чужие треки

Alternative Metal, Hard Rock, Post Grunge, Heavy Rock, Groove Metal, Aggressive, Dark, Gritty, Moody, Raw, Raspy Male Vocals

Minimal electro-pop driven by a repetitive 3/4 waltz pulse, anchored by a pulsing, muted synth bass, Sparse percussion punctuates each bar, while haunting, airy synth motifs drift atop, Catchy K-pop-inspired hooks explode at the chorus, stacked with glossy vocal layers for instant addiction

Southern Rap, Trap, Chopped and Screwed, crunk, slow, Atlanta, Bagpipes, Irish

indie rock, breakbeat, experimental, rock, slacker rock

nihilistic, slacker rock, passionate, rock, apathetic, disenchanted, experimental, breakbeat, indie rock, curious

Hyper-melodic NYC Punk track—breakneck tempos, spiky guitars, gritty lead vocals, Verses and chorus use simple, propulsive power chords, Call-and-response shouted refrains fuel crowd energy; background choir shouts sharp "oh"s in choruses, Relentlessly catchy, raw, and straight-ahead

gothic, synth-heavy, male vocals with brooding depth and echo effects, darkwave

rhythmic, percussive chaos with a mix of found classroom sounds—plastic flicks, desk taps, and slap-like beats, the vocals should bounce with energy and humor, mimicking the vibe of a noisy lunch break, playful, Lo-fi, electronic, guitar, emo

Instrumental road trip track in psychedelic rock style, inspired by the late 60s and early 70s, Hypnotic guitar riffs with delay and reverb, warm analog synth layers, groovy bassline, steady driving drums, and swirling sound effects, The mood is expansive, trippy, and perfect for long highway rides under the sun, No vocals, purely instrumental, evolving textures with improvisational feeling

Darkwave / gothic electro track with cold, mechanical atmosphere, Pulsating synth bass, icy drum machine rhythms, and haunting minor-key melodies, Vocals — dramatic, melancholic, with a sense of claustrophobia and despair, as if trapped inside a malfunctioning elevator, Minimalistic but powerful, evoking the sound of early darkwave and gothic electro scenes

Genre: Swampy Blues / Southern Gothic Rock Vocal Style: Deep male vocal, gritty and soulful like Johnny Cash meets Chris Stapleton-style Instrumentation: Slide guitar, moody acoustic guitar, subtle dobro, eerie harmonica, heavy drum stomp, thunder sound FX Mood: Ominous, cinematic, powerful, foreboding Structure: Slow build with tension, rising through verses to intense choruses, ends hauntingly

Surrealist Southern Blues, Pagan Gospel, Weirdcore, Harmonica, Steel on Steel Percussion, Pipe Flutes, Slide Guitar, Southern Choir, Male Vocals

Laid-back 90 BPM groove anchors taiko drums, anti-melodic modern crazy forte piano, mbube harmonica, sudden stops, warm analog bass, and strummed acoustic guitar, Female vocals, Experimental layers: ambient cello pulses, off-kilter instrumental interplay, swirling baritone/falsetto vocals, and crisp folk percussion, Clean guitar leads and cosmic, improvisational jams drive a high-fidelity, rootsy psychedelic folk-rock sound

oscillator that wishes and washes all over the board through varied heights, digital distortion trance and enveloping half octave then 2 octave with a am radio skew drownout A dark, ambient electronic piece with a haunting, minimal structure, The sound is sparse and eerie, built from glitch textures, static pulses, and slow, reverb-heavy synth drones, Vocals are ghostlike—whispered, vocoded, and fragmented—fading in and out as if coming from corrupted memory files, The rhythm is almost absent, more like a heartbeat glitch or faint mechanical pulse than a steady drum, The overall mood is haunting, ethereal, and unresolved—designed to feel like a ghost left behind in the system, The track ends by decaying into silence, leaving only faint echoes and static, as if the signal still lingers Something to drive fast and light the clubs up with