"Orpheus in the Underworld" by Ivy Anonymous & the Virtuals
The third LP of Ivy Anonymous & the Virtuals.
(All lyrics are human made)
More atmospheric and lyrical. Several new features and some reinterpretations of original songs by the Virtuals.
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32 songs
5:39
Female operatic rock voice
**(Style Note:)** The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals
4:50
A Scandinavian metal track unleashes aggressive verses with an operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
4:52
3. The Nameless. (Cavalcade)
v4.5-all
Bold piano chords establish a powerful intro, quickly joined by crisp drums and a driving bass for a Scandinavian metal foundation, Verses erupt with operatic female vocals and aggressive textures, Anthemic pop choruses soar with electric guitar accents, layered backing vocals, and dramatic dynamic shifts, allowing the commanding lead voice to shine distinctively
4:59
A Scandinavian metal track unleashes aggressive verses with an operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
4:56
A Scandinavian metal track with an unleashes operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
5:20
A Scandinavian metal track with an unleashes operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
4:45
A Scandinavian metal track unleashes aggressive verses with an operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
3:27
A female scandinavian operatic voice, emo metal gothic style, Bold piano chords set a confident tone before crisp drums and a driving bass join, anchoring an anthemic pop arrangement, Electric guitar accents and layered backing vocals add impact in each chorus, while dynamic shifts leave space to showcase the commanding female voice throughout
3:10
Chords establish a powerful intro, quickly joined by crisp drums and a driving bass for a Scandinavian metal foundation, Verses erupt with operatic female vocals with oriental textures, Anthemic pop choruses soar with electric guitar accents, layered backing vocals, and dramatic dynamic shifts, allowing the commanding lead voice to shine distinctively
3:51
A Scandinavian metal track unleashes aggressive verses with an operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
7:31
11. Asylum (Cover)
v4.5-all
Follow prompt between Female and Male voices : A Scandinavian metal track unleashes Emo verses, with an operatic female main voice, alternate with man voice on backing vocal (follow prompt indications), Stoner rock, Alternative Funk Rock, Industrial metal, Dark electro
6:24
12. The Boarding (Cover)
v4.5-all
A Scandinavian metal track unleashes Emo verses with an operatic female voice, Stoner rock, Alternative Funk Rock, Industrial metal, Dark electro
4:06
13. Oh loneliness, sad friend
v4.5-all
Female operatic rock voice, The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals, Style: Desert rock, stoner rock, mid-tempo groove (~95 BPM), heavy fuzzy guitars, dry drums, deep bass, gritty atmosphere, dusty desert vibes, analog warmth
5:45
Female operatic rock voice
**(Style Note:)** The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals
7:59
A Scandinavian metal track unleashes aggressive verses with an operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
4:39
Bold piano chords establish a powerful intro, quickly joined by crisp drums and a driving bass for a Scandinavian metal foundation, Verses erupt with operatic female vocals and aggressive textures, Anthemic pop choruses soar with electric guitar accents, layered backing vocals, and dramatic dynamic shifts, allowing the commanding lead voice to shine distinctively
4:01
A Scandinavian metal track unleashes aggressive verses with an operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
4:01
A Scandinavian metal track with an unleashes operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
5:53
Bonus 6 - Violence, violence.
v4.5-all
A Scandinavian metal track with an unleashes operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
4:21
Bonus 7 - The whales symphony.
v4.5-all
A Scandinavian metal track unleashes aggressive verses with an operatic female voice, sometimes filtered through a megaphone effect for punch, Crushing distorted guitars and pounding programmed drums blend with dense electronic textures and syncopated Nu Metal riffs, accented by turntable scratches, Tight synths slice through the mix, Breakdowns deliver detuned riffing and militaristic rhythms, leading to an anthemic, explosive finale
5:01
A female scandinavian operatic voice, emo metal gothic style, Bold piano chords set a confident tone before crisp drums and a driving bass join, anchoring an anthemic pop arrangement, Electric guitar accents and layered backing vocals add impact in each chorus, while dynamic shifts leave space to showcase the commanding female voice throughout
3:14
Bonus 9 - Chinese nights.
v4.5-all
Chords establish a powerful intro, quickly joined by crisp drums and a driving bass for a Scandinavian metal foundation, Verses erupt with operatic female vocals with oriental textures, Anthemic pop choruses soar with electric guitar accents, layered backing vocals, and dramatic dynamic shifts, allowing the commanding lead voice to shine distinctively
4:35
A Scandinavian metal track unleashes aggressive verses with an operatic female main voice on Verse, man voice on backing vocal, Stoner rock, Alternative Funk Rock, Industrial metal, Dark electro
7:02
Bonus 12 - The Boarding (Cover)
v4.5-all
A Scandinavian metal track unleashes Emo verses with an operatic female voice, Stoner rock, Alternative Funk Rock, Industrial metal, Dark electro
4:16
Female operatic rock voice, The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals, Style: Desert rock, stoner rock, mid-tempo groove (~95 BPM), heavy fuzzy guitars, dry drums, deep bass, gritty atmosphere, dusty desert vibes, analog warmth
7:59
Woman voice, **(Style Note : Scandinavian heavy metal style ) ** The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung by an operatic rock female voice with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals, Dark Cinematic Soul in an heavy metal version of Industrial Blues, Heavy, ominous, and empowering as Scandinavian heavy metal style, Vocals: Operatic Rock Female vocal, Verses are tense and restrained, The Chorus is powerful and belted, The Bridge features the specific "Low vocals" requested, delivered close to the mic, Instrumentation: Defined by the requested "Growling drums" (heavy, rolling toms) in the bridge, Dark, atmospheric synths and a heavy bassline, Mix: Dark and heavy, The low end should be massive to support the "growling" drums, [Balanced Levels] [Big drum package] [Compressed kick] [Compressed snare] [Perfect EQ] [Clean mix]
5:27
Woman voice
**(Style Note:)** The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals
6:59
Woman voice
**(Style Note:)** The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals
4:51
A female scandinavian operatic voice, emo metal gothic style, Bold piano chords set a confident tone before crisp drums and a driving bass join, anchoring an anthemic pop arrangement, Electric guitar accents and layered backing vocals add impact in each chorus, while dynamic shifts leave space to showcase the commanding female voice throughout
4:50
Extra ball 11- Asylum (Cover)
v4.5-all
Follow prompt between Female and Male voices : A Scandinavian metal track unleashes Emo verses, with an operatic female main voice, and a man voice on backing vocal (follow prompt indications), Stoner rock, Alternative Funk Rock, Industrial metal, Dark electro
7:58
Woman voice, **(Style Note : Scandinavian heavy metal style ) ** The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung by an operatic rock female voice with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals, Dark Cinematic Soul in an heavy metal version of Industrial Blues, Heavy, ominous, and empowering as Scandinavian heavy metal style, Vocals: Operatic Rock Female vocal, Verses are tense and restrained, The Chorus is powerful and belted, The Bridge features the specific "Low vocals" requested, delivered close to the mic, Instrumentation: Defined by the requested "Growling drums" (heavy, rolling toms) in the bridge, Dark, atmospheric synths and a heavy bassline, Mix: Dark and heavy, The low end should be massive to support the "growling" drums, [Balanced Levels] [Big drum package] [Compressed kick] [Compressed snare] [Perfect EQ] [Clean mix]
6:40
Woman voice, **(Style Note : Scandinavian heavy metal style ) ** The song starts with a clean, reverb-drenched electric guitar playing a melancholic arpeggio, The verses are sung by an operatic rock female voice with strained, emotional clean vocals, building tension that explodes into a heavy, distorted chorus with harsh screamed vocals, Dark Cinematic Soul in an heavy metal version of Industrial Blues, Heavy, ominous, and empowering as Scandinavian heavy metal style, Vocals: Operatic Rock Female vocal, Verses are tense and restrained, The Chorus is powerful and belted, The Bridge features the specific "Low vocals" requested, delivered close to the mic, Instrumentation: Defined by the requested "Growling drums" (heavy, rolling toms) in the bridge, Dark, atmospheric synths and a heavy bassline, Mix: Dark and heavy, The low end should be massive to support the "growling" drums, [Balanced Levels] [Big drum package] [Compressed kick] [Compressed snare] [Perfect EQ] [Clean mix]