2:59

A hip-hop track with a moderate tempo and a dark, somewhat menacing atmosphere, The instrumentation primarily features a synthesized bassline providing a deep, resonant foundation, accompanied by a sparse, trap-influenced drum beat with prominent hi-hat rolls and a strong kick drum, There are occasional synth pads that add to the atmospheric quality, The vocal performance is a male baritone, delivered in a rhythmic, spoken-word style with a consistent, almost monotone delivery, The vocal melody is minimal, focusing more on rhythmic cadence than melodic contour, The song structure is verse-chorus, with the chorus being a repeated vocal phrase, The overall production is clean with a focus on the low end and a clear, forward vocal mix, The key appears to be minor, contributing to the dark mood
4:23

A gentle acoustic folk lullaby featuring a warm, intimate male baritone vocal, The arrangement is centered around a fingerpicked acoustic guitar with a clean, natural resonance and a subtle, melodic slide guitar that provides atmospheric swells and counter-melodies, The tempo is a slow, steady 72 BPM in a 4/4 time signature, creating a soothing and rhythmic pulse, The chord progression follows a diatonic folk structure, primarily utilizing I, IV, and V chords with occasional suspended resolutions, The production is minimalist and dry, with a close-mic technique on the vocals to capture breathy textures and a light plate reverb on the instruments to add depth without washing out the clarity, The song structure consists of two main verses separated by a melodic instrumental bridge, maintaining a consistent, calming dynamic throughout
5:45

Distant Lover
v4.5-all
male tenor vocals, Sultry, intimate modern soul with subtle country/R&B textures, Slow tempo and sparse instrumentation leave space, creating tension and anticipation, Fingerpicked guitar and Rhodes pads are slightly delayed behind the beat, giving a “pulling, yearning” feel, Upright/electric bass pulses softly, anticipating resolutions, Vocals are breathy, sliding into notes, with whispered ad-libs for teasing sensuality, Chorus lifts harmonically but maintains intimacy, Spoken/rap bridge uses rhythm and phrasing to heighten sexual tension without overexplaining, Lyrics focus on physical and emotional closeness across distance, embodying sexual healing, longing, and intimate connection
2:02

MY BLUE HOUR!-V1 [SSC8,BRAZIL]
v4.5-all
female vocals, male vocals, j-pop style, Key Signature B Minor \rightarrow D Major (This shift provides a more "triumphant" lift), BPM 185 (Very fast, driving energy), Instrumentation Electric Guitar, Double-Kick Drums, Grand Piano, and a 12-piece String Ensemble, Vocal Style Anthemic, The chorus should be sung at the top of the lungs with "vibrato" on the long notes, The "Wall of Sound": Instead of just guitars, layer in a string section (violins and cellos) playing fast, staccato notes during the verses, The Percussion: Use Taiko drums or orchestral timpani during the "Lion Roar" section to give it weight, The "Anime Drop": In the bridge, right before the chorus, have all instruments cut out except for a single, shimmering piano note, followed by a massive explosion of sound
4:28

Relentless hardcore techno thrashes from the start: Sumerian chant samples in a guttural, evil voice loop over pulverizing, rapid-fire industrial percussion and pounding kicks, Deep, droning techno basses twist beneath jagged synth arpeggios, edm pop, yodel, minimal drops
4:24

4:14

Good to Be Here
v4.5-all
Acoustic-forward modern soul with playful, intimate energy, Fingerpicked guitar anchors verses, Rhodes adds warmth and texture, upright bass provides low-end depth, Drums are soft and brush-driven, accentuating intimacy, Vocals are soulful, confessional, with playful ad-libs and a diary-style spoken-word bridge, Choruses lift with light harmonies and subtle electric arpeggios, Lyrics celebrate gratitude, joy, and presence in daily life, Production balances organic warmth with modern touches, creating a human, uplifting, and approachable sound without polish feeling stiff or overproduced
3:59

psychedelic, minimal, progressive hous, low frequencies, dark, clean, absract, sexy, sex
6:52

Dark techno‑tango track blending tango’s sensual pulse with obsessive underground techno, finished as a 32‑bit WAV at 48 kHz, Tempo 115‑125 BPM; use a tango‑style 2/4 or 4/4 groove with a four‑on‑the‑floor kick and syncopated hi‑hats, Design a deep, distorted sub‑bass mimicking a tango “bombo, ” side‑chain‑compressed to the kick for a throbbing heartbeat feel, Layer dark granular pads swelling every 8 bars, reversed reverb swells, metallic percussive hits, and a ticking metronome that gradually speeds up, Include filter sweeps, pitch‑bends, and rising white‑noise risers that peak before each drop, synced with the accelerating metronome, Keep kick and bass tight, side‑chain pads/leads to the kick, add mild saturation to the bandoneón, spread percussive elements wide, keep lows centered, Master with multiband compression, gentle limiting, subtle harmonic excitation
3:19

Through The Fascination
v4.5-all
chillwave, darksynth, Electropop, male vocals with feminine qualities and higher pitched, atmospheric alluring obsession darksynths, distorted basslines
5:33

A melancholic and introspective acoustic folk-rock ballad characterized by a somber, stripped-back arrangement, The track features a prominent, finger-picked acoustic guitar providing a steady rhythmic and harmonic foundation in a minor key, A mournful, legato cello enters during the transitions and choruses, adding deep, resonant textures, The tempo is a slow, deliberate 70 BPM in 4/4 time, The male vocals are delivered in a raw, breathy baritone with a wide emotional range, shifting from a hushed, intimate whisper in the verses to a strained, powerful belt in the choruses, Subtle reverb is applied to the vocals to create a sense of isolation, The structure follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro format, with the intensity building through vocal dynamics rather than additional percussion
3:40

5:00

A hip-hop track with a moderate tempo and a dark, somewhat menacing atmosphere, The instrumentation primarily features a synthesized bassline providing a deep, resonant foundation, accompanied by a sparse, trap-influenced drum beat with prominent hi-hat rolls and a strong kick drum, There are occasional synth pads that add to the atmospheric quality, The vocal performance is a male baritone, delivered in a rhythmic, spoken-word style with a consistent, almost monotone delivery, The vocal melody is minimal, focusing more on rhythmic cadence than melodic contour, The song structure is verse-chorus, with the chorus being a repeated vocal phrase, The overall production is clean with a focus on the low end and a clear, forward vocal mix, The key appears to be minor, contributing to the dark mood
4:52

A high-energy, aggressive nu-metal and hard rock anthem characterized by down-tuned, distorted electric guitar riffs and a driving 4/4 drum beat at approximately 160 BPM, The track features a powerful male baritone vocalist who transitions between melodic singing, rhythmic rap-influenced delivery, and intense guttural screams, The song structure follows a standard Verse-Chorus-Verse-Chorus-Bridge-Chorus format, with a breakdown section featuring a bluesy, pentatonic electric guitar solo with wah-wah and heavy sustain, Production is polished and modern, utilizing thick layering of guitars, a punchy snare, and subtle electronic atmospheric textures in the background, The harmonic content is centered around a minor key, emphasizing power chords and chromatic transitions to create a sense of tension and dominance
2:41

gutteral deep bromine infused male vocals over the top of city mall corperate synth trap
3:19

BPM: 105
Time Signature: 4/4
Key: D Minor
Mode: Ionian
Genre: Electro-Pop, Erotic Pop, Erotic Hip Hop, Trap, Dirty South, Pop-Rap, EDM-Club, Instruments: Brass, Techno, Robo Beat, Bongos, Pounding Drums, Bass, Tuba, Clap, Saxophone, Fast Paced HI-HATS
Tone: High Energy, 808 Bass, Popping, Heavy Bass, Aggressive, Bouncy Beat, Dark, Intimate tones, Swoon Worthy, Ideal Lover, Sexy, Intimate, Close to ear, Charming, Smooth, Lusty, Sensual, Sultry, Crooning Vocals, Female Warm Deep Voices, Background Female Layered Vocals, Danceable, Rhythmic, Catchy, Syncopation Rhythms, Extra: Fast Twerking Music, High Pitch, Starts with Clapping, Catchy Rhythm, Charming Melody, Beat Drops, Villain Song, Harmonized, 10 second intro in the beginning, Banger through songs, built up bass drops, Clap beginning intro, Powerful Banger of Clap ending outro, Echo, catchy
4:51

Acoustic cinematic ballad, instrumental intro, heartbeat as the base, piano, cello, violin, catchy, introspective, clear alto vocal, raw, heartfelt, calm, sad
3:56

Vaporwave / chillwave / darkwave hybrid, mid-tempo (85–100 BPM), glossy yet sinister, Dreamy analog synth pads, detuned retro keys, shimmering chorus guitars, and hazy tape-texture atmosphere, Punchy but softened 808 drums with tight snares and minimal hi-hats, Deep rolling bassline with subtle glide, smooth not aggressive, Reverb-drenched ad-libs, airy layered vocals with seductive, cool-toned delivery, Bright pastel synth leads contrasted with shadowy minor-key progressions, Club-lite energy with nostalgic mallcore sheen and nocturnal darkwave undertones, Mood: glossy, mischievous, seductive, confident, playful but cold
5:34

psychedelic, minimal, progressive house, low frequencies, dark, clean, abstract
4:21

Hold Fast
v4.5-all
Driving blues-folk Americana grounded in a raw hillbilly baritone, “Hold Fast” is a percussive, rhythm-forward anthem of endurance, Acoustic downstrokes and upright bass create a boot-stomp groove, while slide and electric punctuate the vocal’s narrow, mantra-like melody, Lyrics traverse personal, generational, working-class, and societal survival, each “Hold fast” delivered as a defiant, deliberate code, Dynamic builds through tight grooves and short melodic licks, then strips down to acoustic and voice, leaving space for reflection, Tense yet melodic, the track embodies grit, persistence, and weathered resilience, anchoring the album’s arc with uncompromising, earthy authenticity
3:08

[IS_MAX_MODE: MAX] (Max)
[QUALITY: MAX] (Max)
[REALISM: MAX] (Max)
[REAL INSTRUMENTS: MAX] (Max)
SOLO BANJO LEAD, DARK APPALACHIAN TRAP x NOCTURNAL R&B with RESONATOR BANJO LEADS, THUNDEROUS SUB BASS SINE WAVES, RATTING TRAP HI-HATS, VELVET VOCAL TEXTURE, HEAVY VOCAL FRY, WET REVERB, THEME: CARNAL HUNGER, TEMPO: SLOW JAM GRIND (≈78 BPM), MINIMALIST ATMOSPHERE
5:37

This alternative rock song features reflective, emotionally restrained male vocals in a low to mid register, set to a steady, gentle tempo, Clean guitars and subtle, warm bass create a conversational flow through understated verses, No pre-chorus lift, The choruses remain hushed, with soft drums maintaining intimacy, bridge remains contained, coda withdraws emotionally, dissolving into a quietly introspective fade
4:37

psychedelic, progressive dub, clean, mandelbrot, fun, crazy, playfull, cartoonish vocals
3:29

BPM: 105
Time Signature: 4/4
Key: D Minor
Mode: Aeolian
Genre: Dark Pop, Erotic Pop, Bedroom Pop, Erotic Bedroom
Instruments: Heavy Bass, Bass, Bass Cello, Snap, Stomp
Tone: Dark, Dark Romance, Romance, Sensual, Heavy Bass, Intimate tones, Soft, Swoon Worthy, Sexy, Close To Ear, Sultry Whisper, Ideal Lover, Moan, Sultry, Lusty, Erotic, Distant, Smooth Deep Female Vocals, Rhythmic, Smooth, Powerful, Hypnotizing, Trance, Danceable, Syncopation, Villain, Evil, Extra: Low Pitch, Beat Drops, Cold Vocals, Obsessed vibes, Catchy Rhythm, Sing Along, Bassy Melody, Erotic Phrasing, Beat Drops, Suspenseful Climax, Built Up Bass Drops, ‑Male Vocals
4:51

6:59

Strangers Who Were friends
v4.5-all
acoustic guitar, 2020s, melancholic, blue-eyed soul, sentimental, pop soul, singer-songwriter, Fun, Professional sounding audio, Professional everything
5:44

Orchestra, Stomping, Bass Cello, Fiddle, Pop, Pop Swing, Drums, Sensual, Warm Male Vocals, Male Voices, Dark, Smooth, Angry, Dance, Rhythmic, Trance, Catchy
3:33

[Is_MAX_MODE: MAX](MAX)
[QUALITY: MAX](MAX)
[REALISM: MAX](MAX)
[REAL_INSTRUMENTS: MAX](MAX)
Alternative Hip-Hop, Melodic Trap, 88 BPM, Mainstream, Catchy, Reflective, Empowering, Punchy 808 Sub Bass, Clean Piano Chords, Polished Trap Drums, Wide Ambient Pads, Subtle Electric Guitar Layers, Anthemic Hook, Stacked Harmonies, Post-Chorus Vocal Chop Layer, Hook-Focused Arrangement, Male Vocals, Melodic Rap Verses, Strong Sing-Along Chorus, Dynamic Build, Radio-Ready Mix, Modern Pop Rap Polish, Wide Stereo, Clean Low-End
4:26

3:30

3:41

[Is_MAX_MODE: MAX](MAX)
[QUALITY: MAX](MAX)
[REALISM: MAX](MAX)
[REAL_INSTRUMENTS: MAX](MAX)
City Pop, Japanese City Pop Revival, Contemporary R&B, Bedroom Pop, Mid-Tempo, Italian Tempo Andante, 4/4, Groove-Oriented, Melancholic, Introspective, Late-Night, Romantic Tension, Analog Synth Pads, Juno-Style Poly Synth, Chorus Electric Guitar, Funk Bass Guitar, Soft Drum Machine, Tight Kick, Warm Rhodes, Subtle Sidechain, Vinyl Texture, Stereo Pads, Male Vocals, Smooth Tenor, Breathly Delivery, Light Falsetto, Intimate Lead, Layered Background Harmonies
5:29

A mid-tempo alternative rock track blending acoustic folk elements with heavy, distorted anthemic choruses, The song begins with a fingerpicked acoustic guitar in a minor key, accompanied by a breathy, intimate baritone male vocal, As the track progresses, it builds into a powerful rock arrangement featuring overdriven electric guitars, a driving drum kit with heavy snare hits, and a melodic bassline, The chorus features soaring, gritty vocal delivery with layered harmonies, The structure follows a verse-chorus-verse-chorus-bridge-chorus pattern, utilizing a dynamic shift between quiet, reflective verses and explosive, high-energy choruses, Production is polished with a wide stereo field, subtle reverb on the vocals, and a clean, punchy mix, The tempo is approximately 85 BPM
2:44

gutteral deep bromine infused male vocals over the top of city mall corperate synth trap
4:51

BPM: 120
Time Signature: 4/4
Key: D Major
Mode: Ionian
Genre: Metal, Death Metal, Instruments: Pounding Drums, Synth Pads, Electric Guitar, Bass, Drums, Clap, Stomp, Choir, Acapella, Orchestra, Tone: Crunchy Guitar Riffs, Shouting, Sampling, Reverb, Baritone Clean, Chesty, Gravelly Vocals, Warm Vocals, Lusty, Devilish, Sensual, Dark, Dark Romance, Erotic, Swoon worthy, Low Baritone Male Vocals, Rough Male Vocals, Monstrous Vocals, Growly, Threatening, Angry, Aggressive, Close to ear, Villain, Evil, Danceable, Rhythmic, Syncopation, Catchy, Harmonized, Loud, Extra: Full Blast, Scream, High Pitch, Electric Guitar Solo, Sing along, Blasted Music, Trance, High Pitch, Starts with Clapping, Catchy Rhythm, Charming Melody, Beat Drops, Villain Song, Harmonized, 10 second intro in the beginning, Banger through songs, built up bass drops, Electric Guitar beginning intro, Powerful Banger of Bass Cello ending outro, Echo, catchy
4:56

Deep, gravelly male vocals with a feral, unhinged undertone—clear, loud, and commanding, Delivery shifts between slow, stalking rap and sudden rapid-fire bursts, dripping with psychotic, murderous intensity, Southern rap cadence fused with metal aggression and bluegrass grit, Heavy, distorted 808 bass and trap drums hit like a heartbeat under pressure, layered with ominous piano and tense, cinematic strings, Horror and dark pop atmosphere soaked in reverb, creating a suffocating, haunted soundscape, Dual vocals emerge during emotional peaks—one raw and enraged, the other broken and echoing—amplifying inner chaos, The track feels dangerous, unstable, and theatrical, like a violent confession whispered and screamed at the same time, ‑mumbling
2:24

2:00 AM
v5
[Is_MAX_MODE: MAX](MAX)
[QUALITY: MAX](MAX)
[REALISM: MAX](MAX)
[REAL_INSTRUMENTS: MAX](MAX)
Japanese Dark Pop, City Pop Revival, 125 BPM, Cynical, Toxic, Late-Night, Slap Bass, Punchy 808, Funk Guitar Chops, Rhodes Piano Stabs, Tight Drum Groove, Male Vocals, Raspy Baritone, Dry Close-Mic, Staccato Delivery
3:26

"I'm yours to break"
v4.5-all
deep male vocals, soul, funky, rock suave, indie rock, diverse, lush, seductive
3:13

Mirror Mirror
v4.5-all
sexy vocals, female vocalist, alternative hyper-pop, alternative electro-pop, industria revolutia, industrial trap, industrial instrumentals, hyper-pop instrumentals, ponyboy, heavy reverbed basslines, reverbed drums, alternative pop influences, electroclash influences, bumping bassline, catchy, high quality studio sound, clean mix, clean vocals, clean instrumentals, proper pronunciation, hot single, structured drums, electric piano, synthesizers, echoed vocals, glitchy vocals, cuntiana grande, heavy 808s, industrial backline, bouncing bass, bass guitars, reverbed vocals, glitched adlibs, crisp hi-hats, explosive hooks, scene queen couture, scene pop























