Reckoners of the Afternoon - The Gone Kids
This is the first album "Reckoners of the Afternoon" by TGK, a british-colombian-american indie rock band created from the nothing. Tyler Lyons voice-second guitar+Jeremy Jensen guitar-voice+Russell.
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12 songs
2:43
Indie rock, atmospheric guitars, layered male harmonies, reverb-heavy vocals, youth chorus swells
3:02
Indie rock, atmospheric guitars, layered male harmonies, reverb-heavy vocals, youth chorus swells
2:53
Indie rock track with no vocal swells, no big choruses — just intimate, youthful male vocals that feel like thoughts spoken under breath, Keep the arrangement dry and minimal: jangly clean guitars, natural drums, soft bass, No female vocals, no cinematic layers, Let the space between notes carry the feeling, The tone should feel like a faded yearbook photo: regretful, distant, real, It’s late summer, school’s almost out, everything is ending slowly, Gritty but not noisy, Emotional but never dramatic, Think early Arctic Monkeys if they were tired and trying to remember what mattered, For “Fall Semester” by The Gone Kids
2:42
Indie rock with electric guitars, dry mix, and emotionally tight male vocals, No female vocals, Gritty texture, no softness, Let the track feel like emotional weight building in silence, No swells unless feedback-based, The mood is regret, not romance, Let it stretch close to 5 minutes with room for two instrumental breaks and ambient guitar layers, Real, sad, restrained — but never quiet, This is “Even Ever” by The Gone Kids
4:15
Indie rock with strong rhythmic energy and upfront electric guitars, Start with beat or short riff, no ambient fade-in, Youthful male vocals only, Swells allowed if they emerge as raw, emotional chants — not polished, The track should feel like a suburban evening with too much energy and no place to put it, Let it last close to 5 minutes with at least one instrumental section, Think dry drums, shared harmonies, and static tension, Bedroom Flags by The Gone Kids — track 5 from Reckoners of the Afternoon, No female vocals, Build intensity
4:32
Indie rock with electric guitars, driving percussion, and layered youthful male vocals, Swells are allowed if they feel collective and raw, No female vocals, The track should begin with rhythm — no soft guitar intro, Let the arrangement evolve, with moments of tension, distortion, and two instrumental breaks, Guitars can shimmer or crunch, but always sound real, The tone is about belief cracked by noise — not sad, not angry, just fractured and loud, Paper Saints by The Gone Kids — from Reckoners of the Afternoon, Run time close to 5 minutes, Let it pulse like faith trying to stay lit
3:13
Indie rock with forward-moving rhythm and sharp guitar stabs, Start with beat or vocal fragment — no ambient intro, Youthful male vocals only, Let the structure build with tension and repetition, Allow chorus swells if they feel like collective regret, The tone is fast, almost euphoric, but the lyrics carry heaviness, No female vocals, Must run close to 5 minutes with an instrumental break, This is Fell for It Anyway by The Gone Kids — a song about knowing, and doing it anyway
3:17
Indie rock with a marching band-style percussion intro — no guitars at start, Use war drum cadence or stomp-snare rhythm to open, Male vocals only, dry and tight, with group harmonies allowed, Let the energy build from beat to breakdown, The structure must last close to 5 minutes, with at least one instrumental drop and one chorus repeat, Guitars should enter late and serve rhythm, not melody, The tone is physical, defiant, broken-but-in-step, This is Choreograph the Break by The Gone Kids, No softness, The break was planned, and this is the noise of it
6:08
Indie rock song with a cinematic orchestral intro — start with strings and piano before any drums or guitars, Let the arrangement build slowly, adding the band gradually after the orchestral swell, Include violins, cellos, and emotional harmony lines in the background, Guitars should enter only after the strings establish the emotional tone, Male vocals only, Include one instrumental break and one final chorus repetition, The song should last close to 5 minutes, This is Plastic Parade by The Gone Kids — a fake celebration performed with tragic elegance
2:28
A male vocalist sings in a tenor range over a rock arrangement, The song features a prominent electric guitar riff with a clean tone, a driving bass line, and a drum kit providing a steady rock beat, The chord progression is primarily diatonic, with a focus on major and minor chords, The vocals are clear and present, with a slight reverb effect, The song structure includes distinct verse and chorus sections, The tempo is moderate, and the key is C major, Production elements include a balanced mix with the vocals and lead guitar prominent
2:49
Indie rock with post-hardcore edge, dry guitars, stomping rhythm, no atmospheric elements, male vocals only, emotional noise not mysticism
4:49
Indie rock with emotionally weighted guitars, a slow heavy groove, and no clean piano, Begin with guitar textures or ambient low-end tone — avoid soft intros, Use dry male vocals with subtle harmonies, Let the energy build naturally, with layered distortion and a strong instrumental bridge, The tone should feel final, emotionally charged, and grounded in noise, not nostalgia, Let the track run close to 5 minutes, This is A Good Exit by The Gone Kids — a farewell that weighs more than it explains