5:03
rock, Alt-rock band with female mezzo-soprano, sharp Limerick accent and flashes of yodel; jangly, chorus-soaked guitars over a locked, martial snare-and-floor-tom groove, Verses swim in hazy dream-pop reverb, Celtic fiddle weaving modal lines behind the vocal; bass stays hypnotic and droning, Choruses explode into overdriven octave riffs, shouted gang vocals, tom-heavy drums that feel like a street march, Bridge strips to near a cappella sean-nós keening with faint drone and subtle feedback swell, then the full band slams back in for an extended outro of wordless yodel-like cries over rising guitars, celtic, a cappella, moody, pop
4:30
rock, Alt-rock band with female mezzo-soprano, sharp Limerick accent and flashes of yodel; jangly, chorus-soaked guitars over a locked, martial snare-and-floor-tom groove, Verses swim in hazy dream-pop reverb, Celtic fiddle weaving modal lines behind the vocal; bass stays hypnotic and droning, Choruses explode into overdriven octave riffs, shouted gang vocals, tom-heavy drums that feel like a street march, Bridge strips to near a cappella sean-nós keening with faint drone and subtle feedback swell, then the full band slams back in for an extended outro of wordless yodel-like cries over rising guitars, celtic, a cappella, moody, pop, 140-160 bpm
4:04
rock, Alt-rock band with female mezzo-soprano, sharp Limerick accent and flashes of yodel; jangly, chorus-soaked guitars over a locked, martial snare-and-floor-tom groove, Verses swim in hazy dream-pop reverb, Celtic fiddle weaving modal lines behind the vocal; bass stays hypnotic and droning, Choruses explode into overdriven octave riffs, shouted gang vocals, tom-heavy drums that feel like a street march, Bridge strips to near a cappella sean-nós keening with faint drone and subtle feedback swell, then the full band slams back in for an extended outro of wordless yodel-like cries over rising guitars, celtic, a cappella, moody, pop, 140-160 bpm
4:44
rock, Alt-rock band with female mezzo-soprano, sharp Limerick accent and flashes of yodel; jangly, chorus-soaked guitars over a locked, martial snare-and-floor-tom groove, Verses swim in hazy dream-pop reverb, Celtic fiddle weaving modal lines behind the vocal; bass stays hypnotic and droning, Choruses explode into overdriven octave riffs, shouted gang vocals, tom-heavy drums that feel like a street march, Bridge strips to near a cappella sean-nós keening with faint drone and subtle feedback swell, then the full band slams back in for an extended outro of wordless yodel-like cries over rising guitars, celtic, a cappella, moody, pop
3:04
rock, Alt-rock band with female mezzo-soprano, sharp Limerick accent and flashes of yodel; jangly, chorus-soaked guitars over a locked, martial snare-and-floor-tom groove, Verses swim in hazy dream-pop reverb, Celtic fiddle weaving modal lines behind the vocal; bass stays hypnotic and droning, Choruses explode into overdriven octave riffs, shouted gang vocals, tom-heavy drums that feel like a street march, Bridge strips to near a cappella sean-nós keening with faint drone and subtle feedback swell, then the full band slams back in for an extended outro of wordless yodel-like cries over rising guitars, celtic, a cappella, moody, pop, 90-150 bpm, social protest
3:33
rock, Alt-rock band with female mezzo-soprano, sharp Limerick accent and flashes of yodel; jangly, chorus-soaked guitars over a locked, martial snare-and-floor-tom groove, Verses swim in hazy dream-pop reverb, Celtic fiddle weaving modal lines behind the vocal; bass stays hypnotic and droning, Choruses explode into overdriven octave riffs, shouted gang vocals, tom-heavy drums that feel like a street march, Bridge strips to near a cappella sean-nós keening with faint drone and subtle feedback swell, then the full band slams back in for an extended outro of wordless yodel-like cries over rising guitars, celtic, a cappella, moody, pop
5:11
rock, Alt-rock band with female mezzo-soprano, sharp Limerick accent and flashes of yodel; jangly, chorus-soaked guitars over a locked, martial snare-and-floor-tom groove, Verses swim in hazy dream-pop reverb, Celtic fiddle weaving modal lines behind the vocal; bass stays hypnotic and droning, Choruses explode into overdriven octave riffs, shouted gang vocals, tom-heavy drums that feel like a street march, Bridge strips to near a cappella sean-nós keening with faint drone and subtle feedback swell, then the full band slams back in for an extended outro of wordless yodel-like cries over rising guitars, celtic, moody, pop
3:34
Melancholic Russian folk lament acoustic guitar ballad in minor key, slow 55 bpm, Solo acoustic guitar with fingerpicking style, sorrowful melodic lines, arpeggiated chords, expressive dynamics, Deep female emotional mezzo-soprano, sharp Limerick accent and warm reverb and flashes of yodel; Spacious production with clean natural acoustic sound, minimal processing, Melancholic memorable melody, 75s crying "Aaaah" intro (female voice, heavy reverb), Verses building grief emotion, repeating lines with intensity, After main verses, 20s layered "Aaah" interlude with guitar, 110s heart-shattering outro with repeating lines fading into endless female "Aaaah"s and 30s final silence, Overall mood: deep war grief, loss of brother, endless sorrow like snowy Russian nights