10:18

Melodic doom/death metal with mid-tempo pacing and layered vocal dynamics, Vocals alternate between deep baritone cleans, mid-range screams, spoken passages, and harmonized chant-style hooks, Guitars blend slow, crushing doom riffs with melodic harmonized leads, tremolo passages, and palm-muted chugs, Verses carry slower emotional weight; choruses and breakdowns intensify with syncopated drums and soaring lead lines, Clean vocals express sorrow or reflection; screams deliver urgency and collapse, Backing vocals contrast the lead—appearing as whisper trails, chanted echoes, or shouting refrains, Guitar solo section should rise from ambient layering into an expressive melodic peak, then dissolve into atmosphere, Overall tone: tragic, powerful, introspective, and relentless—balancing emotional gravity with controlled aggression, Ideal for stories of ruin, downfall, resistance, or remembering a world that has passed, Tempo range: 80–110 BPM
7:24

Melodic doom/death metal with mid-tempo pacing and layered vocal dynamics, Vocals alternate between deep baritone cleans, mid-range screams, spoken passages, and harmonized chant-style hooks, Guitars blend slow, crushing doom riffs with melodic harmonized leads, tremolo passages, and palm-muted chugs, Verses carry slower emotional weight; choruses and breakdowns intensify with syncopated drums and soaring lead lines, Clean vocals express sorrow or reflection; screams deliver urgency and collapse, Backing vocals contrast the lead—appearing as whisper trails, chanted echoes, or shouting refrains, Guitar solo section should rise from ambient layering into an expressive melodic peak, then dissolve into atmosphere, Overall tone: tragic, powerful, introspective, and relentless—balancing emotional gravity with controlled aggression, Ideal for stories of ruin, downfall, resistance, or remembering a world that has passed, Tempo range: 80–110 BPM, Studio Quality mixing
9:05

The Last Horizon
v4.5+
Mid-high-tempo melodic doom/death metal (90–120 BPM) with dual male vocal interplay: deep baritone cleans, mid-range growls, eerie prophet-style clean or screamed backing, Backing vocals contrast the lead with whispers, chants, and call-and-response delivery, Guitars combine slow, crushing doom riffs with harmonized melodic leads, tremolo passages, and palm-muted chugs, Drums shift between half-time grooves for weight and faster double-kick sections for urgency, Bass is deep, sustaining the low end with melodic counterpoints, Verses alternate between narrative leads and prophet’s voice layered as background or foreground emphasis, Breakdown features ritualistic call-and-response vocals with crushing instrumentals, Mood: foreboding yet poetic, balancing false hope and inevitable destruction, depicting quakes, storms, and the ocean’s rise as foretold by a mysterious prophet, Studio Quality mixing
11:27

Chaotic melodic doom/death metal (90–115 BPM) with dual male vocals: deep baritone cleans, mid-range growls, and prophet-style clean/screamed backing, Backing vocals alternate between whispers, chants, and call-and-response delivery, Guitars combine massive doom riffs, harmonized melodic leads, tremolo picking, and sudden bursts of dissonant chugs, Drums shift from pounding half-time doom sections to frantic double-kick passages during the comet impact and attack scenes, Bass rumbles deep, sustaining the low end with subtle melodic counterlines, Verses trade narrative leads and prophet backing, choruses are slow and crushing, and the bridge is frenetic, Breakdown is slow, ritualistic, and layered with both voices, Mood: cinematic, violent, and suffocating—depicting comet impact, cataclysmic flooding, and survival in hostile submersible cities haunted by predators, pressure, and the unknown
9:48

Slow, atmospheric doom/death metal (70–90 BPM) with dual male vocals: deep baritone cleans and mid-range growls, supported by whispered and chant-like backing, Verses alternate between clean, mournful storytelling and guttural, pressure-laden growls, with backing whispers and chanted phrases that create an echoing, cathedral-like presence, Guitars are massive and sustained, with occasional melodic lead lines drenched in reverb, evoking the vastness of the abyss, Bass is deep and resonant, filling the mix like the hum of distant machinery, Drums are deliberate and spacious, using tom-heavy accents and slow crashes to convey the weight of the deep, occasionally rising into double-kick swells during emotional peaks, Ambient layers include distant groans of metal, low oceanic rumbles, and whale-like calls, Mood: suffocating, poetic, and alien — depicting life in deep submersible cities, the stillness “where the currents sleep, ” and the crushing beauty of the “cathedral of pressure, "
5:49

Doom/death metal instrumental with sparse narrative whispers spread evenly, Track flows through multiple tempo changes: ~60 BPM with reverb-heavy clean guitar arpeggios and drones; ~90 BPM with galloping drums and dissonant bends; collapsing to ~50 BPM with crushing, sustained doom riffs, Vocals are not sung, but whispered or softly spoken fragments, delivered breathy and low in the mix, Each line should be doubled as lead plus faint echo backing, processed with reverb and delay so they drift and fade like ghost voices in the abyss, Placement should be sparse and intentional, roughly one or two lines per section, forming a slow two-sentence story over the runtime, Guitars alternate between massive distortion and mournful clean leads layered with strings, Bass is seismic, rumbling constantly beneath, Drums emphasize tom-heavy rolls, gallops, and half-time crashes, Ambient textures: metallic groans, sonar pings, and whale-call echoes, Mood: suffocating, ghostly, and otherworldly
7:03

Tremors in the Black
v4.5+
Atmospheric doom/death metal (100–120 BPM) with dual male vocals: deep, resonant baritone cleans and mid-range, gravel-edged growls, Verses alternate between clean, tense delivery and guttural growls, with whispered backing that feels like the ocean’s voice pressing in, Guitars are massive and sustained, with occasional dissonant bends and harmonic swells to mimic structural strain, Bass is low and rumbling, evoking seismic vibrations beneath the mix, Drums use slow, deliberate rhythms with tom-heavy rolls and sudden, sharp accents during “tremor” moments, occasionally surging into double-kick bursts in the bridge, Ambient layers include deep sub-bass pulses, metallic groans, and distant cracks, suggesting tectonic movement and hull stress, Choruses are crushing and mantra-like, building a sense of inevitability, Mood: tense, oppressive, and foreboding — the sound of deep-ocean sanctuaries beginning to fail under unseen pressures, with whispers of danger both above and below
11:48

The Maw Below
v4.5+
A crushing doom/death metal descent into the abyss, balancing oceanic heaviness with bursts of violent intensity, Open with droning guitars, distorted bass, and reverberant atmospherics, evoking the suffocating weight, Verses delivered in deep, guttural growls with melodic phrasing, echoing across cavernous reverb, supported by down-tuned guitars and slow, tectonic drum patterns, Pre-choruses swell with dissonant harmonics and layered echoes, then collapse into choruses that are hymn-like dirges — sorrowful yet immense — featuring sustained chords, low organ textures, and whispered backing vocals to thicken the despair, Hooks erupt with blast beats, tremolo guitars, and layered growls, briefly accelerating into chaos before dropping back into crushing doom pacing, Interludes strip the soundscape to drones, whispers, and reverb-heavy ambience, Breakdowns slam into sludge-tempo riffs and oppressive percussion, while the outro fades into layered whispers, dissolving silence, & final echo

