TRICK×FAKE

Dark, gothic visual-kei progressive rock: minor-key, sinister atmosphere, dramatic melody lines, and a relentless web of odd meters with abrupt bar/tempo switches, Verses/pre-chorus stay chaotic and tense, with glitchy stop-start grooves and unsettling harmonies, Right before each chorus: a hard full-stop break (near silence), then the chorus detonates into a faster, straight driving feel for maximum release, Female high-tone lead with elegant clean singing, sharp shout bursts, and rapid-fire rap, Long instrumental interlude packed with escalating metric modulations, dissonant riffs, and a final crescendo into the last chorus, 6–7 minutes, cathartic and ominous

Attack-focused Japanese visual-kei metal/rock, Very fast tempo, relentless momentum, Verses / pre-chorus: ultra-tight, razor-edged riffing with constant chugging, sharp staccato patterns, aggressive syncopation, and driving double-kick; minimal chords, maximum bite, Keep the groove “forward-leaning” and urgent, no laid-back sections, Right before each chorus: a hard break / sudden stop for 1–2 beats, then immediate impact, Chorus: heavier and denser—thick low-end guitars, pounding drums, wide but still fast hook; keep it brutal, not melodic-sweet, Female vocalist “Mai”: cutting high-tone lead, rapid phrasing, venomous attitude; frequent shouts, and short death-growl hits as punctuation (end of lines / call-outs), never slow or airy, Structure for ~6 minutes: Intro (short), Verse1, Pre1, Break, Chorus1, Interlude1 (12–16 bars: fast shredding solo over the main riff, no mood change), Verse2, Pre2, Break, Chorus2, Verse3 (short), Pre3

Dark Japanese visual kei rock w/ metal weight in strict 3/4 waltz (never 4/4), Slow–mid tempo, eerie rotating waltz groove, heavy distorted guitars and thick bass, big tom/snare accents on the 3-beat pulse, Verses & pre-chorus: whispered, icy female vocal “Mai” (cool, cynical), minimal but tense riffing, Pre-chorus builds with rising harmony, Before chorus: short break, Chorus: explosive high-range + powerful shouts with occasional harsh growls, massive wall of sound, Two interludes: (1) creepy waltz riff loop, (2) long guitar solo that stays in 3/4 (no speeding up), “sticky” frantic phrasing, heavy drums stamping the waltz, Final chorus: key change up, climax louder and darker, Mood: sneering anger, cold contempt, decadent gothic night, Length 6:00–6:30

High-speed Visual Kei / Metal-tinged rock for female vocalist “Mai”, Verses and pre-chorus are tight, rapid-fire rap with razor-sharp articulation, Pre-chorus and the last line before each chorus: build tension, then a hard stop (one-beat silence) + inhale/laugh cue, CHORUS MUST GO FERAL: explosive shout-singing, aggressive scream layers, frequent growls/death-voice accents (call-and-response), stacked gang vocals, and chaotic ad-libs, Make the hook loud, snarling, and unhinged while staying rhythmically tight, Interlude: guitar riot + faster double-kick feel, distortion swell, laughter sample, then drop back into rap, Bridge: whisper -> harsh shout -> brief death-voice burst, then another break and FINAL CHORUS at maximum violence, Overall sound: punchy modern V-kei with real metal weight—sharp riffs, aggressive twin guitars, huge drums, dark glam atmosphere, Keep English phrases as short punchline tags; main lyric language Japanese, No cute tone: arrogant, commanding, charismatic

Japanese visual-kei dark rock + heavy alt-metal, slow to mid tempo, 4/4 with half-time feel, crushing low guitar riffs, tight palm-mutes, thick bass, punchy drums, cold industrial/glitch synth textures, Female lead vocal: whispery verses, sharp spoken/rap-like phrasing in pre-chorus, explosive chorus with harsh shouts and gritty growls, Big dynamic contrast: quiet tension → sudden heavy hits, Interlude: half-time instrumental drone, noisy reverse FX, distant breath-like humming, Add cut-up fragment voice samples (stutter, pitch-shift, wide panning, deep reverb), Mood: cynical, sarcastic, elegant poison, urban night, cold and sneering

Visual kei-flavored slow metal ballad, dark piano intro with dissonant arpeggios, heavy downtuned guitar riff, slow tempo ~70bpm, melancholic verse sung calm and detached, explosive chorus with powerful female vocal (mix: clean + slight grit), thick bass, big toms, long instrumental interlude (piano + guitar lead), whisper/murmur choir layered during interlude (breathy, distant, reverb), dramatic dynamic contrast, cinematic gloomy atmosphere, minor key, ending with solo piano + whispers

Visual kei x mathrock x prog metal, slow-to-mid tempo with chaotic rhythmic accents, dark dramatic piano intro, heavy low guitar riffs, tight syncopated drums, aggressive bass, wide dynamic range, Female vocal: mix of clean/cold tone, harsh shout, occasional growl/death-style, rapid-fire rap sections, Structure: Verse-Pre-Chorus-Chorus x2, long instrumental interludes, whispered background chants during interlude, final chorus emotional burst, quiet outro, Mood: impulsive, hollow, cynical, contradictory, intense

dark Visual Kei × prog metal × math rock, Band-only: twin electric guitars + bass + drums (no synth), Slow–mid tempo but with constantly twisted odd meters (5/4, 7/8, 9/8), sudden bar cuts, stutter stops, and hard accents, Guitars: down-tuned, high-gain, thick low-end, oppressive repeating riff, dissonant intervals, feedback swells, occasional chaotic tremolo bursts, Bass: sub-heavy + gritty distortion, “bottom of hell” sustain, tightly locked to kick, Drums: dry, aggressive, live kit feel, unsettling polyrhythmic groove, heavy half-time pockets, Female Vocal, very low, cold monotone rap like a curse book, short repeated words, whisper layers; only near the end add brief shout + short death growl hits, Breaks: one silent hit → cut-up fragment voices (stereo ping-pong, pitch up/down, glitch, deep reverb), repeated English single-word spells: “Shut / Fade / Sink / Null / Break / Sleep”, Long instrumental section: riff-driven crush, no prettiness, raw and heavy

Instrumental Japanese visual kei progressive metal, Drop-tuned crushing riffs, ominous piano motifs, abyssal bass, tight live drums, Mid tempo with short chaotic odd-meter bursts (7/8, 5/4, 9/8) that snap back to 4/4, Unsettling modulations (semitone, minor third, tritone), Long guitar solo (melodic → deranged), Band-first, raw mix, minimal synth/noise FX as accents, 7–9 min, calm-to-mad-to-explosive arc, eerie ending, Add sudden stop-start breaks, dissonant piano clusters, and off-kilter drum accents

Japanese visual-kei + metal + mathrock, midtempo (120–140 BPM), 5:30–6:30, Heavy, sinking, ominous yet seductive/strange atmosphere (neon-night, decadent), Rock band core: downpicked low-tuned guitars with irregular accent patterns, odd-meter riffs (5/4, 7/8, 9/8 feel) and stutter-stop syncopation; deep abyssal bass, tight live drums with polyrhythmic ghost notes—groove stays slow but “twisted, ” Eerie lead guitar motifs, dissonant chords, feedback/noise textures; long instrumental interlude with mathy riff switches + solo (no tempo jump), Female lead vocal : cool, clear high-tone as default; controlled verses/prech, then chorus bursts with powerful shouts + occasional harsh/raspy screams, Add faint whisper-choir layers under the interlude (distant, airy), Mix raw/heavy, slightly dirty, avoid pop sheen