
⭐ 2025 Favorites
Some of my favorite tracks from 2025. One track per account max. There are plenty more worthy of inclusion, but until Suno makes playlists more usable I need to keep it somewhat shorter than I'd like.
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125 songs
5:57

2:29

3:33

Still Enough
v3.5
Industrial Synthpop, Serene, Introspective, Meditative, Slow, Ghostly reverb-heavy female vocals, [minimal electronic arrangement - delicate piano accents, lush atmospheric pads, soft glitch textures]
5:06

The languishing
v4.5+
metal, techno-electro with groove metal infusion, slow BPM, speed-pitch shift nearing the end of the verses, infuse a lot of progressive, techno, pounding energy, breaks, progressive vaporwave glitch inbetween the verses, groove metal, grooving breaks, transitions to dance, electro house, male vocals, electro, pounding loud, emphasis on fusion groove metal and pounding loud techno
3:01

7:56

progressive, progressive metal, psychedelic, soft scremo female vocals, background singer vocals, three part epic, heavy bass tone distortion, deep heavy minimal riff tones, polyrhythmic metal with deep, melodic bass riffs, shifting time signatures from tense 7/8 verses to explosive 4/4 choruses, atmospheric and intricate drum patterns with heavy toms and crisp cymbals, soft, haunting female vocals that build into raw, emotional screamo outbursts, clean and distorted guitar layers with dissonant harmonies and atmospheric swells, dynamic song structures with long instrumental passages and sudden tempo changes, dark, introspective, and cinematic production, blending melodic melancholy with intense, cathartic heaviness
4:01

ИⱯRЯΛƬHΞM
v4.5
guitar intro, ambient, atmospheric, epic, dark, moody, insane vocals, insane flow, unique flow, punk rap, trap, cloud rap, emo rap, screaming vocals, fast trap, fast flow, deathcore, djent, thall, drill trap, deathtrap, screaming, growling, unclean metal vocals, ambient trap metal, horrorcore, chopper rap, downtuned guitars, 808 bass, guttural vocals, growling vocals, screaming vocals, ambient guitars, clean electric guitar, twangy tones, syncopated breakdowns, rhythmic variation, experimental hip hop, industrial metal, deathtrap, melodic deathcore, cinematic trap, metalcore, glitchy textures, atmospheric metal, ethnic instrumentation, exotic scales, haunting melodies, aggressive energy, dark ambient, distorted bass, emotional hardcore, lyrical rap, rapid fire flow, hardcore trap, progressive metal, hypnotic vibes, brutal beauty, post-metal, rage rap, dramatic dynamics, trip hop, epic builds, vocal layering, shadowy textures, fusion genre, power meets pain, surgical rhythm, disgusting
3:34

Polyphonic madrigal structures reimagined through analog synthesizers, Tribal drum patterns, Intricate layered electronic textures maintaining Renaissance counterpoint principles, Lute-like arpeggios generated by sequenced synthesizers, Ornate, mathematically precise composition blending period authenticity with futuristic sound design, ‑female vocals
2:16

A high-energy metal track with a driving tempo of 180 BPM in a 4/4 time signature, The song features a distorted electric guitar playing a prominent riff, a powerful bass guitar providing a strong rhythmic foundation, and a drum kit with a heavy emphasis on kick and snare, The vocals are aggressive, delivered by a male vocalist using a combination of shouting and growling techniques, The song structure includes distinct verse and chorus sections, with instrumental breaks showcasing the guitar, Production elements include heavy distortion on guitars, a tight drum sound, and a forward vocal mix, The overall key is A minor
4:52

Metal, piano, hip hop bass, processed washing machin, [galloping rhythm], heavy loud distorted guitar set in D, complex
2:52

This piece is an ambient soundscape featuring sustained, evolving pads and atmospheric textures, The primary instrumentation consists of synthesized pads, creating a sense of spaciousness and calm, There are no discernible chord progressions in a traditional sense, but rather long, evolving harmonic washes, No vocals are present, The song structure is entirely instrumental, with a gradual introduction and slow development of textures, The melody is absent, replaced by sustained harmonic layers, The key is ambiguous due to the lack of distinct melodic or harmonic movement, but the overall feel suggests a minor tonality, The tempo is extremely slow, almost static, Production elements include heavy use of reverb and delay, creating a vast, ethereal sound, The mixing emphasizes the broad, enveloping nature of the pads, with no sharp attacks or percussive elements
1:59

A spoken word piece with a male narrator, accompanied by a sparse, atmospheric musical arrangement, The tempo is slow, around 60 BPM, The key is ambiguous, leaning towards a minor tonality, The instrumentation primarily features a sustained, low-frequency synth pad providing a drone-like foundation, complemented by a high-pitched, shimmering synth texture that adds an ethereal quality, A subtle, percussive element, possibly a reversed cymbal or a filtered white noise sweep, occasionally punctuates the phrases, There are no discernible chord progressions, only sustained harmonic textures, The male vocal is clear and resonant, delivered in a calm, narrative tone with a slight reverb, Production elements include significant reverb on the synths, creating a vast soundscape, and a clean, forward mix for the spoken word, The dynamic range is relatively narrow, maintaining a consistent, subdued intensity throughout, The structure is free-form, following the narrative flow rather than traditional song sections
3:45

A lush, expansive intro sets a dramatic mood before thick, fuzzed-out grunge guitars explode in, The verse alternates between atmospheric synth textures and raw, driving rhythm, Bass lays down a strong groove, while drums shift from tight, syncopated fills to thunderous choruses, epic composition, deep 808 bass
4:00

Funeral Doom, different languages, Dark, nihilistic funeral hymn, Deep, guttural Latin chanting, eerie whispers in Icelandic, Arabic, Hungarian, Spoken German and Russian, Slow, crushing, epic chorus
6:37

industrial rock, dark synthpop, electro-rock, alternative electronic, male lead, deep and detached, baritone with restrained emotion, occasional whispered layers, filtered harmonies, analog synths, distorted guitar, dark bassline, electronic drums, glitch textures, filtered pads, dark, brooding, melancholic, sensual, industrial, electronic tension, cynical tone, mechanical pulse, emotionally numb
3:30

3:56

gothic rock, low, rock, sad, country, acoustic rock, emotional, acoustic
2:52

**AVANT-GARDE PROGRESSIVE METAL, ** Slow Tempo, Genre focus on a bizarre, beautiful fusion of Technical Death Metal and a distorted, unsettling underwater Tango (inspired by The Little Mermaid), **RHYTHMIC MANDATE:** The music must be built on a powerful, unnerving **POLYRHYTHM**, The main instrumentation must pulse in a highly complex **13/8 time signature** while the **vocal melody and snare drum** pulse in a contrasting **3/4 time signature**, The drumming must be **Aggressive, intricate, and technically dense**, utilizing complex polyrhythmic cycles over the slow tempo, **INSTRUMENTATION:**
Focus on ethereal, airy female clean vocals (melodic) and female synth vocal (aggressive parts), Rich ambient synth pads create a deep, unsettling underwater soundscape, Crushing saxophone plays technical death metal style riffs and features **cold, mechanical solos**, Prominent, complex fretless basslines, Dissonant brass orchestra hits, Complex piano accompaniment
2:55

Sans réponses
v4.5+
"French experimental garage rock, raw and independent style, Gritty male vocals in French, half-sung half-spoken, rough and emotional, Distorted fuzzy guitars, noisy feedback, heavy lo-fi bass, raw unpolished drums with irregular rhythms, Chaotic and hypnotic mood, dark and rebellious, underground atmosphere, urgent and visceral, No screaming, but intense and abrasive melodic delivery, "
3:28

3:01

Classic, fast and energetic reggae roots groove warped through cyber-industrial decay, heavy basslines with syncopated patterns played by rusty synths and distorted circuit echoes, Robotic toasting vocals alternate with reverb-drenched chants, while industrial drums slam like malfunctioning factory limbs, Feels like beeing trapped in a scrapyard rave—chanting freedom to corrupted jungles of steel
2:13

Inside/Outside
v3.5
dark wave, deep bass drums, Dorian mode, echoes, eerie, vocal mastery, vibrato, descending dyads
3:07

Phonk, trap, electro, deep bass, hard hitting, banger, 120 BPM
5:29

Hatred
v5
[Genre: Hysterical Suicidal Disco Black-Metal, Technical Brutal Death-Metal, Wicked Technical Horrorcore]
[Subgenre: Schizoid Brutality, Dissonant Dancefloor, Psycho-Slam]
[Instruments:
Electric Guitar (hyper-technical riffing, tremolo black metal)
Drums (blast beats, polyrhythmic slams, hyperspeed kicks)
Synthetic Bass (distorted, guttural)
Disco Synth (cheesy arpeggios, heavy distortion)
Orchestral Hits (staccato, dissonant clusters)
Theremin (wailing, eerie melodies)
Glitch Effects (tape reversal, digital cuts)]
[Female Vocal: Female voice (Hysterical Shrieking, Guttural Purging, Demonic Vocalese, Unhinged Laughter, Whisper-Screams)
Delivery - A performance of pure insanity, Rapid, unpredictable switches between piercing black metal shrieks, gurgling death metal lows, spoken-word horrorcore passages, and manic, laughter-filled singing, Layers - Panicked whispers in left/right channels, layered demonic choirs during brutal sections, constant pitch-shifting and modulation on vocal]
3:50

Industrial deathcore, mechanical and relentless, Furious blast beats welded to machine-like double kick patterns, distorted guitars like grinding gears, guttural vocals alternating with shrieked highs, Cold, metallic synth textures layered with clanging industrial samples (factory hammers, piston-like hisses), The rhythm should feel like an assembly line breaking down under its own weight, Emphasis on fast, surgical riffs paired with sudden tempo drops that collapse into crushing breakdowns, Vocals delivered with militant cadence, almost propaganda-like, then collapsing into feral growls, Hypnotic, repetitive chorus with a chanting quality, evoking the oppressive monotony of the machine while turning it into a rallying cry for refusal, aggressive male vocals, headbanger, dark deep bass male voice, tremolo picking, celestial pads
3:48

minimal raw techno-industrial, heavy analog synth, deep underground, heavy, dark experimental, warehouse vibes, sidechain compression, modular synth, minimal German techno touch, pumping dark bass
3:16

atonal experimental upbeat dark arena rock, gentle riffs melodies, cute female vocals, upbeat keyboard, haunting power chords, uplift melodies, dynamic mood shifts, free improvisation
3:23

Guttural Slamming Brutal Death Metal, Guttural voice and Deep Gore growl vocals, Sludge, Ambient, Reverb, Raw, Powerful, Heavy, Unrelenting, Slow, Beatdown, Groovy, Progressive Progression, Bass, Extreme, Agony, ‑Everything but the style of music, ‑clean vocals
2:56

Rhodes pad, rhodes harmonizing, hammond riff, low gravely male voice, slap bass, descending chords progression, groovy, clean drum riffs (uptempo and ghost notes - very Coleish), clavinet, wawa guitar
3:29

pulsing basslines, deep huge trap sub bass, incredible vocal, dynamic beat drops, incredible deep sub-bass, eerily haunting SFX, cowbells chimes building with dread basslines, the vocal is warped and strange, cyberpunk cybercore porncore witchcore elements build and merge, dynamic bass drop, tempo shifts of darkwave neurowave post trance post evolve and merge, a post metal progressive deep chill post metal, lo-fi, deep sub-bass eeiry yet sexy, strange yet seductive, a deep chill element takes a wild tempo shift into a wall of noise style jagged warped synth pads metal before then breaking down into a mid-tempo powerful sultry vocal, There is a deep trap bassline and chill dubstep percussion, An ever present ominous tonal shift keeps up the tension, There is an acoustic guitar that's plays ghostly solo, Darkwave witchcore pulses and SFX create incredible rhythm shifts and processed electronic beats
4:24

hauntingly beautiful lullaby in the style of a broken music box, Soft, childlike vocals with layered toy piano, music box chimes, and ambient textures, Melancholy yet whimsical, like a forgotten nursery rhyme, Echoes of innocence mixed with unease, Inspired by ‘Coraline’ and ‘Pan’s Labyrinth, ’ with subtle horror undertones beneath a delicate, almost saccharine surface
4:08

2-Player Revolution
v4.5+
[Genre(s): Indiepop, Digital Hardcore, Bubblegum Bass]
[Mood(s): Manic, Chaotic, Defiant, Synthetic, Gleeful]
[Instrumentation Focus: Synthetic]
[Lead Element Focus: Synth Arp & Vocal Texture]
[Harmonic Complexity: Extended Tertian & Modal X]
[Rhythmic Grid: Polyrhythmic & Hard-Quantized]
[Vocal Production Style: Formant-shifted, hard-tuned, layered/chopped harmonies]
[Arrangement Arc: Constant evolution, no section repeated identically]
[Key FX Elements: Sidechain Comp (to everything), bitcrusher, granular delays, filter sweeps]
[Production Quirks: Arcade game samples as percussion, sudden tempo/pitch shifts]
[Stereo Image: Hyper-wide]
[Target Dynamic Range: DR5 (Heavy Comp/Slammed)]
[Saturation Profile: Digital Clip & Bit-Reduction]
[Primary Reverb Type: Algorithmic (Non-Linear/Gated)]
[Master Bus Chain: EQ -> Multi-band Dynamics (OTT) -> Saturator -> Maximizer]
3:23

6:13

Pardonne
v5
I'd create something that sits in the space between doom metal and ambient electronics - slow, crushing guitar tones layered with synthetic textures that feel both massive and fragile, The structure would be deliberately non-traditional: maybe 12 minutes long, with the first third building almost unbearably slowly, the middle section erupting into dense, overwhelming heaviness, and the final third explodes into a horrocore verse before cutting abruptly, The vocals would need to match that tension - clean and vulnerable in the quiet parts, then distorted and layered into something almost inhuman during the heavy sections, Not quite growls, but processed enough to sound wrong, uncanny
4:17

GENRE: Neo-baroque industrial, industrial cyberpunk, glitchy dubstep, with dense atmosphere, harpsichord and retro analog tones; TIME SIGNATURE: 3/4 tertiary; SINGER'S VOICE: female, fractured, uniquely expressive, raw, vulnerable, emotionally cracked, textured, breathy inflections, soft falsetto swells with dynamic shifts; whisper-crack, vibrato warble, intimate close-mic delivery, Vocal imperfections embraced; INSTRUMENTATION: harpsichord, soaring portamento sawtooth wave synths, supersaw synths, sub-bass kick, deep electronic textured polyrhythm drums awash in reverb, syncopated electronic percussive samples, acid sawtooth synth bass, texture-rich ambient pads and drones, soaring arpeggios, triggered vocal sample loops, rich stereo textures; MASTERING: Ambient wide-field mix, analog warmth, soft stereo phasing, breathy highs, diffuse reverb
2:47

Kat Caller
v4.5+
Glitchy hyperpop club banger with aggressive female vocals, swinging between seductive purrs and unhinged yandere dominance, Heavy sidechained synth bass, four-on-the-floor kick, and sharp metallic percussion locked to a gritty New York street groove, Vocal style blends chant hooks, rapid taunting verses, and mocking cat-call interjections (“hey pretty, ” “pink looks good on you”) with urban bite, Layered FX: stutters, glitch repeats, pitch bends, stereo purrs, maniacal laughter, Bright, saturated synth leads and gritty bass drops punch through with club-ready energy, Atmosphere is dark, kinky, and predatory — equal parts dancefloor anthem and dangerous seduction, Themes: flipping the cat-call dynamic, predator becomes prey, Mastered loud, compressed, and bass-heavy for underground NYC club impact, with swaggering rhythm and psycho-sweet vocal turns that lure, trap, and devour
4:45

@waken
v5
This cyber trap vaporwave rap-rock track launches with glitchy synths, syncopated drums, and chopped vocal samples, Verses fuse aggressive rap across biting guitar riffs, shifting into hooks with lush vaporwave pads and vibrant digital layers, Sudden, distorted drops and electronic breakdowns amplify the cyber-rock tension, blending futuristic textures with relentless rhythmic drive, harmonic female ambient vocal hook
5:49

dreampop, shoegaze, post-rock, flute, harp, lyre, goth influence, driving, angelic dreampop vocals sung operatically by a deep, rumbling androgynous greek contralto singing in a low register, beautiful, thick bass, complex drums and shifting time signatures, layered audio, chorus pads, mastered very cleanly with expert mixing
3:39

60s Bubblegum Pop with male lead vocalist, female background vocals (background vocals in brackets)
42:55

Storm (Album 👾 DAJ)
v4.5+
dark, sludge, alien guitar solo, smooth jazz, blurry drums, broken drums, fretless bass, evil organ, djent, silence, industrial, sound fx, sfx chill, tranquil, soundscape, atmospheric, noise fx, binaural, mood changes every 90 seconds
1:26

High-energy industrial metal track characterized by aggressive distorted guitars and a driving electronic beat, The song features a heavy, syncopated guitar riff in a low tuning, likely Drop C or lower, paired with a punchy 4/4 drum machine pattern, The vocal performance is intense, utilizing a mix of guttural screams, distorted shouting, and rhythmic chanting, The production is dense and abrasive, incorporating glitchy sound effects, metallic percussion hits, and a prominent sub-bass layer, The structure is repetitive and riff-driven, building tension through sudden stops and explosive re-entries, The tempo is approximately 140 BPM, maintaining a frantic and chaotic atmosphere throughout
3:01

Potato, Irish rock, darkwave, fiddle, uplifting, energetic, Irish accent, female vocal





























































