experimental things

Keep key in B or C, Do not transpose, Use a male vocal tone similar to Toshi from X JAPAN's DAHLIA tour — powerful, emotional, and resonant, Slightly thicker voice, Target duration: 4:30 to 4:50, Genre: emotional 1990s Japanese rock (inspired by X JAPAN), High notes must be chest voice only — no falsetto or head voice, Tone should be slightly nasal, supported from the lower chest, and grounded in strong vowel resonance, Keep vowel sounds rich, open, and sustained — especially "a", "o", and "e", Avoid bright, airy, or youthful tone, Do not overemphasize consonants, Maintain a firm, expressive delivery without increasing pitch, Sing from intro through full outro, Do not fade out, Do not skip the final vocal lines, Keep full structure — do not shorten verses, choruses, bridges, or instrumental parts, Intro: single clean electric guitar only, Instrumental A: twin electric guitars begin, Include electric rhythm and lead guitars, bass, piano, and rock drums, Drums

Create a 5-minute emotional hard rock ballad inspired by mid-1990s Japanese rock, Classical-influenced piano-driven rock with twin electric lead guitars (harmonized melodic lines), powerful drums, and thick bass, Tempo: 110–130 BPM, Vocals: clear chest voice with strong projection, slight rasp, no falsetto, Instruments: grand piano with cinematic dynamics, twin electric lead guitars with chorus/phaser effect, heavy snare and tom drums with reverb, thunderous kick drum, thick melodic bass, subtle synth pads for atmosphere, Song structure: Intro, Verse 1, Verse 2, Chorus 1, Bridge, Verse 3, Chorus 2, Interlude (instrumental twin guitar solo), Post-Chorus (Japanese lyrics), Outro with twin guitar and piano fade, Mood: dramatic, sorrowful, introspective, with a lingering hope, Vocals: articulate, emotional nuance, slightly raspy but clear and not muffled, Avoid repetition; use dynamic contrast and instrumental tension build-ups, ‑No acoustic guitar No falsetto or breathy vocals No folk or unplugged ballad sound NO growl No mellow or jazzy tone No modern pop-style vocals No synth-pop or electronic dance elements No nasal or filtered vocal tone No soft or dry percussion No weak or buried bass No harmony stacking or choral effects No tempo under 100 BPM No major key resolution

Instrumental melodic metal track featuring twin lead electric guitars playing harmonized and unison riffs with occasional fast shredding solos, Include dynamic contrast by adding slower, melodic break sections with clean tones or minimal instrumentation, Use a heavy, aggressive drum sound with deep, thunderous double kick drums ("thud-thud-thud" machine-gun style), and fat, punchy snare hits, The bass guitar should be present, tight, and provide a solid low-end foundation supporting the guitars, Synthesizers are allowed only as subtle background strings for atmosphere — no synth bass, pads, or electronic sounds, The overall tone should be powerful, dramatic, and emotional, with clear separation between instruments, Tempo around 155–160 BPM, ‑No vocals, ‑no EDM, ‑no electronic drums, ‑no sub bass, ‑no glitch effects, ‑no pop or jazz elements, ‑no acoustic instruments like piano or nylon guitar

Create an instrumental melodic metal track featuring twin lead electric guitars, The guitars should perform in unison and harmonized melodies, with occasional fast picking and shredding, but not constantly — allow breathing space and dynamic pauses, Use a heavy drum kit with deep, punchy kicks and powerful snare hits — avoid thin or "slappy" snare sounds, Include a solid bass guitar that follows and supports the guitars tightly, Add only one layer of synth: Strings, used minimally as atmospheric backing, not as a lead, Avoid electronic effects, sub-bass, or glitchy sounds, The tone should be epic, emotional, and powerful, with dramatic shifts between intensity and calm, Keep the tempo energetic but not chaotic — allow structure and contrast, ‑Do not include EDM-style synths, ‑sub bass, ‑risers, ‑sidechained effects, ‑or distorted electronic noise, ‑Avoid vocals, ‑chaotic drum fills, ‑and overly compressed mixing, ‑Do not bury the bass or make the guitar sound thin

Dramatic metal with emotional dynamics, Tempo: Medium-fast (around 140–160 BPM), Key: B minor, Use twin electric guitars: alternate between harmonized melodic riffs and emotional solos, Allow space — use silence and rests between phrases to create tension and release, Guitar should not be constant; avoid looping "chug" patterns, Drums: Heavier and expressive — not just constant double kick, Include rhythmic breaks, ghost notes, and dynamic snare fills, Emphasize punchy kick and deep toms, Bass: Tight and melodic; follow guitar but occasionally counterpoint, Strings only for synth — no pads or sub-bass, Use strings sparingly to support climactic moments, Overall: Avoid mechanical repetition, Include dramatic pauses, tempo shifts, and emotional contrast, No electronic/EDM elements, Do not simplify complexity, ‑No vocals, ‑no EDM, ‑no electronic drums, ‑no sub bass, ‑no glitch effects, ‑no pop or jazz elements, ‑no acoustic instruments like piano or nylon guitar

male vocal, emotional, clear tone, strong mid-high chest-mix, minimal vibrato, soft nasal resonance, powerful focused delivery, no falsetto, dynamic phrasing, smooth chest-head transitions, slight breathiness, tense warm tone, stable pitch with slight variation, polished articulation, rich midrange, slight rasp on high notes, subtle hoarseness, Japanese English with light British accent, clear enunciation, non-rhotic R, natural Japanese intonation, instrumentation: two electric guitars (lead and rhythm), bass guitar, drum kit, piano, synthesizers

Symphonic Gothic Metal, Neoclassical Rock Opera, 1990s Japanese metal influence (X JAPAN "DAHLIA"-era), dramatic orchestral arrangements, melancholic piano, cinematic strings, emotional electric guitars, twin heavy guitars, powerful bass guitar, dynamic twin bass drums, rich synthesizers, powerful male vocals with clear, emotional tone, softly nasal resonance, expressive vibrato, clean upper register without falsetto, strong mid-to-high range delivered in sustained mixed voice style, tragic beauty, tempo shifts, layered dynamics, live concert depth Reverb settings: - Verse: minimal reverb, emotionally close and fragile - Chorus: soaring vocals with deep hall reverb, dramatic width - Bridge: ambient, echoing space, suspended in time - Outro: fading reverb trail, slowly dissolving into silence

Symphonic Gothic Metal, Neoclassical Rock Opera, 1990s Japanese metal influence (X JAPAN "DAHLIA"-era), dramatic orchestral arrangements, melancholic piano, cinematic strings, emotional electric guitars, twin heavy guitars, powerful bass guitar, dynamic twin bass drums, rich synthesizers, powerful male vocals with clear, emotional tone, softly nasal resonance, expressive vibrato, clean upper register without falsetto, strong mid-to-high range delivered in sustained mixed voice style, tragic beauty, tempo shifts, layered dynamics, live concert depth Reverb settings: - Verse: minimal reverb, emotionally close and fragile - Chorus: soaring vocals with deep hall reverb, dramatic width - Bridge: ambient, echoing space, suspended in time - Outro: fading reverb trail, slowly dissolving into silence

Male Vocal, J-Rock, Visual Kei, 80s Power Metal, Powerful, high-pitched tenor, crystalline, tense, emotional, dramatic, controlled rasp, passionate vibrato, clean diction, Maximum length 5 minutes, Please play all the way to the outro without stopping singing halfway through, ‑Long tones that are impossible for humans to produce, ‑Acoustic, ‑jazz, ‑blues, ‑pop, ‑rap, ‑country, ‑No rapping, ‑No shouting, ‑No growls

Symphonic Gothic Metal, Neoclassical Rock Opera, 1990s Japanese metal influence (X JAPAN "DAHLIA"-era), dramatic orchestral arrangements, melancholic piano, cinematic strings, emotional electric guitars, twin heavy guitars, powerful bass guitar, dynamic twin bass drums, rich synthesizers, powerful male vocals with clear, emotional tone, softly nasal resonance, expressive vibrato, clean upper register without falsetto, strong mid-to-high range delivered in sustained mixed voice style, tragic beauty, tempo shifts, layered dynamics, live concert depth Reverb settings: - Verse: minimal reverb, emotionally close and fragile - Chorus: soaring vocals with deep hall reverb, dramatic width - Bridge: ambient, echoing space, suspended in time - Outro: fading reverb trail, slowly dissolving into silence, ‑No female vocals, ‑no falsetto vocals, ‑no screaming, ‑no growling, ‑no autotune, ‑no modern pop synths, ‑no trap beats, ‑no metalcore breakdowns, ‑no bright EDM melodies, ‑no over-compressed mastering, ‑no robotic harmonies, ‑no lo-fi textures, ‑no solo synth or drum-only tracks, ‑no minimalistic or lo-fi arrangements

symphonic heavy metal, dramatic and emotional, powerful male vocal, Natural voice mix, wide range with emotional high notes, expressive vibrato, tender whispers, fast double bass drums, twin melodic guitars, heavy bass, piano and orchestral strings creating a dark yet beautiful atmosphere, dynamic shifts from furious aggression to sorrowful　silence, cinematic ending with piano and strings fading, ‑Long tones that are impossible for humans to play, ‑Shortening songs, ‑Growl, ‑scream, ‑falsetto, ‑Korean accent vocals, ‑vocal duplication

haunting theremin melody, eerie instrumental, deep, theme, sudden piano clusters, soft, faint, slow tempo, ambient horror, pizzicato, ambient, cello, slow, faint scream effects in the distance, deep unsettling muted cello with soft cello pad

A slow, dramatic ballad performed only with expressive piano and strings — no other instruments, Male solo vocal, Japanese High-Tenor Ballad Vocalist, Singing with a crystal-clear, achingly strained tone and perfect legato, Smooth, seamless transition from chest to a soaring, ringing head/mixed voice on high notes, Vocal exhibits resonant sustain and delicate, sorrowful vibrato on long notes, High notes are transparent and effortless, yet filled with profound heartache and intimate strain, never forced or raspy, The overall atmosphere is intimate and mournful, full of silence and lingering resonance, remaining calm yet dramatically expressive, like a quiet cry from the soul, key: B-flat Major tags: - 90s Japanese Rock - Cinematic - J-Rock Ballad - Power Ballad

Japanese Hard Rock, Groove Metal, Aggressive Bassline, Twin Guitar Riffs (distorted and clean), Heavy Drums, Mid-tempo (90–95 BPM) stable pacing, Drumming, Psychedelic Guitar Solo, Ambient/Emotional Bridge, Fade-out Outro, Male High-tone, clear yet powerful, emotional resonance centered in the mid-high range, controlled breath pressure, slightly nasal brightness, expressive vibrato, natural falsetto transitions, subtle rasp only on emotional peaks, no growl, no scream, no harsh distortion, voice remains melodic and human, Dramatic phrasing expressing pain and hope, with lingering melancholy, Japanese and English lyrics mix, The overall sound is heavy yet melodic, emotional but never brutal

Japanese Hard Rock, Groove Metal, Aggressive Bassline, Twin Guitar Riffs (distorted and clean), Heavy Drums, Mid-tempo Drumming, Psychedelic Guitar Solo, Ambient/Emotional Bridge, Fade-out Outro, Male High-tone Vocal in X JAPAN Toshi style, DAHLIA Tour era tone — clear yet powerful, emotional resonance centered in the mid-high range, **controlled breath pressure**, slightly nasal brightness, expressive vibrato, natural falsetto transitions, subtle rasp only on emotional peaks, **no growl, no scream, no harsh distortion**, voice remains melodic and human, Dramatic phrasing expressing pain and hope, with lingering melancholy, Themes of rebirth, ashes, flame, solitude, transcendence, Japanese and English lyrics mix, The overall sound is heavy yet melodic, emotional but never brutal

All rain SFX layers are ambient-only, wide stereo, no interaction with the band, Outro Light Rain SFX: - Constant light rain SFX takes center stage, - Always audible, - No instruments, only ambient sound, Vocals: Mid-to-high male, clean studio vocals, stable mixed voice, slight nasal tone, No grit, no shout, no distortion, no doubling, Band: Visual-kei power metal and neoclassical metal, Twin electric guitars, heavy drums, double bass, driving bass line, Melodic and emotional performance

Constant light rain SFX is used only in the Intro and Outro, Intro and Outro rain SFX is always audible and never affects vocals, All rain SFX layers are ambient-only, wide stereo, no interaction with the band, Break, Interlude, Stop, and all mid-song sections use band-performed rain-pattern textures only, with no rain SFX, Intro Light Rain SFX: - Constant light rain SFX takes center stage, - Distant thunder, soft wind ambience, - No instruments, Outro Light Rain SFX: - Constant light rain SFX takes center stage, - Always audible, - No instruments, only ambient sound, Vocals: Mid-to-high male, clean studio vocals, stable mixed voice, slight nasal tone, No grit, no shout, no distortion, no doubling, Band: Visual-kei power metal and neoclassical metal, Twin electric guitars, heavy drums, double bass, driving bass line, Melodic and emotional performance

Constant light rain SFX is used only in the Intro and Outro, Intro and Outro rain SFX is always audible and never affects vocals, All rain SFX layers are ambient-only, wide stereo, no interaction with the band, Break, Interlude, Stop, and all mid-song sections use band-performed rain-pattern textures only, with no rain SFX, Intro Light Rain SFX: - Constant light rain SFX takes center stage, - Distant thunder, soft wind ambience, - No instruments, Outro Light Rain SFX: - Constant light rain SFX takes center stage, - Always audible, - No instruments, only ambient sound, Vocals: Mid-to-high male, clean studio vocals, stable mixed voice, slight nasal tone, No grit, no shout, no distortion, no doubling, Band: Visual-kei power metal and neoclassical metal, Twin electric guitars, heavy drums, double bass, driving bass line, Melodic and emotional performance

All rain SFX layers are ambient-only, wide stereo, no interaction with the band, Outro Light Rain SFX: - Constant light rain SFX takes center stage, - Always audible, - No instruments, only ambient sound, Vocals: Mid-to-high male, clean studio vocals, stable mixed voice, slight nasal tone, No grit, no shout, no distortion, no doubling, Band: Visual-kei power metal and neoclassical metal, Twin electric guitars, heavy drums, double bass, driving bass line, Melodic and emotional performance

normalized gain, consistent output level, limited dynamic range, optimal headroom, dry mix, aggressive picked bass, low-end saturation, clear instrument separation, high-pass filter, phase-aligned, balanced EQ, crisp transients, direct sound, studio mastering, high-fidelity, transparent audio, sharp attack, ‑doubling, ‑unison, ‑layered vocals, ‑harmonies, ‑reverb, ‑echo, ‑delay, ‑chorus, ‑wet, ‑muddy, ‑muffled, ‑blurry, ‑low-pass filter, ‑atmospheric, ‑ambient, ‑backing vocals, ‑repetition, ‑ghost track, ‑fade-out, ‑outro loop, ‑extra parts, ‑thin vocals, ‑falsetto

normalized gain, consistent output level, limited dynamic range, optimal headroom, dry mix, aggressive picked bass, low-end saturation, clear instrument separation, high-pass filter, phase-aligned, balanced EQ, crisp transients, direct sound, studio mastering, high-fidelity, transparent audio, sharp attack

Constant light rain SFX is used only in the Intro and Outro, Intro and Outro rain SFX is always audible and never affects vocals, All rain SFX layers are ambient-only, wide stereo, no interaction with the band, Break, Interlude, Stop, and all mid-song sections use band-performed rain-pattern textures only, with no rain SFX, Intro Light Rain SFX: - Constant light rain SFX takes center stage, - Distant thunder, soft wind ambience, - No instruments, Outro Light Rain SFX: - Constant light rain SFX takes center stage, - Always audible, - No instruments, only ambient sound, Vocals: Mid-to-high male, clean studio vocals, stable mixed voice, slight nasal tone, No grit, no shout, no distortion, no doubling, Band: Visual-kei power metal and neoclassical metal, Twin electric guitars, heavy drums, double bass, driving bass line, Melodic and emotional performance