3:01

3:19

3:29

¡Viva la Fiesta!
v4.5-all
A fast, hypnotic Christmas club track at 134 BPM kicks off with a deep subkick and resonant bass, weaving in syncopated urban handclaps, intricate palmas, tabla rolls, and snaps, Ethereal synth and choir pads, muted bells, and airy Spanish female vocals chant festive hooks, layered with whispered textures for mystique, Bollywood-inspired percussion drives the groove, while delicately flickering flamenco guitar and cinematic melodic ornaments add warmth, Reversed guitar snippets, glitchy claps, and icy reverb deepen the wintry atmosphere, The song features entrancing mantra-like vocal loops, dynamic drops, and call-and-response elements, crafting a festive, danceable urban-Bollywood holiday anthem
2:29

🎲 Roller Blading | Tim Sk8
v4.5-all
At 170 BPM, the explosive technopop-metal track fires off with breakcore percussion and electrifying guitar, launching into grime-trap rap verses over zouk, compas, and footwork-tinged rhythms, Surging slap house low end, fuzzy Ibiza bass, and 808s ground swirling noir jazz and tribal-Latin percussion, with bells, xylophone, Nintendo synths, and pizzicato strings coloring the psychedelic layers, Surf rock and west coast trap textures escalate into relentless EDM-metal choruses, interspersed with preacher samples, atmospheric breaks, lush vocal stacks, and kaval interludes, Japanese disco, electrocore, and teclado keys create an inventive, immersive sonic landscape
2:46

4:30

Ground of Difference | 𝕸𝕺𝕹𝕮𝕳𝕺𝖀
v4.5-all
Electronic bizarre, fast-paced fusion of crossover rock Allternative and pizzicato baroque strings, Think madrigals turned into street beats, chansons snapping like syncopated lute riffs, frottola rhythms bouncing under bright violin plucks, Opera Seria meets Opera Buffa in a surreal rap duel, Suites morph into cantatas with a modern flow, while oratorio choirs whisper behind punchy kicks, Galant elegance drips into empfindsamer mood swings, Pavan and Galliard twist like breakdancers, Organum drones pulse beneath ricercar fragments; troubadour verses echo through vinyl crackle, Gregorian choirs hum under electric basslines, Baroque fugues spiral into trap hi-hats, It’s archaic poetry remixing itself into delirious modernity—Air de Cour turned street serenade, fantasia reborn in neon pizzicato, A sonic masquerade of medieval romance and futuristic groove—spiritual, absurd, and irresistibly rhythmic, scottish rhythmic
4:19

Ariana's German Poetic spoken vocals, crossover gabba, trance
3:49

Red Shirt | Tim Sk8
v4.5-all
A dreamy, rhythmically dark Indie Acid Jazz Electronica track at 120 BPM, Deep, minimal Dark Techno drum beat with a warm, pulsing low-end and subtle metallic textures, Verses feel intimate and surreal, matching lyrics about falling, connection, and emotional gravity, Use slightly distorted vintage synth pads with gentle tape flutter, soft acid-tinged resonances, and a warm analog bass, Add subtle Industrial percussive samples in the chorus for tension, Main vocals processed through a robotic vocoder—smooth, melodic, and atmospheric—supported by a soft, ethereal chipmunk-style shimmering layer, The chorus should expand with airy reverb, glitchy echoes, and dark techno drive, Maintain a hazy, emotional, cinematic mood throughout, Use evolving textures, micro-delays, granular shimmer, and minimalistic melodic motifs to emphasize the dreamy, strange, and intimate feeling of the lyrics
3:39

Red Shirt | Tim Sk8
v4.5-all
A dreamy, rhythmically dark Indie Acid Jazz Electronica track at 120 BPM, Deep, minimal Dark Techno drum beat with a warm, pulsing low-end and subtle metallic textures, Verses feel intimate and surreal, matching lyrics about falling, connection, and emotional gravity, Use slightly distorted vintage synth pads with gentle tape flutter, soft acid-tinged resonances, and a warm analog bass, Add subtle Industrial percussive samples in the chorus for tension, Main vocals processed through a robotic vocoder—smooth, melodic, and atmospheric—supported by a soft, ethereal chipmunk-style shimmering layer, The chorus should expand with airy reverb, glitchy echoes, and dark techno drive, Maintain a hazy, emotional, cinematic mood throughout, Use evolving textures, micro-delays, granular shimmer, and minimalistic melodic motifs to emphasize the dreamy, strange, and intimate feeling of the lyrics
4:34

Red Shirt | Tim Sk8
v4.5-all
A dreamy, rhythmically dark Indie Acid Jazz Electronica track at 120 BPM, Deep, minimal Dark Techno drum beat with a warm, pulsing low-end and subtle metallic textures, Verses feel intimate and surreal, matching lyrics about falling, connection, and emotional gravity, Use slightly distorted vintage synth pads with gentle tape flutter, soft acid-tinged resonances, and a warm analog bass, Add subtle Industrial percussive samples in the chorus for tension, Main vocals processed through a robotic vocoder—smooth, melodic, and atmospheric—supported by a soft, ethereal chipmunk-style shimmering layer, The chorus should expand with airy reverb, glitchy echoes, and dark techno drive, Maintain a hazy, emotional, cinematic mood throughout, Use evolving textures, micro-delays, granular shimmer, and minimalistic melodic motifs to emphasize the dreamy, strange, and intimate feeling of the lyrics
3:06

🎲The Party | Tim Sk8
v4.5-all
High-energy club track 170–182 BPM, Gabber + hard techno + trance, Bulldozing distorted kicks, pounding sub-bass, relentless 4/4, aggressive hi-hats, industrial percussion, glitch stabs, Trance-style soaring leads, arpeggios, atmospheric sweeps, hypnotic pads, peak-time festival-ready, Raw alternative-rock vocals, slightly nasal, Celtic-inspired vibrato, airy harmonics, minimal haunting adlibs, processed vocoder layers, cut through aggressive instrumentation, intense and adrenaline-charged
5:09

🎲"The Chicken" | Tim Sk8
v4.5-all
A high-energy club track fuses Gabber, hard techno, and trance at 170–182 BPM, It rides on bulldozing distorted kicks, pounding sub-bass, relentless 4/4, aggressive hi-hats, industrial percussion, and glitch stabs, Soaring trance leads, rapid arpeggios, sweeping atmospherics, and hypnotic pads fill the breakdowns, Raw, slightly nasal alternative-rock vocals with Celtic vibrato and airy harmonics pierce through the mix, accented by haunting minimal adlibs and vocoder processing for maximum festival intensity
3:26

🎲Tim Sk8
v4.5-all
Create an aggressive rap-metal track with heavy distorted guitars, deep bass, and powerful drums, Combine fast, rhythmic rap vocals with intense metal screams and shouts, The song should sound dark, chaotic, and energetic, featuring double-kick sections, grinding riffs, and a crushing breakdown, The lyrics should revolve around the Mist of Chickens, mystical chicken spirits, and a sinister supernatural atmosphere, The overall mood is wild, intense, and epic with massive pressure and metallic power
2:05

🎲"Back to Work" | Tim Sk8
v4.5-all
Starts with a hypnotic indie Acid Jazz Electronica groove—sparse synths, elastic bass, and deep, resonant vocals, Verses layer punk guitar textures, agile rapped lines, and dynamic vocal melodies, while the chorus slams in with gabber kicks and a pounding trap beat, Trance synth leads intertwine, with moments of calm dropping back to minimalist bass and atmospheric pads before each explosive build
3:20

🎲Kick Out | Tim Sk8
v4.5-all
This track is an explosive fusion: at 170 BPM, rapid break core drums and crunchy pop-metal guitars drive the energy, with reggae-country rhythm guitar grooves and vibrant Latin percussion layered atop, Atmospheric pads and noir-tinged jazz harmonies add a serene yet mysterious undercurrent, Fuzzy synths and house basslines pulse Ibiza-style, weaving through fast rap jazz verses, A northeastern vocal style leads, backed by rich background vocalists, Heavy percussion underscores the rhythm’s wild flow, balancing dark humor and smooth EDM transitions throughout
2:02

🎲Kick Out | Tim Sk8
v4.5-all
This track is an explosive fusion: at 170 BPM, rapid break core drums and crunchy pop-metal guitars drive the energy, with reggae-country rhythm guitar grooves and vibrant Latin percussion layered atop, Atmospheric pads and noir-tinged jazz harmonies add a serene yet mysterious undercurrent, Fuzzy synths and house basslines pulse Ibiza-style, weaving through fast rap jazz verses, A northeastern vocal style leads, backed by rich background vocalists, Heavy percussion underscores the rhythm’s wild flow, balancing dark humor and smooth EDM transitions throughout
2:45

🎲Kick Out | Tim Sk8
v4.5-all
At 170 BPM, rapid breakcore drums and crunchy pop-metal guitars ignite the intro, while reggae-country rhythm guitar and Latin percussion create propulsive, syncopated grooves, Atmospheric pads anchor noir jazz harmonies beneath, as fuzzy synths and pulsing house basslines interlock Ibiza-style, Fast rap jazz verses cut through, led by northeastern vocals and rich backing harmonies, Aggressive percussion drives bold dynamic shifts, while intricate EDM transitions bring cohesion through the contrasting moods
3:47

🎲Kick Out | Tim Sk8
v4.5-all
At 170 BPM, rapid breakcore drums and crunchy pop-metal guitars ignite the intro, while reggae-country rhythm guitar and Latin percussion create propulsive, syncopated grooves, Atmospheric pads anchor noir jazz harmonies beneath, as fuzzy synths and pulsing house basslines interlock Ibiza-style, Fast rap jazz verses cut through, led by northeastern vocals and rich backing harmonies, Aggressive percussion drives bold dynamic shifts, while intricate EDM transitions bring cohesion through the contrasting moods
2:52

🎲Butterfly Net | Tim Sk8
v4.5-all
At 170 BPM, rapid breakcore drums and crunchy pop-metal guitars ignite the intro, while reggae-country rhythm guitar and Latin percussion create propulsive, syncopated grooves, Atmospheric pads anchor noir jazz harmonies beneath, as fuzzy synths and pulsing house basslines interlock Ibiza-style, Fast rap jazz verses cut through, led by northeastern vocals and rich backing harmonies, Aggressive percussion drives bold dynamic shifts, while intricate EDM transitions bring cohesion through the contrasting moods, surf rock, electronic, trap, spacious, dobro, thriller, zydeco, hypnagogic pop, pop-punk grit with male vocals
3:20

🎲Ready to Go | Tim Sk8
v4.5-all
At 170 BPM, this explosive fusion opens with hyper breakcore drums, pop-metal guitars, and syncopated reggae-country rhythm guitar, Latin and tribal percussion weave in, while noir jazz chords and pads give an eerie, experimental backdrop, Slap house and dirty south 808s pump alongside fuzzy Ibiza bass, metallic bells, xylophone, and psychedelic Nintendo synths, Verses switch between grime, trap rap, and a sultry northeastern male lead, enriched by chromatic lines and zouk love compas rhythms, Rich background harmonies and unpredictable EDM drops complete the infectious energy
3:09

🎲 Armpit Girl
v4.5-all
At 170 BPM, this wild fusion ignites with breakcore drums and pop-metal riffs atop syncopated reggae-country guitar, Latin, tribal, and noir jazz percussive layers intertwine with swirling pads, while slap house drive and gritty 808s merge with Ibiza fuzz bass, Bells, xylophone, Nintendo synths, pizzicato strings, and lo-fi textures infuse psyched-out flair, Verses volley grime and trap rap against sultry northeastern vocals, riding chromatic melodies over zouk, compas, and footwork rhythms, Surf rock licks, lush harmonies, atmospheric interludes, sermon samples, and explosive EDM drops complete the energetic, experimental ride
3:25

🎲 Sea Glass
v4.5-all
At 170 BPM, the track opens with manic breakcore drums and electrifying metal-pop guitar, immediately bursting into chromatic grime-trap verses supported by zouk, compas, and footwork-infused grooves, Cinematic electronics mesh with swirling pads, noir jazz percussion, and intricate tribal-Latin layers, The low end pulses with slap house drive, raw 808s, and fuzzed Ibiza bass, Psychedelic textures swirl above via bells, xylophone, Nintendo synths, and pizzicato strings, Energetic surf rock guitar and west coast trap elements build to relentless EDM drops, punctuated by atmospheric pauses, preacher samples, and lush vocal harmonies, Layers of Japanese disco, electrocore, and psychedelic keys via teclado keep the arrangement catchy, inventive, and immersive throughout
1:54

🎲 Bus Ride V1 | Tim Sk8
v4.5-all
A dazzling genre collision: dramatic string quartet sets a playful classical intro, then punchy trap beats and electric trash metal guitar crash in, Layers of eurodance synths, thumping afro rap percussion, country twang guitar fills, and bold Schläger keys heighten the dynamic energy, Each section unpredictably swaps styles, building to an explosive, high-energy crescendo
1:42

🎲Bus Ride | Tim sk8
v4.5-all
A dazzling genre collision: dramatic string quartet sets a playful classical intro, then punchy trap beats and electric trash metal guitar crash in, Layers of eurodance synths, thumping afro rap percussion, country twang guitar fills, and bold Schläger keys heighten the dynamic energy, Each section unpredictably swaps styles, building to an explosive, high-energy crescendo
2:49

🎲 Your Horse | Tim Sk8
v4.5-all
Opening with a dramatic string quartet in a spirited classical motif, the song pivots as trap beats and searing trash metal guitar slam in, Eurodance synths swirl above, while heavy afro rap percussion and twangy country guitar fills weave through, all underpinned by bold Schläger keys, Each section unpredictably flips styles, stacking textures and tensions until an explosive, soulful male raspy vocal crescendos in the finale
3:04

🎲 Your Horse | Tim Sk8
v4.5-all
Opening with a dramatic string quartet in a spirited classical country motif, the song pivots as trap beats and searing trash metal guitar slam in, Eurodance synths swirl above, while heavy afro rap percussion and twangy country guitar fills weave through, all underpinned by bold Schläger keys, Each section unpredictably flips styles, stacking textures and tensions until an explosive, soulful male raspy vocal crescendos in the finale
4:25

🎲Jive of the World //Tim sk8
v4.5-all
The track launches with abrupt pizzicato strings and a spy-style motif, interlaced with 8-bit synth arpeggios, Indie rock and J-rock guitars mingle atop an 808 beat and bateria for propulsion, Melodic sax lines reference soft jazz, while bursts of trap metal and deathcore guitar inject heaviness, Scottish folk colors and expressive vocoder vocals shift with alternating eras of '80s/'90s synth textures, weaving seamlessly into reggae-driven, Rasta-inspired interludes for an inventive, ever-evolving sonic journey
2:38

Eat yourself
v4.5-all
Kicking off at 112 BPM, this rap-disco-Baroque fusion charges in with brisk Monteverdi-style strings delivering punchy, syncopated riffs atop a tight, analog disco rhythm—timpani and tambourine locked with a slap bass, Funk-infused harpsichord riffs drive the verse interplay: cheeky rap retorts versus dramatic, staccato soprano ad-libs, Baroque ostinatos underpin the chord progressions, spiced with wah guitar and raw, warm brass stabs, Breakdown strips to solo harpsichord and percussive strings before rebuilding to a courtly-funk dancefloor climax, The texture never lets up: groove, quirk, and theatrics pulsing in every bar
3:03

Red Lights
v4.5-all
Music opens with raw blues: distorted guitar snarls through unresolved [dom⁷] to [dom⁶] chords, lingering over unstable harmonies, Sovietwave synths, analog and cold, float beneath, mechanical yet menacing, Drums crash in late, rising into a savage, disjointed solo, Vocal lines—(si/m⁷)—move from cool detachment to rasping defiance, Sonic textures shift from punk pop urgency to gauzy grunge decay, blending heavy pauses with tense silences and sharp, cinematic eruptions, all crafted for dramatic, viral drops
3:15

Ich hasse es
v4.5-all
Music opens with raw blues: distorted guitar snarls through unresolved [dom⁷] to [dom⁶] chords, lingering over unstable harmonies, Sovietwave synths, analog and cold, float beneath, mechanical yet menacing, Drums crash in late, rising into a savage, disjointed solo, Vocal lines—(si/m⁷)—move from cool detachment to rasping defiance, Sonic textures shift from punk pop urgency to gauzy grunge decay, blending heavy pauses with tense silences and sharp, cinematic eruptions, all crafted for dramatic, viral drops
2:54

I Hate It
v4.5-all
Music opens with raw blues: distorted guitar snarls through unresolved [dom⁷] to [dom⁶] chords, lingering over unstable harmonies, Sovietwave synths, analog and cold, float beneath, mechanical yet menacing, Drums crash in late, rising into a savage, disjointed solo, Vocal lines—(si/m⁷)—move from cool detachment to rasping defiance, Sonic textures shift from punk pop urgency to gauzy grunge decay, blending heavy pauses with tense silences and sharp, cinematic eruptions, all crafted for dramatic, viral drops
2:54

I Hate It
v4.5-all
Music opens with raw blues: distorted guitar snarls through unresolved [dom⁷] to [dom⁶] chords, lingering over unstable harmonies, Sovietwave synths, analog and cold, float beneath, mechanical yet menacing, Drums crash in late, rising into a savage, disjointed solo, Vocal lines—(si/m⁷)—move from cool detachment to rasping defiance, Sonic textures shift from punk pop urgency to gauzy grunge decay, blending heavy pauses with tense silences and sharp, cinematic eruptions, all crafted for dramatic, viral drops
4:09

Can't Say Nothing
v4.5-all
Music opens with raw blues: distorted guitar snarls through unresolved [dom⁷] to [dom⁶] chords, lingering over unstable harmonies, Sovietwave synths, analog and cold, float beneath, mechanical yet menacing, Drums crash in late, rising into a savage, disjointed solo, Vocal lines—(si/m⁷)—move from cool detachment to rasping defiance, Sonic textures shift from punk pop urgency to gauzy grunge decay, blending heavy pauses with tense silences and sharp, cinematic eruptions, all crafted for dramatic, viral drops
3:39

Can't Say Nothing
v4.5-all
Music opens with raw blues: distorted guitar snarls through unresolved [dom⁷] to [dom⁶] chords, lingering over unstable harmonies, Sovietwave synths, analog and cold, float beneath, mechanical yet menacing, Drums crash in late, rising into a savage, disjointed solo, Vocal lines—(si/m⁷)—move from cool detachment to rasping defiance, Sonic textures shift from punk pop urgency to gauzy grunge decay, blending heavy pauses with tense silences and sharp, cinematic eruptions, all crafted for dramatic, viral drops
2:46

One Word
v4.5-all
Music opens with raw blues: distorted guitar snarls through unresolved [dom⁷] to [dom⁶] chords, lingering over unstable harmonies, Sovietwave synths, analog and cold, float beneath, mechanical yet menacing, Drums crash in late, rising into a savage, disjointed solo, Vocal lines—(si/m⁷)—move from cool detachment to rasping defiance, Sonic textures shift from punk pop urgency to gauzy grunge decay, blending heavy pauses with tense silences and sharp, cinematic eruptions, all crafted for dramatic, viral drops
3:19

Red Lights
v4.5-all
Music opens with raw blues: distorted guitar snarls through unresolved [dom⁷] to [dom⁶] chords, lingering over unstable harmonies, Sovietwave synths, analog and cold, float beneath, mechanical yet menacing, Drums crash in late, rising into a savage, disjointed solo, Vocal lines—(si/m⁷)—move from cool detachment to rasping defiance, Sonic textures shift from punk pop urgency to gauzy grunge decay, blending heavy pauses with tense silences and sharp, cinematic eruptions, all crafted for dramatic, viral drops
3:43

Another night, another fall
v4.5-all
Genre: Alternative Rock, 90s-inspired, dark melodic rock
Mood: haunting, emotional, intense, rebellious, cathartic
Vocals: ethereal female voice, yodel-like melodic jumps, emotional wail style, Irish accent nuance, strong sustained notes
Dynamics: soft verses → rising tension pre-chorus → explosive chorus → quiet emotional bridge → powerful final chorus
Instruments: reverberated electric guitar, heavy bass, atmospheric pads, steady punchy drums, subtle distortion, emotional grunge edge
Production: raw 90s texture, dramatic reverb, wide soundstage, emotional lead vocal front and center, strong contrast between pain and release
Song pacing: mid-tempo rock ballad rhythm, chant-style chorus repetition, emotional peaks aligned to melody rises
Energy flow: emotional pain → resistance → awakening → liberation
3:30

Another night, another fall
v4.5-all
Genre: Alternative Rock, 90s-inspired, dark melodic rock
Mood: haunting, emotional, intense, rebellious, cathartic
Vocals: ethereal female voice, yodel-like melodic jumps, emotional wail style, Irish accent nuance, strong sustained notes
Dynamics: soft verses → rising tension pre-chorus → explosive chorus → quiet emotional bridge → powerful final chorus
Instruments: reverberated electric guitar, heavy bass, atmospheric pads, steady punchy drums, subtle distortion, emotional grunge edge
Production: raw 90s texture, dramatic reverb, wide soundstage, emotional lead vocal front and center, strong contrast between pain and release
Song pacing: mid-tempo rock ballad rhythm, chant-style chorus repetition, emotional peaks aligned to melody rises
Energy flow: emotional pain → resistance → awakening → liberation
3:28

Cherry Tree in Winter
v4.5-all
A lively silent-film, gabba, trance inspired fusion: honky-tonk piano, violin, sax, tuba, clarinet, upright bass, banjo, and accordion swirl in a vintage swing groove with shuffle brushes and tap-style steps, Fast slapstick breaks, sudden comedic stops, and “Mickey-Moused” accents punctuate expressive, nostalgic, and melodically clear jazz orchestration, oscillating from cozy chamber moments to dynamic big-band surges, all with playful, acoustic textures and no synths
1:49

Never Known Never Freeze Memory
v4.5-all
Fast-paced silent film fusion merges gabba energy with trance structure and vintage swing, Honky-tonk piano drives syncopated rhythms; banjo and upright bass add propulsion, Violin, clarinet, and accordion spin sly melodies, punctuated by slapstick breaks, comedic stops, and “Mickey-Moused” stabs, Sax and tuba swell from tight chamber phrases to exuberant big-band blasts, while shuffle brushes and tap steps keep the swing pulse playful, Acoustic-only timbres highlight clear jazz lines amid witty, dynamic orchestration
2:00

Never Known Never Freeze Memory
v4.5-all
Fast-paced silent film fusion merges gabba energy with trance structure and vintage swing, Honky-tonk piano drives syncopated rhythms; banjo and upright bass add propulsion, Violin, clarinet, and accordion spin sly melodies, punctuated by slapstick breaks, comedic stops, and “Mickey-Moused” stabs, Sax and tuba swell from tight chamber phrases to exuberant big-band blasts, while shuffle brushes and tap steps keep the swing pulse playful, Acoustic-only timbres highlight clear jazz lines amid witty, dynamic orchestration
1:59

2:00

2:33

Wild Night
v4.5-all
Jump in with urgent, bitcrushed stabs cutting twisty upbeats—each click precisely punctuated, Sub-rotary bass throbs with a fluid, wobbled pulse, forming the track’s relentless wave, Glide-lead synths slither melodically, burrowing catchy atop percussive disco-fox/trap/house/Hardtekk drums—4-on-the-floor kicks, skittering hats, crisp claps, Drops unveil stacks of retro rave arps and gabber-edge FX, each locked laser-tight, layering pressure, Rhythmic, swaggering Taiwanese rap dart over the dense, blocky mix, driving a wild, confident dancefloor momentum with a pulsing club energy, Ska
2:54

Girls night
v4.5-all
Jump in with urgent, bitcrushed stabs cutting twisty upbeats—each click precisely punctuated, Sub-rotary bass throbs with a fluid, wobbled pulse, forming the track’s relentless wave, Glide-lead synths slither melodically, burrowing catchy atop percussive disco-fox/trap/house/Hardtekk drums—4-on-the-floor kicks, skittering hats, crisp claps, Drops unveil stacks of retro rave arps and gabber-edge FX, each locked laser-tight, layering pressure, Rhythmic, swaggering Taiwanese rap dart over the dense, blocky mix, driving a wild, confident dancefloor momentum with a pulsing club energy, Ska, husky voice, rapid articulation, trot, gothic
3:10

At 134 bpm, urgent Jungle breakbeats propel the track, topped with sharp acoustic guitar plucks and swirling airy pads, Smoky float above pulsing retro phonk basslines, while reverb-soaked cowbells and syncopated SFX—explosions, revs, tire screeches, metallic crashes—create a wild, cinematic post-apocalyptic fusion of lo-fi rock, funk, and action-score texture, blending chaos and irony into a kinetic musical scene
