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A battle, death hardcore metal, screeching deadly screaming vocals with the deepest aggressive growls, death metal track with fades in and out of orchestra type fades into heavy riffs

rap, soul, male vocals, death metal, beats, aggressive, harmony, long stretched vocals

death metal, heavy, greek death metal, female vocals, male vocals, metal, sad

soul, male vocals death metal acoustic guitar version, only acoustic guitar and aggressive, harmonious vocals long stretched vocals like Whitechapel, All acoustic guitar cover

Whitechapel, male vocals, butterfly effect male vocals, acoustic guitar, acoustic cover of a death metal song, aggressive, harmony, long stretched vocals

heavy, aggressive, deep long growling vocals, mad riffs, alien riffs, metal, male heavy death growling long stretched vocals, death metal, hardcore, deep meaning for the unknown mysterious lights in the night sky, unplugged metal

heavy, aggressive, deep long growling vocals, mad riffs, alien riffs, metal, male heavy death growling long stretched vocals, death metal, hardcore, deep meaning for the unknown mysterious lights in the night sky, unplugged metal

heavy, aggressive, metal, male vocals, death metal, hardcore, deep, unplugged

heavy, aggressive, deep long growling vocals, mad riffs, alien riffs, metal, male heavy death growling long stretched vocals, death metal, hardcore, deep meaning for the unknown mysterious lights in the night sky, unplugged metal

deep, emotional, unplugged, low, metal, acoustic, orchestral, deep male vocals, steady, soft, raw, clean, male vocals, tone deep, emotional, unplugged, low, metal, acoustic, orchestral, deep male vocals, Whitechapel, steady, soft, raw, clean, male vocals, tone, clean acoustic unplugged acoustic guitar

“Ultra-heavy modern deathcore, Crushing low-tuned riffs, slow-burn doom intro into violent breakdowns, Lyrics about blood ties, betrayal, inherited pain, rage turned inward, Guttural growls, anguished screams, massive drops, dark cinematic weight, ”

“Ultra-heavy modern deathcore, Crushing low-tuned riffs, slow-burn doom intro into violent breakdowns, Lyrics about blood ties, betrayal, inherited pain, rage turned inward, Guttural growls, anguished screams, massive drops, dark cinematic weight, ”

Heavy death metal, death metal, heavy deep growling and gutsy male vocals, heavy metal song with a melodic, almost mesmerising chanting vocal singing, Very beautiful yet deceiving

Tuning: Drop C (C-G-C-F-A-D) Tempo: ~180 BPM (verses fast / chorus slower & heavier breakdown) heavy death metal, clean guitar riffs, clear vocals and deep growling vocals, heaviest of heavy metal

“Ultra-heavy modern deathcore, Crushing low-tuned riffs, slow-burn doom intro into violent breakdowns, Lyrics about blood ties, betrayal, inherited pain, rage turned inward, Guttural growls, anguished screams, massive drops, dark cinematic weight, ”

metal, alternative metal, dynamic contrast, female vocals, aggressive, dynamic, strong, theme, moody, death metal, nu metal, female nu metal vocalist, death metal

Genre / Style Modern deathcore × metalcore hybrid, Whitechapel (Without Us) vocal intensity and tone mixed with Parkway Drive (Crushed) groove-driven heaviness, Brutal yet emotional, Vocals Male vocalist, Deep guttural lows, controlled mid-range screams, occasional spoken or strained clean phrases, Emotionally heavy, despair-to-defiance delivery, No high-pitched fry screams, Instrumentation • Drop-tuned 7–8 string guitars • Thick, percussive palm-muted chugs • Thumping, marching double-kick drums • Massive tom hits and breakdown accents • Minimal ambience; focus on impact and weight Tempo / Rhythm Mid-to-slow tempo (≈90–110 BPM), Groove-focused riffs with crushing breakdowns, Strong downbeat emphasis and stop-start hits, Mood / Atmosphere Oppressive, Apocalyptic, Suffocating pressure that cracks open into resolve, Feels like being buried, then breaking through, ⸻ 🧱 SONG STRUCTURE (EDITABLE) Intro [Describe atmosphere: e, g, distant rumble, feedback swell, slow chugs]

Genre / Style Modern deathcore × metalcore hybrid, Whitechapel (Without Us) vocal intensity and tone mixed with Parkway Drive (Crushed) groove-driven heaviness, Brutal yet emotional, Vocals Male vocalist, Deep guttural lows, controlled mid-range screams, occasional spoken or strained clean phrases, Emotionally heavy, despair-to-defiance delivery, No high-pitched fry screams, Instrumentation • Drop-tuned 7–8 string guitars • Thick, percussive palm-muted chugs • Thumping, marching double-kick drums • Massive tom hits and breakdown accents • Minimal ambience; focus on impact and weight Tempo / Rhythm Mid-to-slow tempo (≈90–110 BPM), Groove-focused riffs with crushing breakdowns, Strong downbeat emphasis and stop-start hits, Mood / Atmosphere Oppressive, Apocalyptic, Suffocating pressure that cracks open into resolve, Feels like being buried, then breaking through, ⸻ 🧱 SONG STRUCTURE (EDITABLE) Intro [Describe atmosphere: e, g, distant rumble, feedback swell, slow chugs]

rap, aussie hip hop, slurred speech, male vocals, hip hop, death metal

Write a brutal, original death metal song that follows a life journey in seven stages: 1, Love – Falling in, intense, apocalyptic passion, destined connection, dark cityscape, molten energy, 2, Heartbreak – Betrayal, ghosts, cold venom, emotional carnage, loss, screaming into emptiness, 3, Empowerment – Rising from wreckage, stitched wounds, fury and strength, forging self in fire and blood, 4, Freedom – Breaking chains, running through storms, explosive release, triumphant chaos, hands raised to apocalypse, 5, Nostalgia – Looking back at ruined streets and memories, honoring the past, bittersweet reflection, ash and grace, 6, Struggle & Survival – Battling endless storms, bleeding in silence, rising stronger from pain, relentless perseverance, 7, Identity – Full self-realization, forged from every wound and fire, blackened tempest, unstoppable, triumphant finale, Make the lyrics cinematic, guttural, rhymed, and brutal, filled with vivid imagery, apocalyptic landscapes, molten, ‑Rap

PROMPT FOR SUNO AI — “VORTEX IN THE QUIET” (Rewritten) Style: unplugged acoustic dark-death-metal, rough-clean male vocals, eerie, subliminal, symbolic, hidden meaning, emotional tension Instruments: acoustic guitar only Tone: suspicious, cryptic, methodical, atmospheric Theme: hidden truths, life’s mystery, unseen forces, subtle pull into the unknown

Heavy metal song, death metal vocals, harmonised melody, like butterfly effect and tool, catchy slow riffs, beat breaks, minimal drumming, more powerful on the vocals, death heavy metal

Chaotic, hypnotic, and explosive, like System of a Down with twisted rhythms and sudden tempo shifts, aggressive guitars, sharp staccato riffs, pounding drums, urgent and piercing vocals alternating between snarling screams and melodic rage, unnerving tension, darkly theatrical, jagged dissonance, manic energy that mirrors betrayal and vengeance, layered with hypnotic grooves and brutal catharsis, raw, intense, and venomous—karma ripping through every note

PROMPT FOR SUNO AI — “VORTEX IN THE QUIET” (Rewritten) Style: unplugged acoustic dark-death-metal, rough-clean male vocals, eerie, subliminal, symbolic, hidden meaning, emotional tension Instruments: acoustic guitar only Tone: suspicious, cryptic, methodical, atmospheric Theme: hidden truths, life’s mystery, unseen forces, subtle pull into the unknown

Heavy sludge-driven progressive metal with gritty chugging bass, grinding down-tuned guitars, primal tribal drums, murky underwater darkness, hypnotic repetition, mixed with explosive brutal intensity, violent emotional power, harsh screaming vocals with melodic aggression, dark industrial atmosphere, cinematic tension, precise chaos, and devastating breakdowns

Genre / Style Modern deathcore × metalcore hybrid, Whitechapel (Without Us) vocal intensity and tone mixed with Parkway Drive (Crushed) groove-driven heaviness, Brutal yet emotional, Vocals Male & female vocals Deep guttural lows, controlled mid-range screams, occasional spoken or strained clean phrases, Emotionally heavy, despair-to-defiance delivery, No high-pitched fry screams, Instrumentation • Drop-tuned 7–8 string guitars • Thick, percussive palm-muted chugs • Thumping, marching double-kick drums • Massive tom hits and breakdown accents • Minimal ambience; focus on impact and weight Tempo / Rhythm Mid-to-slow tempo (≈90–110 BPM), Groove-focused riffs with crushing breakdowns, Strong downbeat emphasis and stop-start hits, Mood / Atmosphere Oppressive, Apocalyptic, Suffocating pressure that cracks open into resolve, Feels like being buried, then breaking through, ⸻ SONG STRUCTURE Intro [, distant rumble, clear distinct growling screams, natural, feedback swell, slow chugs

Classical dark, trash metal, dark, heavy vibe, insane hook of hard heavy rock, eerie screaming melodic vocals female and male vocalists, this song is about being pulled into the unknown but you know that it’s only going in one direction, scary yet hauntingly beautiful, not too chaotic but meamerizing

Death metal, female vocalist, brutal female vocals, very aggressive, create a call & response hook where needed for a really frustrating irate style of death metal song that switches back and forth in throughout a harmonious melody which makes you feel your being watched and disregarded, Desert feel, ‑Spoken vocals, ‑male vocals, ‑Egyptian sounds, ‑broken flows in melody or beats

Death metal, female vocalist, brutal female vocals, very aggressive, create a call & response hook where needed for a really frustrating irate style of death metal song that switches back and forth in throughout a harmonious melody which makes you feel your being watched and disregarded, Desert feel, ‑Spoken vocals, ‑male vocals, ‑Egyptian sounds, ‑broken flows in melody or beats

Trash metal female vocalist, brutal female vocals, very aggressive, heavy drum beats breaks, headbanging beat, create a call & response hook where needed for a really frustrated, high impact style of nu metal song that is harmonious, melodic, song is the feeling that you don’t mean much nor worthy of clarity, brackets are growled female vocals, emphasise on “CLARITY”, ‑Spoken vocals, ‑male vocals, ‑Egyptian sounds, ‑broken flows in melody or beats

Best of V5 ever made, death metal / hard rap song about hypocrisy

Very very heavy rock death metal, with dark and stretched out electric guitar riffs that are so so heavy and the voice of the 2 male singers one sounds like the lead singer in butterfly effect and the other singer is so death metal aggressive deep screaming and growls that are mad like the band Lorna shore, This song is about the darkening death and the soon to face it suffocates the being to the point of them already feeling like they are dead, they're so nu b, they feel that life has betrayed them as all they've known is now how to die, before they're dead!

metal, melodic death metal, eerie haunting vocals male and female, alike Whitechapel style, deep key D female screaming vocals, breaks headbang rock, best of V5 Suno model sound for death metal track about suffocating under pressure, harmony in male haunting vocals, all vocals are clear, this song is a struggle with pressure, death metal, female key D vocals, male vocals, electric guitar, realistic drum beats for death metal track, balanced

Death metal, best of V5 ai model, nu trash metal song, gutteral growls and high pitched screaming vocals male and female, clean and clear vocals, clear bass and slow death metal drums

Nu metal trash metal, best of V5 model, this songs emotional pain lingers throughout and after the song has finished, female brutal yet clean and sweet vocals

“SEL — female extreme metal vocalist, Songs are in key D (D minor), Vocal style is aggressive thrash scream with death metal growls, supported by eerie, dissonant harmonies, Delivery is confrontational, dominant, and in-your-face, Lyrics are accusatory and unapologetic, addressing the listener directly, No softness, no humor, no redemption, Controlled rage only, Harmony is haunting and unsettling, ” Sub-voice: “SEL // FURY, Emphasize relentless thrash scream and death growls, Minimal clean vocals, Aggression is constant and forward-driving, ” Song request: “Create a high-intensity heavy thrash / death metal track in key D minor, Fast tempo, Structure: Verse / Chorus / Verse / Chorus / Breakdown / Final Chorus, Guitars are sharp and cutting, Drums are tight and aggressive, Verses are nonstop screamed accusations aimed directly at the listener, Choruses introduce brief, eerie harmonic layers beneath the screams without softening impact, Breakdown is violent, stripped back, and oppressive

“SEL— female extreme metal vocalist, Songs are in key D (D minor), Vocal style is aggressive thrash scream with death metal growls, supported by eerie, dissonant harmonies, Delivery is confrontational, dominant, and in-your-face, Lyrics are accusatory and unapologetic, addressing the listener directly, No softness, no humor, no redemption, Controlled rage only, Harmony is haunting and unsettling, ” Sub-voice: “SEL // VOID, Emphasize eerie harmonized vocals, controlled low screams, and oppressive atmosphere, Aggression is cold, deliberate, and inescapable, ” Song request: “Create a mid-tempo heavy death metal track in key D minor with a suffocating, ominous atmosphere, Structure: Slow Verse / Chorus / Verse / Chorus / Extended Breakdown / Final Chorus, Verses use low, controlled screams with space between lines, Choruses feature haunting, dissonant harmonic vocals layered beneath restrained aggression, The breakdown is slow, crushing, and psychological rather than explosive

Slow funeral death metal, 60–70 BPM, Heavy downtuned guitars (B or lower), thick, sustained power chords, sick anger riff Sparse crushing percussion — deep toms, occasional slow double-kick Bass mirrors guitar, adds weight but keeps it dark& muddy, Chorus Riff (Guitar / Bass Concept): Palm-muted chug on low B string: |B--0--0--0--3--3--0--0--| Let it ring, slow, each hit like a heartbeat, Occasional open-string slides into minor chords for tension, Lead melodic overlay (optional) mirrors vocal line with slow descending minor pentatonic line, gives that memorability without softening the brutality, SEL//FURY: lead female vocalist, Anguished screams, stretched and cracking, almost like voice is breaking physically with rage, Lines to hit the you can’t get away / ashes / thrown away lines, hatred Riven: Dark, melodic, nasal-tinged timbre (Layne Staley–inspired), Contrast SEL//FURY with slow, mournful call-and-response: Harmonize at key points for tension: when SEL//FURY

Aggressive rap-rock crossover, Verses with bouncy, old-school hip-hop energy inspired by 90s party rap—funky basslines, swinging drums, playful swagger delivery, Choruses switch to heavy, minimal, militant alt-metal—slow, crushing groove, palm-muted guitar riffs, big half-time drums, chant-style shouted vocals, Strong contrast between upbeat, rhythmic verses and raw, confrontational choruses, High energy, rebellious, gritty, live-band feel, Structure: Verse (hip-hop bounce) → explosive heavy chorus → Verse → Chorus → breakdown → final chant chorus, Vocals: Verses: rhythmic rap with confidence and attitude, Chorus: shouted, repetitive, crowd-chant style, Mood: Rowdy, rebellious, hype, aggressive, politically charged energy

Vocals: female, Sel//Void to Sel//Fury transition, Opening: hollow, intimate, grief-heavy, voice cracking allowed, Mid: restrained growl, emotional pressure, controlled anger, Ending: raw acoustic screams, unfiltered, breaking, confrontational, No pitch correction, no smoothing, emotional imperfection preserved, Acoustic-only live performance, Single steel-string acoustic guitar ONLY + solo female vocal, Natural room sound, live mic bleed, string squeaks, breathing audible, Slow tempo 55–65 BPM, minor key, Unpolished, raw, live take, GUITAR INSTRUMENTS (allowed only): Steel-string acoustic guitar Baritone acoustic guitar Nylon-string acoustic guitar (optional, but steel-string is stronger emotionally) Acoustic guitar body percussion (taps, knocks — still acoustic)

Acoustic Slow funeral death metal, 60–70 BPM, Heavy downtuned guitars (B or lower), thick, sustained power chords, sick anger riff Sparse crushing percussion — deep toms, occasional slow double-kick Bass mirrors guitar, adds weight but keeps it dark& muddy, Chorus Riff (Guitar / Bass Concept): Palm-muted chug on low B string: |B--0--0--0--3--3--0--0--| Let it ring, slow, each hit like a heartbeat, Occasional open-string slides into minor chords for tension, Lead melodic overlay (optional) mirrors vocal line with slow descending minor pentatonic line, gives that memorability without softening the brutality, SEL//FURY: lead female vocalist, Anguished screams, stretched and cracking, almost like voice is breaking physically with rage, Lines to hit the you can’t get away / ashes / thrown away lines, hatred Riven: Dark, melodic, nasal-tinged timbre (Layne Staley–inspired), Contrast SEL//FURY with slow, mournful call-and-response: Harmonize at key points for tension: when SEL//FURY