3:00

upbeat, soulful orchestral motown r&b classic, male and female vocals
4:06

Uptempo Motown soul, walking bassline, Hammond organ swells, dynamic three-part female vocal harmonies, clean electric guitar, brass stab trills and hits, snappy snare and hi-hats, melodic bass
2:44

upbeat, soulful orchestral motown r&b classic, powerful female vocals, ragtime piano, walking bass guitar, female backup singers
3:37

Hard Lover 9.2
v4.5
Uptempo Motown soul, funky bassline, Hammond organ swells, dynamic three-part female vocal harmonies, clean electric guitar, brass stab trills and hits, snappy snare and hi-hats, melodic bass, light tambourine, 126 bpm, A major - C major
3:28

Do or Die 4
v4.5
Uptempo Motown soul, funky syncopated bassline, clean electric guitar with rhythmic stabs, jazzy Hammond organ flourishes, snappy snare and tight hi-hats, light tambourine shimmer, bold staccato horn hits, walking bass groove in verses, dynamic four-part female vocal harmonies, doo-wop inspired call-and-response, modern R&B layering, tambourine, crisp brass section (trumpet, trombone, sax, sousaphone), funk-soul backbeat, modulated final chorus (+½ step), major key with bluesy modal embellishments, dramatic dynamic swells, swung sixteenth-note feel, melodic hooks with chromatic dips, lush vocal stacks in pre-chorus and outro, high-energy rhythm section, vibrant live band feel, theatrical arrangement, emotionally escalating structure, retro vibe with contemporary sheen, climax-focused bridge jam, | Dmaj7 | F#m7 | Gmaj7 | Bb13 |
3:34

soulful orchestral motown r&b classic, melodic bass grooves, rhythmic guitar riffs, bright horns, smooth strings, 120 bpm, lively tambourine, tight snare hits, rich harmonies, emotive, powerful vocals
3:49

Motown classic, bossa nova rhythm, tropical jazz, syncopated guitar, upbeat bassline, horn section, trumpet solo, rhythmic ragtime piano, doo-wop harmonies, congas, tambourine, smooth female vocals
3:13

Uptempo Motown soul, walking bassline, Hammond organ swells, dynamic three-part female vocal harmonies, clean electric guitar, brass stab trills and hits, snappy snare and hi-hats, melodic bass, G-Em-Am-D
4:20

New Orleans brass meets Motown funk, full horn section (trumpet, trombone, saxophones) leading melodic riffs and harmonies, driving syncopated funk bass walk, second-line style drum groove with snappy snare and tight hi-hats, tambourine and claps accentuating rhythm, Wurlitzer electric piano providing smooth vamp and chordal texture, bright staccato brass hits on offbeats, layered female vocals with dynamic stacked harmonies and call-and-response ad-libs, tempo around 110-115 bpm, groove-focused with tight pocket feel, chords mostly jazzy seventh and ninth chords creating soulful warmth, intimate spoken intro leading into upbeat energetic verses, a catchy and emotional vibe blending introspective lyrics with uplifting, danceable rhythm, bold dynamic swells and crescendos for dramatic impact, perfect for a modern retro-soul Motown-inspired funk anthem
3:32

Uptempo Motown soul, walking bassline, Hammond organ swells, dynamic three-part female vocal harmonies, clean electric guitar, brass stab trills and hits, snappy snare and hi-hats, melodic bass, Key C/G/F
3:58

Uptempo Motown soul, walking bassline, Hammond organ swells, dynamic three-part female vocal harmonies, clean electric guitar, brass stab trills and hits, snappy snare and hi-hats, melodic bass, 128 bpm
3:19

2-0-2-1-2-0-2 C2
v4.5
Uptempo Motown soul, funky bassline, jazzy Hammond organ, dynamic three-part female vocal harmonies, clean electric guitar, brass band, snappy snare and hi-hats, melodic, light tambourine, 128 bpm, staccato horn hits and stabs, chords A♯5 / B♭5
4:22

It's a Trap 3
v4.5+
Uptempo Motown soul at ~110 bpm in a major key with subtle Latin-infused swing, Features a live rhythm section with groovy walking upright bass, four-on-the-floor or lightly swinging drums, crisp snare, tambourine, handclaps, and conga-style percussion for a tropical touch, Warm Hammond B3 organ swells and jazzy electric piano add harmonic richness, while clean electric guitar provides rhythmic stabs and syncopation, Tight horn section (trumpet, trombone, sax) delivers both staccato hits and melodic counter-melodies with occasional Latin-tinged riffs, Smooth female lead vocals with gospel inflections are backed by rich layered harmonies, call-and-response, and doo-wop-style stacks, Production includes vintage tape warmth, plate reverb on snare, and subtle modulation swells, Arrangement balances intimate verses with powerful choruses and syncopated rhythms, blending Motown’s infectious hooks with the playful sway of a salsa groove for an irresistible, dancefloor-ready feel
3:51

Uptempo Motown groove, classic doo-wop vocal harmonies, bold horn section (trumpet, trombone, sax) with sharp stabs, warm Hammond B3 organ swells, upright bass walking and syncopated lines, four-on-the-floor drum pattern with snappy snare and brushed hi-hats, tambourine accenting backbeats, clean electric guitar with staccato rhythm chops, gospel-influenced call and response vocals, emotional lead vocals with dynamic phrasing, handclaps on 2 and 4, modulation-driven bridges, vintage analog warmth, 12-bar blues influences, tight vocal layering in thirds and sixths, major key chord progressions with chromatic embellishments, heartfelt romantic and bittersweet lyrics, soulful melodic lines, theatrical vocal delivery, nostalgic atmosphere with timeless energy, instrumental vamps and bridges, layered gospel-style backing vocals humming “Ooo-ooo-ooo, ” classic fade-out endings with vocal ad-libs, dynamic horn breakdowns, punchy rhythm section, mid-to-fast tempo, dynamic female doo-wop group
4:02

Keep on Movin' 5
v4.5
Motown groove, doo-wop vocal stacks, upright bass lines, four-on-the-floor drum beat, brushed snare fills, backbeat tambourine, Hammond B3 organ swells, staccato electric guitar chops, tight horn section (trumpet, trombone, saxophone), gospel/angelic call-and-response vocals, romantic lyrical themes, major key progressions, classic G major structure, stacked vocal harmonies, handclaps, analog tape warmth, melodic bass movement, bright brass hits, emotional lead vocals, subtle vibraphone accents, vintage plate reverb, clean rhythm guitar, rhythmic horn punches, modulation in bridges, theatrical vocal phrasing, unison shout sections, reverb-heavy snare, layered harmony refrains, live arena ambience, soulful phrasing, fade-out endings, upright bass slaps, horn counter-melodies, vocal ad libs, energetic but smooth vibe, retro-inspired charm, grand piano trills
3:19

Vintage Motown Soul, 128 bpm, major key, upbeat, funky groove, Live rhythm section with walking upright bass, four-on-the-floor drums, crisp snare with plate reverb, tambourine, handclaps, Hammond B3 organ swells, jazzy electric piano, clean rhythm guitar stabs, Tight horn section (trumpet/trombone/sax/sousaphone) delivers staccato hits and melodic counter-lines, Smooth female lead vocals with gospel inflections, layered harmonies, doo-wop stacks, Vintage tape warmth, subtle modulation, dynamic swells, bass stab trills, 528 Hz bells, crescendos, key changes, infectious hooks, Dancefloor-ready Motown charm with intimate verses, powerful choruses, syncopated rhythms
4:09

Motown-barbershop-soul hybrid, 100 bpm, warm 60–80hz walking bass, handclaps on 2 & 4, tambourine sparkle, pulsing organ pads, soft horn stabs & trills, syncopated brass riffs, smooth lead vocals soaring & teasing, tenor falsetto echoes & stabs, baritone thick harmonies, bass slides & root notes, four-part stacked choruses, vocal ad-libs & scatting in breakdown, Motown swing rhythm, dynamic builds from stripped-down verses to full choruses, big harmonic bursts, playful & sensual vibe, layered vocal textures, chromatic bass walks, harmonic crescendos in transitions, call-and-response between lead & background vocals, major & dominant seventh chords with occasional minor inflections, barbershop cadences in interludes, pulsing rhythmic drive, dramatic final chorus crescendo, fading outro with layered hums and ad-libs, energetic yet intimate feel, emotive phrasing throughout, horns and percussion accent offbeats, smooth groove with Motown punch, overall lush and warm harmonic richness
3:24

Uptempo Motown soul at ~128 BPM in a E♭ Major key with bluesy touches, Live rhythm section featuring four-on-the-floor swinging drums, crisp snare with plate reverb, rolling upright bass, tambourine on the backbeat, and handclaps, Warm Hammond B3 organ swells, jazzy electric piano chords, and clean syncopated electric guitar stabs, Tight classic Motown horn section (trumpet, trombone, sax) with staccato hits and melodic counter-lines, Smooth, confident female lead vocals with gospel inflections, supported by rich doo-wop and call-and-response backing harmonies, Vintage tape warmth, subtle saturation, and classic Motown-style dynamics create a danceable, soulful, timeless groove with playful swagger and territorial confidence, chord progression: E♭maj7 – Gm7 – Fm7 – B♭7
4:03

Uptempo Motown soul, funky syncopated bassline, clean electric guitar with rhythmic stabs and double stops, jazzy Hammond organ flourishes, walking bass groove in verses, classic C/G progressions with occasional C minor substitutions, bright brass band with staccato horn hits, snappy snare and crisp hi-hats, light tambourine shimmer, rich three-part female vocal harmonies, gospel-style call-and-response, swung sixteenth-note rhythm, full band swells in pre-chorus and chorus, key modulation (+½ step) in final chorus, major tonality with blues and mixolydian touches, dynamic drum fills driving momentum, syncopated melodic phrasing, lush harmony stacks, melodic bass counterlines, theatrical arrangement with emotional build, retro-inspired instrumentation with modern clarity, vibrant live feel, climactic instrumental bridge jam, expressive vocal delivery with strut and sway, storytelling lyricism underscored by groove-forward arrangement
4:00

Laid-back psychedelic funk-soul with a slinky, syncopated bassline that drives the groove, clean electric guitar with wah-wah-infused rhythmic chops, and mellow Fender Rhodes or Wurlitzer keys adding smooth harmonic texture, Drums are dry and snappy, with crisp hi-hats on a swung sixteenth-note feel and tight, minimalist tambourine hits, Horn stabs (muted trumpet and sax) are sparse but impactful, Vocal delivery is conversational and sly, with playful phrasing and subtle falsetto female backing vocals used in relaxed call-and-response, Harmony leans on I–vi–IV–V progressions, embellished with dominant 7ths, 9ths, and bluesy passing tones, The arrangement prioritizes space, restraint, and deep pocket over big dynamic swells, Warm analog production with occasional tape wobble enhances the retro atmosphere, The bridge evolves into a laid-back jam with casual instrumental interplay, Danceable, emotionally cool, slyly funky, and rich with understated personality and vintage flavor
2:31

Get That Bread 2
v4.5+
Uptempo Motown soul at ~110 bpm in a major key with bluesy touches, Features a live rhythm section with groovy walking upright bass, four-on-the-floor or swinging drums, crisp snare, tambourine, and handclaps, Warm Hammond B3 organ swells and jazzy electric piano enrich the harmony, while clean electric guitar adds rhythmic stabs and syncopation, Tight horn section (trumpet, trombone, sax) delivers staccato hits and melodic counter-melodies, Smooth female lead vocals with gospel inflections are backed by rich layered harmonies, call-and-response, and doo-wop stacks, Production includes vintage tape warmth, warm reverbs, plate reverb on snare, and subtle modulation with dynamic swells and key changes, The arrangement balances intimate verses and powerful choruses with syncopated rhythms and melodic bass movement, Infectious hooks and heartfelt storytelling create a dancefloor-ready groove with nostalgic, timeless Motown charm
3:52

uptempo Motown groove, dynamic female doo-wop vocals, walking upright bass lines, four-on-the-floor drum beat, brushed snare fills, backbeat tambourine, Hammond B3 organ swells, staccato electric guitar chops, tight horn section (trumpet, trombone, saxophone, sousaphone), gospel call-and-response vocals, romantic lyrical themes, major key progressions, key of C major structure, stacked vocal harmonies in thirds and sixths, handclaps on 2 and 4, analog tape warmth, melodic bass movement, bright brass hits and trills, emotional lead vocals, subtle vibraphone accents, occasional key changes, vintage plate reverb, clean rhythm guitar, rhythmic horn punches, modulation in bridges, theatrical vocal phrasing, unison shout sections, soft breakdowns before final chorus, subtle string pads, reverb-heavy snare, layered harmony refrains, live room ambience, soulful phrasing, fade-out endings, upright bass slaps, horn counter-melodies, vocal ad libs, energetic but smooth vibe, retro-inspired charm
3:53

3:48

soulful orchestral motown r&b classic, melodic bass grooves, rhythmic guitar riffs, bright horns, smooth strings, 120 bpm, lively tambourine, tight snare hits, rich harmonies, emotive, powerful vocals
3:27

Big band swing, Motown soul, horns ensemble, ragtime piano, smooth female vocals, energetic bass, four-on-the-floor, upbeat groove, sophisticated vibe, doo-wop harmonies, rhythmic brass stabs
3:02

Headlights 12
v4.5
Uptempo Motown soul, funky syncopated bassline, clean electric guitar with rhythmic stabs and double stops, jazzy Hammond organ flourishes, walking bass groove in verses, classic C/G progressions with occasional C minor substitutions, bright brass band with staccato horn hits, snappy snare and crisp hi-hats, light tambourine shimmer, rich three-part female vocal harmonies, gospel-style call-and-response, swung sixteenth-note rhythm, full band swells in pre-chorus and chorus, key modulation (+½ step) in final chorus, major tonality with blues and mixolydian touches, dynamic drum fills driving momentum, syncopated melodic phrasing, lush harmony stacks, melodic bass counterlines, theatrical arrangement with emotional build, retro-inspired instrumentation with modern clarity, vibrant live feel, climactic instrumental bridge jam, expressive vocal delivery with strut and sway, storytelling lyricism underscored by groove-forward arrangement, ‑male vocals


