2:37
3:10
3:25
3:23
eeire drill, posh British, regal, duet, slow bass 808, Sherlock, Holmes, male vocals
3:26
Blaming Me V
v4.5
Rap, Deep inquisitory Transatlantic accent for verse 1, a higher pitched british accent for the chorus and a fast rapid fire british accent for verse 2, ‑female
4:59
Blaming Me VI
v4.5+
An eerie grime beat emerges, employing a 28ms delay on the bass, then moves to a thicker 26ms bass for added depth, the melody should be vocoder and single strings occasionally
British Sherlockian vocalists for all verses and adlibs
Verse 1 should be a clear spoken and arrogant rap, Verse two is deadpan and aggressive, The vocals should be clean and very well pronounced male vocals
3:13
Slow monotone vocals, A hard-hitting drill beat with icy hi-hats and deep 808s is layered under clipped nursery rhyme melodies played on honky-tonk piano, evoking a 1920s British music hall, Male vocals combine posh, condescending spoken-word delivery with theatrical stage presence, blending harsh rap verses and arrogant, grandiose interludes, elevated by subtle timpani and lush strings in the background