
Resonance VoyageⅡ
“Resonance VoyageⅡ” is a new journey across the world’s cities and their hidden melodies.
From Japan to Turkey, Italy, Austria, Germany, Ireland, Canada, the U.S., Mexico, Indonesia, China, and back
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14 songs
3:24

Style:
Emo Rock × Transparent Synths, BPM 146, Soft clean guitar arpeggio in verses, wide chorus with emotional pop-rock energy, Light strings and airy pads for a “departure morning” mood, Lead guitar enters only in the chorus, singing the main motif, Vocal: warm, emotional Japanese pop-rock tone, No distortion-heavy riffs; focus on brightness and movement, Feels like a quiet but determined journey beginning
3:24

Up-tempo Middle Eastern cyber-pop with light, graceful energy, BPM around 150–170 with dancing 9/8 accents blended into a modern 4/4 groove, Bright rhythmic percussion inspired by Turkish darbuka and hand claps, Oud and baglama textures used lightly for color, not heavy ethnic emphasis, Main focus is a smooth pop melody with a romantic tone, Lead vocal should sound light, agile, and emotional—gender-neutral, Chorus must feel catchy, uplifting, and easy to sing at high tempo, Include one elegant Hicaz-style guitar solo with expressive slides and vibrato, Overall mood: airy, cinematic, moving through Cappadocia at sunrise
3:39

Genre: Neoclassical metal, fast tempo, solemn and dark atmosphere, A fusion of grand church music and intense neoclassical elements, Emotionally rich vocal expression, Characterized by majestic synthesizer strings, light chorus pads, and energetic rock drums (including double-time passages), Lead Guitar: Stratocaster single-coil tone, bright and spacious sound achieved through deep reverb & long delay, Overdrive pedal boosts the natural distortion from a fully cranked vintage Marshall amp, creating compressed sustain, Guitar solos unfold in the Phrygian dominant mode, Neoclassical shred guitar, 2, 5-semitone scream-like bends, heavy vibrato, fluid scale runs using economy picking with Phrygian dominant & harmonic minor scales, effectively integrated sweep arpeggios, expressive, emotionally charged solos in YJM style, blending with a beautiful chorus of solemn, dark mood
4:07

Austrian neoclassical winter waltz with modern cinematic emotion, 3/4 rhythm with sweeping orchestral strings, icy pads, and crystal-like piano accents, Melody expresses cold elegance and dramatic tension, Guitar is Yngwie-style: harmonic minor runs, fast arpeggios, tight alternate picking, expressive vibrato, Fusion of classical waltz grandeur and neoclassical metal intensity, Atmosphere: majestic, frozen, pristine, echoing like an empty opera hall in winter, Vocals are emotional, floating above the orchestral texture, Breaks include soft white-air ambience, subtle reverse reverb, and shimmering high tones, Guitar solo must be spotlighted clearly, No electronic bass drops; warmth and clarity prioritized, Overall tone: elegant, cold, powerful, cinematic
3:47

Neo-classical meets hard-edged rock, Guitar tone inspired by George Lynch — sharp midrange, aggressive picking, wide vibrato, pinch harmonics, and tense half-step bends, Use fast alternate picking and dramatic chromatic runs instead of Yngwie-style harmonic minor patterns, Riff is darker, slightly blues-infused, with Lynch-like sliding motifs, Include a melodic but dangerous solo with tapping bursts, sustained bends, and unexpected modal shifts, Rhythm section is cinematic, orchestral, and slightly baroque to match the Vienna theme, Overall mood: elegant but wild, like a waltz falling into hard-rock fever
4:07

BPM 200, Key G major → Final Chorus A♭major, German Power Metal / Speed Metal, bright and cheerful, Helloween-style melodies, fast double-bass drums, jumping major-key riffs, festival energy, comedic metal vocals, big crowd-friendly choruses, fun and lightweight mood, uplifting harmonized guitars, happy morning metal vibe
4:30

Style: Live German Power Metal / Festival Crowd / Wacken Open Air, Live German Power Metal, Wacken Open Air crowd, loud audience chants, big festival energy, fast double-bass, bright major-key riffs, Helloween-style harmonized leads, explosive live drums, call-and-response vocals, fireworks ambience, massive 90, 000-person cheering, heroic and fun metal
4:28

An Irish rock-inspired atmospheric rock track, fast tempo at BPM 150, key of D major, Edge-style dotted eighth-note delay guitar, spacious clean electric guitar layers, gradually building arrangement, warm pulsing bass, steady drums with subtle tom patterns, spiritual and emotionally rich powerful vocal style, minimal yet grand sound, wide stereo image, open reverb, escalating dynamics, an Irish rock vibe, floating eighth-note reverberations, the simplicity of a powerful melody, lyrical buoyancy, The chorus features a hook-driven melody
3:39

Canadian melodic rock, Canadian rock group–style open-road rock, Crisp acoustic guitar strumming, driving mid-tempo rock drums, warm bass supporting a wide melodic foundation, Clean electric guitars with light delay and soft chorus, big open chords, and uplifting melodic lines, Atmosphere of vast Canadian highways, pale blue sky, cold wind, and endless landscapes, Emotional but forward-moving energy; honest and straightforward vocal tone, Keith Scott–style melodic rock guitar: warm overdriven tone, expressive wide bends, simple but powerful melodic phrasing, lightly chorused clean tones with subtle delay, strong Canadian rock character, no shredding, singing lead guitar lines
3:18

A style blending ultra-fast swing blues with a touch of humor, A powerful groove driven by a brass-led big band, heavy American hard rock-style guitar riffs, walking bass, and fast shuffle drums, Fuses the energy of New Orleans/Philadelphia jazz big bands with an aggressive American hard rock sensibility, Powerful female vocals covering a wide range, rhythmic phrasing, short punchy lines, playful tone with attitude, clear call-and-response moments with backing shouts, Lead dominated by electric guitar, Guitar solos:
(1) Blues guitar (B, B, King style) plays “lazy cat phrases, ” warm bends, playful blue notes, and a meowing motif, (2) AI Guitar Mo responds: Lyrical, futuristic blues phrasing, clean to warm tones, subtle delay, (3) HR/HM Guitar (Zakk/Gary Moore) emerges as the “Angry Zombie Chaser, ” Aggressive vibrato, raw stabs, humorous over-accentuation, Mood: Comedic chaos, jazzy irony, cartoonish tension, Yet musically tight, groovy, and powerful
3:09

A chaotic fusion of high-energy mariachi, cyber metal, and cyber jazz, with a blisteringly fast tempo of 160-180 BPM that gets you moving, Traditional mariachi instrumentation is joined by metal guitars playing fast, exhilarating melodies, explosive rock drums and driving kicks, distorted guitar riffs, Frequent dynamic shifts: sudden brass hits, dazzling embellishments from the chaotic ensemble, unexpected stops and restarts, Atmosphere: A frenzied street fiesta unfolding in a Mexican town, Mariachi, metal, and jazz musicians collide, amidst crowd screams and exploding fireworks, A chaotic yet joy-filled celebration, Vocals: Short rhythmic phrases, energetic chanting, festive call-and-response, Chorus with bold phrasing, Electric guitar: Melodic, technical, and passionate phrases; expressive bends; fast-paced runs; tricky techniques; high-energy heavy metal guitar tone, Shredding present; melodic, catchy hooks brimming with festive spirit, A fusion of modern and traditional elements
5:34

Guitar instrumental, fusion rock, Indonesian gamelan × ambient × expressive Steve Vai-style lead guitar, The metallic timbre of gamelan, mystical shimmering overtones, the slow ritualistic pulse of kendang, and the profound atmospheric soundscapes created by the soft, airy slin, The ambiance of a warm, humid night, distant insect sounds, a gentle breeze, and the lingering echoes of vast cinematic reverb, The lead is dominated by electric guitar, Lead Guitar: Emotionally charged phrasing inspired by Steve Vai—long sustain, wide vibrato, lyrical slides, legato lines, and floating harmonics, Stereo dual delay and shimmering reverb create a spiritual, ethereal tone, The guitar sings like a voice, Structure: A quiet, ritualistic intro with gong and sling gradually builds as gamelan patterns layer in, Lead guitar enters slowly, developing into an uplifting melodic core before dissolving into soft metallic reverberations, A serene, mystical trance-like mood, Overall atmosphere: Nighttime
3:51

A fusion of up-tempo cyber metal, C-POP, and electric pop, BPM 170–200, key E major, Heavy drums with powerful kick/snare, deep, crawling sub-bass, Guitar: Single-note metal riffs on low strings, one chord played by atmospheric clean guitar, Plays modern Chinese-style melodies, Synth tones are bright, electronic, and resonant, No traditional Chinese instruments used, Glitch breaks are acceptable for short durations, but all ethnic/cinematic elements are excluded, Maintain metal structure while preserving modern club intensity, Structure: Intro (Chinese phrase via synth & clean guitar) Verse (low-string groove + sub-bass) Pre-Chorus (ascending synth + clean guitar) Chorus (full-power pentatonic synth lead) Short glitch break Final chorus at maximum energy Mood: Chinese market energy, modern, bright, powerful, danceable, fast, no folk elements
3:32

Genre: Japanese Electro Pop, Urban, Stylish
Mood: Cool, futuristic, dreamlike, city night → dawn
Vocals: Male + Female (duet / call & response)
Length: Full (~3:30–4:30)
Instruments: Bright synths, tight urban beats, electric bass, layered vocals
Guitar: Jazzy lead guitar with fast passages, shining chords in chorus, expressive solo in bridge
Keywords: reflections, dream, urban, journey, pop
