YUKI

using high-gain distortion with sharp attack, Mix aggressive, angular riffs with noisy, melodic phrases, allowing playful unpredictability and controlled chaos, The structure should be simple but volatile, with clear sections and slight tempo fluctuations, capturing live-band intensity and emotional risk, Prioritize danger, personality, and emotional impact over polish and complexity, Add a skilled female lead vocal, Clear, powerful, and expressive singing, No husky tone, no shouting, Strong pitch, emotional control, and melodic presence, “SOLO High-speed, ultra-precise turntablism scratching over classic hip-hop breakbeats, Sharp vinyl cuts, transformer and flare scratch combos, aggressive yet musical groove, strong rhythmic accents, Clean, punchy, DMC world champion–level scratch performance, ”

Create a rock-driven fusion track with a touch of vintage soul, Use explosive, instinctive, and unpolished drumming with heavy snares, open hi-hats, sharp cymbal crashes, and sudden violent fills, plus a short drum solo with chaotic accents, The bass should be minimalistic, heavy, repetitive, and hypnotic, using strong root notes and a dry thick low-end, with a brief bass solo using gritty slides and simple variations, Guitars must be gritty, raw, and lightly overdriven, forming a tough rock base with subtle soul influence, and a guitar solo featuring bluesy bends and short emotional runs, Add an alto sax inspired by Nobuya Sugawa, with a clear tone, precise articulation, and controlled vibrato, plus a sax solo using smooth legato lines and light chromatic touches, Vocals should follow an Amy-style approach: soulful, warm, expressive, and powerful, with a short ad-lib section in a jazzy style, Use light tape saturation, dry spring reverb, and a tight punchy retro mix

Generate a Japanese 90s garage rock / blues punk instrumental inspired by raw alternative rock energy, Drums are primal, aggressive, and explosive, prioritizing groove and tension over technical precision, Guitars are dry, sharp, and dirty, with simple blues-based riffs, rough distortion, and occasional noisy outbursts rather than layered polish, Bass is thick, repetitive, and hypnotic, locking tightly with the drums to create a dangerous groove, The overall mood is dark, reckless, and emotionally raw, Structure should be simple and direct, with slight tempo fluctuations and live-band intensity, Avoid overproduction and excessive effects, 🎸 轟音より「危険度」を上げる追加行 Dry mix, minimal reverb, Live room feeling, Tight but unstable energy

Deep sultry smoky female vocals, velvety low-register, 80BPM Heavy Slow Rock, Raw emotional power, solitary and stoic mood, moody cinematic atmosphere, Extreme dynamic shift: hushed brooding verse vs explosive massive chorus, Gritty analog texture, SOARING MELODIC CRYING FENDER GUITAR SOLO, singing lead with high sustain, heavy tube-amp feedback, thundering organic drums, dark driving bassline, no piano

Rock–Jazz fusion with raw instinctive energy, Drums are wild, explosive, and unpredictable, inspired by Tatsuya Nakamura: heavy snares, open hi-hats, chaotic fills, violent accents, and unpolished human timing, Bass is extremely minimalistic, heavy, repetitive, and stubborn, with thick dry low-end and strong root notes, grounding the chaotic drums, Guitar is gritty and lightly overdriven, forming a dirty rock base with subtle soul flavor, Add an alto sax inspired by Nobuya Sugawa: brilliant tone, smooth legato, precise articulation, expressive vibrato, and lyrical phrasing, Vocals follow an Amy-style mood: soulful, warm, smoky, slightly poisonous sarcasm, with jazz phrasing and emotional cracks, Include three solos: • Sax solo — lyrical, smooth legato, bright stabs, • Drum solo — chaotic, raw, eruptive, • Bass solo — ultra-minimal root-based variations

Fast-tempo Wild Rockabilly × Deep Blues Instrumental (BPM 165–190), Track is 100% nonstop guitar solos — solo density 5×, Bright Fender-style crunch, strong pick attack, heavy slapback echo, bluesy sustain, Emotional crying bends, fast rockabilly double-stops, sliding licks, chicken-pickin’, country-blues runs, constant mini-solos, Upright slap bass, vintage rockabilly thump, Mood: wild, nostalgic “old America fading” road-movie vibe

Fast Gypsy Jazz / Jazz Manouche Christmas instrumental, BPM 220–240, Lead acoustic guitar in Django Reinhardt style, extremely bright and clear, with continuous virtuosic solos, rapid chromatic runs, and expressive improvisation, Second acoustic guitar plays strong La Pompe rhythm for relentless swing, Warm upright bass, forward and melodic, walking lines locking with rhythm, Optional violin or clarinet for melodic counterpoint, Acoustic, live performance feel, minimal effects, Mood: joyful, swinging, nostalgic, festive harmony, warm holiday spirit, winter charm, Mix: - Lead guitar very prominent - Bass forward - Rhythm guitar driving swing - Vocals close and expressive when added

Groove-driven rock rooted in 1970s deep funk blended with heavy slow rock (around 80 BPM) and subtle electro texture, Strong “The One” groove, raw live-band energy, 90s Japanese indie cinematic atmosphere, gritty analog saturation, Blues-based fuzz/crunch guitar riffs with space and silence, Crying Fender guitar lead with tube-amp feedback, Syncopated funky bass and warm, organic live drums, Minimal brass, subtle strings, clean jazz guitar accents, No piano, Dry spring reverb, light tape saturation, mono-leaning mix, Female Japanese indie rock vocal: Soft, slightly husky, close-mic and intimate, Whispery, mid-to-low register, minimal vibrato, raw and unpolished, Restrained verses, emotionally opening chorus without screaming, Honest, understated, vulnerable, Lyrics / mood: Everyday moments, loneliness, quiet frustration, bittersweet darkness

Dynamic Cyberpunk Funk- Rock, Complex rhythms, 80BPM, Heavy minimal bass, Primal unstable drums, Japanese 90s raw rock intensity, Dangerous groove, Soaring emotional female vocals, Crystal electronic textures, Wild expressive distorted guitar, High-fidelity, Sharp but intentional tension

Dark noir psychedelic blues-rock, mid-tempo hypnotic groove, detuned upright piano and Fender Rhodes, junkyard percussion with soft drums, deep repetitive bass, sparse clean guitar, muted trumpet, rain and thunder ambience, half-spoken theatrical vocal, gutter poetry storytelling, raw lo-fi cinematic nocturnal atmosphere