NARCISSISTIC

Badass drums, grunge, hardcore-grunge hip hop, dual male vocals, happy, metal, acid rap, double bass drum, psychedelic double bass, funky-stank groove, A tribute to BADASSERY

punk rap bubblegum mainstream rock, percussion drums, glitch guitars-static slid guitar, turn table loops, 2 male vocals

(Hillbilly glitch-hop / redneck trap-punk / chaotic country-funk fusion) (One drunk-soul preacher vocal, one smartass rapper, and a backup choir of toothless uncles)🎛️ Suno Settings for DJFOOKE-IT Style: Weirdness: 73% Style Influence: Strong Audio Influence: Experimental Genre Tags: Redneck Trap-Punk / Hillbilly Glitch-Hop / Backwoods Bass Instruments: Busted banjo → pitch-bent sample 808 + slap bass Screamin’ harmonica Distorted hand claps / boot stomps Vinyl crackle + preacher organ bursts

rap, male vocals; sparse, male vocals, punk rap, minimal percussion-driven production, sharp drum patterns with raw, punk, unfiltered delivery, introspective yet aggressive tone, Genre: Stoner Groove Rock w/ Lo-Fi Hip-Hop Influence Vibe: Sunday morning haze meets sarcastic blues trip

rap, male vocals; sparse, male vocals, punk rap, minimal percussion-driven production, sharp drum patterns with raw, punk, unfiltered delivery, introspective yet aggressive tone

rap, male vocals; sparse, male vocals, punk rap, minimal percussion-driven production, sharp drum patterns with raw, punk, unfiltered delivery, introspective yet aggressive tone

Final Chorus (full choir) → Fully layered chant “FOOKE IT!” Outro (Echo whisper) → “Thanks for the free promo, ” rap punk, hip hop fusion powered only kickin percussion drums, dual vocal styles: [1] male vocals, poetic, sharp, sarcastic (Echo49), [2] distorted vocals, (DJ Fooke It), Crowd chants of “FOOKE IT, ” and wicked turntable old school loops

rap, minimal guitar, percussion-driven, punk rap, male vocals, aggressively stupid, 2 male vocals

gritty texture, hardcore, glitch, glitchy banjo riffs, rap, 4 male vocals, chaotic energy with raw, hellbilly punk rap with hardcore metal influence, wicked harmonica howls, aggressive, old-school percussion drums, metal, punk, 🌶️ Updated Sonic DNA — “Hellbilly Latino Metal Funk Mutation” OL SC HOOL PERCUSSION DRUMS-BADASS DRUMMER WHO MIXES THE STYLES AND GENRES SEEMLESS LY, Tone: Industrial Appalachia meets East L, A, — dirt road apocalypse with a Latin heartbeat, Vibe: Chaotic, bilingual, party-from-the-grave, Groove: Half hillbilly stomp, Glitch Banjo (Core) 🎸 Metal Guitars, Keep ‘em chunky, distorted, dirty

ACID-RAP-METAL!, glitch, layered with distorted slide steel guitar, aggressive, metal, glitchy banjo and guitar riffs cutting through heavy percussion drums, rap, soul, ACID-RAP-METAL!, raw energy with 2 male vocals trading verses and choruses, chaotic yet melodic, 1 MALE SINGS WITH A SCRACTCHY DISTORTED VOICE, THE RAPPERGRITTY AND RAW, 123BPM

rap, Punk-rap meets industrial bubblegum: distorted drums and smashed snares driving the groove, glitchy guitars stabbing between turntable chops, Two male vocals trading smartass lines—one snarled, one half-rapped, half-sung, Verses stay tense and minimal, chorus explodes with gang shouts and fuzzed bass, Final section ramps into a chaotic wall of sound, feedback and scratched hooks swirling around the repeated title, light, warm, punk, industrial, slow

acid death metal, 808s pounding a badass beat, male vocal, glitch guitars, glitch banjo, feeling is hatred for life, betrayal of every body, system, and life, i hate my life today!

rap, Thick, detuned grunge guitars over a swung, boom-bap-meets-metal groove; distorted bass locks with punchy, roomy drums, Verses rap-screamed with dynamic shifts from tight, rhythmic bars to roar-sung lines; huge gang-vocal hook with octave-doubled male vocals, Occasional DJ-style cuts and feedback swells between sections, with a final halftime breakdown that explodes back into the chorus, raw, metal, fake, grunge, hip hop

gritty spoken rap with kickass drums, punk rock energy, slow-build verses, explosive chant hook, 2 male vocals, attitude-agression-fuckitall-energy, Hard stomp anthem, 4 on the flooor percussion drums with steel rims, static-distorted bass, aggressive spoken rap, crowd chant hook, gritty male vocal, maximal impact-glitch guitar riffs, turn table loops, kickass drums, 2 male vocals

Hillbilly punk-rap-rock, touch of undreground rap-hip hop, 808s synced to percussion drums with steel rims, banjo glitched, guitar riffs emphasize the message, turntable scratchin and loops kick it off and bring in the transitions, high energy and aggressive delivery

Guitar: 2–3 drop-tuned chords ONLY Chug → choke → silence Let space do the damage Drums: Low, almost boring at first Kick dominates Sudden double-time burst near end Banjo: Glitchy, distorted, unsettling Background only — like a bad memory Vocals: Screamer: raw, unpolished, borderline breaking Rapper: crisp, dry, rhythm-locked to drums

rap, Hillbilly punk-rap-metal hybrid with male vocals; distorted banjo and glitchy harmonica riffs over stomping porch percussion and blown-out guitars, Verses spit in a snarled half-rap, half-shout; chorus explodes with gang vocals and call-and-response ad-libs, Raw, crunchy mix; kick and floor toms feel like boots on old wood, harmonica screams between vocal lines, male vocals, glitch, punk, metal

rap, Rap-grunge acid rock hybrid, two rough male vocals trading lines, Minimal overdriven guitar riffs tucked behind huge, driving drums and dirty turntable loops, Hook hits like a gang shout, with call-and-response ad-libs, Verses stay tight and sarcastic, choruses explode with stacked vocals and distortion, Leave grit and room noise in the mix—raw, confrontational, in-your-face, tone, rock, slow, minimal, male vocals

driving kick-heavy drums, distorted loops, raw energy with a chaotic edge, rap rock, punk rap rock, two male vocals, punk, rock, eavy, driving kick-focused drums with punchy low end, Distorted guitar riffs and gritty, Rap-rock fused with punk rap rock energy, gritty rock vocal for the hook and chants, Aggressive yet uplifting, high-energy, explosive

Emotional, intimate punk-rap-rock ballad from the perspective of a soul passing to the other side, struggling to leave a loved one behind, mid tempo, emotional-sorrowful tone, emotion and tone is carried with the guitar riffs, Close, reflective rap and vocals, Grief mixed with acceptance, Final section spoken, a cappella, All music stops, Long pauses, Voice fades by presence, not volume, Final word “me” barely audible, Silence after

epic punk rap, undrground rap rock, hip hop, 808s bring the heat with kickass percussion drumsdriving the beat, minimal glitch guitar simple riffs create the mood, legendary turntable action, to male vocals

(Dual male vocal lead – one snarly punk drawl, one grimy rap tone)Hell yeah—let’s crank this bastard out, This "fuckit goodnight" track's gonna be a twisted cocktail of hillbilly punk, rap grit, and rock chaos—think banjo on fire, 808s in a bar fight, and lyrics that don't tuck you in, they kick you out the damn bed

Spoken-word industrial confession Low tempo, heavy air, zero polish, Words first, Silence matters, Dark minimalist hip-hop (no hook) Sub-bass pulse, cracked snare, distant metal hits, No chorus on purpose, Southern dirt + rusted concrete Grit, boots-on-floor energy, Feels like a bathroom mirror at 2:47 a, m, Psychological noir Tension over melody, Let the listener lean in to catch it, End-credit track Plays after silence, No fade-out, Hard stop, Production Cues (keep it simple) BPM: 68–74 Key: Minor, droning root note Vocal: Close-mic, breath audible, one take feel FX: Light room reverb, tape hiss, subtle distortion on the last word only Mood Tagline Not ego, Survival

build the beast behind it, You’re talkin’: Underground rap metal energy 🖤 Bubblegum glitch flavor (just a lil taste) 🍬 Serious theme underneath the chaos 🧠 And a vibe that says: “I feel everything… and I’m over it, Fuck it, ” 😤Let’s GO:hardcore rap metal-Underground industrial rapcore with bass drops and glitch-pop sugar sprinkles, Punchline flows over pit-worthy breakdowns, It’s candy-wrapped rage, It’s trauma dressed in neon boots, It’s dead serious, and still throwing confetti

rap, Hellbilly stomp rap‑punk bubblegum apocalypse mashup; twin male vocals trading bars and shouted hooks, Long-pluck banjo and wheezing harmonica over glitched power‑chord guitars, trashy marching‑band drums, and junkyard percussion, Verses stay half-rapped with sneering drawl; choruses explode into gang vocals and handclap stomp, Energy spikes fast, brief breakdown in the bridge with harmonica solo then all-in final hook, punk