3:11

Carousel of Monsters
v4.5+
A Horrorcore hip-hop track with a dark, melancholic gothic orchestra atmosphere, The instrumentation features a prominent, distorted bassline, a simple but effective drum beat with a strong kick and snare, and a haunting, sustained synth pad, The tempo is moderate, The female vocalist delivers the lyrics in a spoken-word style with a slightly melancholic tone, occasionally shifting to a more aggressive, almost shouting delivery, The vocal performance includes ad-libs such as sighs and vocalizations that enhance the emotional impact from a gothic choir, The song structure includes verses and a recurring chorus, The production emphasizes the low-end frequencies, giving the track a heavy, impactful feel, There are occasional vocal effects like reverb and delay, The overall mood is somber and introspective, with moments of intense emotional release
2:08

2:29

Innocence
v4.5+
Acoustic folk rock concert song with a Male lead vocalist and Female backup vocalist, The song features acoustic guitar, bass guitar, and drums, The acoustic guitar plays a prominent role, providing both rhythmic strumming and melodic fills, The bass guitar provides a steady, walking bass line, The drums provide a simple, consistent beat, The male and female vocalist sings with a clear, slightly raspy tone, The song has a moderate tempo and a major key, The production is clean with a natural sound, emphasizing the acoustic instruments, The song structure includes verses and a chorus, The melody is catchy and memorable
2:11

3:59

A track with a prominent symphonic metal of a female vocal choir, The song features a female gothic rapper with a clear, slightly aggressive delivery, The instrumentation includes a driving drum beat, a prominent bassline, and a synth guitar melody, The tempo is fast, and the overall feel is energetic, Production elements include reverb on the vocals and a clear, punchy mix of gothic metal, The song structure follows a typical verse-chorus
3:23

Happy Birthday Ri
v4.5+
Aggressive grit, heavy compression, slap delay, guitar virtuoso, bass virtuoso, live
3:38

We Used to Be
v4.5
Style: Orchestra, Ballad, Cello, Violin, Mood: Bittersweet, Reflective, introspective, Vocal: Baritone Male Vocals, Mezzo Female Vocals, Duet, Harmony
3:16

Layered deep house and progressive house groove with pulsating trance synths and lush pads, Upfront rolling bass lines build gradually as melodic arpeggios intertwine, Female vocals weave airy hooks, processed with effects, Drops feature filtered risers, atmospheric breaks, and spacious club-driven textures
2:07

folk rap, rap, electronic, repetitive beats, rhythmic rap, sample_1, with a vibrant and energetic beat, fast tempo, beatboxing
3:15

Irish, Celtic, Flute, Guitar, Harp, Drum beat, Harmonies, Pirate Shanty, Fast-Paced Delivery, Medieval, Baritone
4:23

This gothic metal symphony opens with ominous strings and brass, Distorted guitars and double-kick drums thunder in, building momentum, Female diva vocals command the verses, alternating with fierce gothic rap, Dramatic orchestral swells and choir harmonies amplify every refrain’s impact
2:34




