Cafe Aurora England

Create a full-length Merseybeat-style pop song inspired by, titled ‘When Liverpool Sings’, Bright clean guitars, jangly Rickenbacker tone, melodic Hofner-style bass, tight snare and tambourine groove, Include rich vocal harmonies, call-and-response phrases, and a heartfelt bridge reminiscent of ‘In My Life’, Keep tempo around 132 BPM, key of G major, with dynamic contrast between verses and chorus, End with emotional fade-out riff and layered vocal harmonies

Full song in the style of the Canterbury Scene and early 1970s Soft Machine, Progressive rock meets jazz-fusion and psychedelic rock, Complex time signatures (7/8, 5/4, occasional 4/4), lots of fuzz bass, distorted Lowrey/Hammond organ solos (Mike Ratledge style), dissonant tenor saxophone, dry jazz drumming with busy cymbals and creative fills, Male vocals in Russian, high-pitched, slightly nasal, fragile, often half-spoken sprechgesang like Robert Wyatt, Surreal, whimsical, intellectual lyrics with a melancholic, philosophical mood, Use tape delay, reverb, reversed sounds and free-jazz improvisation in intros, bridges and outro, Make it sound like an authentic vintage Canterbury progressive rock recording, warm analog tone, experimental but still musical and catchy

Birmingham heavy metal in the B S tradition, Use down-tuned guitars, a deep rumbling bass, and slow, crushing drum grooves, Layer industrial ambience and eerie harmonics for an oppressive, mystical atmosphere, Vocals must be dark, haunting, and dramatic

A raw, aggressive, energetic 1977 London punk rock anthem in the style of the S Pistols, The song features a snarling, sarcastic, and sneering male lead vocal with a distinct London accent, delivering lyrics with contempt and nihilistic rage, The instrumentation is a chaotic wall of sound, driven by a heavily distorted Gibson Les Paul guitar playing simple, powerful, down-stroked riffs and a noisy, atonal solo full of feedback, The bass is loud, distorted, and driving, The drums are powerful, simple, and relentless, with lots of crashing cymbals, The overall production is raw, unpolished, and lo-fi, capturing the feeling of a live, anarchic performance, The mood is angry, desperate, and anthemic, embodying the "No Future" spirit of early punk

Full Song Prompt: Leeds post-punk funk, 128 BPM, angular jagged guitar in the style of Andy Gill, scratchy percussive stabs, deep dub-influenced funk bass, very dry punchy drums with tight snare and minimal reverb, male vocal half-spoken half-sung with cynical political tone, gang-shouted choruses, dynamic contrasts with minimal dub sections and explosive full-band choruses, themes of commodified love, market and bureaucracy, overall sound inspired by Gang of Four “Entertainment!” and “Solid Gold”, raw, tense, danceable and aggressive

Song Style: 80s Stadium Rock, Glam Metal, Sheffield Rock, Tempo: 110-115 BPM, Key: E Major, Production: "Mutt Lange" style — polished, huge drums with gated reverb, multi-layered "gang" backing vocals, separation between clean verses and massive distorted choruses, Vocals: High-pitched male rock vocals, slightly raspy but melodic, emotional, Instrumentation: Clean chorus guitars (verses), wall-of-sound distorted power chords (choruses), melodic bass, heavy drums (kick/snare focus), Mood: Anthemic, Energetic, Nostalgic, Triumphant, Lyrics Language: Russian

90s Manchester britpop anthem in the style of, mid‑tempo 4/4 swagger beat, big stadium rock production; intro with long sustained electric guitar chord with delay then acoustic rhythm guitar enters; verses with laid‑back nasal male vocal, acoustic guitar strumming and simple drums; choruses explode into a wall of overdriven guitars, powerful punchy drums with room reverb, melodic bass and anthemic, sing‑along topline; bridge features a melodic guitar solo in the style of Noel Ga; vocal tone confident and slightly sneering like Liam Ga, with doubled vocals and harmonies in choruses; overall sound wide, warm and analog, subtle crowd ambience, capturing the gritty working‑class Manchester britpop vibe

Bristol trip-hop, M Attack style, 80 bpm, Cinematic and atmospheric, Deep, resonant, melodic sub-bass, Slow, heavy breakbeat with a dragging snare and vinyl crackle, Sparse, melancholic Rhodes piano and sampled string sections, Muted jazz trumpet phrases, Psychedelic synth pads and dub-style effects, The song features a duet: a male vocalist with a low, breathy, half-spoken, half-sung delivery like Robert '3D' Del Naja, and an ethereal, soulful female vocalist with a haunting, emotional tone like Tracey Thorn or Shara Nelson, The track builds dynamically, starting sparse and atmospheric, reaching a powerful, hopeful climax in the second chorus, then dropping into a spacious, minimalist bridge, and fading out with a filtered beat and spoken-word outro