実験歌士　ぴーちょマン

1970s Classic Japanese Anime Theme, Showa Era Hero Song, subtle Marching Pop, The mood is fiercely heroic, militaristic, and intensely nostalgic, Driving, steady march rhythm (140-150 BPM), Focus on heavy downbeats and syncopated snare, A deep, rich baritone male vocal with a powerful, slightly gravelly (shouting) texture, Delivery must be unapologetically energetic and theatrical, Chorus requires a layered children's choir for bright harmony contrast, Vocals must maintain a militaristic, clear projection, Dominant: Heavy, distorted electric guitar riffs (simple/catchy), Prominent, powerful brass section (trumpets/horns) carrying the main melody, Simple, driving rock drums with an insistent snare (marching feel), Features analog synth bass and dramatic orchestral stabs, Vintage Analog Sound, Highly compressed and raw mix, The sound must be **thick and slightly muffled**, with the brass and vocals dominating the center stage, like an old vinyl theme song, Do not alter the lyrics

Flowcore × Heroic Comedy Song × Cute Tokusatsu Parody Playful, Warm, Self-Deprecating Mood Unexpected Anti-Climax Humor Japanese Tokusatsu Hero Theme Style, Comedic Twist Male Solo Vocal Only Playful & energetic in action parts Sleepy, tired delivery at the end Natural Japanese phrasing Integrated SFX (alarm siren, crowd shout, power-up noise) Sound Design Bouncy Cute Beat, Toy Percussion, Soft Glitch Impacts Comedic “hero transformation” whooshes Big exaggerated “drop” moments Warm Bass, Simple Melody Final section: low energy, sleepy fade Overall Feel Humorous, Heartwarming, Low-Pressure Hero Self-aware, kind parody Exhausted but happy

1970s Japanese commercial, Showa Era CM, simple upbeat J-Pop, choir, male and female chorus, analog synthesizer, vintage tape recording, tape hiss, mid-range heavy sound, strong reverb and echo, mono mix, TV speaker sound

The upbeat retro disco groove opens with a punchy, syncopated bassline stab, before being joined by punchy retro synth leads and clavinet, The beat bounces along with playful percussion and tight hi-hat work, The vocals deliver a flashy yet sassy performance, seamlessly blending airy synth flourishes with dynamic breakdowns, Horns add color to the energetic chorus, creating a fun and playful dance anthem with a comedic superhero anime vibe

Bon Odori, vibrato male vocal, kobushi vocal, Traditional voice, a fusion of soka and Japanese Festival Music (Matsuri), Upbeat, Rhythmic, Taiko Drums, Shinobue flute

short commercial jingle about 25-30 seconds, minimal Japanese chant, hypnotic repetition, male vocal, rhythmic speaking more than singing, bright electronic CM sound, tight arrangement, no long intro, no long outro, water-drop SFX, viral strange TV commercial vibe

BPM 155 eurobeat with bright saw leads and driving bass, Four-on-the-floor kick, sharp claps, rolling hats, High-energy synth stabs and white noise risers, Female lead vocal, youthful and energetic, slightly nasal pop tone, Male supporting vocals used for hype shouts, call-and-response, and crowd-style accents, Verses are rhythmic and punchy with controlled energy, choruses are layered, bold, and fully driven, “ももももももも” is treated as rhythmic stuttered vocal, For “実験歌士（じっけんかし） ぴーちょマン GAL”: brief drop in backing track, dry female lead vocal, with subtle male octave or unison support to emphasize the name, Chorus vocals stacked for maximum eurobeat energy, female lead centered, male vocals reinforcing intensity

Hyper Modern Japanese Bon Odori Dance, Festival Dance Music With Strong Repetition, Traditional Bon Odori Rhythm With Circular Structure, Hypnotic Looping Groove Designed For Continuous Dancing, Primary Focus On Festival Shouts And Chants, The Vocal Shout "hai!" Is Loud, Repetitive, And Group-Chanted, Shouts Act As Leading Rhythmic Elements, Not Background, Call-and-Response Driven By Shouts, Group Chants Frequently Push Momentum And Can Overtake The Main Vocal Line In Energy, Clear And Bold Main Lyrics, Communal, Energetic, Hyper Festival Atmosphere

Peacho-Core, UK Garage, 2-Step, Old School, 134 BPM, Deep House, Heavy Sub Bass, Heroic, Male Rap, spoken word, Sprechgesang, Syncopated Shuffle Rhythms, Vinyl Scratch Noise

Traditional Alpine Yodel, Authentic Yodel Vocal Technique, Clear Falsetto Jumps and Wide Pitch Leaps, Minimal and Sparse Instrumentation, Playful but Serious-in-Form, Natural Tempo, Open and Airy Sound

A vibrant J-POP Anime anthem with a 2000s tokusatsu-inspired eurodance and synth-driven sound, Features pulsing synth leads, upbeat electronic beats, and subtle guitar riffs for a futuristic yet nostalgic vibe, Tempo is 140-150 BPM, with a soaring chorus and dynamic key shifts for epic, heroic battles, Vocals are delivered by a male lead with a high-pitched, thin, slightly gritty tone—clear but not husky, piercingly intense, reaching ultra-high ranges without falsetto or belting, evoking a bold anime-style energy, Backed by group harmonies in the chorus, Mood is uplifting, cinematic, and motivational, perfect for a tokusatsu opening

[Style] High-Energy Eurodance / 90S–Early 2000S Dance-Pop, Tempo Around 145 BPM, Four-On-The-Floor Kick With Driving Eurodance Bassline, Bright Synth Brass Chords And Playful Lead Synths, Continuous Forward-Moving Eurodance Groove, Male Lead Vocal Carries All Main Lyrics Clearly In Front, Lyrics Remain Intelligible And Dominant, The Scat Phrase Written In The Lyrics As [Scat - Continuous Underlay] Is Treated As A Vocal Instrument And Rhythmic Layer, Scat Is Fixed, Non-Improvised, Loop-Based, Plays Continuously Beneath The Lead Vocal Across Verses, Choruses, And Instrumental Sections, Scat Volume Is About 60 Percent Of The Lead Vocal, Scat Never Becomes A Lead Or Solo Element, Scat Stops Only At [Outro - Scat Stops], Final Line Is A Theme-Park-Attraction-Style Announcer Voice, High-Energy, Mechanical, Over-Excited, Spoken Or Shouted Only, Never Sung, Text: "Everybody, this is Peacho-Man’s World!"

High-energy Genre-Bending hyperpop remix of Japanese folk Sōran-Bushi fused with subtle avant-pop & nu-metal at fast BPM 170-180, Heavy wagakki: distorted shamisen like glitchy guitar, massive taiko with industrial reverb, shakuhachi with glitch delays, rapid koto arpeggios, heavy bass drops, glitch percussion, chaotic synths, Vocals: helium-like chipmunk hyperpop style, heavy autotune, pitch-shifted high-pitched Vocaloid duet, vocal chops, Cute chaotic neon vibe mixing traditional fisherman song with digital madness

High-energy Genre-Bending hyperpop remix of Japanese folk Sōran-Bushi fused with subtle avant-pop & nu-metal at fast BPM 170-180, Heavy wagakki: distorted shamisen like glitchy guitar, massive taiko with industrial reverb, shakuhachi with glitch delays, rapid koto arpeggios, Add heavy bass drops, glitch percussion, chaotic synths, Vocals: helium-like chipmunk hyperpop style, heavy autotune, pitch-shifted high-pitched male/female duet, vocal chops, Cute chaotic neon vibe mixing traditional fisherman song with digital madness

Old-school boom bap J-rap, 90s Wu-Tang grit, Showa hero storyteller, gravelly baritone male rapper, 140 BPM marching kick-snare, kids choir hooks only, distorted guitar loops, brass stabs, vinyl crackle compression, Japanese rap flow, no singing, theatrical shouts on "ぴーちょマン！"

Melodic progressiveTECHOUSE, uplifting EDM anthem, bright synth leads and layered pads, driving four-on-the-floor kick, euphoric male vocal hooks, dynamic build-ups and emotional drops, polished festival-ready production, 2010s electronic dance music