1:58

Seven Ways To Say Te Amo
v4.5-all
rap, Bright hyper-pop rap hybrid, female vocals, Tempo racing with skittery hi-hats, subby bass, and glossy synth stabs, Verses are double-time bilingual bars, tightly stacked, with playful ad-libs tucked in the sides, Chorus explodes into a chant with layered gang vocals on each language phrase, kick and clap hitting hard, Middle section strips to 808 and vocal, then final chorus adds octave harmonies and airy pads for a euphoric, hands-in-the-air finish
2:44

Moriría Por Ti
v4.5-all
rap, High-energy Latin trap-rock fusion with female vocals; double-time Spanish rap over tight acoustic drums and distorted power-chord guitars, bass locking to kick for a driving pocket, Hook explodes with shouted gang-vocal ad-libs and stuttered phrases; brief halftime switch on last chorus for impact, Outro drops to clean guitar arpeggios and light toms, intimate close-mic Japanese vocal, then a final full-band stinger on the last word, world, electric
1:46

1:27

anything for him
v4.5-all
rap, Aggressive trap-rap energy, male vocals, Fast, double-time flow over hard-hitting drums and buzzing bass, with bright synth stabs on the hook, Verses stay tight and percussive; chorus opens up with chanty gang vocals and wide stereo ad-libs, Occasional drops to just bass and vocal for emphasis before everything slams back in, male vocals
3:33

4:05

2:20

Run Around The World
v4.5-all
rap, High-energy pop-rap with aggressive drums and crunchy electric guitars, hyped-up female vocals, Tight half-time groove in the verses, then double-time feel on the chorus, Gang shouts on key lines, filtered pre-chorus lift, huge wide guitars on the hook, with quick ad-lib echoes to keep the momentum racing, female vocals, world, electric
2:53

Yeah, I Love You Owen
v4.5-all
rap, Bright hyperpop-rap hybrid, female vocals; bouncy synth plucks and sugary supersaws over a snappy, uptempo beat, Verses spit quick, playful bars with chopped vocal glitches; chorus explodes with layered harmonies and sidechain swells, Last section stretches into an anthemic outro, each language line punching through with call-and-response ad-libs and rising synth risers, ending on a held, emotional hook, bright, female vocals, pop
2:44

Domingo 21
v4.5-all
rap, High-energy pop-rap duet with male and female vocals trading lines, Crunchy electric guitars over punchy live drums, bright synth tops in the chorus, Verses are tight and rhythmic, pre-chorus builds with stacked call-and-response, chorus explodes with gang vocals and chanty hook, Big, radio-ready mix with wide stereo guitars and a spotlight on playful bilingual banter, female vocals, electric, pop rap
3:05

Mi Corazón, Boyfriend
v4.5-all
rap, Warm hip hop groove with live-sounding drums and gritty electric guitar riffs chopping around the beat; female vocals upfront, half-rap half-sung, with playful English/Spanish switches, Verses stay tight and rhythmic, chorus opens with melodic hooks and stacked harmonies, Guitar doubles key vocal phrases; bridge strips to drums and bass for an intimate confession before a final, bigger chorus, electric, female vocals, hip hop
2:50

rap, Warm, melodic hip-hop with fast, nimble female vocals; skittering drums and deep bass under a lush, romantic chord loop, Verses race with percussive delivery and playful pockets; chorus opens up into soaring, sung rap with stacked harmonies, Subtle synth pads and airy vocal chops fill the edges; final Spanish outro sits over a stripped-down beat and reverb-soaked keys for an intimate, cinematic close, low, female vocals, world, hip-hop
2:12

Burn Through the Noise
v4.5-all
rap, Hard-hitting hip-hop with aggressive drums and snarling electric guitar stabs; verses rap in a tight, urgent pocket, then the hook explodes with one sustained, climatic high guitar note under a shouted, melodic chorus, Male vocals with a gritty edge; ad-libs echo wide, drums punch forward in the mix, final chorus rides the high note into a sharp cutoff, hip hop, electric
