Here Comes April, And The Streets Are On Fire (And I Have Not Lost Sight Of Why)
·
19 songs
3:55
style prompt
highway 61 era folk, rock, blues, singer-songwriter folkrock modern indie rock classic rock elements california psychedelic pop cool person sound escalating to driving indie rock radio sound at the end
harmonic structure
verse g c d g em am c d
chorus g d am c g d c c
bridge em b7 c g am c d d
outro escalating g5 bb5 c5 g5 heavy fuzz driving rock beat
3:53
style prompt
highway 61 era folk, rock, blues, singer-songwriter folkrock modern indie rock classic rock elements california psychedelic pop cool person sound escalating to driving indie rock radio sound at the end
harmonic structure
verse a d e a fm bm d e
chorus a e bm d a e d d
bridge fm c7 d a bm d e e
outro escalating a5 c5 d5 a5 heavy fuzz driving rock beat
2:52
[Style Prompt]
Spooky post-punk, Halloween bent, indie folk rock, dark radio rock qualities, eerie atmosphere, driving bassline
[Harmonic Structure]
Verse: [Dm] [Bb] [F] [A7] | [Dm] [Gm] [Bb] [A7]
Chorus: [Dm] [F] [C] [Gm] | [Dm] [F] [A7] [A7]
Bridge: [Gm] [Dm] [E7] [A7] | [Bb] [C] [Dm] [Dm]
Outro (Spooky & Heavy): [D5] [Bb5] [A5] [D5] (driving post-punk beat, eerie synth)
4:02
*Anthemic indie-rock meets Saturday-morning adventure, Male lead vocal (JP), female-trainer hero, Key: A major, ~138 BPM, 4/4 with a driving, tom-heavy pulse, *
---
## **Band Notes**
* **Feel:** wide-open drums, chiming guitars, gang “whoa-oh”s, floor-tom build-ups, handclaps on 2 & 4, * **Guitars:** clean + delay for the main riff; second guitar strums big open chords, * **Bass:** roots & octaves, eighth-note drive, * **Synth:** warm pad doubling chorus hooks, ---
## **Intro Riff (Guitar 1, dotted-eighth delay)**
```
e|-------------------------|--------------------------|
B|------2----2-----2---2---|------2----2-----2---2----|
G|--2h4--4----4-2---2---2--|--2h4--4----4-2---2---2---|
D|-------------------------|--------------------------|
A|--0---------0------------|--0---------0-------------|
E|-------------------------|--------------------------|
A sus sparkle A sus sparkle (let it ring)
```
---
## **Chord Sheet (quick reference)**
* **Verse:** A – E – F#m – D
*
3:49
With Trades
v5.5
Sun-washed 60s vocal stacks, surf-pop shimmer (12-string & clean tremolo guitars), glockenspiel, handclaps, tambourine; modern soulful/hip-hop-tinged drums with warm analog bass, sample-free chopped vocal pads, subtle gospel lifts; bright, anthemic radio chorus; nautical/seasonal imagery; key change optional on final chorus, Wide stereo, lush chamber verb, tight punchy mix, Tags: #indiepop #surfpop #vocalstacks #soulfulbeats #anthem #malevocal #harmonies #radio
4:23
Romantic Chinese folk ballad → power ballad lift → anthemic singalong, Instruments: 古筝/箜篌/二胡/笛子/马头琴 + rock band + 塔布拉鼓 for pulse; key G major → D major; 6/8 → 4/4, ~72 BPM → ~88 BPM, 中文歌词
Performance & Arrangement Notes
Intro (6/8, G): 古筝/箜篌分解和弦, 笛子主旋律, 塔布拉鼓做心跳式三连, Lift to Power (4/4, D): 过门以军鼓滚奏＋吊镲开阔, 失真吉他铺D–A–Bm–G, 贝斯八分推进, Solo: 先以D大调五声为骨, 加入大二度推弦与宽颤音, 二胡做三度和声对答, Finale: 群唱旋律只含4个音, 便于合唱, 马头琴长音铺底, 鼓改四拍大踩, Sing it soft like a countryside promise, then lift it like a city of lights—and let the last chorus belong to everyone in the room
1:20
Tripwire
v5.5
guitar indie rock with high pop radio friendly sensibilities with male and female vocals and a NYC friendly production style that's fun live and on the radio
4:48
70s classick rock supergroup road-rock guitars; swaggering male lead; neo-jazz brass stabs and walking bass; 808 kick + handclap stadium groove; gospel-style crowd “hey!” chants; anthemic singalong chorus; playful satire about influencer hustle; rambunctious “chapo gangster rock” energy; modern pop radio mix; bright hooks; breakdown with crowd call-and-response; final refrain ends on one line only, Tags: #rock #neo-jazz #anthem #malevocal #brass #claps #crowd #satire #radio-pop #traveling-wilburys #kanye-style-chant
3:02
Vine to Jupiter
v5.5
make a song that sounds like late 80s early 90s LA guitar rock with huge guitar solos and a powerful guitar intro that turns into indie-prog brooklyn style rock with a depressive new jersey singer
5:03
Vibe: Highway 61-era talk-song swagger meets 2025 indie jangle, Verses are rapid, witty, half-sung; chorus lifts into wide, vowel-rich melody, Think bright 12-string, snare on 2 & 4, a harmonica cameo, and a synth pad sneaking in like neon at dusk, Key: G major (comfortable & guitar-friendly)
Tag/Outro (optional “Highway” riff): G7 – C7 – D7 (I7–IV7–V7)
Arrangement & Production Notes (quick and usable)
Guitars: acoustic strumming L, 12-string electric R; lightly crunchy Tele for verse fills, Rhythm: dry snare, rim-click verses; open snare in choruses; tambourine on the last chorus, Bass: melodic McCartney-style movement, lean on the vi→IV walk-ups, Keys/Synth: organ pad in chorus; subtle modern poly synth in bridge for 2025 sheen, Harmonica: key of G short lines in intro and between choruses, Vocals: verses half-sung with sly emphasis; chorus opens vowels (“wind, ” “storm”) for lift; add a low harmony 3rds below in chorus 2, then a high octave in the final double
5:56
Nebraska
v5.5
Vibe: 6/8 slow-dance sway that swells into a wide, shout-along chorus, Think porch-light acoustic guitars, a small choir of friends on the “whoa-ohs, ” pedal steel sighs, then a bright, driving second chorus with big drums, Key / Meter / Tempo:
Key: D major (croony high tenor sits nicely here)
Meter: 6/8 (waltz lilt—Neil Young warmth)
Tempo: 76–80 BPM (lift to ~84 on the last chorus for the MCR bloom)
Guitar feel: light fingerpicked D arpeggio in the verses, full strums in the choruses, Strum (chorus): down-down-up | down-down-up (accent beat 1), Arrangement & Production Notes (quick)
Acoustics: two guitars (one fingerpicked, one strummed), Electric: clean Jazzmaster with mild drive; dotted-eighth delay in the bridge for the MCR shimmer, Alt-Country color: pedal steel or slide electric doing gentle swells; a touch of harmonica in the intro and after chorus 1, Rhythm: brushes on snare for verses; kick on 1, snare on 4 in 6/8
4:26
Shifter
v5.5
**Key:** A minor •
**Tempo:** ~96 BPM • **Feel:** 4/4, swung indie-pop
**Strum (gtr):** D D U U D U (mute on backbeats if you like)
**Primary progression (verse):** Am–G–F–E (i–VII–VI–V)
* **Verse:** i–VII–VI–V (Am–G–F–E)
* **Pre:** iv–VI–VII–V (Dm–F–G–E)
* **Chorus (in C):** I–V–vi–IV then V→vi tag (C–G–Am–F, E→Am pinch)
* **Bridge:** VI–VII–i / VI–VII–V (F–G–Am / F–G–E)
### Piano voicings to sparkle
* **Am(add9):** A–E–B (LH A), then slide to **G6:** G–D–E, * **Fmaj7:** F–C–E, * **E7sus4→E7:** E–A–B → E–G#–B
4:28
Zebracakes
v5.5
**Title:** Zebras & Ice Cream (End Credits Mix)
**Style tags:** J-pop folk, warm/nostalgic, whimsical, lullaby-adjacent
**Tempo:** ~94 BPM • **Time:** 4/4 • **Key:** G major (last chorus can lift to A)
**Recommended palette:** acoustic guitar, glockenspiel, shaker, pizzicato strings, soft pad, whistle or oohs
**Core progression:** Verse: G–D–Em–C • Pre: Am–D–G–C • Chorus: G–Em–C–D
---
4:21
Style & tempo: indie-rock dream-pop with a glam-rock engine • ~126 BPM • Key: E major
Vibe notes: big handclaps, tom runs, glitter guitars, widescreen polysynth stabs (“HD” glassy pad + brassy lead), crowd “woah-oh”s for the arena moment, Quick arrangement map (arena-ready)
Intro (4 bars): glitter guitar riff + glassy pad swell
V1 (16) → Pre (8) → Chorus (16) → Post (8)
V2 (16) → Pre (8) → Chorus (16)
Breakdown (8) → Drop (16)
Final Chorus (double 32) → Outro chant (8, vamp to cut)
Production cheats
Guitars: dual-track chorused jangle L/R; center a lightly overdriven melody in octaves for the hook, Synths (“HD” feel): wide glass pad (slow attack, long release), brassy poly lead (short attack, slight portamento), sub pad side-chained to kick for lift, Drums: four-on-the-floor in choruses; tom ladders into drops; clap stack on 2 & 4, Crowd: layer gang vocals on the “woah-oh” and the “Hey! Hey!” hits, Mix note: push 1, 5–2 kHz on lead for presence, widen pads at 40–60% to keep
2:31
The Yakuza
v5.5
[Style Prompt]
Japanese drama ballad intro, swagger post-punk, cinematic disaster movie arc, dark pop elements, studio production, high energy, escalating tension
[Harmonic Structure]
Intro (Ballad): [Em] [C] [Am] [B7]
Verse: [Em] [G] [D] [A] | [Em] [C] [D] [B7]
Chorus: [C] [G] [D] [Em] | [C] [G] [B7] [Em]
Bridge: [Am] [Em] [C] [B7] | [Am] [C] [D] [D]
Outro (Disaster Arc): [E5] [C5] [D5] [E5] (heavy bass, driving post-punk beat)
2:32
Green Tea
v5.5
[Style Prompt]
Sad hyperpop, emotional glitchcore, synth-heavy, fast tempo but melancholic melody, electronic beats, album closer
[Harmonic Structure]
Verse: [Fm] [Db] [Ab] [Eb] | [Fm] [Db] [Ab] [Eb]
Chorus: [Db] [Ab] [Eb] [Fm] | [Db] [Ab] [Eb] [Eb]
Bridge: [Bbm] [Fm] [Db] [Eb] | [Bbm] [Fm] [Eb] [Eb]
Outro: [Fm] [Db] [Ab] [Eb] (glitching fade out, heavy autotune)
4:25
[Style Prompt]
Electronic trip-hop, indie pop, shoegaze, indie folk pop, lush reverbs, ethereal synths, downtempo beat, melancholic but kind, acoustic guitar mixed with drum machines, atmospheric, gentle
[Harmonic Structure]
Intro: [Fmaj7] [C] [Am] [G]
Verse 1: [Fmaj7] [C] [Am] [G] | [Fmaj7] [C] [G] [G]
Chorus: [Am] [Fmaj7] [C] [G] | [Am] [Fmaj7] [G] [G]
Verse 2: [Fmaj7] [C] [Am] [G] | [Fmaj7] [C] [G] [G]
Chorus: [Am] [Fmaj7] [C] [G] | [Am] [Fmaj7] [G] [G]
Bridge: [Dm] [Am] [C] [G] | [Dm] [Fmaj7] [G] [G]
Outro: [Fmaj7] [C] [Am] [G] (shoegaze wall of sound fading to soft acoustic)
4:07
Bookmark Twitch
v5.5
[Style Prompt]
New York City folk rock, post-punk indie rock, college radio pop, ironic protest anthem, driving acoustic guitar with electric fuzz, anthemic chorus, cynical and energetic
[Harmonic Structure]
Intro: [Am] [F] [C] [G]
Verse 1: [Am] [F] [C] [G] | [Am] [F] [C] [G]
Chorus: [F] [C] [G] [Am] | [F] [C] [G] [G]
Verse 2: [Am] [F] [C] [G] | [Am] [F] [C] [G]
Chorus: [F] [C] [G] [Am] | [F] [C] [G] [G]
Bridge: [Dm] [Am] [F] [G] | [Dm] [Am] [F] [G]
Outro: [Am] [F] [C] [G] (building to a chaotic post-punk wall of sound, ending on [Am])
3:02
