3:35

Sophie I luv u
v4.5
brattish minimalist experimental club track with hyperpop-influenced textures and high-attitude vocal delivery beat is stripped-down and punchy—four-on-the-floor rhythm with dry, distorted kicks, sharp metallic claps, and subby bass stabs percussion is sparse but impactful, leaving space between hits to emphasize vocal presence and negative space synths are minimal and synthetic—short bursts of detuned tones, pitch-gliding FX, and glitchy risers used for tension and contrast female vocals are bold, brattish, and processed—delivered in talk-singing, rhythmic whispers, and whispered growls with pitch-shifted ad-libs and stereo panning vocal delivery leans into attitude and sexual dominance with clipped phrasing, vocal fry, and ironic detachment structure is non-linear but club-ready: beat drop entries, stripped-down middle sections, and distorted climaxes with rhythmic vocal chops production plays with silence, stutter, and extreme contrast—moments of quiet tension break into pounding drop
4:01

experimental electronic hyperpop with glitchy hyper-detailed production and surreal emotional tone begins with soft ambient synth pads and fragile auto-tuned vocals that gradually distort rhythm is chopped stuttering and unpredictable mixing delicate melodies with metallic hits rubbery bass and digital noise sudden pitch shifts vocal warping and synthetic textures layered with shimmering highs and explosive drops structure is non-linear with fragmented transitions tension builds through contrast between softness and chaos emotional core remains intimate and haunting but soundscape feels artificial alien and euphoric like falling apart inside a video game dream
4:02

Echo Blooming
v4.5
A violently synthetic, experimental hyperpop track with razor-sharp production and surreal emotional undertones, infused with fragments of traditional Chinese music, Opens with warped ambient pads and ghostly auto-tuned vocals that feel brittle and processed—quickly unraveling into stuttering, chopped rhythms and unpredictable glitch patterns, Distorted guzheng samples and erhu glides are twisted into digital fragments, looped, reversed, and pitch-shifted until they dissolve into metallic hits, rubbery bass jolts, and abrasive noise bursts, The structure is chaotic and fractured—hooks dissolve before they form, breakdowns glitch mid-beat, transitions snap apart like corrupted files, Layers of shimmering highs, bitcrushed vocals, and synthetic feedback pulses build and collapse in waves, The mood is hyper-emotional and uncanny: both ancient and artificial, as if traditional melodies were unearthed in a glitched-out future simulation
5:00

Grimes knockoff
v4.5
A violently synthetic, experimental hyperpop track with razor-sharp production and surreal emotional undertones, infused with fragments of traditional Chinese music, Opens with warped ambient pads and ghostly auto-tuned vocals that feel brittle and processed—quickly unraveling into stuttering, chopped rhythms and unpredictable glitch patterns, Distorted guzheng samples and erhu glides are twisted into digital fragments, looped, reversed, and pitch-shifted until they dissolve into metallic hits, rubbery bass jolts, and abrasive noise bursts, The structure is chaotic and fractured—hooks dissolve before they form, breakdowns glitch mid-beat, transitions snap apart like corrupted files, Layers of shimmering highs, bitcrushed vocals, and synthetic feedback pulses build and collapse in waves, The mood is hyper-emotional and uncanny: both ancient and artificial, as if traditional melodies were unearthed in a glitched-out future simulation
2:35

Cherry Rope
v4.5
brattish avant-garde experimental electro-pop track blending theatrical vocals, industrial (hyperpop) beats, and global sonic influences tempo is fast with pounding, mechanical drums—layered with distorted bass, glitchy percussion, and aggressive synth stabs intro features a sharp, looped Japanese-style koto riff—plucked with staccato rhythm and processed with filters and glitch FX, later layered into the beat female vocals are dramatic and dynamic—switching between whisper, rhythmic speech, falsetto bursts, and powerful belting with sudden register changes and vocal layering chorus is explosive and chaotic—stacked synths, distorted vocal leads, and rhythmic shifts push intensity to the edge production includes stutter edits, vocal chops, abrupt silences, and synthetic noise to create jarring contrast structure is non-traditional: sudden transitions between tension and release, with cinematic drops and distorted climaxes mood is provocative, futuristic, and confrontation
3:14

experimental hyperpop bubblegum-bass with sound collage textures, whispered spoken words, breathy vocal, and a fluid, nonlinear structure track opens with an abstract sound collage—glitch fragments, vocal artifacts, and ambient noise layered into a digital atmosphere that gradually melts into the song proper verses are delivered in a close-mic’d whisper—spoken rather than sung, with heavy reverb and delay to blur the words into the surrounding textures choruses and select moments feature breathy, emotionally charged melodic vocals—softly autotuned and layered with synthetic harmonies at key points, vocals creatively integrate the sound of an inhale directly into the beginning of sung lines—used sparingly for dramatic effect instrumentation is minimal and shifting—soft sub-bass pulses, airy pads, occasional glitches, and warped ambient while distorted metallic synths that fade in and out of focus outro returns to an abstract, experimental sound collage
2:51

brattish minimalist experimental club track with hyperpop-influenced textures and high-attitude vocal delivery beat is stripped-down and punchy—four-on-the-floor rhythm with dry, distorted kicks, sharp metallic claps, and subby bass stabs percussion is sparse but impactful, leaving space between hits to emphasize vocal presence and negative space synths are minimal and synthetic—short bursts of detuned tones, pitch-gliding FX, and glitchy risers used for tension and contrast female vocals are bold, brattish, and processed—delivered in talk-singing, rhythmic whispers, and whispered growls with pitch-shifted ad-libs and stereo panning vocal delivery leans into attitude and sexual dominance with clipped phrasing, vocal fry, and ironic detachment structure is non-linear but club-ready: beat drop entries, stripped-down middle sections, and distorted climaxes with rhythmic vocal chops production plays with silence, stutter, and extreme contrast—moments of quiet tension break into pounding drop
4:29

experimental electronic hyperpop with glitchy hyper-detailed production and surreal emotional tone begins with soft ambient synth pads and fragile auto-tuned vocals that gradually distort rhythm is chopped stuttering and unpredictable mixing delicate melodies with metallic hits rubbery bass and digital noise sudden pitch shifts vocal warping and synthetic textures layered with shimmering highs and explosive drops structure is non-linear with fragmented transitions tension builds through contrast between softness and chaos emotional core remains intimate and haunting but soundscape feels artificial alien and euphoric like falling apart inside a video game dream
5:02

experimental hyperpop ballad with sound collage textures, whispered spoken words, breathy vocal, and a fluid, nonlinear structure track opens with an abstract sound collage—glitch fragments, vocal artifacts, and ambient noise layered into a digital atmosphere that gradually melts into the song proper verses are delivered in a close-mic’d whisper—spoken rather than sung, with heavy reverb and delay to blur the words into the surrounding textures choruses and select moments feature breathy, emotionally charged melodic vocals—softly autotuned and layered with synthetic harmonies at key points, vocals creatively integrate the sound of an inhale directly into the beginning of sung lines—used sparingly for dramatic effect instrumentation is minimal and shifting—soft sub-bass pulses, airy pads, occasional glitches, and warped ambient synths that fade in and out of focus outro returns to an abstract sound collage—vocal bits, environmental recordings, and reversed textures folding in on themselve
4:26

experimental hyperpop ballad with sound collage textures, whispered vocal delivery, and a fluid, nonlinear structure track opens with an abstract sound collage—glitch fragments, vocal artifacts, and ambient noise layered into a digital atmosphere that gradually melts into the song proper verses are delivered in a close-mic’d whisper—spoken rather than sung, with heavy reverb and delay to blur the words into the surrounding textures choruses and select moments feature breathy, emotionally charged melodic vocals—softly autotuned and layered with synthetic harmonies at key points, vocals creatively integrate the sound of an inhale directly into the beginning of sung lines—used sparingly for dramatic effect instrumentation is minimal and shifting—soft sub-bass pulses, airy pads, occasional glitches, and warped ambient synths that fade in and out of focus outro returns to an abstract sound collage—vocal bits, environmental recordings, and reversed textures folding in on themselves
3:41

Lover
v4.5
experimental hyperpop ballad with sound collage textures, whispered vocal delivery, and a fluid, nonlinear structure track opens with an abstract sound collage—glitch fragments, vocal artifacts, and ambient noise layered into a digital atmosphere that gradually melts into the song proper verses are delivered in a close-mic’d whisper—spoken rather than sung, with heavy reverb and delay to blur the words into the surrounding textures choruses and select moments feature breathy, emotionally charged melodic vocals—softly autotuned and layered with synthetic harmonies at key points, vocals creatively integrate the sound of an inhale directly into the beginning of sung lines—used sparingly for dramatic effect instrumentation is minimal and shifting—soft sub-bass pulses, airy pads, occasional glitches, and warped ambient synths that fade in and out of focus outro returns to an abstract sound collage—vocal bits, environmental recordings, and reversed textures folding in on themselves
4:29

not just yet
v4.5
experimental hyperpop ballad with sound collage textures, whispered vocal delivery, and a fluid, nonlinear structure track opens with an abstract sound collage—glitch fragments, vocal artifacts, and ambient noise layered into a digital atmosphere that gradually melts into the song proper verses are delivered in a close-mic’d whisper—spoken rather than sung, with heavy reverb and delay to blur the words into the surrounding textures choruses and select moments feature breathy, emotionally charged melodic vocals—softly autotuned and layered with synthetic harmonies at key points, vocals creatively integrate the sound of an inhale directly into the beginning of sung lines—used sparingly for dramatic effect instrumentation is minimal and shifting—soft sub-bass pulses, airy pads, occasional glitches, and warped ambient synths that fade in and out of focus outro returns to an abstract sound collage—vocal bits, environmental recordings, and reversed textures folding in on themselves
3:28

A violently synthetic, experimental hyperpop track with razor-sharp production and surreal emotional undertones, infused with fragments of traditional Chinese music, Opens with warped ambient pads and ghostly auto-tuned vocals that feel brittle and processed—quickly unraveling into stuttering, chopped rhythms and unpredictable glitch patterns, Distorted guzheng samples and erhu glides are twisted into digital fragments, looped, reversed, and pitch-shifted until they dissolve into metallic hits, rubbery bass jolts, and abrasive noise bursts, The structure is chaotic and fractured—hooks dissolve before they form, breakdowns glitch mid-beat, transitions snap apart like corrupted files, Layers of shimmering highs, bitcrushed vocals, and synthetic feedback pulses build and collapse in waves, The mood is hyper-emotional and uncanny: both ancient and artificial, as if traditional melodies were unearthed in a glitched-out future simulation
2:08

a black-church gospel-based track with hyperpop production elements no instruments in the main body—track is driven by layered choir vocals with clapping and natural room energy forming the rhythm vocals are powerful, tight, and fast-paced—focused on call-and-response phrasing, harmonic stacking, and syncopated delivery hyperpop textures are woven in subtly: chopped vocal glitches, pitched-down breaths, and metallic stabs appear between choir hits or at the end of vocal phrases subtle pitch warping, reversed reverb tails, and stereo vocal panning used to create digital contrast while maintaining spiritual energy occasional minimalist synthetic drops replace expected swells—abrupt silence, bitcrushed textures, or chopped delay fill space unexpectedly structure loops with high energy but breaks convention with sudden cuts, glitches, or manipulated vocal moments mood is melancholic, raw, and futuristic—like a gospel explosion refracted through post-pop
3:14

Operaic Things…
v4.5
harmony, spectral choir, glitch, uncanny feeling, it uses recursive harmony and post-language emotion to create a fractal soundscape, generative classical, harpsichord, and experimental music to evoke a sacred, this experimental song uses avant-garde production to create a strange and eerie atmosphere, experimental, with glitch harpsichord, opera, resulting in a unique musical experience, and data breath, it combines elements of ai opera, classical, avant-garde
3:59

i don’t care
v4.5
experimental electronic hyperpop with glitchy hyper-detailed production and surreal emotional tone begins with soft ambient synth pads and fragile auto-tuned vocals that gradually distort rhythm is chopped stuttering and unpredictable mixing delicate melodies with metallic hits rubbery bass and digital noise sudden pitch shifts vocal warping and synthetic textures layered with shimmering highs and explosive drops structure is non-linear with fragmented transitions tension builds through contrast between softness and chaos emotional core remains intimate and haunting but soundscape feels artificial alien and euphoric like falling apart inside a video game dream
2:37

[Genre:Hyperpop, Dream Pop][Mood:Euphoric, Yearning][Instruments:Glitchy Synths, Reverb-Washed Beats, Female Vocals][Tempo:Fast][Style:Shimmering Textures, Romantic Repetition, Wall of Sound Production]
3:07

Bloom Error
v4.5
A violently synthetic, experimental hyperpop track with razor-sharp production and surreal emotional undertones, infused with fragments of traditional Chinese music, Opens with warped ambient pads and ghostly auto-tuned vocals that feel brittle and processed—quickly unraveling into stuttering, chopped rhythms and unpredictable glitch patterns, Distorted guzheng samples and erhu glides are twisted into digital fragments, looped, reversed, and pitch-shifted until they dissolve into metallic hits, rubbery bass jolts, and abrasive noise bursts, The structure is chaotic and fractured—hooks dissolve before they form, breakdowns glitch mid-beat, transitions snap apart like corrupted files, Layers of shimmering highs, bitcrushed vocals, and synthetic feedback pulses build and collapse in waves, The mood is hyper-emotional and uncanny: both ancient and artificial, as if traditional melodies were unearthed in a glitched-out future simulation
3:51

Bouncing
v4.5
high-energy hyperpop with sharp synthetic textures and bold attitude distorted bass hits and glossy synth leads drive the rhythm female vocals are confident stylized and rhythmically spoken with processed layers and pitch-shifted ad-libs lyrics focus on speed luxury fun and power structure is unpredictable with sudden drops glitchy transitions and short punchy sections percussion is minimal but aggressive with crisp snares and heavy kicks sound design blends metallic noises plastic textures and digital effects mood is playful edgy and futuristic like a high-speed joyride through a neon-drenched video game
3:59

FUCKED A FASCIST
v4.5
distorted hyperpop track with synthetic club textures, sculpted distortion, and processed vocals with bursts of slight-screamed intensity tempo is bouncy—tight digital percussion with crisp snares, plasticky kicks, and rhythmic glitch stutters bass is thick and rubbery—heavily sidechained and compressed, with a blown-out but clean tone that pulses against the rhythm synths are distorted, metallic, playful—featuring detuned melodic chirps, fizzy leads, and short percussive zaps layered in stereo vocals are male, brattish, and overtly expressive—delivered in a sassy tone with hyper-autotune, formant shifts, and layered vocal FX performance mixes talk-singing, dramatic phrasing, and bursts of slight-screamed vocals—emphasized in hooks or ad-libs processing includes pitch glides, distortion, glitch edits, and dry stabs of voice used percussively structure is tight but erratic—sections bounce between hook loops, stripped-back breakdowns mood is queer, flashy, confident, brattish
4:17

you did this
v4.5
playful hip-hop track with driving synths, crushing low-end, and hyper-digital sound design tempo is mid-paced with a heavy, mechanical rhythm—overcompressed kicks, clipped snares, and sharp hi-hats driving an aggressive groove bass is thick, buzzing, and rubbery—distorted to the edge of collapse and pulsing with sidechain compression synths are synthetic, industrial, and glitch-infused—featuring detuned leads, warped arpeggios, and bitcrushed stabs that glitch and bend across stereo space vocals are male, emotionally unstable, and dynamic—shifting between monotone chanting, semiscream, rapping, and sudden moments of melodic falsetto phrasing vocal production includes heavy layering, pitch-shifting, digital reverb, and glitch editing—adding disorientation and intensity structure is deliberately jagged—verses lurch into breakdowns with ambient textures or minimal keys, then snap back into distorted chaos without warning track includes manipulated vocal samples, sudden dropouts, noise, ‑edm, ‑metal, ‑rock
2:21

Ghost Girl
v4.5
experimental hyper-trap track with distorted textures, digital noise bursts, and brattish male vocals delivered with icy detachment tempo is mid-paced with a skeletal trap beat—sharp hi-hats, dry snares, and clipped sub-bass hits arranged with irregular spacing and digital swing production is noisy and synthetic—featuring crushed synth stabs, blown-out risers, bitcrushed textures, and glitch FX that flicker in and out like corrupt data vocals are male, brattish, and understated—autotuned with deliberate flatness, spoken-sung in a half-melodic, deadpan cadence vocal phrasing is minimal and loop-based—short lines repeat with slight timing shifts, glitches, and digital chokes for rhythmic impact vocal effects include stereo shifts, chopped syllables, and sudden pitch drops that cut through the mix structure is short-form and fragmented—hook fragments and verses rotate quickly, interrupted by glitchy transitions and bursts of distortion mood is icy, confrontational, and synthetic
2:57

Ghost Girl
v4.5
experimental hyper-trap track with distorted textures, digital noise bursts, and brattish male vocals delivered with icy detachment tempo is mid-paced with a skeletal trap beat—sharp hi-hats, dry snares, and clipped sub-bass hits arranged with irregular spacing and digital swing production is noisy and synthetic—featuring crushed synth stabs, blown-out risers, bitcrushed textures, and glitch FX that flicker in and out like corrupt data vocals are male, brattish, and understated—autotuned with deliberate flatness, spoken-sung in a half-melodic, deadpan cadence vocal phrasing is minimal and loop-based—short lines repeat with slight timing shifts, glitches, and digital chokes for rhythmic impact vocal effects include stereo shifts, chopped syllables, and sudden pitch drops that cut through the mix structure is short-form and fragmented—hook fragments and verses rotate quickly, interrupted by glitchy transitions and bursts of distortion mood is icy, confrontational, and synthetic
3:56

Ghost Girl
v4.5
experimental hyper-trap track with distorted textures, digital noise bursts, and brattish male vocals delivered with icy detachment tempo is mid-paced with a skeletal trap beat—sharp hi-hats, dry snares, and clipped sub-bass hits arranged with irregular spacing and digital swing production is noisy and synthetic—featuring crushed synth stabs, blown-out risers, bitcrushed textures, and glitch FX that flicker in and out like corrupt data vocals are male, brattish, and understated—autotuned with deliberate flatness, spoken-sung in a half-melodic, deadpan cadence vocal phrasing is minimal and loop-based—short lines repeat with slight timing shifts, glitches, and digital chokes for rhythmic impact vocal effects include stereo shifts, chopped syllables, and sudden pitch drops that cut through the mix structure is short-form and fragmented—hook fragments and verses rotate quickly, interrupted by glitchy transitions and bursts of distortion mood is icy, confrontational, and synthetic
2:56

Ghost Girl
v4.5
experimental hyper-trap track with distorted textures, digital noise bursts, and brattish male vocals delivered with icy detachment tempo is mid-paced with a skeletal trap beat—sharp hi-hats, dry snares, and clipped sub-bass hits arranged with irregular spacing and digital swing production is noisy and synthetic—featuring crushed synth stabs, blown-out risers, bitcrushed textures, and glitch FX that flicker in and out like corrupt data vocals are male, brattish, and understated—autotuned with deliberate flatness, spoken-sung in a half-melodic, deadpan cadence vocal phrasing is minimal and loop-based—short lines repeat with slight timing shifts, glitches, and digital chokes for rhythmic impact vocal effects include stereo shifts, chopped syllables, and sudden pitch drops that cut through the mix structure is short-form and fragmented—hook fragments and verses rotate quickly, interrupted by glitchy transitions and bursts of distortion mood is icy, confrontational, and synthetic
3:36

BODYCHECKED
v4.5
maximalist hyperpop track with exaggerated bubblegum bass production, featuring brattish, heavily autotuned female vocals and hyper-synthetic textures tempo is fast and jittery—rhythms stop, stutter, and restart with glitchy syncopation percussion is plastic and punchy—distorted claps, metallic crashes, and synthetic kick bursts layered with sugary FX bass is warped, rubbery, and elastic—constantly shifting pitch and texture, bouncing erratically like bubblegum under pressure synths are sharp, fizzy, and overwhelming—FM blips, digital sparkles, and cartoonish risers used for impact vocal delivery is chaotic and pitch-shifted—swerving between spoken lines, overprocessed melodic phrases, and vocal fry glitch FX structure is explosive and non-linear—hooks appear suddenly and collapse into breakdowns with no warning, packed with artificial silence and digital noise sound design leans maximalist and synthetic—fake gloss, overcompressed dynamics, harsh transitions, playful deconstruction
6:17

maximalist hyperpop track with exaggerated bubblegum bass production, featuring brattish, heavily autotuned female vocals and hyper-synthetic textures tempo is fast and jittery—rhythms stop, stutter, and restart with glitchy syncopation percussion is plastic and punchy—distorted claps, metallic crashes, and synthetic kick bursts layered with sugary FX bass is warped, rubbery, and elastic—constantly shifting pitch and texture, bouncing erratically like bubblegum under pressure synths are sharp, fizzy, and overwhelming—FM blips, digital sparkles, and cartoonish risers used for impact vocal delivery is chaotic and pitch-shifted—swerving between spoken lines, overprocessed melodic phrases, and vocal fry glitch FX structure is explosive and non-linear—hooks appear suddenly and collapse into breakdowns with no warning, packed with artificial silence and digital noise sound design leans maximalist and synthetic—fake gloss, overcompressed dynamics, harsh transitions, playful deconstruction
3:14

gloss gloss baby
v4.5
hyperpop-dominant electro-funk fusion with exaggerated bubblegum bass production and brattish, attitude-heavy female vocals tempo is club-ready four-on-the-floor but constantly disrupted by glitchy stutters, offbeat fills, and abrupt rhythmic cuts instrumentation fuses retro glam elements—funk guitar flicks, synthetic strings, disco claps—with overwhelming hyperpop textures like plasticky synth blasts, bitcrushed risers, metallic percussive blips, and cartoon-like FX bass is blown-out, rubbery, and volatile—grooves stretch, bend, and collapse under exaggerated subweight and pitch-shifted warps vocals are theatrical, brattish, and hyper-processed—pitch-shifted sass, robotic vocal runs, chopped-up ad-libs, and sarcastic melodic hooks layered with glitch FX structure follows loose pop form but dominated by nonlinear chaos—choruses hit hard then dissolve into distorted breakdowns, synthetic silence, or fractured FX spirals sound design is maximalist and abrasive—clashing textures, diva
3:48

alt-pop soft-rock with experimentally spiraling female vocals over a pulsing rhythm and glitchy, deconstructed synth-pop production tempo is driving and trance-like—built on looping percussion with subtle syncopation and digital hiccups vocal delivery is emotionally tense and layered—soft breathy tones build into strong harmonies, processed with reverb, light formant shifts, and momentary glitches synths shimmer and wobble—arpeggiated textures glitch in and out, paired with granular pads, subtle detuning, and artificial delays bass is punchy and distorted—low-end bounces with bubblegum tension, bending and clipping at emotional peaks structure follows a verse-chorus-bridge arc but with blurred transitions and repeated motifs that stutter or collapse mid-phrase production plays with repetition and digital decay—looped vocal fragments and synthetic echoes spiral outward like a panic loop climax builds gradually—layered vocals, glitch drums, detuned synth swells, then cuts to outro, ‑sad ballad, ‑folk, ‑slow music, ‑boring music, ‑simple music
4:04

Replica Angel
v4.5
extensive experimental track combining eerie trip-hop atmosphere with hyperpop and bubblegum bass production slow, crawling tempo—rhythm is skeletal and fragmented, built from dry, glitched kicks and distorted claps layered with digital vinyl crackle and synthetic static bass is warped and mutated—deep, elastic, and rubbery, with subfrequencies that glitch and stutter unexpectedly sparse instrumentation creates tension—metallic bloops, reversed samples, broken synth fragments, toybox FX, and sudden synthetic silences vocals are whispered, brattish, and pitch-shifted—deadpan male murmurs blend with processed female breathy vocals, alternating between monotone spoken word and glitchy chant structure is fractured and nonlinear—moments of silence interrupted by explosive synthetic swells, fake drop teases, and abrupt vocal loops sound design is maximalist in microbursts—tiny explosions of overcompressed bubblegum synths, plastic arpeggios, mood is creepy, ironic, and dreamlike, ‑pop ballad, ‑ethereal, ‑boring music, ‑conventional music, ‑electro-pop, ‑dance, ‑club
3:41

static house
v4.5
experimental dreamy, glitched folktronica-pop built around soft, recurring synthetic trumpet motif with bubblegum bass textures and ethereal production tempo is mid-slow with fragmented breakbeat patterns—delicate percussion stutters beneath hazy atmospheres instrumentation centers on the trumpet motif—processed and looped like a fading memory, sometimes reversed, filtered, or pitch-shifted; surrounded by airy pads, faint field noise, and digital sparkles light hyperpop elements—rubbery sub-bass pulses, gentle glitch accents, synthetic twinkles, and plastic textures—are subtly layered for emotional contrast vocals are female, breathy, and ghostly—gently autotuned, doubled, and drifting between singing and spoken-word murmurs structure is nonlinear and fluid—trumpet phrases guide the emotional arc as sounds morph, dissolve, and return in warped forms mood is soft, suspended, and emotionally glitched—like wandering through a digital field of half-remembered melodies, ‑boring music, ‑conventional music, ‑ballad
3:51

experimental dream-pop hyperpop fusion with playful low-pitched female vocals and deconstructed bubblegum bass production built around a slow, hypnotic tempo with warped trip-hop rhythm—rubbery bass pulses, glitched snares, and syncopated silences ambient textures swirl underneath—fuzzy reversed guitar loops, detuned pads, and field recording static layered for surreal depth vocals are dreamy but extremely processed—ghostlike delivery filtered through pitch shifts, granular delays, glitch cuts, and breathy artifacts vocal phrases stretch and warp—some float like whispers, others shatter into chopped, robotic echoes or stuttering glitches structure is fluid and nonlinear—verses melt into ambient breakdowns, hooks dissolve into sudden silence or sharp, plasticky noise bursts synth design is synthetic and unstable—sparkling arpeggios collide with metallic splashes and fake-vinyl textures, both beautiful and disruptive mood is emotionally suspended—melancholy wrapped in candy-colored chaos
5:13

experimental dream-pop hyperpop trip-hop fusion with playful low-pitched female vocals and deconstructed bubblegum bass production built around a slow, hypnotic tempo with warped TRIP-HOP rhythm—rubbery bass pulses, glitched snares, and syncopated silences ambient textures swirl underneath—fuzzy reversed guitar loops, detuned pads, and field recording static layered for surreal depth vocals are dreamy but extremely processed—ghostlike delivery filtered through pitch shifts, granular delays, glitch cuts, and breathy artifacts vocal phrases stretch and warp—some float like whispers, others shatter into chopped, robotic echoes or stuttering glitches structure is fluid and nonlinear—verses melt into ambient breakdowns, hooks dissolve into sudden silence or sharp, plasticky noise bursts synth design is synthetic and unstable—sparkling arpeggios collide with metallic splashes and fake-vinyl textures, both beautiful and disruptive mood is emotionally suspended—melancholy
4:19

experimental dream-pop hyperpop trip-hop fusion with playful low-pitched female vocals and deconstructed bubblegum bass production built around a slow, hypnotic tempo with warped TRIP-HOP rhythm—rubbery bass pulses, glitched snares, and syncopated silences ambient textures swirl underneath—fuzzy reversed guitar loops, detuned pads, and field recording static layered for surreal depth vocals are dreamy but extremely processed—ghostlike delivery filtered through pitch shifts, granular delays, glitch cuts, and breathy artifacts vocal phrases stretch and warp—some float like whispers, others shatter into chopped, robotic echoes or stuttering glitches structure is fluid and nonlinear—verses melt into ambient breakdowns, hooks dissolve into sudden silence or sharp, plasticky noise bursts synth design is synthetic and unstable—sparkling arpeggios collide with metallic splashes and fake-vinyl textures, both beautiful and disruptive mood is emotionally suspended—melancholy
3:22

deconstructed soul-pop ballad with powerful vocals, wrapped in moody atmospherics and hyper-digital production tempo is slow and hypnotic—groove loops subtly glitch and warp, creating a dreamlike push-pull rhythm production blends vintage soul textures with experimental hyperpop processing—glossy synth bursts, synthetic string swells, distorted ambient pads, and pitch-bent vocal chops instrumentation includes soulful organ and swelling strings, but disrupted by synthetic crashes, plastic percussion, and a heavily processed electric guitar solo that melts into the mix vocals are raw but digitally manipulated—layered with shimmering reverb, pitch fluctuations, stereo spread, and soft glitch trails that heighten the mood vocal phrasing is desperate, gospel-inspired, and fractured—screamed falsettos blend into robotic echoes, spoken-word flickers break into breathy belts electric guitar solo emerges like a glitch apparition—detuned, drowning in reverb, then shredded into digital fragments
3:39

experimental indie-folk hyperpop fusion with glitchy hyper-detailed production and a surreal emotional tone begins with raw fingerpicked indie-folk guitar, subtle tape hiss, and dreamy processed vocals that gradually distort rhythm is chopped, stuttering, and unpredictable—blending rustic folk motifs, handclaps, and acoustic textures with metallic hits, rubbery bass, and digital noise sudden pitch shifts, vocal warping, and synthetic overlays collide with soft banjo plucks and lo-fi harmonies layered with shimmering highs and explosive drops structure is non-linear with fragmented transitions, evoking tension through contrast between analog warmth and digital chaos emotional core remains intimate and haunting, but the soundscape feels artificial, alien, and euphoric
5:13

Crown of Ashes
v4.5
avant-garde 80’s soft rock–inspired experimental hyperpop blending folk, blues, and hyperpop guitar motifs with hyper-digital, deconstructed production tempo is mid-paced but fragmented—glitchy rhythm sequencing with syncopated percussion bursts, abrupt silences, and rubbery digital kick patterns acoustic strumming and bluesy electric riffs are pitch-bent, chopped, and processed through grain delays, while synths mimic analog pads before distorting into glossy, warped textures vocals are feminine, brattish and soulful—raw folk-rock timbre treated with extreme autotune, stutters, pitch shifts, and vocal glitch FX layered in harmonies that shimmer, then splinter structure starts traditionally (verse-chorus-bridge) but is violently interrupted by detuned risers, audio dropouts, and fake anti-drops, with looping melodic fragments and sudden instrumental resets bass is elastic, abrasive, and bubblegum-bright—bouncing between sub-heavy stabs and synthetic squeals mood is synthetic
3:11

club experimental electro-pop fusion with hyperpop&deconstructed and industrial dance production, pounding four-on-the-floor beat, and theatrical female vocals dripping with camp and queer energy tempo is fast and relentless—driving house rhythm layered with synthetic claps, crunchy snares, and metallic syncopation instrumentation is brash—distorted bubblegum bass, pitch-bent synths, blown-out arpeggios, and digital FX that twist and snap like plastic under pressure vocals are brattish, commanding, and stylized—processed female voice switches between power-sung hooks, robotic phrasing, and chopped vocal glitches with stutter effects structure follows a party dancing nonstop pounding beat format with fake-outs, glitched silences, and unexpected returns to the dancefloor energy breakdown features ambient glitch swells and filtered whispers before bursting back into a euphoric, over-compressed hook with theatrical synth stabs and reverberated club sweeps mood is glamorous, chaotic, avant-garde
3:09

club aggressive hypnotic hiphop fusion with hyperpop&deconstructed and industrial electro-pop production, pounding four-on-the-floor beat, and west-coast male gangster rap dripping with camp and queer energy tempo is flex and relentless—driving house rhythm layered with synthetic claps, crunchy snares, and metallic syncopation instrumentation is brash—distorted bubblegum bass, pitch-bent synths, blown-out arpeggios, and digital FX that twist and snap like plastic under pressure vocals are brattish and commanding—processed male voice switches between power-sung hooks, robotic phrasing, and chopped vocal glitches with stutter effects structure follows a party dancing nonstop pounding beat format with fake-outs, glitched silences, and unexpected returns to the dancefloor energy breakdown features ambient glitch swells and filtered whispers before bursting back into a euphoric, over-compressed hook with theatrical synth stabs and reverberated club sweeps mood is club-ready, avant-garde, catchy
2:51

Ultra-experimental avant-garde electronic hyperpop with glitchy and noisy hyper-detailed deconstructed production and surreal emotional tone, Begins with soft ambient synth pads and fragile processed vocals that gradually distort, Rhythm is chopped, stuttering, and unpredictable—mixing delicate melodies with metallic hits, rubbery bass, and digital noise, Sudden pitch shifts, vocal warping, and synthetic textures layered with shimmering highs and explosive drops, Non-linear structure with fragmented transitions, Ethereal harmonies echo beneath the surface like a flickering memory, adding aching vulnerability, Tension builds through contrast between softness and chaos, erupting into cathartic, euphoric dance climaxes, Emotional core remains intimate and haunting, as if confessing on a strobe-lit floor—soundscape feels artificial, nostalgic, on-the-floor, and euphoric, like falling apart inside a video game dream, dancing through devastation
3:02

ultra-experimental avant-garde electronic art pop infused with indietronica textures and future garage rhythms production is hyper-detailed and emotionally charged begins with soft ambient synth pads and breathy layered harmonies drenched in reverb vocals are emotional and intimate gradually unraveling into distortion rhythm evolves with stuttering syncopation and ghosted kicks under shimmering synth pulses and fractured snares digital noise and warped pitch glide through a lush yet unstable mix textures shift between crystalline highs and submerged lows melodic phrases flicker like city lights in fog sudden dropouts and clipped transitions evoke emotional dislocation structure is fluid and elliptical building tension through unresolved loops and momentary clarity soundscape is bittersweet nostalgic and euphoric like crying in a nightclub bathroom while the world spins on without you emotional core remains confessional and haunting echoing themes of escape longing and unraveling
3:25

experimental alt-pop with emotionally confessional female vocals and layered ambient synth textures, fused with experimental hyperpop deconstructed production flourishes tempo is drifting—soft electronic drums and muted kicks pulse gently beneath hazy textures instrumentation blends reverb-soaked guitar plucks and ambient pads with glitchy synth accents, elastic pitch shifts, and chopped vocal snippets vocals are close-mic, smoky, raw—spoken-sung with rising intensity, layered with pitch-shifted harmonies and subtle synthetic filters structure is nonlinear and emotionally escalating—starts intimate and lo-fi, then expands into a lush middle section with pulsing bass and broken pop motifs breakdown includes digital sparkle, reversed ambiance, and sudden stutters—deliberately artificial and fragile, evoking romantic tension climax features a deconstructed synth swell—clean highs and blown-out lows push the emotional energy to a glowing fever dream, mood is nostalgic, vulnerable, bitter
2:54

Baddies
v4.5
experimental hyper-trap track with distorted textures, digital noise bursts, and brattish male vocals delivered with icy detachment tempo is mid-paced with a skeletal trap beat—sharp hi-hats, dry snares, and clipped sub-bass hits arranged with irregular spacing and digital swing production is noisy and synthetic—featuring crushed synth stabs, blown-out risers, bitcrushed textures, and glitch FX that flicker in and out like corrupt data vocals are male, brattish, and understated—autotuned with deliberate flatness, spoken-sung in a half-melodic, deadpan cadence vocal phrasing is minimal and loop-based—short lines repeat with slight timing shifts, glitches, and digital chokes for rhythmic impact vocal effects include stereo shifts, chopped syllables, and sudden pitch drops that cut through the mix structure is short-form and fragmented—hook fragments and verses rotate quickly, interrupted by glitchy transitions and bursts of distortion mood is icy, confrontational, and synthetic
3:28

hyperpop anthem built in Locrian mode for an unstable, dissonant edge, layered with synthetic bubblegum bass, ultra-bright stabs, and playful digital percussion vocals are high-pitched, genderless, and autotuned—delivered in looping, mantra-like phrases with glitch harmonies and clipped repetition structure mimics conventional pop but exaggerates it—hooks repeat to the edge of absurdity, then collapse into fractured segments with rhythmic gaps and pitch warps synths are sharp, elastic, and strobing—high-res textures bounce and stretch unpredictably, bending the harmony into uncanny territory bubblegum bass is plasticky and slippery—tonal center feels unstable due to the Locrian scale, creating an off-kilter yet hypnotic groove percussion uses toy-like sounds—crisp claps, metallic pings, digital chirps, and video game FX layered for hyper-artificial rhythm spatial design is glossy and surreal—auto-panned vocals, clean silence drops, holographic reverb bursts mood is synthetic, confident
3:43

yeule knockoff
v4.5+
emotional slowcore-inspired experimental avant-pop with looping pitch-shifted deconstructed female vocals, nostalgic acoustic textures, and hyperprocessed hyperpop glitchy production tempo is dreamy—underpinned by lo-fi acoustic strums and soft percussive fragments, constantly glitching and stuttering production blends analog haze with hyperdigital detail—tape hiss and banjo plucks collide with metallic pops, elastic synth bursts, and synthetic risers vocals are heavily warped—pitched down and looped like a fading memory, then cut, stretched, and layered with artificial sweetness and brattish resonance instrumental textures blur organic and synthetic—dreamlike guitar and detuned piano dissolve into warped sub-bass pulses, bubblegum-glitch FX, and harsh stereo shatters structure is nonlinear and emotionally unraveling—mantra-like vocal phrases repeat and degrade, building into a hyper-emotional climax final section collapses into glitchy ambient chaos—vocal fragments stutter and stretch
3:00

Pleasure Remix
v4.5+
hyperpop-meets-club techno-house banger with brattish autotuned female vocals, explosive bubblegum bass, and polished, club-ready production built for maximum impact tempo is fast and bouncy—driven by tight four-on-the-floor kicks, crisp hi-hats, and syncopated snares that punch through the mix basslines are elastic and distorted—rubbery bubblegum textures clash with clean sub hits, adding both bounce and bite synths are flashy and glossy—blending metallic stabs, pitch-shifted sparkles, and chopped vocal FX vocals are exaggerated and confrontational—brattish tone, heavily autotuned, switching between catchy hooks, glitchy phrases, and distorted yells structure is tight but chaotic—pop skeleton twisted with fakeouts, looped choruses, drop-ins, and glitched transitions designed for surprise sound design is hyper-synthetic and compressed—digital gloss meets noisy edges, layered with synthetic claps and rhythmic vocal chops mood is bold, cheeky, and high-energy
5:14

White Lines
v4.5+
fluid, soulful minimalist experimental alternative R&B avantpop with airy synth pads, soft percussion, and emotionally rich male vocals, blended with deconstructed textures tempo is slow and flowing—gentle kick, light snare, and crisp hi-hats keep a smooth groove instrumentation is spacious—warm synth chords and airy pads are subtly layered with synthetic glitches, metallic sparkles, and pitch-bent tones bass is deep and sidechained—softly pulsing under the mix for a futuristic, digital warmth vocals are male, intimate, and emotional—switching between chest voice and falsetto with clear vulnerability vocal processing includes light autotune, reverb, and subtle formant-shifted harmonies that shimmer in the background structure is smooth, hypnotic, nonlinear—verses and choruses flow without harsh breaks, but subtle glitch transitions and textural shifts give each section a futuristic touch mood is nostalgic, romantic, and futuristic—like late-night reflection on love through a haze
4:49

bittersweet, hypnotic hyperpop, avant-garde and deconstructed production, sad and melancholic, violent stabbing experimental distorted synth walls
2:53

CEO Killer Music
v4.5+
experimental hyper-trap track with distorted textures, digital noise bursts, and brattish male vocals delivered with icy detachment tempo is mid-paced with a skeletal trap beat—sharp hi-hats, dry snares, and clipped sub-bass hits arranged with irregular spacing and digital swing production is noisy and synthetic—featuring crushed synth stabs, blown-out risers, bitcrushed textures, and glitch FX that flicker in and out like corrupt data vocals are male, brattish, and understated—autotuned with deliberate flatness, spoken-sung in a half-melodic, deadpan cadence vocal phrasing is minimal and loop-based—short lines repeat with slight timing shifts, glitches, and digital chokes for rhythmic impact vocal effects include stereo shifts, chopped syllables, and sudden pitch drops that cut through the mix structure is short-form and fragmented—hook fragments and verses rotate quickly, interrupted by glitchy transitions and bursts of distortion mood is icy, confrontational, and synthetic

