syncopation, low-tuned chugs), Prog-metal solos with bluesy anguish (Gilmour-esque bends meets Tosin Abasi's style shred), Trippy, existential lyrics drenched in alien conspiracy, Atmosphere: Floydian reverb/delay walls meet djent precision, Dynamics: Clean verses explode into metallic fury (like The Wall’s climaxes), Thematic Depth: Lyrics blend conspiracy, sci-fi, and existential dread

Progressive Death/Doom Metal/Prog-Djent Textures/Symphonic/Retro Elements/Female Vocal Extremes Opeth’s "Bleak" meets TesseracT’s "Concealing Fate", Deep Purple’s organ dramatics → smeared with Still Life-era acoustic torment, Djent chugs that feel like "Blackwater Park"’s bridge collapsing

Instrumental, A Guitar-Centric Journey Through Exotic Melodies & Technical Mastery Musical Style: Genre: Progressive Fusion / Shred Neo-Classical + World Music Influences Tone: Exotic, Lush, and Highly Expressive Techniques: Tapping, Hybrid Picking, Whammy Bar Harmonics, Odd-Meter Phrasing Gear/Tone Guide: Guitar: *Strandberg 8-string* (fanned frets for extended range) Effects Chain: Pitchfork → *Boss SY-200* (synth pad layers) → Strymon Timeline (reverse delay) Amp Sim: Neural DSP Archetype: Nolly (cleans) + Fortin Nameless (high gain)

Acoustic hard rock/prog-djent/blues-rock with a powerful female voice, Style: Acoustic Hard Rock / Prog-Djent / Blues-Rock Vocal: Female (Lzzy Hale / Amy Lee / Beth Hart vibes) ✅ Blues-Rock Soul – Bent notes, vibrato, minor pentatonic licks, ✅ Prog-Djent Complexity – Odd time signatures (7/8, polyrhythms), ✅ Acoustic Hard Rock Grit – Layered guitars (clean + heavy), ✅ Female Vocal Power – Soft verses → belted choruses → haunting harmonies

Blues-Rock Ballad w/ Neoclassical Shred – Raw Emotion Style, Female Voice: The Soulful Wail, Controlled Cracks: Let the voice break on sustained highs, Gospel Runs: Flip into melismatic flourishes, Head Voice to Belt: Start breathy, then explode, Emotional Weapons Used: Blues Clichés Turned Tragic "Whispered" lyrics cut by pinch harmonics Slide guitar mimicking choked tears Neoclassical Agony Diminished sweeps = mental spirals Harmonic minor = "unresolved" longing Dynamic Punches Sudden silence before "rain" Feedback as unspoken words Vibe: If Gary Moore's esque covered a Chopin's style nocturne on a Fender Strat during a thunderstorm

Female Voice, Rock / Blues-Rock / Neo-Classical Shred Mood: Emotional, soaring, and dynamic—shifting between: Delicate introspection (clean tones, reverb-kissed arpeggios, whispered bends) Fiery intensity (harmonized shred, dive-bombing whammy cries, volcanic climaxes) Sound Palette: Lead Guitar Tone: Smooth, vocal-like (liquid legato, controlled feedback, weeping bends) EQ: Mid-forward, with glassy highs and a tight low-mid growl Effects: Touch of tape delay, plate reverb, and dynamic compression for sustain Rhythm Guitars: Crisp, punchy crunch Amp Drive: Just enough breakup to bark, but stays articulate and earthy Bass: Warm, melodic, and supportive, mirroring lead lines, adding harmonic depth Drums: Organic and dynamic—swings between tight blues-rock grooves and explosive, jazzy fills Playing Style: Lead Guitar: Bluesy bends (wide, vocal-like vibrato) Fast alternate picking (precise) Lyrical legato, Dissonant tension Harmonies: Twin-guitar harmonies, modal interplay

Female Voice, Instrumental Rock / Blues-Rock / Neo-Classical Shred Mood: Emotional, soaring, and dynamic—shifting between: Delicate introspection (clean tones, reverb-kissed arpeggios, whispered bends) Fiery intensity (harmonized shred, dive-bombing whammy cries, volcanic climaxes) Sound Palette: Lead Guitar Tone: Smooth, vocal-like (liquid legato, controlled feedback, weeping bends) EQ: Mid-forward, with glassy highs and a tight low-mid growl Effects: Touch of tape delay, plate reverb, and dynamic compression for sustain Rhythm Guitars: Crisp, punchy crunch Amp Drive: Just enough breakup to bark, but stays articulate and earthy Bass: Warm, melodic, and supportive, mirroring lead lines, adding harmonic depth Drums: Organic and dynamic—swings between tight blues-rock grooves and explosive, jazzy fills Playing Style: Lead Guitar: Bluesy bends (wide, vocal-like vibrato) Fast alternate picking (precise) Lyrical legato, Dissonant tension Harmonies: Twin-guitar harmonies, modal interplay

A Blues-Djent-Balalaika Fusion Hymn, Tuning/Textures: Slide Guitar (Open G): Drenched in tape delay, playing microtonal balalaika-style licks 8-String Djent (Drop E): Surgical palm mutes under balalaika arpeggios Russian Folk Elements: Fretless guitar mimicking balalaika tremolo, quarter-tone bends Cultural Collision: Delta slide meets balalaika microtones over Meshuggah-grade polyrhythms Dynamic Theology: The lyrics’ humility contrasts with the instrumental grandeur Textural Storytelling: The fretless guitar “weeps” while djent represents life’s harshness

A Hypnotic Fusion of Jazz-R&B, Glitchy Dangdut House & Sultry Vocals – Like "Portishead's style Meets Koplo in a Smoke-Filled Lounge", Jazz-R&B = Sensual, smoky vibes, Dangdut Koplo = Unhinged, rhythmic chaos, Glitch Hop = Modern, unpredictable edge, House Remix = Dancefloor hypnosis, That Sinden High Note = Pure drama

A blazing fusion of speed metal fury, djent brutality, and '90s-style melodic sorrow, blending speed metal shred, djent grooves, and soaring melodic hooks into a powerful, emotional metal anthem, Speed Metal Fury: Blazing riffs mirror her relentless climb, Djent Grooves: Crushing, uneven rhythms = the mountain’s indifference, '90s Melodic Anthem: Huge choruses = global grief & viral outcry, Prog Chaos: Odd-time solos = desperate search efforts

A blazing fusion of speed metal fury, djent brutality, and '90s-style melodic sorrow, blending speed metal shred, djent grooves, and soaring melodic hooks into a powerful, emotional metal anthem, Speed Metal Fury: Blazing riffs mirror her relentless climb, Djent Grooves: Crushing, uneven rhythms = the mountain’s indifference, '90s Melodic Anthem: Huge choruses = global grief & viral outcry, Prog Chaos: Odd-time solos = desperate search efforts

A genre-blending epic merging Shred Metal, J-Pop, Jazz Fusion, and Electronic Glitch—with lyrics! Guitar: Use harmonic minor + Phrygian dominant scales for leads, Vocals: Blend J-pop clarity with metal aggression (see Babymetal's style), Production: Layer organic instruments with glitchy FX (e, g, Iglooghost)

greg howe djent, jazz-fusion metal, nocturne but heavy, polyrhythmic legato, 8-string fusion, instrumental shred 🎛️ Production Notes for Suno AI Guitar Tone: *"Greg Howe’s Ibanez + Djent DI: Warm fusion leads meets tight 8-string chugs"* Bass: "Fretless for slides, distorted for Periphery-style grit" Drums: "Jazz-fusion meets Meshuggah's style: Ghost notes → blast beats"

Genre: the ultimate "sad shred" guitar instrumental, Neoclassical Shred / Progressive Metal / Exotic Fusion Vibe: A weeping, virtuosic guitar journey through loneliness and hidden beauty, a Marty Friedman-style electric guitar-centric instrumental, the song would transform into a neo-classical, emotionally charged shred epic—think "Tearful Confession's style" meets "Dragon’s Kiss's style" with modern djent/prog undertones, Techniques Used: ✔ Exotic Scales (Phrygian dominant, Harmonic minor) ✔ Vocal-Like Bends (Mimicking the "sadness" of the poem) ✔ Contrast (Brutal riffs vs, delicate melodies) ✔ Hybrid Picking (For clean + distorted layers)

Mourning Prog-Djent w/ Japanese Elegy Elements, Female Voice: The Soulful Wail, Controlled Cracks: Let the voice break on sustained highs, Gospel Runs: Flip into melismatic flourishes, Head Voice to Belt: Start breathy, then explode, Emotional Weapons Used: Blues Clichés Turned Tragic "Whispered" lyrics cut by pinch harmonics 悲劇のサウンドデザイン (Grief Soundscaping): Traditional Instruments as Ghosts: Koto: Played with a violin bow for haunted sustain Shakuhachi: Overblown to sound like choked sobs Modern Aggression as Pain: Guitar Harmonics: Mimic higurashi (evening cicadas) dying mid-song Drums: Taiko hits trigger earthquake sub-bass Vocal Betrayal: Verse: Enka-trained purity Chorus: Autotune glitches – symbolizing lost linguistic roots

Genre: Prog Djent/Blues-Inferno x Japanese Neo-Traditional, Female Voice: The Soulful Wail, Controlled Cracks: Let the voice break on sustained highs, Gospel Runs: Flip into melismatic flourishes, Head Voice to Belt: Start breathy, then explode, Emotional Weapons Used: Blues Clichés Turned Tragic "Whispered" lyrics cut by pinch harmonics Slide guitar mimicking choked tears Neoclassical Agony Diminished sweeps = mental spirals Harmonic minor = "unresolved" longing Instrumentation Alchemy: Traditional: Shamisen: Replaces guitar solos (played with pick for djent attack) Taiko Drums: Double-kick syncopation Shakuhachi: Bluesy microtonal bends Modern: 8-String Guitar: Detuned to drop E for "earthquake" lows Neoclassical Shred: Yngwie meets Bach on a biwa Production: Vocal Layers: Enka vibrato + black metal screams Spatial Effects: Reverb mimics shōji screens sliding shut

Genre: Prog Djent/Blues-Inferno x Japanese Neo-Traditional, Female Voice: The Soulful Wail, Controlled Cracks: Let the voice break on sustained highs, Gospel Runs: Flip into melismatic flourishes, Head Voice to Belt: Start breathy, then explode, Emotional Weapons Used: Blues Clichés Turned Tragic "Whispered" lyrics cut by pinch harmonics Slide guitar mimicking choked tears Neoclassical Agony Diminished sweeps = mental spirals Harmonic minor = "unresolved" longing Instrumentation Alchemy: Traditional: Shamisen: Replaces guitar solos (played with pick for djent attack) Taiko Drums: Double-kick syncopation Shakuhachi: Bluesy microtonal bends Modern: 8-String Guitar: Detuned to drop E for "earthquake" lows Neoclassical Shred: Yngwie meets Bach on a biwa Production: Vocal Layers: Enka vibrato + black metal screams Spatial Effects: Reverb mimics shōji screens sliding shut

A Gothic Djent-Blues/Jazz Fusion Epic, Female vocalist who can embody gothic blues sorrow, djent aggression, and jazz fusion sophistication, GENRE HYBRID BREAKDOWN: Blues - The raw human ache (slide guitar, whiskey-soaked vocals) Djent - The mechanical cruelty of social games (polyrhythmic chugs) Jazz Fusion - The chaotic truth beneath (odd-time walking bass) Neoclassical - The tragic grandeur (diminished sweeps, cello counterpoint) PRODUCTION NOTES: Record the vocals through an actual 1930s microphone Use a real wine glass shatter (slowed to 1/4 speed) Have the final chord feedback into Morse code for "SOLUS" (Latin for "alone")

Rock / Blues-Rock / Neo-Classical Shred, Mood: Heart-wrenching yet triumphant—shifting between delicate piano melodies and fiery guitar solos, Musical Composition Breakdown 1, Intro Neo-Classical: A minor arpeggios (think Ludovico Einaudi's style meets Yngwie Malmsteen's style), Blues Infusion: Slight bent-note grace notes on guitar harmonics, 2, Verse 1 (Clean Guitar Arpeggios) Blues-Rock: B♭m → G♭maj7 → D♭m7 → F7 progression with slight delay, Vocals: Soft, intimate, 3, Pre-Chorus (Tension Build) Prog-Djent: 0-0-0-12-10-0 muted chugs under bluesy bends, Vocals: Grittier, more desperate, 4, Chorus (Neo-Classical Shred) Guitar: Harmonized minor scales, Vocals: Belting with choir-like layers, 5, Bridge (Instrumental Chaos → Beauty) Part 1: 7/8 djent groove with dissonant chords, Part 2: Tapping runs into sweep-picked arpeggios, 6, Outro (Piano Fade) Emotional Ambiguity: Ends on A minor add9 (unresolved, like lingering grief)

A Djent-Maqam Fusion of Agony in B♭ Minor, Harmony: B♭ minor + Maqam Hijaz = maximum Middle Eastern despair, Rhythm: 5/8 vs, 13/16 polyrhythms mimic love’s irrational persistence, Production: Granular vocal glitches = memories fragmenting, 27Hz sub-bass = primal, chest-caving grief, Reverse ney flute = time flowing backward (to when love still lived), Guitar Choice: 8-String (Baritone) in Drop A# (A#-F-A#-D#-G-C-F-A#) Fretless Conversion (for microtonal maqam slides) Sustainiac Pickup (for infinite, ghostly drones) Tone & Processing: Amp: Neural DSP Nolly (for djent precision) + Mesa Boogie Mark V (for midrange wail) Pedals: Digitech Whammy DT (for octave-doom drops) EHX Freeze (to sustain chords into synthetic pads) Boss PS-6 Harmonist (for maqam quarter-tone harmonies) Effects Chain: TSE X50 (tight djent chugs) → ValhallaDelay (tape echoes) → Glitchmachines Fracture (bitcrushed stutters) Oud Tuning: C# F# B E A D (Arabic Sikah tuning) Ney Flute Key: D# Ney (for B♭ minor maqam

A Progressive Djent-Maqam Funeral in D Minor, Funeral Dirge in D Minor / Maqam Hijaz Fusion, Vocals: Layer whispers, growls, and autotuned sobs (formant-shifted down -20% for demonic grief), Guitars: Bow the 8-string for cello-like drones, add reverse reverb (like memories dissolving), Rhythm: Dotted 32nd-note delays on snares (echoes = ghosts clapping), Vocal Chain: Sing lying on the floor (to restrict diaphragm = choked delivery), Run through a granular synth (real-time glitches = memory corruption), Guitar Tone: Bow your 8-string with a cello bow, detuned to Drop E (subsonic grief), Add bitcrush (like the audio is decaying), Mastering: Cut all frequencies above 12kHz (to simulate hearing loss from crying), Alternate left/right channels by 15ms (disorienting = emotional vertigo)

Rock / Blues-Rock / Neo-Classical Shred, Mood: Heart-wrenching yet triumphant—shifting between delicate piano melodies and fiery guitar solos, Musical Composition Breakdown 1, Intro (Piano & Strings) Neo-Classical: A minor arpeggios (think Ludovico Einaudi's style meets Yngwie Malmsteen's style), Blues Infusion: Slight bent-note grace notes on guitar harmonics, 2, Verse 1 (Clean Guitar Arpeggios) Blues-Rock: Em – C – G – D progression with slight delay, Vocals: Soft, intimate, 3, Pre-Chorus (Tension Build) Prog-Djent: 0-0-0-12-10-0 muted chugs under bluesy bends, Vocals: Grittier, more desperate, 4, Chorus (Neo-Classical Shred) Guitar: Harmonized minor scales, Vocals: Belting with choir-like layers, 5, Bridge (Instrumental Chaos → Beauty) Part 1: 7/8 djent groove with dissonant chords, Part 2: Tapping runs into sweep-picked arpeggios, 6, Outro (Piano Fade) Emotional Ambiguity: Ends on A minor add9 (unresolved, like lingering grief)

A Gothic Djent-Blues Fusion Epic, Guitar Alchemy: Verse 1: Nashville-tuned 12-string through rotary speaker Breakdown: Ebow on 7th string with pitch-shifted delay Solo: Violin bow on fretboard + ring modulator Vocal Possession: Chorus: AI-generated Bessie Smith ghost harmonies Bridge: Throat-singing overtone dubs Haunted Rhythm Section: Bass: Distorted Upright run through modular synth Drums: Sampled 1950s jazz kit with triggered seismic booms

Soulful Wail Female Voice, Atmospheric Djent with Shred Melodies, balances heavy rhythmic precision with dreamy, expansive atmospheres and technical yet emotive guitar work, Djent's low-tuned, syncopated grooves, Lush, ambient soundscapes (reverb-drenched cleans, synths, ethereal textures), Virtuosic, melodic guitar leads (tapping, sweeping, legato, harmonized solos)

Psychedelic Djent Funeral March – Imagine Hendrix's Band of Gypsys jamming with djent metal in the ruins of Al-Omari Mosque, with Pink Floyd's ghost howling through bullet holes in the minaret, Guitar Work: Djent Foundations: 8-string guitar chugs, syncopated grooves, Meshuggah-inspired rhythmic complexity, Hendrix Flair: Wah-drenched leads, bluesy bends, chaotic feedback, and raw expressiveness, Shred Hybridization: Combine Tosin Abasi’s technicality with Hendrix’s loose, emotive phrasing, Tone & Texture: Modern Djent: Punchy, palm-muted precision, Vintage Psychedelia: Uni-Vibe modulation, Fuzz Face distortion, Marshall-style amp breakup, Atmospheric Layers: Reverse guitar swells + ambient djent pads, Rhythm Section: Djent Grooves: Odd-time polyrhythms, staccato chugs, Hendrix Swing: Live, organic drum feel, loose bass walks, Vocals (Optional): Clean: Soulful, Hendrix-esque rasp, Harsh: Modern djent growls/screams for contrast

Genre: Prog Djent/Blues-Inferno x Japanese Neo-Traditional, Female Voice: The Soulful Wail, Controlled Cracks: Let the voice break on sustained highs, Gospel Runs: Flip into melismatic flourishes, Head Voice to Belt: Start breathy, then explode, Emotional Weapons Used: Blues Clichés Turned Tragic "Whispered" lyrics cut by pinch harmonics Slide guitar mimicking choked tears Neoclassical Agony Diminished sweeps = mental spirals Harmonic minor = "unresolved" longing Instrumentation Alchemy: Traditional: Shamisen: Replaces guitar solos (played with pick for djent attack) Taiko Drums: Double-kick syncopation Shakuhachi: Bluesy microtonal bends Modern: 8-String Guitar: Detuned to drop E for "earthquake" lows Neoclassical Shred: Yngwie meets Bach on a biwa Production: Vocal Layers: Enka vibrato + black metal screams Spatial Effects: Reverb mimics shōji screens sliding shut

Melodic Rock/Jazz-Fusion Heartbreak Anthem, a guitar-shredding, tear-jerking odyssey, ✔ Melodic Rock Core: Huge choruses, emotional guitar leads ✔ Jazz-Fusion Nuance: Chord extensions (maj7#11, b9), fretless bass ✔ Atmospheric Textures: Rhodes piano, synth pads, vinyl noise ✔ Dynamics: Soft verses explode into chorus catharsis

Female Voice, Blues-Infused Progressive Djent / Alternative Metal, bluesy, melancholic, yet with moments of progressive/djent weight, Key: D Minor (emotional, introspective, but allows for powerful shifts) Time Signature: 4/4 (with occasional 7/8 or 6/4 grooves in djent sections) Tempo: 75-80 BPM (slow, deliberate, with room for dynamic swells) Guitar & Production Tips, Tuning: Drop A (AEADGBE) for djent sections, standard for cleans, Tone: Cleans: Neck pickup, chorus + reverb, Djent: Bridge pickup, tight noise gate, tube screamer, Blues Solo: Mid-heavy, slight breakup, long delay, Drums: Verses: Jazz-inspired, brush snare for intimacy, Chorus: Big, punchy rock drums, Bridge: Half-time, explosive (think Tool’s style "Wings for Marie")

Female Voice, Blues-Infused Progressive Djent / Alternative Metal, bluesy, melancholic, yet with moments of progressive/djent weight, Key: D Minor (emotional, introspective, but allows for powerful shifts) Time Signature: 4/4 (with occasional 7/8 or 6/4 grooves in djent sections) Tempo: 75-80 BPM (slow, deliberate, with room for dynamic swells) Guitar & Production Tips, Tuning: Drop A (AEADGBE) for djent sections, standard for cleans, Tone: Cleans: Neck pickup, chorus + reverb, Djent: Bridge pickup, tight noise gate, tube screamer, Blues Solo: Mid-heavy, slight breakup, long delay, Drums: Verses: Jazz-inspired, brush snare for intimacy, Chorus: Big, punchy rock drums, Bridge: Half-time, explosive (think Tool’s style "Wings for Marie")

Blending progressive metal, jazz fusion, Brazilian rhythms, and neoclassical shred, Heavy riffing, harmonized leads, Acoustic flamenco/Brazilian passages, Extended chords, chromaticism, Neoclassical sweeps, Setup gear: Electric Guitar, Guitar: Ibanez HSS/S-Style guitar for versatility, Pickups: Neck (Clean/Jazz): Single-coil (bright, clear for fusion), Bridge (Shred/Metal): Humbucker (high-output, tight low end), Amp: Kemper Profiler: Clean: Fender Twin Reverb model (for jazz/fusion), Crunch: Mesa Boogie Mark IV (mid-gain for prog rhythms), Lead: Peavey 5150 (tight high-gain for solos), Effects Chain: Compressor (for fusion clean tones), Tube Screamer (TS9, drive low, tone mid-high for solos), Delay (Analog slap for solos, dotted 8th for prog parts), Reverb (Hall/Plate for atmosphere), Wah (Used for expressive solos), Acoustic Guitar (Brazilian Sections) Nylon-String Guitar (for intros/flamenco parts), Drums: Use odd-time grooves, Bass: Fretless for jazz parts, slap for fusion

Blending progressive metal, jazz fusion, Brazilian rhythms, and neoclassical shred, Heavy riffing, harmonized leads, Acoustic flamenco/Brazilian passages, Extended chords, chromaticism, Neoclassical sweeps, Setup gear: Electric Guitar, Guitar: Ibanez HSS/S-Style guitar for versatility, Pickups: Neck (Clean/Jazz): Single-coil (bright, clear for fusion), Bridge (Shred/Metal): Humbucker (high-output, tight low end), Amp: Kemper Profiler: Clean: Fender Twin Reverb model (for jazz/fusion), Crunch: Mesa Boogie Mark IV (mid-gain for prog rhythms), Lead: Peavey 5150 (tight high-gain for solos), Effects Chain: Compressor (for fusion clean tones), Tube Screamer (TS9, drive low, tone mid-high for solos), Delay (Analog slap for solos, dotted 8th for prog parts), Reverb (Hall/Plate for atmosphere), Wah (Used for expressive solos), Acoustic Guitar (Brazilian Sections) Nylon-String Guitar (for intros/flamenco parts), Drums: Use odd-time grooves, Bass: Fretless for jazz parts, slap for fusion

Genre: Melancholic J-Rock / Dark Prog-Djent / Haunting Orchestral Metal Vocal Style: Sultry Female Voice, Emotional, Possessive, Ethereal to Screaming Production Notes: Microphone: Neumann U87 (intimate whispers to explosive belting) Processing: Overcompressed for rawness, layered harmonies, long reverb tails (ValhallaDSP-esque) Instrumentation: *7-string djent grooves, dissonant strings, glitchy synth textures, cinematic percussion* PRODUCTION NOTES FOR ENGINEERS: Vocals: Triple-tracked (dry center, wide reverb L/R, distorted "ghost" layer) Guitars: Meshuggah-style polyrhythms w/ synth pads mimicking a horror score Drums: Hybrid (acoustic snare + electronic glitches) Final Touch: Run the master through a cassette deck for degradation

Male Voice, A Greg Howe-Style Jazz-Fusion Shred Ballad, Blending shred, jazz, funk, and rock with signature techniques, Male Voice, Musical Blueprint Style: Blistering legato runs over jazz-funk odd meters, with soulful vocals à la Richie Kotzen-esque, Think Extraction meets Introspection era, Signature Techniques: "Hammer-Ons From Nowhere": Verse 2 melody (0:58) – hammer into 15th fret from silence, Odd-Meter Disguise: Chorus feels like 4/4 but hides 3 bars of 7/8, Tone Shifting: Clean: Jazz chorus + delay (intro), Lead: Kiesel GH3 → DV Mark Micro 50 (solo), Tuning: Standard (EADGBE) with dropped D for chorus heaviness

A Greg Howe-Style Jazz-Fusion Shred Ballad, Blending shred, jazz, funk, and rock with signature techniques, Musical Blueprint Style: Blistering legato runs over jazz-funk odd meters, with soulful vocals à la Richie Kotzen-esque, Think Extraction meets Introspection era, Signature Techniques: "Hammer-Ons From Nowhere": Verse 2 melody (0:58) – hammer into 15th fret from silence, Odd-Meter Disguise: Chorus feels like 4/4 but hides 3 bars of 7/8, Tone Shifting: Clean: Jazz chorus + delay (intro), Lead: Kiesel GH3 → DV Mark Micro 50 (solo), Tuning: Standard (EADGBE) with dropped D for chorus heaviness

energetic punk rock/djent with humorous but touching lyrics, Solos can be extended using the whammy bar technique for a grende effect, Music & Style Genre: Jamrud-style punk rock (power chords, fast tempo, catchy hook) Instruments: Heavy guitar distortion (drop D tuning) Simple but groovy bass line Upbeat drums with simple fills Structure: Verse-Pre-Chorus-Chorus (classic Jamrud format) Vocals Style: Slightly hoarse but energetic (Krisyanto-style) Improvisation: Screams of "Woooh!" before the guitar solo Music: Power chord guitar intro (similar to the "Pelangi" riff) Backing vocals of "Hey! Hey!" in the chorus Duration: 3-4 minutes (radio-friendly)

A Progressive Djent/Blues-Rock Epic with Korean Fury and Cinematic Doom, Female Voice, This is "Moonwake"—where Korean mysticism, blues despair, and djent brutality collide under a cursed moon, PRODUCTION NOTES: Vocals: Verse: Smoky, Norah Jones-esque intimacy (Neumann U87 + tape saturation), Chorus: Layered harmonies (think "Lateralus" Tool) + black metal shrieks, Guitars: Rhythm: 8-string Djent (Neural DSP Gojira's style → Fortin Nameless), Leads: Stratocaster (Kemper Bluesbreaker) → Mesa Boogie Mark VII, Ambience: Persian ney flute panned hard right, Symphonic doom (Spitfire Albion ONE)

A Modern Djent/Blues-Prog Epic About Cosmic Chance & Melancholic Revelation, Male Voice, Vocals: Double-tracked with one take raw, one with slapback delay, Production Touch: Vocals: SM7B for intimacy, Neumann U87 for the chorus grandeur, Guitars: Kemper Profiler (Bluesbreaker + Fortin Nameless profiles), Ambience: Gramophone samples of 1920s jazz (low in the mix)

A Djent/Blues-Prog Meditation on Cosmic Coincidence and Fractured Equations, Male Voice, Vocals: Double-tracked with one take raw, one with slapback delay, Production Touches: Vocals: Sung through an oscilloscope (visualizing heartrate), Guitars: Neural DSP Archetype: Abasi's style for alien djent, Kemper Bluesmaster for human ache, Ambience: Radio telescopes recording pulsar frequencies

A Djent-Fado-Doom Elegy for the Unmourned, Toska—the Russian cousin of saudade, but with a darker, more suffocating weight, It’s not just longing—it’s spiritual anguish, a soul-crushing ache with no outlet, Male Voice, Vocals: Double-tracked with one take raw, one with slapback delay, Audience Interaction: Hand out glass vials of frozen tears (to throw at the stage) Finale: The guitarist sets their instrument on fire using vodka and lithium

Genre: Acoustic Rock / Psychedelic Folk Mood: Darkly romantic, introspective, with a surreal dreamlike quality Vibe: A mix of haunting beauty (like "Black Hole Sun") and raw emotionality (à la Cornell’s solo work) Vocals Delivery: Verses: Soft, whispery, and intimate (like Cornell’s Songbook performances) Chorus: Powerful, gritty, and soaring (channeling "Black Hole Sun"’s cathartic release) Ad-libs: Subtle vocal cracks and falsetto breaks for emotional rawness Technique: Use Leslie speaker effects on sustained notes (a nod to "Black Hole Sun"’s psychedelic tone) Dynamic shifts: From breathy confession to full-throated lament