4:09
Styles
[1980s City Pop Ballad with jazz and cinematic warmth]
[Grand piano, soft brush drums, fretless bass, clean guitar, sax lead]
[Whisper feminine vocal, bilingual lyric tone]
[Analog tape saturation, hall reverb, natural stereo width]
[Evokes quiet night streets, reflections on love under city lights]
[Perfect sixteenth track — emotional ballad pause before the final night arc]
4:52
Styles
[1980s mellow City Pop with ambient dream texture]
[Rhodes and clean reverb guitar, fretless bass, brushed drums]
[Soft feminine bilingual vocal, long reverb tail and airy tone]
[Tape saturation and stereo shimmer evoke morning marina air]
[Captures peaceful seaside reflection, half awake in sunlight]
[Perfect fifteenth track — dreamy calm after the skyline reunion]
5:07
Styles
[1980s Mellow City Jazz with afterhours soul groove]
[Rhodes, clean jazz guitar, fretless bass, brush drums, sax ad-libs]
[Soft feminine whisper vocal with bilingual phrasing]
[Tape warmth, light reverb, subtle bar ambience]
[Evokes post-midnight calm and emotional reflection]
[Perfect seventeenth track — the quiet heartbeat of the night]
3:53
Styles
[1980s City Pop with autumn mellow groove]
[Rhodes electric piano, clean guitar, finger bass, soft 16-beat drums, ambient synth pads]
[Feminine bilingual vocal, calm and warm tone]
[Tape warmth, plate reverb, gentle stereo movement]
[Evokes early autumn breeze and quiet motion in city streets]
[Perfect eighteenth track — mellow seasonal transition with subtle drive]
3:41
Styles
[1980s City Pop with electro-drive groove]
[Tight synth bass, electronic drums, Rhodes stabs, clean funk guitar]
[Female bilingual vocal with cool urban tone]
[Tape saturation, hall reverb, wide stereo image]
[Evokes silver-lit highway under dawn sky — smooth yet powerful drive]
[Perfect nineteenth track — elegant acceleration toward finale]
5:29
Styles
[1980s City Pop finale with ambient dreamwave elements]
[Soft synth pads, Rhodes, deep synth bass, clean guitar with delay, optional sax outro]
[Feminine bilingual vocal with emotional air tone]
[Wide cinematic stereo, hall reverb, tape warmth, smooth dynamic rise]
[Evokes dawn after neon night, the tide of light and memory fading into morning]
[Perfect twentieth track — emotional finale closing the entire night cruise arc]
3:14
Styles
[1980s City Pop with disco-funk fusion energy]
[Four-on-the-floor rhythm, synth and electric bass blend, Rhodes and bright brass]
[Female bilingual vocal with cool, bright tone]
[Tape saturation, airy stereo image, subtle ocean ambience]
[Captures post-night drive freedom heading toward sunrise horizon]
[Perfect thirteenth track — the morning drive into open sky]
5:18
Styles
[1980s Smooth City Pop Ballad with jazz-fusion influence]
[Rhodes electric piano, clean jazz guitar, fretless bass, soft brush drums, sax solo]
[Soft feminine bilingual vocal with emotional tone]
[Warm analog tape mix, hall reverb, stereo pad texture]
[Captures pre-dawn urban reunion on high-rise skyline]
[Perfect fourteenth track — serene emotional resolution before the final climb]
4:56
Styles
[1980s ambient City Pop with jazztronica elegance]
[Rhodes electric piano, clean chorus guitar, brush drums, fretless bass]
[Soft feminine bilingual vocal with whisper tone]
[Long hall reverb, airy stereo imaging, tape warmth]
[Captures early morning serenity above Yokohama skyline]
[Perfect twelfth track — dawn reflection after the night cruise arc]
3:41
Styles
[1980s Techno-romantic City Pop]
[Soft electronic drums, ambient synths, Rhodes layers, clean arpeggio guitar]
[Feminine bilingual vocal with dreamy emotional tone]
[Tape saturation and hall reverb evoke futuristic nostalgia]
[Captures the quiet magic of Yokohama's future skyline at night]
[Perfect eleventh track — serene transition toward dawn and hope]
3:07
Styles
[1980s City Pop with Electro-Funk energy]
[Synth-bass and live bass hybrid, four-on-the-floor groove, horn section accents]
[Female bilingual vocal with urban power]
[Sidechain compression, gated reverb snare, analog tape punch]
[Captures midnight expressway energy of Daikoku PA and neon heat]
[Perfect tenth track — explosive climax of the first night arc]
3:05
Styles
[1980s City Pop meets Urban Funk with brass explosion]
[Groovy finger bass, disco-funk drums, wah guitar, Rhodes and synth brass layers]
[Powerful female vocal bilingual phrasing (JP/EN)]
[Tape saturation, gated snare, analog bus compression]
[Evokes midnight boulevard heat, neon red reflections, urban rush]
[Perfect eighth track — the night’s peak of energy and color]
4:16
Styles
[1980s City Pop with funky AOR and amber-toned groove]
[Slap bass, Rhodes chords, clean wah guitar, tight funk drums, horn riffs]
[Feminine bilingual vocal with sassy brightness]
[Tape saturation, short plate reverb, analog sheen]
[Evokes autumn night lights, urban passion, classy movement]
[Perfect seventh track — energetic amber glow between warmth and drive]
3:16
Styles
[1980s City Pop with shuffle AOR groove]
[Bouncy electric bass, live drums with swing ghost notes, Rhodes and clean guitar interplay]
[Feminine bright vocal bilingual phrasing (JP/EN)]
[Horn stabs and hand claps for urban fun vibe]
[Retro warm mix with tape softness and gentle reverb]
[Evokes night-bay bars and carefree dancing under neon]
[Perfect sixth track — lighthearted shuffle after the moonlit ride]
3:37
Styles
[1980s City Pop meets Synth-Boogie energy]
[Syncopated electric bass, tight electronic drums, bright Rhodes and poly-synth stabs]
[Female vocal bilingual phrasing with breathy edge]
[Retro AOR melodic layering and tape saturation for warmth]
[Shimmering moonlit highway feel, neon reflections, speed and romance]
[Perfect fifth track — night cruise accelerates under the moonlight]
3:59
Styles
[1980s mellow City Pop with AOR warmth]
[Rhodes electric piano, clean guitar delay, warm fretless bass, soft drums]
[Feminine nostalgic vocal with bilingual delivery (JP/EN)]
[Saxophone phrases and solo evoke bay sunset and fading light]
[Gentle analog reverb and tape texture for retro authenticity]
[Evening-afterglow mood bridging sunset to night drive]
[Perfect fourth track, the emotional calm between energy and stillness]
3:47
Styles
[1980s City Pop meets AOR drive groove]
[Clean chorus guitars, smooth Rhodes, poly-synth pads, fingered bass]
[Female breathy vocal with bilingual phrasing]
[Four-on-the-floor disco-AOR hybrid rhythm]
[Dreamy mid-tempo night-drive mood evoking freedom and speed]
[Analog tape gloss, stereo spread guitars, sparkling city lights reflected in the bay]
[Perfect third track to accelerate the night sequence after Yokohama Nights]
4:24
Styles
[1980s City Pop with vintage Yokohama atmosphere]
[LinnDrum beat, Rhodes electric piano, clean guitar comping, warm analog bass]
[Soft female whisper vocal with bilingual (JP/EN) lyrics]
[Retro tape saturation, gated reverb snare, subtle sax solo]
[Neon reflections and skyline lights along the bay]
[Mid-tempo cruise groove evoking romantic late-night drives]
[Perfect second track to follow Neon Bayside, deepening the night mood]
4:48
Neon Bayside
v4.5+
Styles
[City Pop with retro synthwave texture]
[Four-on-the-floor groove, warm electric piano comping, analog bass drive]
[Soft female whisper vocal, bilingual (JP/EN) lyric delivery]
[Dreamy nighttime mood evoking 1980s Tokyo Bay drive]
[Neon reflections, bridge lights, analog tape warmth, shimmering pads]
[Slight disco pulse blended with modern chillwave gloss]
[Perfect for night cruise intro vibes]