リズムとダンス

Style of music: Ska-funk-punk hybrid with high energy and rebellious groove Instruments: Upstroke ska guitar (clean, fast-paced), funky slap bass with melodic fills, punchy brass section（trumpet, trombone, sax）, tight live drums（syncopated snare, hi-hat）, optional organ or clavinet for retro funk texture Mood and vibe: Explosive, danceable, socially conscious, A streetwise mix of joy and urgency Vocal style: Male vocal, expressive and raw, Alternates between melodic singing and rhythmic spoken delivery, Slightly punk-inflected tone Vocal phrasing: Syncopated, urgent, with call-and-response or gang vocals in chorus, Lyrics can be playful or politically sharp Production style: Live band feel with raw edges, Brass and rhythm section should feel tight but not overproduced, Slight room reverb for stage-like energy Tempo: 120–130 BPM Key: D minor or E minor Sound reference: High-energy ska-funk with punk attitude and layered horns, Inspired by late 80s alternative funk scenes

Style of music: Minimalist funk-pop with playful attitude >Language: English or Japanese >Instruments: Clean electric guitar with sharp rhythmic strumming (no distortion), dry drum machine (snappy snare, tight kick), handclaps, sparse synth stabs, optional falsetto-style backing vocals >Mood and vibe: Flirty, confident, cheeky, stripped-down but groovy, Emphasis on rhythm and space rather than melodic density >Vocal style: Male vocal, playful and expressive, Can use falsetto or chest voice depending on tone, but delivery should be charismatic and rhythmically tight >Vocal phrasing: Syncopated, conversational, with pauses and emphasis on groove, Lyrics should be suggestive but clever, not explicit >Tempo: 100–110 BPM >Key: E minor or A minor (for funky guitar voicings) >Sound reference: Minimal funk-pop with dry mix, tight rhythm section, and charismatic vocal delivery, Inspired by 80s Minneapolis sound aesthetics, male vocals, female vocals

Funk-rock with minimalist groove, heavy guitar, and Wall of Sound-inspired layering >Language: English or Japanese >Instruments: Clean electric guitar (tight 16th-note funk strumming), heavy rhythm guitar (crunchy palm-muted riffs), dry snappy drums or drum machine, handclaps, layered backing vocals, minimal synth stabs, optional slap or synth bass >Mood and vibe: Bold, flirty, confident, A mix of stripped-down funk and dense, immersive textures, Groove-forward but emotionally charged >Vocal style: Male vocal with swagger and rhythmic phrasing, Playful, syncopated delivery with charisma, Falsetto optional, chest voice preferred >Production style: Wall of Sound-inspired layering—multiple guitars and backing vocals stacked for depth and impact, Use reverb and room bleed to create a cohesive, immersive sound field >Tempo: 105–112 BPM >Key: E minor or A minor >Sound reference: Minimalist funk-pop meets gritty alt-rock, with dense analog-style layering and rhythmic punch

A smooth, chill reggae track with laid-back male vocals, featuring warm one-drop drums, mellow bass, offbeat skanking guitar, and subtle dub textures, Beneath the main rhythm section, a distorted blues electric guitar plays soft, sustained licks and ambient hums that remain quietly in the background throughout the track—never taking the lead, but creating a moody, soulful undercurrent, The vocal delivery is relaxed and reflective, blending into the groove like sunlight through haze, The overall atmosphere is beautiful, mellow, and introspective, evoking quiet moments of self-reflection on a tropical street corner

High-energy 2-tone ska track in the style of late 1970s The Specials, Fast-paced rhythm (around 160 BPM) with choppy off-beat guitar skanks and a bouncing walking bassline, Tight snare with a dry, cracking sound and syncopated hi-hats drive the groove, Punchy horn section (trumpet and saxophone) adds urgency and melody, Male lead vocal with aggressive but playful tone and clear British accent, alternating between shouted phrases and melodic chants, Lyrics carry sharp social commentary and youthful defiance, Backing vocals add call-and-response hooks like protest chants, Raw, live-band aesthetic with minimal studio polish, Short, sharp structure — less than 2 minutes — reflecting punk's immediacy and ska’s offbeat soul, male vocals, drum

> "Uplifting Okinawan fusion dance track with a driving four-on-the-floor beat (150BPM), blending traditional sanshin riffs, tropical percussion, and ethereal female folk vocals, Features layered Okinawan chorus-style call-and-response harmonies (inspired by eisa and min'yō), performed by a small mixed-voice ensemble, echoing like ocean wind across the soundscape, Shime-daiko and pareo shakers add rhythmic color, while synth pads and clap loops provide dancefloor energy, Lyrics in Japanese and Okinawan dialect celebrate island life, love, and the pull of ancestral memory, Blissful, spiritual, yet ready for dancing barefoot on the beach under the stars, ", female vocals, guitar

Genre: J-Pop, JAZZ Mood: Energetic, Upbeat, Instruments: Synth lead, Electric guitar, sucks, trumpet, female vocals, emo, j-pop, bass, electronic, funk, BPM180

> Upbeat and playful Japanese pop song with cheerful female vocal, Tempo around 180 BPM, Bright piano, hand claps, pop drums, and quirky synths, Inspired by early 2000s J-pop like “Sakuranbo” by Ai Otsuka, Cute, confident, a little sassy, Lyrics deal with serious topics in a tongue-in-cheek, bubbly way, Major key, bouncy rhythm, and lots of melodic hooks, female vocals, guitar, dance

> "Hard-hitting 1970s funk track in the style of James Brown, featuring tight syncopated drums with ghost-note snares and crisp hi-hats, funky wah-wah guitar riffs, punchy bassline with melodic movement, and bold horn section stabs (trumpet, sax, trombone), Raw, shouty male vocals with gritty tone and rhythmic emphasis, full of ad-libs and stage commands like 'Hit me!' and 'Get on up!', Minimal chord changes, groove-based structure, high-energy breaks, and stop-time hits, Studio ambiance with vintage analog warmth and slight tape saturation, BPM around 130, "

Phonk, chiptune, kawaii

A whimsical Japanese folk-pop meets punk fusion track with a playful and heartfelt tone, Acoustic guitar and brushed drums create a gentle, bouncy rhythm for the verses and choruses, dance, Mid-song break features a high-speed rap section with driving bass and punchy percussive elements, supported by clapping and chant-style backing vocals, Add punk-style gang vocals shouting cat names like a Pokémon battle, Playful ska-style brass and organ stabs can accent the rhythm in the rap and chorus sections, Overall sound should feel warm, energetic, humorous, and emotionally resonant — like a heartfelt musical about cats, No falsetto, no whispering — vocals must be grounded, expressive, and rhythmic, male vocals, female vocals, electro, electronic, edm, powerful, japanese, bounce drop, soul, epic, chill

1960s girl group pop with upbeat, energetic Wall of Sound production, Bright, echo-laden textures with rich mono-inspired layering and analog-style warmth, Rhythm / Tempo: - BPM: Around 180 — faster-paced, straight 8th note feel with bounce, - Classic 60s rhythm section with prominent snappy snare on 2 & 4, deep kick, and reverb-drenched groove, - Tambourine and handclaps driving the backbeat, with sleigh bells accenting choruses, - Swing feel slightly reduced for a sharper, propulsive momentum (think marching heartbeat meets yearning), Instruments: - Upright piano with brisk chord punches and rhythmic doubling with percussion, - Rounded, punchy bassline walking and bouncing with melodic interplay, - Clean electric guitar with tremolo, rhythm-driven and percussive accents, - Subtle strings and horns adding emotional swells, especially in pre-chorus/chorus, female vocals, drum and bass

world pop song inspired by Japanese experimental pop with global folk influences, playful but intricate rhythms using congas, tabla, and talking drums, melodic use of sitar and marimba, layered acoustic guitars and percussive vocals, female Japanese vocals with rhythmic phrasing and occasional scat-style interjections, the arrangement is organic, colorful, and unpredictable — blending cultural sounds into a cohesive, catchy composition, all melodies and lyrics are fully original, powerful belting vocals with full chest resonance, raw, emotional performance, female vocals

An explosive ska-punk-funk fusion track inspired by the genre-blending energy of late 80s and early 90s alternative bands, The arrangement features punchy horn sections (sax, trombone, trumpet), slap bass, fast-paced syncopated drums, and aggressively funky rhythm guitar, Layered over that is a heavy distorted electric guitar, adding grit and intensity with crunchy riffs and power chord hits, Vocals are expressive, unhinged, and full of attitude—blending shouts, chants, and sharp melodic hooks, The overall mood is chaotic, rebellious, and theatrical, with crowd-chant moments and unpredictable shifts, No direct references to copyrighted material, female vocals

Style of music: Minimalist funk-pop with playful attitude >Language: English or Japanese >Instruments: Clean electric guitar with sharp rhythmic strumming (no distortion), dry drum machine (snappy snare, tight kick), handclaps, sparse synth stabs, optional falsetto-style backing vocals >Mood and vibe: Flirty, confident, cheeky, stripped-down but groovy, Emphasis on rhythm and space rather than melodic density >Vocal style: Male vocal, playful and expressive, Can use falsetto or chest voice depending on tone, but delivery should be charismatic and rhythmically tight >Vocal phrasing: Syncopated, conversational, with pauses and emphasis on groove, Lyrics should be suggestive but clever, not explicit >Tempo: 100–110 BPM >Key: E minor or A minor (for funky guitar voicings) >Sound reference: Minimal funk-pop with dry mix, tight rhythm section, and charismatic vocal delivery, Inspired by 80s Minneapolis sound aesthetics, male vocals, female vocals

poppy tune, a little angry, female vocals, echoing echoes, powerful soulful female vocal, thunder in the background, brass band, atmospheric, many echoes in the background

Arabian-inspired melodies, playful rhythms with congas, tabla, talking drums, Sitar, marimba, layered guitars, Japanese female vocals with scat, percussive phrasing, raw belting, Colorful, organic pop

rhythmic, percussive chaos with a mix of found classroom sounds—plastic flicks, desk taps, and slap-like beats, the vocals should bounce with energy and humor, mimicking the vibe of a noisy lunch break, playful

High-energy funk rock, groovy slap bass with pops, slides and distorted growl, bass taking the lead with solo breaks, Virtuosic drums with complex fills, syncopated rhythms, ghost notes, dynamic hi-hat work and powerful kick, Crunchy wah-infused rhythm guitar riffs, playful raw male vocal, strong low-end punch, explosive jam band atmosphere, 90s California funk rock vibe, female vocals, catchy, beat

Lo-fi Rhythm Section: Heavy, groovy drums with deep kick, sharp snare, and syncopated hi-hat Thick electric bass with funky slides, punchy tone, driving the groove Guitars: Distorted heavy electric guitar riffs for edgy power, twinguitar Funky acoustic guitar cutting, bright percussive strums adding rhythm Keys: Retro funky keyboard (clavinet / Rhodes style), playful stabs and syncopated riffs for sparkle Vocals: Cute yet husky female vocal, playful and teasing tone, sweet but slightly rough around the edges Flirty backing shouts/chorus for hook (“Kiss me, kiss me, don’t let go!”) Overall Vibe: Sexy, groovy, and danceable Funk-rock with retro funk keyboard flavor, balanced by heavy rhythm section Tempo: 100–110 bpm for sultry groove with space to breathe

[genre] Metallic post-hardcore with elements of alternative metal and early 2000s hardcore [vocals] Spoken-shout delivery with a commanding tone, occasional melodic phrases, layered gang shouts for emphasis [instrumentation] Tight, staccato guitar riffs with dissonant chords, drop-tuned guitars, punchy bass locking with syncopated drums, subtle background feedback or noise textures [sound design] Dry, raw, and punchy mix, minimal reverb, slightly compressed drums for impact, guitar tone with metallic bite and midrange presence, bass slightly gritty [structure] Stop-and-go rhythmic sections, tension-building intros, sudden drops into breakdowns, occasional half-time feel, seamless shifts between angular riffs and open chords [mood] Urgent, tense, confrontational, with an undercurrent of introspection

Funk / P-Funk (Parliament-Funkadelic style), Up-tempo, groovy, catchy, and comical, The tight rhythm is complemented by the vibrant horn section, The playful sound complements the humorous "misheard" lyrics, The vibe is reminiscent of 1970s and early '80s funk and disco-funk, The live feel makes you want to dance, The lead vocals are thick and powerful, The chorus section frequently features thick chorus work by multiple members, Sticky slap bass, Tight, crisp drums, Cutting-based electric guitar, Electric piano (Rhodes and Wurlitzer), Trumpet, trombone, tenor saxophone, Conga, cowbell, shaker