Fun Stuff

Style: Roots Reggae with Dub elements Mood: rebellious, warm, mystical, story-driven Vocals: male Caribbean accent only, strong expressive lead, rhythmic call-outs (no female backing vocals) Instruments: deep reggae bass, one-drop drums, light organ bubble, reggae guitar, light horn stabs optional FX: spring reverb on vocals, tape echo, dub breakdown mid-song Tempo: 74–78 BPM Energy: medium hypnotic groove, strong singalong chorus

[STYLE] Ultra-virtuosic Japanese Jazz-Fusion with Brecker Brothers–style horn phrasing, Fast syncopated rhythm (116–126 BPM), aggressive fusion bass, bright Takanaka guitars, complex Rhodes voicings (maj9 / 13#11 / 7#9 / altered), dense horn stabs, female jazz-pop vocal lead, powerful sax solo with bebop, chromatic bursts, 3-over-4 phrasing, intervallic jumps, extreme agility, High-intensity Tokyo fusion aesthetic, [DESCRIPTION] A high-energy fusion track combining Casiopea tightness, Takanaka guitar color, and Brecker Brothers horn virtuosity, Features a fully notated, ultra-fast alto sax solo with bebop licks, chromatic passing tones, altered scale bursts, odd-groupings, and wide-interval lines, J-Pop / Engrish female vocals, modern J-Fusion attitude, neon-night atmosphere

[STYLE] High-energy Kawaii Future Bass + Future Funk + Japanese City Pop fusion, Bright glitter synths, sidechained pads, funky slap bass, neon retro chords, anime-style ad-libs (pyon-pyon, doki-doki, kira-kira), chopped vocal hits, J-Pop / Engrish female vocals, crisp electro drums, 128–138 BPM, retro gaming FX, upbeat call-and-response, hyper-cute aesthetic, sparkly percussion, vaporwave funk attitude, neon Tokyo vibe, [DESCRIPTION] A bright Kawaii Future Bass x Future Funk x City Pop anime opening, Upbeat 128–138 BPM, sparkly glitter synths, cute chopped vocals, retro vaporwave funk basslines, sidechained pads, energetic kawaii rhythm, Japanese onomatopoeia (pyon-pyon, doki-doki, kira-kira), Engrish/J-Pop phrasing, female idol-style vocals, fast hyperspeed rap bridge, neon-night Tokyo aesthetic, chaotic and adorable dog-themed storyline with comedic charm

[GENRE: Oldschool Deutschrap / Boom-Bap Hip-Hop] [BPM: 92] [MOOD: humorvoll, bürokratisch, ironisch, smart] [STYLE: klar artikulierter Rap mit Call & Response Adlibs] [VOICE: männlich oder weiblich, trocken, charmant-belehrend] [INSTRUMENTS: Funky Bassline, trockene Snare, Schreibmaschinen- und Stempel-Samples, Rhodes-Chords]

[Genre: Electronic, Future Funk, Kawaii Future Bass, Pop, J-Pop influences, City Pop] Deep slap bass, tight dry drums, clean wah guitar chops, Rhodes chords, playful Clavinet, small horn accents, Groove is bouncy, danceable, clever, Vocal tone: charismatic, smiling, rhythmic delivery with comedic timing, Bouncy, upbeat funk groove with rhythmic vocals, clean guitar chops, warm bass, and playful attitude, Mix: bass-forward, drums tight, vocals clear and bright, Mood: witty, charming, funky, lighthearted mischief, Tempo ~110 BPM, Key: E minor or D minor, Keep vocals clear and rhythmic — humor must be understandable, Use playful pauses before punchlines, Occasional spoken words with a wink, Ad-libs sprinkled lightly: (sign it!), (what?), (bro no way), (still binding!) Chorus gets melodic; verses more talk-singing

[style] quirky indie pop, funky pop groove, playful, upbeat, humorous, cartoon-ish vibe, male vocal, slightly theatrical performance, clear storytelling, catchy hook, expressive ad-libs [instrumentation] funky drums, electric bass with playful basslines, clean electric guitar chops, electric piano / Rhodes, small brass section (trumpet, sax), occasional marimba or glockenspiel, subtle elephant-trumpet style FX in transitions [mix & feel] modern bright mix, punchy drums, warm bass, tight rhythm section, light saturation, fun and bouncy energy, suitable for 4–5 minute radio-length song with extended instrumental outro fade

Tango Argentino, erotic and dramatic, with piano, viola, cello, violin, a touch of Avant Garde, Tempo: 72–76 BPM (unhurried but breathing freely), Vocal style: two lead voices, both with low, deep and fragile tones, male zombie baritone / bass voice, female zombie low alto / contralto voice, fragile, dark and deep; sparse vocals, not perfect, a bit rough and clumsy, Simple language, short phrases, half-spoken and breathy, with audible pauses and little breaks, as if the singers are undead and slightly out of air, Deeply emotional and romantic, with dark humor, Not super clean, not polished, Spoken tags like (spoken) should be spoken, not sung

[Genre: alt pop / emo rap / r&b, midtempo ~92 BPM, cool but emotional, male vocal] [Instruments: trap drums, soft 808 bass, warm electric piano, clean electric guitar, pads, glockenspiel / music box motif] [Overall mood: witty, playful, tough-on-the-outside / soft-on-the-inside, teddy bear as secret power] [Song length target: ~2:45 minutes] [Vocals: lead + light backing vocals in the hook, a few ad libs, some spoken words]

1920s American jazz-pop with a hint of early 1930s optimism, Medium tempo foxtrot / swing (about 90–110 BPM), warm major-key harmonies, walking bass, brushed drums, upright bass, piano comping in stride style, muted trumpet and clarinet answering the vocal lines, Vintage microphone crooner-style female or male lead, light vibrato, clear diction, playful timing, occasional call-and-response with a small backing choir on the Chorus and Reprise, Arrangement: soft intro, full band on choruses, short instrumental breaks (clarinet or muted trumpet) between sections to keep total length around 4 minutes, Emotional feel: hopeful, gently activist, “street parade” energy—like a New York or New Orleans night where people leave the (blue) screens and dance and talk in the street

Acoustic folk pop, 100 bpm, playful and humorous, warm female vocal, storytelling vibe, Song about a "man with three legs", mixing light spiritual themes and comedy, Ghosts and shadows from the family bloodline, making peace with the past and sending ghosts to the Light or God, Intimate acoustic guitar, light percussion, handclaps, a bit of whistling in the outro, uplifting and cozy, Catchy, simple chorus with a counting hook: "one leg, two legs, three legs or more", Focus on groove for dancing and a smile, not too dramatic, more cheeky and heartwarming, Use the following lyrics exactly:

Late-1920s sweet dance-band ballad / foxtrot in moderate tempo (≈ 92–104 BPM), two-beat feel (light 2-step pulse, not heavy swing), Period ensemble: cornet/trumpet (muted), trombone, clarinet lead, 1–2 saxophones (alto/tenor), piano, banjo/guitar (acoustic), tuba or upright bass, minimal drum kit with woodblock, small cymbal, brushes, Arrangement: short 4–8 bar intro, 32-bar AABA song form, gentle call-and-response between reeds and brass, soft obbligato clarinet lines, occasional stop-time breaks and short instrumental interlude, elegant ending tag, Vocal: male baritone crooner, intimate early-microphone style, clear diction, light vibrato, restrained emotion (no pop belting), Production: authentic 1928–1930 studio sound—mono, narrow bandwidth, natural room acoustics, minimal low end, no modern compression, slightly softened transients, subtle 78rpm character

baroque-inspired jazz trio, hard-swinging acoustic piano, energetic walking bass, tight ride cymbal + snare, 160–190 bpm, virtuosic right-hand runs, left-hand comping, fugue-like call-and-response, precise dynamics, clean 1970s European jazz sound, intimate studio mix

Kids Pop / Acoustic Folk / Light Indie, Warm, playful, toybox vibe, sweet but subtly ironic, Lead: children choir (8–11 years), clear syllables, front and dry, minimal vibrato, Call-and-response on key lines (“Dear Mr, Suno / dear Mrs, Suno”), group answers, occasional unison, Very singable, short phrases with small breath pauses every 2 lines, Instrumentation: ukulele + acoustic guitar strums, toy piano, glockenspiel/kalimba sparkle, handclaps, light bass, soft brush drum kit, gentle tambourine, Simple major-key chord loop, catchy nursery-like melody, bright but soft mix, no heavy synths, no aggressive compression, Tempo ~110 BPM, happy bounce, clean pop structure with a small bridge break then final chorus singalong

Deutschsprachiger Schlager im Stil der späten 1950er: fröhlicher Cha-Cha-Cha / Latin-Pop Groove, 126–132 BPM, Dur-Tonart, leichtes Swing-Feeling, Vintage Studio-Sound mit kurzer Slapback-Echo-Stimme, dezentem Plate-Reverb, insgesamt eher mono/eng, Instrumente: Kontrabass, Rhythmusgitarre (gedämpfte Offbeats), Piano mit einfachen Cha-Cha-Figuren, Claves/Güiro, leichtes Drumset, Bläser (Trompete + Tenorsax) mit knackigen Stabs, Call-and-response Background-Trio (weiblich oder gemischt) für "Cha-cha-cha" und "Vorbei!", Humorvoll-galante Leadstimme (männlich, nerdig-schüchtern), aber bittersüßer Twist in Bridge/Finale; im letzten Refrain optional Modulation +1 Halbton oder Ganzton, Signature-SFX: kurzes "Pssscht" als rhythmischer Break

fingerstyle acoustic guitar twelve string house trance DJ remix vocal samples, fingerstyle 12 string, happy, virtuoso guitar solo, vocal chops, house, house bass, dubs

Naive male vocal (warm, slightly goofy), comedic pop, handclaps, dynamic arrangement (verses talk-sung, choruses fully sung), clear pauses, stop-time breaks, call-and-response “HEY!”, bridge half-time & spooky then snap back, final chorus lift (bigger harmony / slight key lift feel), major key, catchy sing-along hook, NOT monotone, emphasize rhythmic phrasing and comedic timing

Club New Romantic / early 80s synthpop glamour, 122 BPM, 4/4, key A minor (chorus feels like C major lift), Tight LinnDrum/DMX groove with four-on-the-floor kick, crisp hats, gated reverb snare on 2&4, occasional tom fills, Pulsing mono synth bass (syncopated), bright arpeggiator (16ths) with chorus, lush string pads, shimmering chorus guitar stabs, glossy synth brass accents, optional sax-like synth lead in hooks, Vocals: dramatic crooner with confident swagger, intimate verses, big anthemic chorus with stacked harmonies and “oh-oh” crowd hook, Mood: neon city, velvet heartbreak, champagne drama, dancefloor cinematic

Style: Spooky doo-wop / novelty pop-rock “cinema horror” (campy, witty, not gory), Mid-tempo ~110 BPM, 4/4, Instruments: upright bass bounce, brushed drums + finger snaps, piano accents, muted electric guitar stabs, creepy theater organ pads, light theremin motifs, celesta/glockenspiel twinkles, Vocals: male lead mid-aged, slightly naive/earnest storyteller; clear diction, comedic timing, occasional spoken asides, Backing vocals: doo-wop stack (“ooh-ooh / ah-ah / sha-la-la”) with a playful ghost tint; keep harmonies tight and cute, not scary, Chorus is a singalong hook; keep melody simple and repeated verbatim, Mix: clean studio, warm, vocals forward, short plate reverb, no harsh highs, ‑gore, ‑screaming, ‑extreme distortion, ‑trap/EDM drops, ‑harsh sibilance, ‑cymbal wash, ‑hiss/crackle, ‑chaotic key changes, ‑heavy metal aggression