三河弁ソング (Mikawa-dialect songs)

Live remix cover performance with intense audience interaction, Modern alternative rock crossover with jazz roots, Strong drums, deep groove, emotional female vocal, Call-and-response sections, crowd chanting during choruses, Dynamic live build, from intimate verses to explosive sing-along choruses, MC shouts and spoken parts between sections, Audience voices clearly audible, clapping and chanting in rhythm, Raw live energy, imperfect but powerful, Emotional peak during final chorus with maximum crowd participation, Concert hall or live house atmosphere

Japanese hip-hop with a playful and stylish groove, inspired by RIP SLYME, Light, bouncy beat, funky bass, smooth flow with rhythmic Japanese delivery, Female vocal rap with local dialect flavor, witty attitude, bright and fun atmosphere, funky rhythm, upbeat hip-hop, bounce groove, playful rap flow, catchy hook, positive summer-like vibe, cool Japanese phrasing, light turntable flavor, cheerful attitude, smooth timing, pop-hiphop fusion

Japanese post-hardcore rock inspired by 凛として時雨, Very fast tempo around 185 BPM, Sharp and chaotic distorted guitar riffs, tight and aggressive drums, rapid snare patterns, emotional build-ups and sudden dynamic drops, Complex rhythm, edgy bass lines, high-speed clean guitar interludes, atmospheric reverb on clean guitar parts, Male falsetto-only vocal throughout the entire song, No chest voice, no mid-register vocals, Entire performance must stay in a high-register airy falsetto: thin, sharp, emotional, and intense, Exclude deep male voice and exclude low or mid vocal tones completely, Vocal style should resemble TK from 凛として時雨 but sung entirely in falsetto with piercing clarity, Overall mood: frantic, emotional, fragmented, dramatic tension and release, with a cinematic chaotic edge

Japanese post-hardcore rock inspired by 凛として時雨, Very fast tempo around 185 BPM, Sharp and chaotic distorted guitar riffs, tight and aggressive drums, rapid snare patterns, emotional build-ups and sudden dynamic drops, Complex rhythm, edgy bass lines, high-speed clean guitar interludes, atmospheric reverb on clean guitar parts, Male falsetto-only vocal throughout the entire song, No chest voice, no mid-register vocals, Entire performance must stay in a high-register airy falsetto: thin, sharp, emotional, and intense, Exclude deep male voice and exclude low or mid vocal tones completely, Vocal style should resemble TK from 凛として時雨 but sung entirely in falsetto with piercing clarity, Overall mood: frantic, emotional, fragmented, dramatic tension and release, with a cinematic chaotic edge

An intimate indoor crossover performance that fuses jazz minimalism with aggressive modern rock energy, Hybrid ensemble expanding a drumless jazz trio into a powerful groove-driven band, Drums enter as tight, controlled, low-kit groove with strong rim hits and sub-heavy kick, never flashy, reinforcing pulse, Electric piano maintains the core rhythmic motif with wide swells and dark voicings, Cello becomes a dominant force: distorted, aggressively bowed, providing heavy bass ostinatos and grinding melodic counterlines, Cello functions both as bass and lead, with raw, physical attack and rock phrasing, Female vocal remains husky and intimate, whispery verses evolving into strained, emotional rock delivery, Saxophone solo remains lyrical and expressive, cutting through the mix with emotional intensity, Overall sound balances jazz intimacy with modern alternative rock and nu-metal influenced weight, Dynamic build from restrained tension to crushing groove without losing sophistication