3:44

Untitled
v5
Slow to mid-tempo minor key piano melody, Melancholic and mysterious, not overly emotional, Japanese atmosphere with empty space and silence, Simple but haunting motif that can loop, Modal feeling, slightly unresolved, Minimal left hand, floating right hand melody, Designed to later fit 4-on-the-floor glitch pop or synth pop, Leave space for Uilleann pipes arpeggio and Irish flute countermelody, Sparse piano melody in minor scale, Japanese sense of ma (silence between notes), slow decay, wide reverb, notes hanging in the air, slightly dissonant intervals, quiet and fragile, Rhythmically simple, compatible with straight 4/4 beat, No dramatic climax, No cinematic build-up
2:51

Untitled
v5
Solo piano instrumental, Melancholic piano arpeggios in a minor key, Soft, fragile touch with emotional restraint, Continuous flowing arpeggio patterns inspired by Irish reel set phrasing, creating a gentle sense of motion and repetition, The melody quietly pulls the listener inward, Simple harmonic movement with subtle variation, A feeling of longing, distance, and unresolved emotion, The performance feels intimate and human, like repeating thoughts that never fully conclude, Dynamics remain controlled and understated, The piece ends as if it is still continuing somewhere
2:52

Untitled
v5
Modern glitch pop / Electronica, Minor key, cold and obsessive, Main elements:
shamisen as primary instruments, not decorative, Played aggressively, rhythmic, and repetitive, Traditional Japanese instruments processed heavily:
granular delay, glitch stutter, looping fragments, treated like synth arpeggiators, Flat, mechanical four-on-the-floor beat, Emotionless electronic drums, Cold, minimal synth saw bass underneath, No warm pads, Arpeggio-driven structure, Circular, non-progressive feeling, like memories trapped in a loop, Female vocal, fragile and distant, repeating the same phrase obsessively, emotional climax, release, modern glitch electronics, unnatural but beautiful chemistry
3:12

Untitled
v5
Modern glitch pop / Electronica, Minor key, cold and obsessive, Main elements:
shamisen as primary instruments, not decorative, Played aggressively, rhythmic, and repetitive, Traditional Japanese instruments processed heavily:
granular delay, glitch stutter, looping fragments, treated like synth arpeggiators, Flat, mechanical four-on-the-floor beat, Emotionless electronic drums, Cold, minimal synth saw bass underneath, No warm pads, Arpeggio-driven structure, Circular, non-progressive feeling, like memories trapped in a loop, Female vocal, fragile and distant, repeating the same phrase obsessively, emotional climax, release, modern glitch electronics, unnatural but beautiful chemistry




