5:06

Guitar Play, Two Rock’n’Rollers
v4.5-all
Twin-guitar heavy blues-rock erupts: Rudy’s left-panned wah Telecaster bends and soulful slide trade bluesy licks against Flysher’s right heavy fuzz Stratocaster, thick with feedback and raw force, Over a driving 12-bar Dm groove, they alternate solos, riff off each other, and culminate in an intense, epic guitar duel, Marshall-style gain saturates both sides, maintained by tight, live band session bass and drums, all set at a groovy 100-120bpm with minimal prog flourishes
4:39

Guitar Play, Two Rock’n’Rollers
v4.5-all
Twin-guitar heavy blues-rock erupts: Rudy’s left-panned wah Telecaster bends and soulful slide trade bluesy licks against Flysher’s right heavy fuzz Stratocaster, thick with feedback and raw force, Over a driving 12-bar Dm groove, they alternate solos, riff off each other, and culminate in an intense, epic guitar duel, Marshall-style gain saturates both sides, maintained by tight, live band session bass and drums, all set at a groovy 100-120bpm with minimal prog flourishes
3:44

still crying...
v4.5-all
Crunchy fuzz and swirling wah on dual guitars, panned hard left and right, set the Heavy rock tone, Syncopated, heavy riffs are broken by crisp rests and striking full-bar pauses, Acoustic guitar layers warmth beneath, while spontaneous solos dart around harmonized lead lines, playful in dynamic, range, Blues rock, Heavy Rock, ad-lib guitar solo, Warmy, Octaver, Delay, Guitar Harmony, fade out fade in
3:53

Crunchy fuzz and swirling wah on dual guitars, panned hard left and right, set the Heavy rock tone, Syncopated, heavy riffs are broken by crisp rests and striking full-bar pauses, Acoustic guitar layers warmth beneath, while spontaneous solos dart around harmonized lead lines, playful in dynamic, range, Blues rock, Heavy Rock, ad-lib guitar solo, Warmy, Octaver, Delay, Guitar Harmony, fade out fade in
4:22

Heavy rock track with dual guitars panned hard L/R—crunchy fuzz and swirling wah dominate, dropping into crisp rests and dramatic pauses, Acoustic guitar cushions each section, Ad-lib solos burst in, weaving with harmonized leads, featuring pitch bends, octaver, delay, and feedback, Warm, evolving texture hints at progressive rock, with dynamic volume fades that reintroduce motifs, Tight guitar interplay and bold riffs create playful, intense shifts, Drum solo
5:21

Heavy rock track with dual guitars panned hard L/R—crunchy fuzz and swirling wah dominate, dropping into crisp rests and dramatic pauses, Acoustic guitar cushions each section, Ad-lib solos burst in, weaving with harmonized leads, featuring pitch bends, octaver, delay, and feedback, Warm, evolving texture hints at progressive rock, with dynamic volume fades that reintroduce motifs, Tight guitar interplay and bold riffs create playful, intense shifts, Drum solo
3:36

free as the wind
v4.5-all
This track fuses blues rock grooves with heavy, progressive rock twists, Twin guitars trade between wah-driven riffs and saturated fuzz lines, creating rich, textured harmonies, The arrangement layers warm, round bass and drums, building teasing breakdowns and extended, exploratory solos
3:12

They’re as free as the wind
v4.5-all
This track fuses blues rock grooves with heavy, progressive rock twists, Twin guitars trade between wah-driven riffs and saturated fuzz lines, creating rich, textured harmonies, The arrangement layers warm, round bass and drums, building teasing breakdowns and extended, exploratory solos
1:37

natural wood guitar
v4.5-all
This track fuses blues rock grooves with heavy, progressive rock twists, Twin guitars trade between wah-driven riffs and saturated fuzz lines, creating rich, textured harmonies, The arrangement layers warm, round bass and drums, building teasing breakdowns and extended, exploratory solos
2:39

This track fuses blues rock grooves with heavy, progressive rock twists, Twin guitars trade between wah-driven riffs and saturated fuzz lines, creating rich, textured harmonies, The arrangement layers warm, round bass and drums, building teasing breakdowns and extended, exploratory solos
4:04

架空のロックンローラー
v4.5-all
A blues rock foundation launches with heavy rock punch—fuzzy, wah-drenched dual electric guitars riff in unison, trading leads atop a warm, rounded bass, Strategic full-band rests build tension, while acoustic guitar colors dynamic prog-rock breaks and transitions, pushing complexity
3:19

BLUES ROCK
HEAVY ROCK
PROGRESSIVE ROCK
Dual Guitar
Wah
Fuzz
Warmy
3:58

BLUES ROCK
HEAVY ROCK
PROGRESSIVE ROCK
Dual Guitar
Wah
Fuzz
Warmy
3:14

ラーメン そば うどん スパゲッティー
v4.5-all
Progessive, Heavy, Rock, Guitar, Fuzz, Wah, Warmy, 全休符, Accostic Guitar, modular synthesizers, 男性歌手, 女性歌手
3:14

ラーメン そば うどん スパゲッティー
v4.5-all
Progessive, Heavy, Rock, Guitar, Fuzz, Wah, Warmy, 全休符, Accostic Guitar, modular synthesizers, 男性歌手, 女性歌手
3:24

Concrete Soul II
v4.5-all
Heavy rock, male guitarist Flysher right panned Fender Stratocaster fuzz leads, Marshall JVM high gain, Marshall 1960A cabinet roar, aggressive riffs, melodic solos, powerful distortion, 120bpm, hard rock energy
3:34

Concrete Soul
v4.5-all
Heavy rock, male guitarist Flysher right panned Fender Stratocaster fuzz leads, Marshall JVM high gain, Marshall 1960A cabinet roar, aggressive riffs, melodic solos, powerful distortion, 120bpm, hard rock energy
4:16

Concrete Jungle
v4.5-all
Style: Mid-tempo heavy rock groove with '80s/'90s influences (think early Black Label Society meets vintage crunch, but heavier and dirtier), No symphonic elements, no ballad sections – pure riff-driven energy, Key Riff: Drop-D tuned, palm-muted chugs into open power chords with sliding bends, Flysher's main guitar is a beat-up Strat-style (or Les Paul) through the fuzz → JVM → 1960A stack, Tone Breakdown:Rhythm: Fuzz on (sustain for days), JVM OD Red channel gain ~7–8, presence high for cut, bass/mids dialed for thickness, Lead: Fuzz stays on, boost the JVM volume for natural overdrive breakup – long, singing bends with heavy vibrato and pinch harmonics, Breakdown: Drop the fuzz momentarily for cleaner JVM crunch, then slam it back for a massive wall
3:45

Concrete Jungle
v4.5-all
Style: Mid-tempo heavy rock groove with '80s/'90s influences (think early Black Label Society meets vintage crunch, but heavier and dirtier), No symphonic elements, no ballad sections – pure riff-driven energy, Key Riff: Drop-D tuned, palm-muted chugs into open power chords with sliding bends, Flysher's main guitar is a beat-up Strat-style (or Les Paul) through the fuzz → JVM → 1960A stack, Tone Breakdown:Rhythm: Fuzz on (sustain for days), JVM OD Red channel gain ~7–8, presence high for cut, bass/mids dialed for thickness, Lead: Fuzz stays on, boost the JVM volume for natural overdrive breakup – long, singing bends with heavy vibrato and pinch harmonics, Breakdown: Drop the fuzz momentarily for cleaner JVM crunch, then slam it back for a massive wall
4:22

Twin Strikes Sound
v4.5-all
Driven by an energetic drum and bass groove, the song launches with a left-channel wah guitar solo (12 bars) full of wailing bends, countered by a fuzz-drenched right-channel guitar (12 bars), Twin hard-panned guitars duel with explosive Marshall-stack intensity for 12 bars of wild chaos, This sequence repeats: wah solo, fuzz solo, then another hard-panned duel, all sustained with relentless attack and live energy, intensifying into a frenzied fade-out
4:02

Storm of Useless Lies
v4.5-all
Crunchy fuzz and swirling wah on dual guitars, panned hard left and right, set the Heavy rock tone, Syncopated, heavy riffs are broken by crisp rests and striking full-bar pauses, Acoustic guitar layers warmth beneath, while spontaneous solos dart around harmonized lead lines, playful in dynamic, range, progressive rock, ad-lib guitar solo, Warmy, Octaver, Delay, Guitar Harmony, fade out fade in, 減速した, 恐怖, 高揚感のある弦楽器
4:09

Storm of Useless Lies
v4.5-all
Crunchy fuzz and swirling wah on dual guitars, panned hard left and right, set the Heavy rock tone, Syncopated, heavy riffs are broken by crisp rests and striking full-bar pauses, Acoustic guitar layers warmth beneath, while spontaneous solos dart around harmonized lead lines, playful in dynamic, range, progressive rock, ad-lib guitar solo, Warmy, Octaver, Delay, Guitar Harmony, fade out fade in, 減速した, 恐怖, 高揚感のある弦楽器
6:18

逆転劇
v4.5-all
Crunchy fuzz and swirling wah on dual guitars, panned hard left and right, set the neo classic rock tone, Syncopated, heavy riffs are broken by crisp rests and striking full-bar pauses, Acoustic guitar layers warmth beneath, while spontaneous solos dart around harmonized lead lines, playful in dynamic, range, progressive hard rock, ad-lib guitar solo, Warmy, Octaver, Delay, Guitar Harmony, fade out fade in
3:16

Progressive heavy metal, fuzz, wah, riff, dual guitar, harmony, accostic guitar, durk, mad
7:59

Blues Rock Instrumental ZERO
v4.5-all
Heavy rock track opens with crunchy fuzz and swirling wah on dual guitars, panned wide for maximum impact, Riffs punch through with crisp rests and dramatic pauses, Acoustic guitar adds subtle warmth beneath, Spontaneous blues rock guitar solos dart and harmonize, enhanced with delay, octaver, pitch bends, and playful dynamic shifts, Blues harp joins in a high-energy guitar battle section, Occasional fade out and fade in effects enrich transitions, fostering a sense of live, unpredictable excitement throughout
4:37

架空のロックンロールバンド
v4.5-all
Twin-guitar heavy blues-rock erupts: Rudy’s left-panned wah Telecaster bends and soulful slide trade bluesy licks against Flysher’s right heavy fuzz Stratocaster, thick with feedback and raw force, Over a driving 12-bar Dm groove, they alternate solos, riff off each other, and culminate in an intense, epic guitar duel, Marshall-style gain saturates both sides, maintained by tight, live band session bass and drums, all set at a groovy 100-120bpm with minimal prog flourishes
4:18

架空のロックンロールバンド II
v4.5-all
Twin-guitar heavy blues-rock erupts: Rudy’s left-panned wah Telecaster bends and soulful slide trade bluesy licks against Flysher’s right heavy fuzz Stratocaster, thick with feedback and raw force, Over a driving 12-bar Dm groove, they alternate solos, riff off each other, and culminate in an intense, epic guitar duel, Marshall-style gain saturates both sides, maintained by tight, live band session bass and drums, all set at a groovy 100-120bpm with minimal prog flourishes
2:49

Rock Band Split up.
v4.5-all
Progressive hard rock track with crunchy fuzz and swirling wah on dual guitars, panned left/right for impact, Heavy riffs punctuated by crisp rests and full-bar pauses, Acoustic guitar adds warmth below, Ad-lib guitar solos weave through harmonized leads, using octaver and delay, Dynamic fade-out/fade-in in the final section
3:45

Heavy Rock Instrumental 987
v4.5-all
Crunchy fuzz and swirling wah on dual guitars, panned hard left and right, set the Heavy rock tone, heavy riffs are broken by crisp rests and striking full-bar pauses, Acoustic guitar layers warmth beneath, while spontaneous solos dart around harmonized lead lines, playful in dynamic, range, Heavy Rock, ad-lib guitar solo, Warmy, Octaver, Delay, Guitar Harmony, fade out fade in, Feedback, Progessive


