3:19

[K-POP, City-pop, bright & acoustic pop blend]
[Nostalgic, hopeful, heartwarming, cheerful, self-acceptance]
[Instrumentation]
3-layer Acoustic Grand Piano (upright + pad + grand, wide stereo)
Fingerstyle Acoustic Guitar (gentle, melodic)
Soft Brush Drums & warm electronic bass
Light synth arpeggios for city ambience
Subtle neighborhood/crowd SFX
[5-sec instrumental intro, 3-sec instrumental outro]
[110 BPM, 4/4, uplifting bounce]
[Key: C Major (modulate +1 for final chorus)]
[Structure:
Intro (instrumental only, 8s)
→ Verse 1 (female)
→ Verse 2 (male)
→ Pre-Chorus (call & response)
→ Chorus (duet, viral hook)
→ Post-Hook
→ Verse 3 (duet)
→ Rap/Bridge (male half-spoken, female ad-libs)
→ Final Chorus (full duet, key up)
→ Tag/Crowd Chant (with emotional whisper)
→ Outro (instrumental only, 5s)]
[Vocal Type & Arrangement]
Duet: Young adult female (bright mezzo, airy falsetto, emotive vibrato) + young adult male (light tenor, warm chest, soft spoken tone in rap/bridge)
4:43

On Yuklim Hill EV1
v4.5+
[Language] English
[Genre] K-Pop Ballad × City Pop
[Mood] airy, nostalgic, tender, slightly bittersweet, summer night
[Tempo] 98 BPM (mid)
[Instrumentation] warm piano, nylon acoustic guitar arpeggios, soft electric fills, brush drums, subtle strings, gentle street ambience
[Song Structure] 5s instrumental-only intro → V1 → V1(response) → Pre → Chorus → Post → V2 → Pre → Chorus → Bridge → Final Chorus → 3s instrumental-only outro
[Lyrics Style] conversational, call & response, catchy repetitive hook (“On Yuklim Hill”)
[Vocal Type] Male & Female Duet, alternating lines; unison → thirds harmonies
[Vocal Casting] Female 17 (bright mezzo, breathy warmth) + Male 19 (warm tenor, chest-led)
[Vocal/Mix Notes] live feel, slight imperfection, natural vibrato; minimal tuning; no vocoder, no hard-tune, no formant tricks, no metallic/robotic tones; intimate close mic, light room reverb, [Performance Notes] Post-Chorus repeats “On Yuklim Hill” twice; hold the second “Hill—” one extra beat, ‑no vocoder, ‑no hard-tune, ‑no formant tricks, ‑no metallic/robotic tones
4:34

육림고개에서 V-4m-11
v4.5+
[Language: Korean
[K-Pop Ballad × City Pop]
[airy nostalgia, tender, slightly bittersweet, summer night]
[ 98 BPM (mid)]
[warm piano, nylon acoustic guitar arpeggios, soft clean electric fills, brush drums, subtle strings; optional gentle street ambience (very low)]
[Song Structure] 5s instrumental-only intro → V1 → V1(response) → Pre → Chorus → Post → V2(short) → Pre(short) → Final Chorus → 3s instrumental-only outro
[Lyrics Style] conversational, call & response, place-name hook repetition (“육림고개에서”)
[Vocal Type] Male & Female Duet; alternating lines; unison → thirds harmonies
[Vocal Casting] Female 17 (bright mezzo, breathy warmth) + Male 19 (warm tenor, chest-led)
[Vocal/Mix Notes] live feel, slight imperfection, natural vibrato; intimate close mic; light room reverb; soft compression; minimal tuning; no vocoder, no hard-tune, no metallic/robotic/formant FX; avoid metallic synths—keep acoustic/organic warmth, ‑no vocoder, ‑no hard-tune, ‑no metallic/robotic/formant FX
3:04

[K-POP, Summer Pop]
[LYRICS: Korean]
[ Dreamy, Romantic, Refreshing, Youthful]
[Acoustic guitar arpeggio, soft piano, warm pads, live drums (light brush/tight kick), subtle strings, electric bass; natural room ambience; gentle plate reverb]
[ 112 BPM, 4/4, light bounce, human swing (no grid lock)]
[Intro (instrumental-only 5s) – Verse – Pre-Chorus – Chorus – Post – Verse 2 – Pre – Chorus – Bridge – Final Chorus – Outro (instrumental-only 3s)]
[LYRICS: Conversational duet, call & response, highly repetitive hook, summer/film imagery; even syllable lines; culturally natural Korean phrasing]
[VOCAL : Duet — Female 17 (bright mezzo, airy & warm) + Male 19 (warm tenor, chest-led); live feel, warm human texture, breathy tone, slight imperfection; minimal tuning, natural vibrato]
[PRODUCTION: Organic, intimate; subtle tape-style saturation, light compression, soft de-essing; preserve breaths and micro-timing; low-end round and warm; transient-friendly drums; acoustic elements forward], ‑No robotic or metallic timbres, ‑No vocoder/talkbox, ‑No heavy Auto-Tune, ‑No harsh/saw lead EDM synths, ‑No over-quantization or hard grid snapping, ‑No glitch stutters
4:18

LOVE, LOVE KV1
v4.5+
[ K-POP Ballad (bright & upbeat), summer]
[ refreshing, romantic, youthful, warm]
[acoustic piano + guitar lead, soft drums, warm pads, light strings, subtle analog/tape warmth]
[ 90-110 BPM]
[Korean lyrics]
[5-second instrumental-only intro (piano & guitar harmony) → Verse → Pre → Chorus (repetitive hook) → Post-Chant → Verse2 → Pre2 → Chorus → Instrumental Break (guitar & piano harmony) → Bridge → Final Chorus (bigger/brighter) → 3-second instrumental outro (piano & guitar)]
[Lyrics Style] conversational, call & response, viral-ready catchy hook, chant “L, o / v, e”
[Vocal Type] Solo Female (17), bright mezzo — warm & breathy tone, slight imperfection, live feel, natural vibrato
[Vocal & Mix – Human Only] Avoid over-quantization; keep micro-timing/pitch humanized, Keep breaths, soften consonants, control sibilance, Gentle compression, room reverb, light warm saturation, preserve dynamics (no brickwall), Smooth top-end, present low-mid body, natural pitch drift, ‑No robotic/metallic tone, ‑No hard Autotune, ‑No vocoder, ‑No formant tricks
4:19

비가 오면 V2
v4.5+
[K-POP R&B] [ bright, breezy, romantic, rainy-day]
[ 5s instrumental intro • verse • pre • chorus • post • verse2 • pre2 • chorus2 • bridge • piano solo • final chorus • 3s instrumental outro]
[Instrumentation: bright piano lead, nylon-string guitar, soft drums/brushes, warm pad, light bass; rain foley subtle; live feel]
[Vocal: Female Duet — F1(17, bright/clear mezzo, airy top), F2(20, husky alto, emotive vibrato); warm & breathy tone, slight imperfection, live feel]
[Delivery: conversational, call & response, gentle head-voice flips, soft ad-libs; close-mic, natural breaths kept]
[Human Texture: micro pitch/tempo nuance, dynamic phrasing, minimal tuning]
[Avoid (No!): robotic/metallic timbre, vocoder, hard auto-tune, formant shift, metallic synth leads, chorus/flanger FX, heavy de-essing, over-quantized timing, glitchy artifacts]
[Mix : light compression ~2:1, slow attack/ natural release, subtle tape warmth, short plate reverb (pre-delay ~20ms, tail ]tail ~1, 2–1, 5s); sibilance soft], ‑robotic/metallic timbre, ‑vocoder, ‑hard auto-tune, ‑formant shift, ‑metallic synth leads, ‑chorus/flanger FX, ‑heavy de-essing, ‑over-quantized timing, ‑glitchy artifacts
4:10

불빛이 데려다주는 밤 V1
v4.5+
[K-Pop Dance, summer-bright]
[Energetic, dreamy, romantic, refreshing]
[Instrumentation] Piano stabs, soft clean electric guitar, warm pads, live-feel drums, harmonica hook, subtle vocoder
[Tempo] 124 BPM, 4-on-the-floor, tight claps
[Song Structure] 5s instrumental intro; V1 (F/M split); Pre; Chorus; Post-Chorus (Drop); V2; Pre2; Bridge; Dance Break; Double Final Chorus; 3s instrumental outro
[Lyrics Style] Conversational, call & response, highly repetitive hook (“Light me home”)
[Vocal Type] [Female 17 — bright & clear, light vibrato] + [Male 20 — husky neutral, light vibrato]
[Vocal Tone] warm and breathy, slight imperfection, live feel; minimal autotune
[Female 17] bright & clear, warm-breathy tone, light natural vibrato, slight imperfection, close-mic, expressive phrasing, [Male 20] husky-neutral, soft rasp, warm chest, light natural vibrato, Keep breaths & micro-timing; live feel, [Mix] punchy kick, wide stereo pads, harmonica as signature post-chorus lead, ‑No robotic/metal/AI timbre, ‑No vocoder/talkbox, ‑No hard autotune (slow, ‑transparent correction only)
3:53

너에게로 흘러(LOVE) V6
v4.5+
[K-Ballad / Indie Pop]
[Warm, wistful, teen tenderness; cozy winter yearning]
[Acoustic piano, nylon guitar, soft drums, warm pad, subtle rain foley; avoid metallic/edgy synths]
[Tempo] ~82 BPM, gentle rubato
[Song Structure] 5s instrumental intro (piano+guitar) – Verse – Pre – Chorus – Post (hook) – Verse 2 – Bridge (whisper double, low) – Final Chorus – 3s instrumental outro
[Lyrics Style] Korean, Conversational, poetic short lines; repetitive hook “Flow to you”
[Vocal Type] Solo Female (17), warm & breathy, live feel, slight imperfections, minimal autotune, no vocoder/robotic tone, close-mic intimacy
[Vocal FX] Minimal autotune; NO vocoder/robotic tone; soft compression; light de-essing; small-room reverb; preserve breaths & micro-dynamics
[Performance] Close-mic intimacy; natural vibrato; no heavy tuning or formant processing
[Notes] Eliminate robotic/metallic timbre entirely; prioritize human warmth; backing harmonies only in the bridge as a quiet whisper double, ‑vocoder/robotic tone, ‑Metallic synth
3:11

오늘도 달콤 V5
v4.5+
[GENRE] K-POP, Tropical House
[MOOD] Bright, Fresh, Summer
[INSTRUMENTATION] Acoustic piano triads, fingerstyle & strummed acoustic guitar, clean electric guitar (delay), soft tropical synth pads, groovy bass, pop/tropical house drums, ocean wave SFX, group/fan chant vocals
[HARMONY] G major, 124 BPM; Verse: I-V-vi-IV (G-D-Em-C), Chorus: IV-I-ii-V (C-G-Am-F), Bridge: vi-iii-IV-V (Em-Bm-C-D)
[STRUCTURE] 5s Instrumental Intro – Verse 1 – PreChorus – Chorus – PostChorus – Verse 2 – Bridge – Chorus (repeat) – 3s Instrumental Outro
[LYRICS STYLE] Conversational, Call & Response, Repetitive Hook, Fan Chant/Chorus
[VOCAL TYPE] Female Duet, Alternating Lines, Group Chant
3:39

[Language: Korean (Hangul only)]
[Genre: K-POP Ballad] [Tempo: 84 BPM] [Mood: Nostalgic, Hopeful, Warm]
[Instrumentation: Acoustic piano arpeggio, nylon-guitar fingerpicking, soft brush drums, upright bass, warm pad, light strings, harmonica & ocarina ad-libs]
[Song Structure: 0:05 Instrumental Intro → Verse1 → Pre-Chorus → Chorus → Verse2 → Pre-Chorus → Chorus → Bridge → Final Chorus ×2 → 0:03 Instrumental Outro]
[Vocal: Duet — Female 17 (husky, breathy, gentle vibrato, slight imperfections, live feel), Male 20 (baritone, warm & breathy, slight imperfections, live feel); clear call & response; chorus unison + octave double]
[Mix & Human Feel: live, tape/tube warmth, small wood-room reverb, close-miked; keep breaths & micro-pitch; avoid tight quantization; no heavy compression/limiting; no hard-tune or formant shifts]
[Avoid: robotic/metallic tones, vocoder, metallic saw leads, bright metallic reverb, over-quantized “clockwork” timing]
3:21

소녀와 자전거 V2
v4.5+
[Language] Korean (Hangul)
[Genre] K-Pop Acoustic / City Pop
[Mood] Breezy, youthful, sun-washed afternoon; heartfelt & uplifting
[Tempo] 100 BPM, 4/4, ~2:00
[Instrumentation] Nylon-guitar arpeggio + acoustic piano lead; light strings, brushed kit, warm pad, electric bass, No metallic/harsh synths, [Song Structure] 5s instrumental intro (piano+guitar) → Verse 1 → Chorus → Verse 2 → Instrumental Break → Final Chorus + Post-Hook → 3s instrumental outro
[Vocal Type] Solo Female (Korean Teen 17) — bright & refreshing tone, quick light vibrato on sustains, emotive/compelling delivery, powerful chest-mix in choruses, slight imperfections, live feel, close-mic, [Performance/Mix] No vocoder, No hard auto-tune, No metallic sheen, Minimal tuning; soft compression (2–3 dB); gentle room/plate reverb; tiny slapback; allow micro-timing (no heavy quantization); keep breaths and small noises for warm human texture, [Lyric Direction] Write lyrics in Korean, Conversational, image-driven, repeatable hook, ‑No heavy quantization; allow micro-timing, ‑Gentle tape saturation + room reverb for warm human texture, ‑No gated reverb/over-compression/formant shifting, ‑Keep breaths and small noises natural
4:19

해바라기 V3
v4.5+
[Genre: K-Pop Trot / Acoustic Ballad] [Mood: Warm · Hopeful · Fresh] [Tempo: 104 BPM, 4/4, slight swing, loose timing] [Instrumentation: Acoustic piano & guitar, brush drums, warm bass, light strings, soft sax fills] [Vocal: Solo Female (17), bright soprano, warm & breathy, light vibrato, slight imperfections, live feel, close-mic, gentle consonants, open vowels, natural pitch drift (±10 cents)] [Performance: soft onsets, micro dynamics, breaths kept, end-of-phrase sighs] [Mix: small room reverb, tape-like warmth, gentle compression, minimal de-esser, no harsh high-shelf] [Structure: 5s instrumental intro (piano + guitar), 3s instrumental outro (piano hold + guitar harmonic)] [Avoid: metallic/robotic tone, vocoder/talkbox, heavy autotune/hard-tune, formant shift, grid-locked quantization, brittle highs, metallic cymbals, EDM saw leads, transient over-shaping, noise-gate pumping]
[Lyrics: Korean], ‑metallic/robotic tone, ‑vocoder/talkbox, ‑heavy autotune/hard-tune, ‑formant shift, ‑grid-locked quantization, ‑brittle highs, ‑metallic cymbals, ‑EDM saw leads, ‑transient over-shaping, ‑noise-gate pumpin
3:43

겉은 폐허, 안엔 꽃 V2
v4.5+
[Genre] K-Indie / Lo-fi Ballad (86 BPM)
[Mood] Warm, Wistful, Hopeful, Intimate
[Instrumentation] Acoustic Piano & Nylon Guitar arpeggio, Upright Bass, Brush Drums, Warm Pad, very subtle alley ambience
[Song Structure] 0:05 instrumental intro (piano+guitar only) → Verse → Pre → Chorus → Verse → Pre → Chorus → Bridge → Final Chorus → 0:03 instrumental outro
[Lyrics Style] Conversational, Personification, Urban Poetry, Call & Response, short memorable hooks
[Vocal Type] Solo Female (mezzo), warm & breathy tone, close-mic, **live feel**, slight imperfection, emotional phrasing, micro-breaths kept
[Performance Notes] Gentle dynamics → bigger lift in Final Chorus; legato lines; soft consonants; natural Korean/English delivery if mixed
[Mix] Warm analog vibe, rounded low-mid, soft transients, light tape saturation, natural plate reverb, headroom preserved
[Human-Only Rules] **No vocoder, no metallic/robotic timbre, no heavy auto-tune, no hard-quantize, keep human timing & breaths**, ‑No vocoder, ‑no metallic/robotic timbre, ‑no heavy auto-tune, ‑no hard-quantize, ‑keep human timing & breaths
4:14

창가의랠리 V1
v4.5+
[Genre] City Pop / Acoustic Pop
[Mood] 따뜻함, 여유, 청량함, 유스풀
[BPM] 104, 4/4 | [Key] G major
[Instrumentation] acoustic guitar & piano, warm bass, light brush drums, subtle pad, woodblock(탁구 리듬)
[Structure] 4-bar instrumental intro (+humming ad-lib) → Verse(8) → Pre(4) → Chorus(8)
→ Verse2(8) → Pre(4) → Chorus(8) → Bridge(8) → Final Chorus(8) → 4-bar outro (instrumental + humming, fade)
[Vocal] Solo Female (17), bright & airy, youthful, light & clean vibrato
[Performance] natural breath, soft onset, gentle consonants, open vowels, slight pitch drift(±10c), close-mic
[Mix] small room reverb, tape-like warmth, gentle compression, minimal de-esser, no metallic highs
[Avoid] robotic/metallic tone, vocoder/talkbox, heavy autotune, formant shift, harsh high-shelf
[Language] Korean
[Lyrics seed]
(라— 라— 라라라—)
탁, 탁—작은 리듬이 시작돼
강과 산이 보이는 카페 창가
윤슬이 머그잔에 스며들어
커피 향이 피곤함을 달래주네
느리게 시작해, 오늘의 랠리
네트에 걸려도 웃으며 다시
탁, 탁—커피 한 모금
가볍게 들어, 다시 시작해
탁, 탁—창가에 남은 온기
라— 라— 라라라— (페이드), ‑robotic/metallic tone, ‑vocoder/talkbox, ‑heavy autotune, ‑formant shift, ‑harsh high-shelf, ‑male
3:57

100년 후 춘천 V3
v4.5+
[K-Pop/Pop-Techno | 120 BPM | Summer]
[Vocal] Solo Female (Korean 17-year-old, bright mezzo); warm & breathy tone; natural vibrato; slight imperfection; live feel
[Processing] Minimal pitch correction; NO hard Auto-Tune/vocoder/formant shifting; fully remove metallic/robotic tone; soften sibilance (S)
[Mix] Soft drums; acoustic piano/guitar/harmonica; warm pads; tasteful sax (subtle); small-room reverb; very light tape saturation
[Groove] Light claps/snaps on 2 & 4; double the chorus; BGV a 3rd above
[Sections] 5s instrumental intro (piano+guitar); 3s instrumental outro (harmonica+piano)
[Directive] Keep human breaths; absolutely avoid over-tuning or metallic sheen; preserve a warm, live texture, ‑NO heavy Auto-Tune, ‑NO vocoder, ‑NO metallic/robotic/formant-shifted timbre; soften sibilance
4:09

루나게이트 춘천 V2
v4.5+
[Title] Luna Gate, Chuncheon (K-Pop Techno Duet)
[Genre] K-Pop Techno, Future Pop | [Tempo] 124 BPM (4/4) | [Key] E major (I–V–vi–IV)
[Instrumentation] Acoustic piano arps, soft live drums, electric guitar plucks, warm pad, harmonica riff (post-chorus)
[Structure] 5s Intro (instrumental only) – V1 – Pre – Chorus – Post (inst) – V2 – Pre – Chorus – Bridge – Final Hook – 3s Outro (instrumental only)
[Vocal Type] Duet — Female 17 (bright mezzo, airy-husky, natural vibrato, live feel) + Male 20 (tenor, clean vibrato, live feel)
[Vocal Tone] Warm, breathy, human; slight imperfection allowed; close-miked; gentle dynamics; short plate reverb; subtle tape feel
[Anti-Robot] No vocoder/talkbox; no metallic/robotic tone; avoid heavy auto-tune (use light, humanized correction); no formant shifting; no harsh top-end
[Mix Note] Soft de-ess, light compression (2:1–3:1), humanized timing, smooth transients; preserve room air; avoid overly synthetic chorus FX
[Hook] “Luna, Luna, Luna — open the gate!”, ‑No vocoder/talkbox; no metallic/robotic tone; avoid heavy auto-tune (use light, ‑humanized correction); no formant shifting; no harsh top-end
3:35

루나게이트 춘천 V7
v4.5+
[Title] Luna Gate, Chuncheon (K-Pop Techno Duet)
[Genre] K-Pop Techno, Future Pop | [Tempo] 124 BPM (4/4) | [Key] E major (I–V–vi–IV)
[Instrumentation] Acoustic piano arps, soft live drums, electric guitar plucks, warm pad, harmonica riff (post-chorus)
[Structure] 5s Intro (instrumental only) – V1 – Pre – Chorus – Post (inst) – V2 – Pre – Chorus – Bridge – Final Hook – 3s Outro (instrumental only)
[Vocal Type] Duet — Female 17 (bright mezzo, airy-husky, natural vibrato, live feel) + Male 20 (tenor, clean vibrato, live feel)
[Vocal Tone] Warm, breathy, human; slight imperfection allowed; close-miked; gentle dynamics; short plate reverb; subtle tape feel
[Anti-Robot] No vocoder/talkbox; no metallic/robotic tone; avoid heavy auto-tune (use light, humanized correction); no formant shifting; no harsh top-end
[Mix Note] Soft de-ess, light compression (2:1–3:1), humanized timing, smooth transients; preserve room air; avoid overly synthetic chorus FX
[Hook] “Luna, Luna, Luna — open the gate!”, ‑No vocoder/talkbox; no metallic/robotic tone; avoid heavy auto-tune (use light, ‑humanized correction); no formant shifting; no harsh top-end
2:54

황혼의 노래와 필름 V2
v4.5+
[K-POP Dance Pop | Upbeat, Youthful, Summery, Romantic] [Language: Korean] [ 114 BPM] [ 5s Instrumental Intro – Verse – Pre-Chorus – Chorus – Bridge – Final Chorus – 3s Instrumental Outro] [Instrumentation: Up-strummed Acoustic Guitar, Bright Piano Riff, Live Drums, Handclaps, Shaker, Warm Electric Bass, Light Harmonica Fills, Analog Pad] [ Male & Female Duet (teen pop vibe), Alternating Lines, Call & Response, Crowd doubles in final chorus] [Vocal Tone: Female bright mezzo (airy head voice, soft breath, light sparkle 8–10k), Male light tenor (warm chest, smooth mix, gentle vibrato 5–6 Hz), clear diction, micro-scoops into notes, open vowels (oh/ah)] [Performance: humanized timing (±10 ms), natural pitch (no hard-tune), controlled sibilance, subtle breaths kept] [Production: analog/tape warmth, light tube compression, short plate reverb on lead, room/ambience on BGV, mono-compatible, clean center lead, wide but phase-safe BGV], ‑[No Vocoder][No Talkbox][No Hard Autotune][No Metallic/Phasy Highs][No Formant Shift][No Robot Tone][No Heavy Chorus/Flanger on Lead][No Over-Quantized Vocals][Keep Breaths Natural]
3:39

[K-POP][R&B][Soul Ballad][84–90 BPM][Key: A♭ Maj]
[Vocal: Solo Female, 17yo, bright clear soprano, gentle airy vibrato, natural breath, soft consonants, warm head voice, intimate close-mic]
[Vocal Note: keep breaths in, retain tiny pitch slides, no auto-tune correction feel, Whisper doubles at ends of Chorus lines, ]
[Style: conversational phrasing, call & response layers, humanized timing (subtle micro-timing drift), light dynamics (velocity variation), no over-compression]
[Instrumentation: piano (felt), acoustic guitar (fingerstyle), soft brushes drum, warm analog pad, sub-bass low, room reverb small, tape-like saturation light]
[Structure: 5s instrumental intro → Verse → Pre → Chorus (repetitive hook) → Verse → Pre → Chorus → Bridge → Final Chorus (harmonies up) → 3s instrumental outro]
[Lyrics: “소양강 안개” Korean version, poetic imagery, short lines, open vowels (oh/ah) in chorus, easy sing-along hook]
3:59

[Acoustic Folk Ballad] [Gentle, Warm, Melancholic]
[Fingerstyle Acoustic Guitar, Soft Piano, Upright Bass, Brush Kit, Subtle Strings]
[~71 BPM, G Major, 4/4]
[Song Structure: 5s instrumental intro – Verse1 – Verse2 – Pre-Chorus – Chorus – Verse3 – Instrumental Bridge – Chorus (Reprise) – 3s instrumental outro]
[Lyrics Style: Korean, conversational, minimal consonant clusters, open-vowel cadences (-아/-오/-다), repetitive hook: “변치 않는 위로 / 건네네”]
[Vocal Type: Solo Male Tenor, smooth & clear, intimate close-mic, light natural vibrato, slight human pitch drift, humanized timing]
[Production: No autotune, No vocoder, No formant shift, No metallic tone, No hard-tune, No robotic artifacts, Natural room reverb only, gentle tape-like saturation, soft compressor (2–3 dB GR), de-esser 최소, ]
[Mix Notes: acoustic-focused, low end tidy, transients soft; breaths natural, edits minimal; keep sibilance smooth, ]
4:28

A female vocalist sings a melancholic melody over a slow tempo, 4/4 time signature, pop ballad, The instrumentation includes a piano playing arpeggiated chords, a bass guitar providing a smooth, foundational rhythm, and a drum kit with a soft, brushed snare sound, The song features a consistent chord progression throughout, creating a sense of gentle longing, The vocal delivery is soft and breathy, with occasional sustained notes that add to the emotional depth, The production is clean, with a focus on the vocal and piano, creating an intimate atmosphere, The song structure follows a typical verse-chorus format, with a bridge providing a slight dynamic shift before returning to the chorus, The key is in a minor mode, contributing to the overall somber yet hopeful mood, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:22

A Korean pop ballad with a moderate tempo and a melancholic yet hopeful mood, The song features a female vocalist with a clear, expressive voice, The instrumentation includes a piano playing arpeggiated chords, a gentle acoustic guitar providing rhythmic support, and a subtle string section adding warmth and depth, A light drum beat enters during the chorus, providing a soft, driving rhythm, The bass guitar provides a smooth, foundational line, The song is in a major key, contributing to its hopeful feel despite the emotional vocal delivery, Production is clean with a focus on vocal clarity and a spacious mix, Reverb is used subtly on the vocals and strings to create a sense of atmosphere, The song structure follows a typical verse-chorus format with a bridge and an outro, The melody is memorable and soaring, particularly in the chorus, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:19

A children's pop song in a major key at a moderate tempo, featuring a female lead vocalist, The instrumentation includes a ukulele providing the main chord progression, a bass guitar playing a simple, rhythmic line, and a drum kit with a light, upbeat feel, The song incorporates sound effects such as a duck quack and a whistle, The vocal melody is simple and singable, with a clear, bright tone, The song structure is verse-chorus, with a short instrumental break, The production is clean and bright, with the vocals prominent in the mix, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
3:11

This is a Korean pop ballad with a moderate tempo and a major key, The instrumentation includes acoustic guitar, piano, bass, and drums, The acoustic guitar plays a fingerpicked arpeggiated pattern throughout the song, providing a gentle rhythmic and harmonic foundation, The piano adds melodic fills and harmonic support, often playing sustained chords or simple arpeggios, The bass provides a smooth, foundational line, emphasizing the root notes of the chords, The drums enter later in the song, providing a soft, brushed rhythm that enhances the ballad feel without being overly prominent, The lead female vocal is clear and expressive, with a gentle vibrato, The melody is largely diatonic, with a smooth contour and a focus on emotional delivery, There are backing vocals that provide harmonies, particularly in the chorus sections, adding richness and depth, The song structure follows a typical verse-chorus form, with an instrumental break and an outro, The production is clean, with a focus, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
3:36

This is a Korean pop ballad with a moderate tempo and a major key, The instrumentation includes acoustic guitar, piano, bass, and drums, The acoustic guitar plays a fingerpicked arpeggiated pattern throughout the song, providing a gentle rhythmic and harmonic foundation, The piano adds melodic fills and harmonic support, often playing sustained chords or simple arpeggios, The bass provides a smooth, foundational line, emphasizing the root notes of the chords, The drums enter later in the song, providing a soft, brushed rhythm that enhances the ballad feel without being overly prominent, The lead female vocal is clear and expressive, with a gentle vibrato, The melody is largely diatonic, with a smooth contour and a focus on emotional delivery, There are backing vocals that provide harmonies, particularly in the chorus sections, adding richness and depth, The song structure follows a typical verse-chorus form, with an instrumental break and an outro, The production is clean, with a focus, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
3:10

A K-Pop ballad with a moderate tempo, featuring a female vocalist, The instrumentation includes a clean electric guitar playing arpeggiated chords, a piano providing harmonic support, a bass guitar laying down a simple root-fifth pattern, and a drum kit with a soft, brushed snare sound, The song is in a major key, creating a bright and hopeful atmosphere, The vocal melody is smooth and expressive, with occasional sustained notes and a clear, unadorned delivery, The production is clean, with a balanced mix that allows each instrument to be heard distinctly, Reverb is used subtly on the vocals and guitar to add depth without obscuring clarity, The song structure follows a typical verse-chorus form, with a bridge providing a slight dynamic shift before returning to the chorus, The overall feel is gentle and uplifting, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:34

Acoustic pop ballad in C major at a tempo of 70 BPM, The song features a female vocalist with a clear, gentle tone, accompanied by an acoustic guitar playing arpeggiated chords, a bass guitar providing a walking bass line, and a light drum kit with brushes, The chord progression is primarily I-V-vi-IV, creating a melancholic yet hopeful atmosphere, The song structure includes verses, a pre-chorus, and a chorus, with a bridge that introduces a slight dynamic shift, Production elements include a clean mix with a natural reverb on the vocals and instruments, creating an intimate and warm sound, The melody is diatonic and memorable, with a comfortable vocal range, The acoustic guitar provides rhythmic and harmonic support throughout the song, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:28

삶의 조명 V3
v5
A K-Pop ballad with a moderate tempo, featuring a female vocalist, The instrumentation includes a piano, acoustic guitar, bass guitar, and drums, The song begins with a gentle piano melody, joined by a soft acoustic guitar, The female vocalist enters with a clear, emotional tone, singing in Korean, The drums and bass provide a steady rhythm, building subtly throughout the verses and choruses, The melody is expressive and memorable, with a focus on the vocal line, Production elements include a clean mix with a slight reverb on the vocals, creating an intimate and reflective atmosphere, The song maintains a consistent key, emphasizing the emotional depth of the vocal performance, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
3:04

A female vocalist sings a pop ballad with a gentle, flowing melody, The song features a piano playing arpeggiated chords, a string section providing lush harmonies, and a subtle drum beat with brushes, The tempo is slow, and the key is major, creating a warm and nostalgic atmosphere, The vocals are clear and expressive, with a soft delivery, The song structure includes verses and choruses, with a bridge that builds in intensity before returning to a more subdued final chorus, The production is clean, with a focus on the vocal and piano, and the strings are mixed to provide a rich background without overpowering the lead elements, There is a slight reverb on the vocals and strings, adding to the spacious feel, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:14

Acoustic pop song in a major key at a moderate tempo, featuring a female vocalist, The instrumentation includes an acoustic guitar playing arpeggiated chords, a bass guitar providing a walking bass line, and light percussion with a brush snare sound, The song has a clear verse-chorus structure, The female vocalist sings with a clear, bright tone, utilizing some vibrato, Production is clean with a focus on the acoustic elements, and the mix is balanced, allowing each instrument to be distinctly heard, The melody is simple and memorable, with a slightly melancholic yet hopeful feel, The acoustic guitar provides a consistent rhythmic and harmonic foundation throughout the song, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:56

Acoustic pop ballad in a major key, featuring a male vocalist with a clear, gentle tenor voice, The song is at a moderate tempo, around 100 BPM, The primary instrumentation includes an acoustic guitar playing arpeggiated chords, a bass guitar providing a smooth, foundational line, and light percussion with brushes on the snare and a soft kick drum, The chord progression is diatonic and largely follows a I-V-vi-IV pattern in the verses and choruses, creating a warm and uplifting feel, The melody is lyrical and memorable, with a relatively narrow vocal range that emphasizes emotional delivery, The production is clean and intimate, with the vocals mixed prominently and a subtle reverb applied to both the vocals and acoustic guitar, giving a sense of space without being overly ambient, There are no significant dynamic shifts, maintaining a consistent, gentle energy throughout, The song structure is verse-chorus-verse-chorus-bridge-chorus-outro, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:34

A bright, upbeat K-Pop ballad with a moderate tempo and a major key, The instrumentation features a clean electric guitar playing arpeggiated chords, a steady bass guitar providing a melodic foundation, and a drum kit with a light, driving rhythm, A piano adds harmonic support and occasional melodic fills, The lead male vocal is clear and expressive, utilizing a smooth, slightly breathy tone, Background vocals provide harmonies, particularly in the chorus, adding to the song's uplifting feel, The song structure follows a typical verse-chorus form with a bridge and an instrumental break, The melody is memorable and singable, characterized by stepwise motion and occasional leaps, Production elements include a clear mix with a slight reverb on the vocals and a balanced presence for all instruments, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
3:08

The song is a slow, melancholic ballad in a major key, featuring a male vocalist, The tempo is approximately 60 beats per minute, The instrumentation includes a piano providing a gentle arpeggiated accompaniment, a cello playing sustained melodic lines, and a subtle string section adding warmth and depth, The piano plays a consistent chord progression throughout the song, primarily using diatonic chords, The male vocalist sings with a soft, breathy tone, employing a falsetto in certain phrases, The melody is largely stepwise with occasional small leaps, creating a smooth and flowing vocal line, The song structure follows a verse-chorus pattern, with an instrumental interlude after the second chorus, The production emphasizes a clean, spacious mix, with the vocals prominent and the instruments providing a supportive, ethereal backdrop, Reverb is used on both vocals and instruments to create a sense of space and introspection, The dynamic range is relatively narrow, maintaining a soft, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
3:10

명동의아침 V2
v5
A melancholic K-pop ballad in a minor key, featuring a female vocalist, The song begins with a piano playing a arpeggiated chord progression, establishing a somber mood, A string section enters, providing a lush, emotional backdrop, The lead vocal is soft and breathy, with a clear, expressive tone, The drums are subtle, primarily using brushes or light percussion to maintain a gentle rhythm, The bass provides a warm, foundational support, The song builds dynamically, with the strings becoming more prominent and the vocals gaining intensity in the chorus, Production elements include reverb on the vocals and strings, creating a spacious and ethereal sound, The melody is memorable and emotionally resonant, characterized by its smooth, flowing lines, The song structure follows a typical verse-chorus format, with a bridge providing a slight variation in intensity before returning to the chorus, The tempo is slow, contributing to the reflective atmosphere, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:34

A K-Pop ballad with a moderate tempo and a major key, The song features a male lead vocalist with a clear, bright tone, accompanied by a female backing vocalist providing harmonies, The instrumentation includes a piano playing arpeggiated chords, a bass guitar providing a walking bass line, and a drum kit with a light, brushed snare sound, A string section provides lush pads and counter-melodies, particularly prominent during the chorus, The song structure follows a typical verse-chorus form with a bridge and an outro, The production is clean and polished, with a wide stereo image and a balanced mix, The melody is memorable and uplifting, characterized by its smooth, flowing phrases, The tempo is approximately 100 beats per minute, The song features a dynamic build-up from a softer verse to a more expansive chorus, with the string section adding significant emotional weight, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:22

A melancholic K-Pop ballad featuring a female vocalist, piano, strings, and drums, The song is in a minor key, with a slow tempo, The piano plays a prominent role, providing a gentle accompaniment throughout the song, The strings enter during the chorus, adding a layer of emotional depth, The drums provide a subtle, rhythmic foundation, becoming more pronounced in the chorus, The female vocalist sings with a clear, expressive tone, utilizing a mix of chest and head voice, The song structure follows a typical verse-chorus format, with a bridge and an outro, Production elements include a clean mix with a focus on vocal clarity and a spacious reverb on the strings, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:58

Acoustic folk pop song in a major key at a moderate tempo, The instrumentation features an acoustic guitar playing arpeggiated chords, a bass guitar providing a walking bass line, and a male vocalist, The vocal delivery is smooth and melodic, with a clear, slightly melancholic tone, The song structure includes verses and a chorus, with a consistent rhythmic feel throughout, The production is clean, emphasizing the acoustic instruments and vocals, There are no drums or percussion, The guitar provides a gentle, flowing accompaniment, The melody is singable and memorable, The overall mood is reflective and hopeful, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:19

This is a K-Pop ballad with a strong emphasis on orchestral and pop rock elements, The song is in a major key, likely C major, with a moderate tempo around 120 BPM, The instrumentation features a full drum kit with a prominent kick and snare, a bass guitar providing a solid low end, electric guitars playing both rhythmic chords and melodic lines, and a string section adding lush harmonies and counter-melodies, There are also piano and synthesizer elements, particularly noticeable in the intro and bridge, providing harmonic support and atmospheric textures, The male lead vocal is clear and emotive, utilizing a smooth, slightly breathy tone in the verses and a more powerful, belted delivery in the choruses, There are also backing vocals providing harmonies, particularly in the chorus, adding to the song's anthemic feel, Production elements include a clean mix with a wide stereo image, subtle reverb on the vocals and drums, and a dynamic range that builds from softer verses to powerful, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:36

A bright and uplifting Korean folk-pop song in a major key, featuring a male vocalist, The instrumentation includes acoustic guitar, bass guitar, drums, and a string section, The acoustic guitar provides a consistent strumming pattern throughout the song, establishing a moderate tempo, The bass guitar plays a supportive, melodic role, often outlining the chord changes, The drums provide a light, steady beat, primarily using brushes or light stick work, contributing to the gentle feel, The string section, consisting of violins and cellos, adds warmth and richness, particularly during the chorus and instrumental breaks, playing sustained chords and melodic counterpoints, The male vocalist sings with a clear, gentle tone, employing a smooth legato style, The song structure follows a verse-chorus format with an instrumental bridge, The melody is memorable and singable, characterized by stepwise motion and occasional small leaps, The production is clean and balanced, with all instruments cl, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:24

This is a high-energy K-pop track featuring a female vocalist, a male rapper, and a driving electronic beat, The song is in a major key, with a tempo of approximately 120 BPM, The instrumentation includes a prominent synth bass, a four-on-the-floor kick drum, clap and snare accents, and various synth pads and arpeggios, The female vocals are bright and clear, often layered with harmonies, and feature a mix of sustained notes and rhythmic phrasing, The male rap sections are delivered with a confident, slightly aggressive tone, The song structure alternates between verses, pre-choruses, and choruses, with a bridge and an outro, Production elements include reverb on vocals and synths, sidechain compression on the bass, and a generally bright, polished mix, The melody is catchy and memorable, with a strong emphasis on rhythmic hooks, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:23

This is a high-energy K-pop track featuring a female vocalist, a male rapper, and a driving electronic beat, The song is in a major key, with a tempo of approximately 120 BPM, The instrumentation includes a prominent synth bass, a four-on-the-floor kick drum, clap and snare accents, and various synth pads and arpeggios, The female vocals are bright and clear, often layered with harmonies, and feature a mix of sustained notes and rhythmic phrasing, The male rap sections are delivered with a confident, slightly aggressive tone, The song structure alternates between verses, pre-choruses, and choruses, with a bridge and an outro, Production elements include reverb on vocals and synths, sidechain compression on the bass, and a generally bright, polished mix, The melody is catchy and memorable, with a strong emphasis on rhythmic hooks, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:41

A K-Pop track with a bright, energetic feel, featuring a female vocalist, The instrumentation includes a prominent synth bass line, a driving drum beat with a strong kick and snare, and layered synth melodies, The song is in a major key, contributing to its uplifting mood, The tempo is moderately fast, The vocal delivery is clear and melodic, with some sections featuring layered harmonies, Production elements include reverb on the vocals and synths, creating a spacious sound, The song structure follows a typical pop format with verses, pre-choruses, and choruses, The melody is catchy and memorable, designed for broad appeal, The overall mix is clean and polished, with all instruments well-balanced, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:43

가을 향기 V2
v5
Acoustic folk ballad in a major key, featuring a male vocalist with a clear, gentle tenor voice, The instrumentation includes an acoustic guitar playing arpeggiated chords and a simple melodic line, a bass guitar providing a walking bass line, and light percussion with brushes on the snare drum, creating a soft, understated rhythm, The song structure is verse-chorus with an instrumental break, The melody is simple and memorable, with a slightly melancholic yet hopeful feel, The production is clean, with a natural reverb on the vocals and instruments, giving it an intimate, live sound, The tempo is slow, around 60-70 BPM, The chord progression is diatonic, primarily using major and minor chords within the key, creating a harmonious and pleasant sound, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:59

A male vocalist sings a melancholic melody over a slow tempo, The song is in a major key, with a chord progression that emphasizes a sense of longing and introspection, The instrumentation includes a piano playing arpeggiated figures, a bass providing a steady foundation, and a drum kit with a soft, brushed snare sound, A string section provides sustained chords and counter-melodies, adding to the emotional depth, The vocals are delivered with a gentle, almost whispered quality, featuring occasional vibrato, The production is clean and spacious, allowing each instrument to be clearly heard, The song structure follows a verse-chorus pattern with an instrumental bridge, The overall mood is reflective and serene, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:54

마임 V4
v5
This is a high-energy K-pop track with a driving beat and a bright, uplifting melody, The instrumentation features a prominent synth bass line, a consistent drum machine rhythm with a strong kick and snare, and shimmering synth pads that create a spacious atmosphere, A clean electric guitar plays arpeggiated figures and melodic fills, often with a slight delay effect, The lead vocals are female, characterized by a clear, youthful tone and a dynamic delivery that ranges from smooth melodic lines to more energetic, almost spoken-word sections, The song incorporates a call-and-response vocal technique in some sections, adding to its engaging quality, The chord progression is largely diatonic, contributing to the song's accessible and catchy feel, The tempo is moderately fast, maintaining a consistent forward momentum throughout, Production is clean and polished, with a wide stereo image and a good balance between all instrumental and vocal elements, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:33

선물 V2
v5
A Korean pop ballad with a moderate tempo, featuring a female vocalist, The instrumentation includes a piano playing arpeggiated chords, a bass guitar providing a smooth foundation, and a drum kit with a light, brushed snare sound, Strings are used for melodic counterpoints and sustained pads, adding warmth and depth, The song is in a major key, creating an uplifting and hopeful mood, The vocal melody is clear and expressive, with a gentle vibrato, Production is clean, with a balanced mix that highlights the vocals and acoustic instruments, The song structure follows a typical verse-chorus format, with a bridge providing a slight dynamic shift before returning to the chorus, The overall feel is sentimental and inspiring, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
1:25

This is a high-energy K-pop track with a driving beat and a blend of electronic and acoustic elements, The song features a male lead vocalist with a clear, powerful delivery, often employing a call-and-response technique with backing vocals, The instrumentation includes a prominent synth bass line, a consistent kick drum, and a snare drum with a tight, punchy sound, There are also percussive elements that add to the rhythmic complexity, The melody is catchy and anthemic, designed for crowd participation, The song structure is typical of K-pop, with distinct verse, pre-chorus, and chorus sections, building in intensity, The tempo is fast, contributing to the energetic feel, Production is clean and polished, with a strong emphasis on vocal clarity and a dynamic mix that allows all instruments to be heard distinctly, The overall mood is uplifting and celebratory
2:26

A Korean pop ballad with a moderate tempo and a melancholic yet hopeful mood, The instrumentation features a piano playing arpeggiated chords, a string section providing lush harmonies, and a subtle drum beat with brushes, The male vocalist sings with a clear, emotional tone, utilizing a mix of chest and head voice, The song structure follows a typical verse-chorus form with a bridge and an outro, The melody is memorable and soaring, particularly in the chorus, The production is clean with a good balance between instruments and vocals, and a slight reverb on the vocals adds to the emotional depth, k-trot, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:56

This is a male vocal-led folk-pop song with a moderate tempo and a warm, acoustic feel, The instrumentation primarily features acoustic guitar, bass guitar, and drums, with occasional piano accents, The acoustic guitar plays a prominent role, providing both rhythmic strumming and melodic fills, The bass guitar offers a steady, foundational rhythm, The drums provide a simple, consistent beat, emphasizing the downbeats, The male lead vocal is smooth and melodic, with a clear, expressive delivery, The song structure includes verses, a chorus, and a bridge, The melody is memorable and singable, with a generally diatonic feel, The production is clean and balanced, with a focus on natural instrument sounds and a slightly reverbed vocal, The key appears to be in a major mode, contributing to the song's uplifting yet nostalgic atmosphere, The chord progression is relatively simple and repetitive, providing a solid harmonic foundation for the melody, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing
2:21

Acoustic folk pop song in the key of G major, with a moderate tempo of 100 BPM, The instrumentation features an acoustic guitar playing arpeggiated chords and a simple bass line, accompanied by a male vocalist, The song structure includes verses and a chorus, The melody is gentle and flowing, with a clear, unadorned vocal delivery, The production is clean, with a focus on the natural sound of the acoustic instruments and vocals, There are no prominent effects or complex mixing techniques, The acoustic guitar provides a consistent rhythmic and harmonic foundation throughout the song, The male vocals are delivered in a smooth, melodic style, with a relatively narrow vocal range, The song maintains a consistent dynamic level, creating a calm and reflective atmosphere, ‑No autotune, ‑No vocoder, ‑No formant shifting, ‑No metallic/robotic tone; natural room reverb only; mild tape saturation; soft compression (2–3 dB); minimal de-essing


