3:23

Ghost in My Hands
v4.5-all
rap, Cold, cinematic trap with sparse piano and distant choirs over a heavy, slow bounce, Verses are close and confessional, almost whispered, with tight ad-libs in the gaps; hook widens with reverb-soaked harmonies and a doubled vocal an octave up, Occasional distorted ear-candy effects on key phrases to feel like the ghost cutting into the mix
3:52

Black Moon Villains
v4.5-all
male vocals, female vocals, emo, electronic, anime, pop rock, fantasy, drum
4:08

Verse opens with layered synth pads and crisp electronic percussion, establishing a modern pop feel, Warm bass and fingerpicked guitar add depth, leading to a vibrant chorus with dynamic drums and bright arpeggios, Bridge strips back to keys and vocals before a full, textural finale
3:58

One Heart, Two Names
v4.5-all
A breezy introduction led by crisp guitar and textured synths gives way to propulsive drums and warm bass, Verses are stripped back for clarity, allowing individual instruments to cycle in and out, while choruses layer harmonies and add percussive elements for dynamic lift
4:09

3:59

3:10

The Thursday Murder Club
v4.5-all
male vocals, female vocals, rap, piano, emo, flute, guitar, electronic, synth, anthemic
4:01

Rumors in the Dorm
v4.5-all
female vocals, electric guitar, mystery, cinematic, thriller, electronic, rap, synth, progressive, epic
4:37

After This Summer
v4.5-all
A soft ambient intro eases in with airy pads and minimal percussion, gradually joined by layered acoustic guitar and subtle electronic textures, Drums enter smoothly as the verse unfolds, building to a chorus with richer synth layers and dynamic rhythm, then relaxing for the outro, male vocals
3:45

When The Tide Comes In
v4.5-all
A driving, gritty electric guitar riff introduces the track, layered with tight live drums and pulsing bass, Verses stay sparse—clean guitars and steady beat—while choruses expand with harmonized leads, punchy percussion, and added synth textures, The bridge strips back before a powerful, full-band finale
2:58

Luck Uglies
v4.5-all
A crisp, evocative intro sets the mood, using layered synths and subtle percussion, Verses are driven by a pulsing bass and intricate drum work, while atmospheric guitar textures weave in, The chorus bursts open with dynamic vocal harmonies, richer instrumentation, and rhythmic energy
3:54

Wrong Girl, Right Lie
v4.5-all
male vocals, female vocals, guitar, psychedelic, country rock, harmonies, depth, synth
3:28

How To Fall In Love
v4.5-all
A gently evolving instrumental intro leads into a verse with muted electric guitar and warm synth pads, The arrangement gradually incorporates punchy live drums, a melodic bassline, and layered keys, building energy into the chorus with vibrant textures and dynamic interplay
3:47

When Mockingbirds Sing
v4.5-all
A gentle, uncertain piano motif opens, gradually joined by atmospheric synths and subtle percussion, The verse builds with soft strings, layering in acoustic guitar for warmth, The chorus expands with fuller drums, lush backing harmonies, and swelling pads, then returns to intimacy
2:54

AKIN
v4.5-all
male vocals, emo, orchestral, synth, rock, pop rock, guitar, sirens, female singer
4:44

Blood Red Bride
v4.5-all
male vocals, female vocals, synth, deep, drum and bass, romance, haunting, opera, rock, soul, power, intense, violins, choir, orchestra, cinematic
3:16

Firefly Lane
v4.5-all
A steady pulse of electronic drums sets the tone, accompanied by lush synth layers and melodic bass, The verses use sparse keys with subtle pads, letting the groove breathe, while the chorus blooms with stacked harmonies, driving rhythm, and a textural shift for dynamic contrast
2:54

The Stranger Things
v4.5-all
A lush intro with atmospheric pads leads into a groove-driven verse featuring tight drums, warm bass, and syncopated guitar riffs, The chorus elevates with layered synths and dynamic percussion, A bridge introduces subtle strings and melodic counterpoint before a final, anthemic chorus, male vocals, emo, sad, dark, rap, epic, flute
4:02

Cliffs By The Sea
v4.5-all
male vocals, emo, synth, drum, epic, sad, rap, aggressive, intense, chill, guitar, violin, deep
3:28

Ashes Of The Morning
v4.5-all
A steady groove kicks off with punchy drums and a rich bassline, Keyboards layer in subtle chords while electric guitar adds texture, The chorus expands with fuller instrumentation and vocal harmonies, leading to a dynamic bridge before resolving with a warm, stripped-down outro
3:16

The Only One Left
v4.5-all
A lively intro kicks off with bold drums and pulsing bass, Verses layer electric piano and subtle guitar for texture, leading to a dynamic chorus with stacked synths and driving rhythm, A brief instrumental bridge introduces fresh harmonies, closing with a vibrant full-band outro
3:10

Silent Since That Night
v4.5-all
rap, Emo-rap duet over intimate fingerpicked guitar and subtle bass swells; verses start with close-mic male vocals almost spoken, then female hooks drift in with reverb and airy harmonies, Choruses open up into call-and-response, higher energy strums, and a raw gang-vocal ad-lib on the title line, Final chorus strips back to near-acapella before a last guitar flourish, male vocals, emo, female vocals
3:51

male vocals, emo, synth, experimental, trance, violin, piano, electric guitar, mystery, cinematic, thriller, 90s, rap, beat, ballad
2:41

male vocals, female vocals, guitar, emo, synth, powerful, lyrical, energetic, catchy, hard rock, anime, melodic, intense, violins, waves crashing, echoing, ballad
5:11

male vocals, female vocals, guitar, synth, dark, war, romantic, ballad, anime, piano, violin, intense
2:19

3:53

Two Loves, One Lifetime
v4.5-all
female vocals, emo, synth, uplifting, rap, guitar, heartfelt, epic, punk, catchy, violin, acoustic, fast, dramatic, romance rock, intense but meaningful
5:03

Forever, Even After
v4.5-all
male vocals, female vocals, guitar, emo, synth, grunge, rap, epic, vocaloid, psychedelic, opera, haunting, deep, harmonies, piano, violin, flute, orchestra, cinematic, horror yet soothing, siren like sound, percussion, bangs
3:05

Verity
v4.5-all
A lively intro bursts with layered synths and crisp hi-hats, leading into verses built on dynamic 808 bass, tight beats, and subtle melodic motifs, The pre-chorus drops to a spacious sound, highlighting vocal hooks before launching into a chorus with punchy rhythms and lush textures
3:02

Marie-Louise In The Mirror
v4.5-all
A gentle introduction with ambient synth pads and soft fingerstyle guitar overlays, then evolving into a driving indie pop arrangement with crisp drums and melodic bass, The chorus expands the sound with layered harmonies and dynamic guitar textures, The instrumental bridge adds a dreamy, evolving electronic touch before returning to a catchy, full-band finale
4:02

male vocals, female vocals, guitar, dark ballad, piano, synth, epic, violin, adventure, harmonies
2:27

male vocals, emo, rap, synth, dramatic, thriller, harmonies, ballad, cinematic, thriller, 90s, guitar
3:04

female vocals, rap, synth, dark, thriller, piano, violin, opera, ballad, cinematic, electric guitar
2:57

country, Modern country band feel, steady mid-tempo groove, Brushed snare and warm bass in the verses, big tom fills into a wide, harmony-heavy chorus, Telecaster hooks dancing around a sing-along vocal; gang shouts and crowd noise tucked in on hooks, Bridge strips to acoustic and pedal steel before a final full-band lift and big outro tag
2:54

Cinematic, 1950s catchy, Movie, hands clapping, feet stomping, Broadway, band, musical, feel good, male vocals, female vocals, guitar
2:59

Tragic, Gritty, Suspenseful, male vocals, guitar, rap, synth, aggressive, melodic
3:25

male vocals, emo, rap, synth, intense, mysterious, powerful
3:23

Teal Van Summer
v4.5
Sunny surf-pop with bouncy drums, palm-muted electric guitar, and bright male/female group vocals, Verses stay breezy and tight with light percussion and soft organ pads; chorus explodes with stacked harmonies, glockenspiel accents, and a wide, shimmering guitar bed, Middle section leans into half-time drums and reverb-kissed ooohs before a final, higher-key chorus tag for a hands-in-the-air finish
3:05

Dark regal pop with cinematic drums, male or female vocals, Verses ride a low, stalking groove with pulsing synth bass and sparse percussion; chorus explodes with stacked chants, brass swells, and deep toms, Bridge strips back to vocal and sub-bass, then final chorus hits with choir-style “QUEEN” responses and shimmering high synths for a luxurious, dangerous crown moment
2:54

Explosive modern rock with male vocals; overdriven guitars locked to a stomping halftime groove, bass snarling in the low mids, Verses stay tight and rhythmic with clipped vocal delivery; pre-chorus widens into tense held chords, Choruses slam open with gang shouts, octave lead lines, and tom-heavy fills, Middle section drops to vocal and floor tom thump, then roars back with stacked harmonies on the final hook, raw, loud, vocal, bright
3:45

Retro-futurist disco with a dark club edge; four-on-the-floor pulse, rubbery bass, glassy synth arps and shimmering strings, Male vocals, half-sung half-spoken, riding a tight groove, Choruses explode with stacked gang shouts and wide pads, verses stay close and dry with snap-clap percussion and muted guitar, Bridge strips to bass and vocal before a final glittering drop, hi-hats sizzling and reverb blooming around the hook, disco, world, raw
3:18

Midnight Line
v4.5-all
male vocals, female vocals, guitar, emo, rap, synth, nu metal, epic, fast, punk, ballad, rock
3:25

Snake Pit
v4.5-all
country rock, male vocals, guitar, rap, synth, 80s, orchestral, emo, grunge
3:26

Starred Skin
v4.5
art-pop ballad with intimate female vocals, close-mic’d, Sparse piano and soft, detuned synth pads in the verses; chorus swells with toms, sub bass, and stacked, breathy harmonies, Reverb blooms on the hooks like a stage opening, then pulls back to raw, dry confessions, Subtle string swells and reverse FX add a cinematic, mood-board shimmer, lyrical, raw rock, moody
3:32

Born To Be Vicious
v4.5+
rock, Cinematic alt-rock ballad with female vocals; slow-burn verses over tremolo guitars and moody piano, building into a towering, theatrical chorus with crashing drums, fuzz bass, and choir-like backing harmonies, Strings underline the villainous glamour; final chorus hits harder with octave-doubled vocals and a sharp, cold reverb tail, dramatic, female vocals, seductive, alternative rock, stylish, ballad
3:13

Seductive female vocals glide over a hypnotic grunge-rock groove driven by electrified bass, crunchy guitar riffs, and gritty, swinging drums, Verses sizzle with tension, minimal instrumentation amplifying allure, while choruses burst with full, dynamic sound and stacked harmonies
3:16

Festival-ready EDM banger with female vocals riding a rubbery sub and crisp sidechained synth stabs, Intro teases filtered chords and crowd risers, then a tight pre-chorus builds tension with snare rolls and vocal chops, Chorus detonates into a massive bass drop with chanty topline and stacked gang vocals, then a lean second verse keeps the groove rolling before a final, harder-hitting drop
4:42

Echoes on the Stage
v4.5+
rock, Slow-building rock ballad with male vocals; intimate piano and clean guitar in the verse, kick and toms swelling into a soaring, distorted chorus, Big, bending lead guitar answers key vocal lines, with warm pad underneath, Bridge strips back to voice and piano before a final, anthemic chorus with stacked harmonies and cymbal swells, ending on a held vocal note and fading guitar feedback, emotional, heartfelt, world, ballad
3:30

The Cross I Carry
v4.5+
Warm, intimate acoustic ballad with male vocals; fingerpicked guitar and soft piano under the verses, subtle pad and low strings blooming in the chorus, Gentle kick and brushed snare enter on the second chorus to lift the energy, with stacked harmonies on the hook, Mix keeps the vocal up-front, reverb-touched but close, for a confessional, comforting feel, male vocals
5:06

Sunset’s Echo
v4.5+
Gentle indie-folk ballad with male vocals; fingerpicked acoustic guitar and soft piano share the lead, brushed drums enter on the first chorus, Subtle pedal steel swells underline the bittersweet lift, with a wordless hummed hook and warm three-part harmonies on the final chorus, ending on a held vocal over a fading guitar chord, beautiful
