
MRK Original Soundtrack (v5)
This is for songs made for my original series, "My Roommate's a Killer (And So Is Everyone Else)" DO NOT REUSE WITHOUT MY EXPRESS PERMISSION! MRK AND ALL RELATED CONTENT IS MY INTELLECTUAL PROPERTY!
·
37 songs
2:51

2:27

pop-punk, female vocals, world, electric guitars, punk, pop, aggressive
3:17

pop-punk, male vocals, electric guitars, punk, pop, aggressive, dark
2:54

2:36

playful, pop, childish female vocals, innocent, music-box-led
3:14

3:32

2:34

carnival, pop, male vocals, rap, rhythmic, theatrical, pop-rap, growling vocals
3:49

brooding, female vocals, theatrical, dark rock-opera, rock, opera
3:03

4:36

3:02

2:12

2:38

2:09

4:04

pop, pop-rock, thunderous drums, rock, epic, electrifying guitar riffs, villainous, dark and defiant atmosphere, female vocals
3:49

pop, pop-rock, thunderous drums, rock, epic, electrifying guitar riffs, villainous, dark and defiant atmosphere, male vocals
3:54

3:44

brooding, male vocals, theatrical, dark rock-opera, rock, opera
3:23

pop, pop-rock, thunderous drums, rock, epic, electrifying guitar riffs, villainous, dark and defiant atmosphere, male vocals
4:39

alt, alt-metal, thunderous drums, metal, epic, electrifying guitar riffs, villainous, dark and defiant atmosphere, male vocals, gunshot SFX
3:49

pop, pop-rock, thunderous drums, rock, epic, electrifying guitar riffs, villainous, dark and defiant atmosphere, male vocals
2:59

3:16

3:53

3:21

pop, pop-punk, thunderous drums, punk, epic, electrifying guitar riffs, villainous, dark and defiant atmosphere, male vocals
4:49

5:17

orchestral, opera, female vocals, dark rock-opera, dramatic, rock
3:44

orchestral, opera, male vocals, dark rock-opera, dramatic, rock
4:49

2:30

rock, Aggressive pop-punk with horrorcore edge, male vocals, Fast palm-muted power chords, gritty bass, tight live drums with double-time fills, Verses stay punchy and close-mic’d, gang shouts on key words, Chorus opens with wide distorted guitars, layered shout-along hook, and subtle eerie pad underlining the “mansion heart” vibe, Brief half-time breakdown before final chorus for crowd-stomp moment, then abrupt cutoff reverb tail on the last line, pop, punk, male vocals
3:28

rock, Crunchy pop‑punk band with male vocals; palm-muted guitars on the verses, tight bass and driving drums, choruses explode with gang shouts and octave leads, Vocals snarl and sneer in the verses, opening into bratty, anthemic hooks; occasional background screams and dissonant guitar stabs add horrorcore edge, Bridge drops to half-time with creepy clean guitar and whispered lines before a final, full-tilt chorus, pop, horrorcore, male vocals, punk
3:02

rock, Aggressive horrorcore pop-punk with male vocals; palm-muted power chords jump between sprinting verses and a huge, shout-along hook, Verses ride a snarling, distorted bass and tight punk drums; choruses explode with gang vocals, octave leads, and chanty ad-libs, Brief half-time breakdown with screamed layers and glitchy ambience before final chorus, punk, male vocals, horrorcore, pop
5:04

Dramatic Broadway ballad with solo female vocals; lush piano foundation, swelling orchestral strings, and pointed woodwind flourishes, Verses sit conversational and nimble, with patter-like rhythm shifting into soaring, belt-ready lines on the chorus, Occasional timpani rolls and brass stabs heighten the menace; bridge drops to a fragile, hushed moment before a big, terrified final chorus, broadway, female vocals
4:42

Broadway show-tune energy with solo female vocals; bright piano and pizzicato strings in the verses, swelling orchestral builds into big, melodic choruses, Woodwinds add playful color, brass punctuates punchlines, Mid-song key lift for extra theatrical drama, then a tender, slightly eerie bridge with celeste and muted strings before a triumphant, sparkling finale, broadway, female vocals
5:29

rock, Grand baroque-Broadway hybrid with harpsichord and strings leading, then sneaky distorted guitar swells on section transitions; male and female vocals trading tight call-and-response lines, Verses stay theatrical and wordy with pizzicato strings and sharp stabs, chorus blooms into bold, belted unison with timpani hits, low brass, and a sly rock backbeat, Second half adds darker harmony intervals and octave-doubled guitars; brief instrumental flourish before the final chorus, broadway, baroque, female vocals
4:29

Grand baroque-pop Broadway ballad with ornate piano, harpsichord flourishes, and lush strings; male and female vocals trade lines then soar in tight harmony on the hook, Verses stay intimate and story-driven, orchestration light and chamber-like; chorus blooms with full string swells, timpani rolls, and bell accents, Middle section rises dramatically with key modulation and sustained high notes before resolving to a tender, quiet ending focused on the two leads’ blended voices, broadway, female vocals, ballad, baroque
