𝐌𝐲 𝐢𝐦𝐢𝐭𝐚𝐭𝐞𝐝 𝐅𝐔𝐍𝐊𝐜𝐥𝐚𝐬𝐬𝐢𝐱𝐱

if music, how do ya think, SUNO? 1960s Hip Hop before Hip Hop, all analog instruments, lo-fi dry and monaural production, southern soul band instruments basic, if hip hop was born in the sixties, music simulation

inspired_by_Gil_Scott-Heron, 1970's minimal_funky_jazz, agitative poetry reading, live hiphop band, analog electric instruments, funky_drummer

middle tempo tricky funk, linear-drums, deep funk, inspired by the meters, grand-funky, Middle Tempo Tricky Funk, Linear-Drums, Deep Funk, Inspired By The Meters, Grand-Funky, Non-Binary, Neutral But Tough Vocals

Ohio funk, P-funk, New Orléans funk, San Francisco Interracial Funk, real funk, hard funk, philly soul, 1960's style, Spiritual, complex harmonies, minimal disco funk, solid groove, idahosyncopation, oldschool, JB's funk

JB's style, funk standard, 70's prim funk, real soul, how to funk, breaking, b-boying, Brockparty, fade-in starting, only the car klaxon horn blasting movie soundeffects for 10seconds

Swedish disco, groove pop, Scandinavian soul, glitter girl's vocal and chorus of 4 girls, string funk, 70s fringe pop, lo-fi mastering, tape-recorded mixing, analog hardwares mix-downed, European soul, enka, kayōkyoku, mellow pop, easy listening, soft rock

Proto Detroit Techno, Moderato Tempo Full Analog Electronic Instruments, atmosphere of year 1979, Tape Saturation, A Slight Touch Of Nu Metal Mixed Into The Chorus Part, Plate Reverb, Prophet-5, Arp Odyssey, Yamaha Cs-80, Korg Polysix, Oberheim Ob-X, Roland Juno-60, Mc-4/Mc-8 Microcomposer, Tb-303 And Tr-808, Ascending Step Sequencer Refrains, Analog Sequencer, Dominant Upward Step Sequence, Ascending Sequencer Pattern Dominated, Moog C3, Rhodes Mk I Electric Piano With Gentle Tremolo, Occasional Vibraphone-Like Bell Pad, Mellotron M400, Male Vocals

Minneapolis Sound, Late 70'S Punk Funk, Proto Digital Recorded And Mastered, a Little Lo-Fi Atmosphere, A High-Energy and cool-attitude Funk Rock Song With A Driving Rhythm Section, The male vocalist delivers lyrics with a boyish yet slightly sexy tenor, a clear yet slightly husky tone, emphasizing a confident and playful attitude, The standout bassline and consistent drum beat are impressive, The instrumentation consists of electric guitar, bass guitar, cranky drums, and YAMAHA DX-7 synthwaves, The electric guitar plays the riff-based melody with a slightly distorted and used the DYNA-COMP tone with few guitar-synthwave tastes

A minimal electro-funk rooted in contemporary bass, underpinned by the conceptuality of the classic chord progression (Iv–V–Iii–Vi), Packing every development of the track with effective (Iv–V–Iii–Vi) cliché hook phrases suited to each moment, it aims for a street avant-garde that conveys a hint of irony and defiant ambition toward mega-hit music within its cool atmosphere, Conceptually: Latter 1970s, techno, electric boogie, nu-jazz, post-punk, NY art punk, no wave, krautrock, punk funk, Detroit techno, P-funk, neo-soul, digital hardcore, free jazz, block party, prog rock, alt-rock, math rock, blue-eyed soul

funky and energetic funk rock track with a mid tempo groove, rock taste rhythm section and prominent electric guitar, featured rock taste as is a black music tune, The tempo is allegro, around 125-BPM, The song features a ebony male vocalist with a clear, slightly raspy tone, The instrumentation includes a cranky and dry drum kit with a strong backbeat, a bass guitar providing a foundational groove, and an electric guitar playing both rhythmic chords and melodic fills, The guitar has a slightly overdriven tone, The overall mix is bright and punchy, no complex chord progressions, primarily using power chords in a major key, The song structure is verse-chorus driven, with a clear build-up in energy towards the chorus, Production elements include standard compression and EQ to achieve a polished, radio-ready sound, There are no obvious synthesizers or electronic elements

if music, how do ya think, SUNO? 1960s Hip Hop before Hip Hop, all analog instruments, lo-fi dry and monaural production, southern soul band instruments basic, if hip hop was born in the sixties, music simulation

just talking, proto-hiphop, recorded in a studio in 1969, analog_tape_aesthetic, recording made under heavy limitations, as if tracked on worn 8-track tape with slight channel bleed and tape hiss, dry and lo-fi drums, mid-range gained EQ for slightly clipped, 1970's minimal_funky_jazz, agitative poetry reading, inspired_by_Gil_Scott-Heron, black-power movement, analog electric instruments, funky_drummer, sounds like recorded in a narrow room with analog bleed, the mix feels cramped but alive

85-95 BPM, moderato, (West Coast hip hop instrumental:1, 3), (Ruthless Records style:1, 3), (late 80s–early 90s N, W, A, production vibe:1, 2), (dry and raw drum machine beats:1, 3), (SP-1200 sampler grit:1, 1), (deep sub bass, moog synth basslines:1, 2), (snappy snares and claps), (minimal funk guitar stabs), (aggressive vocal-forward mix:1, 2), (street raw atmosphere:1, 1), (Compton backyard party feel), (dark but playful undertone:1, 1), (lowrider cruising energy:1, 2), (subtle record scratches, DJ cuts), (sparse but heavy beat structure:1, 2)

1979–1982 Bronx block-party rap track, dry funk drums, tight live snare, small-room kick, 135-140bpm, ultra lo-fi mixed, simple funk bass guitar, clean rhythm guitar scratches, two-turntable DJ mix feel, raw breakbeats, dusty loops, slight tape hiss, narrow stereo, street-recorded vibe, Furious 5 and Treacherous Three, “Superrappin'” spirit, “New Rap Language” fast cadence energy, Wild Style OST rawness, uptempo old-school funk tempo around 115 bpm, small PA system distortion, mic feedback, faint park-jam crowd, (no 808, no 909, no modern sub bass, no synths, no digital sheen, no trap elements, no boom bap) sounds like a Japanese band imitating Bronx block-party vibes in 1979, slightly awkward but charming groove, live-played feel

1982 oldschool hiphop made of electro funk tracks meets postpunk synthwave darkpop, dry and nihilistic taste, two persons sing in rapping with dialects of London and NewYork, early 80's transatlantic atmosphere about fear of the nuclear apocalypse