2:50
4:00
3:18
3:02
3:32
3:38
2:51
3:05
3:37
3:16
3:05
3:12
3:08
3:39
2:29
Psychedelic pop shuffle in the early Syd Barrett vein: jangly clean guitars, woozy organ swells, slightly detuned toy-piano bits, Male vocals with a cheeky, naive delivery; verses bounce in a skiffle-ish groove, chorus opens wider with singalong backing “la-la”s and simple hand percussion, Tape-slap on the vocal, subtle pitch warble on the mix for that early-UK underground feel
2:29
Early Syd Barrett-style psych-pop with jangly UK guitar, spring-reverb vocals, and a slightly off-kilter drum groove, Male vocals, dry and intimate, with double-tracked choruses that bloom into whimsical organ swirls, Short, hooky structure; playful bass slides under sudden chord shifts and toy-piano flourishes for the bridge
3:00
Floaty electro-pop with a hint of chiptune sparkle, mid-tempo groove, Verses stay intimate over soft synth pads and bell arps; chorus blooms wide with stacked harmonies, side-chained bass, and glittery leads, Short bridge strips to plucky keys and vocal, then a final lifted hook, Female vocals, airy but precise
3:04
3:23
渦のまにまに
v5
Neo-classical minimal techno bed, steady dry kick and muted bass pulses, Sparse piano clusters and airy pads underpin traditional Japanese ensemble (hichiriki, sho, ryuteki, shinobue, fue, koto, bells, clappers, naruko) weaving in and out, Female whisper vocals right up on the mic, almost ASMR, doubled in the hook with soft harmonies, Gradual build in layers, then a stripped, intimate outro with just drones, subtle percussive toys, and voice, minimal techno, female vocals, classical
3:29
EuroHouse, ItaloDisco, MiniTaur, ClaviCode, Tempo120BPM, SlowPhaser
3:03
