Hyper/Hypo

All layers consist of static, distortion, feedback loops, sub-bass pulses, high-frequency hiss, and glitch artifacts, No vocals, no melody, no harmony, no traditional percussion, Sound is abrasive, unrelenting, claustrophobic, dissonant, and dense, Textures constantly evolve, overlapping in harsh, metallic, and electronic noise, Atmosphere is suffocating, paranoid, and aggressive, minor key implied but unpitched, Avoid cinematic cues, chordal instruments, and pop or tonal references, Focus on texture, volume, and sonic tension; chaotic but controlled layering of noise

Vocals: panicked, cracks and light fry at peaks; frantic, harsh, rough, sung, raw, gritty, strained, fully sung, not spoken, Instruments: dark industrial + heavy brostep; violently bowed acoustic cello merged into distorted wubs/growls and bitcrush; filthy detuned sub-bass, hard LFO wobble, feedback bursts, tape-delay smear, granular breakup, 808 kick + dry snare + phonk cowbell only; NO cymbals, Glitch edits, chopped stutters, sudden drops, collapsing textures, Minor key, slightly detuned, Rhythm: energetic driving feel (~140–150 BPM), tight quarters/eighths with triplet accents and deliberate stutters, Mix: dark, abrasive, claustrophobic, hostile, No cabaret, no cinematic swell, no bright pop polish, FORCE VOCALS: Follow lyric tags and perform sung delivery only, Do NOT ignore the lyrics

Technical Dissonant Hardcore, 150BPM, Heavy dragging 6/8 time, Bit-crushed TR-909 drum machine, Industrial pneumatic clicks, STRICTLY No cymbals, No hi-hats, No acoustic drums, Female vocals: piercing high-register shrieks vs haunting melodic breathiness, Mocking arpeggiated celeste, High-frequency static friction, Guitars: Atmospheric shimmering distortion, cold vacuum tone, single-note dissonant ringing, jagged staccato stabs, Zero-reverb, Minimalist clinical architecture, ‑cymbals, ‑hi-hats, ‑crashes, ‑rides, ‑acoustic drums, ‑snare drum, ‑kick drum, ‑fast, ‑upbeat, ‑groove, ‑4/4, ‑metalcore, ‑rock, ‑melodic harmony, ‑warmth

Style/Genre: Post-Industrial Sludge, 1990s Industrial Rock, heavy tension mechanical percussion, Instrumentation: Distorted, asymmetrical hydraulic percussion avoid a steady techno pulse; use a stumbling, heavy 909 kick hits behind the beat, Aggressive Bowed Cello providing low end pressure and primary rhythmic push, Deep, saturated industrial bass that bleeds into the cello, Vocals: Exhausted and desperate alto chest-voice with a jagged edge, Vocals should sound like they are fighting the mix, buried under layers of saturation rather than floating on top, Focus on strain and urgent, clipped phrasing, Production: Saturated, claustrophobic mix with heavy sidechain compression that makes the entire track gasp for air, The noise should feel like structural fatigue and rhythmic mechanical failure, acting as a percussive element rather than a background layer, Bitcrushing, glitch elements

Style/Genre: Aggressive Avant-Garde Industrial, Glitch, High-velocity mid-range growls, Wobble-bass-modulation, No Cymbals, No Reverb, Dry Mix, Sharp Transients, Gated, Erratic variable density, Instrumentation: Heavy percussive Hammond organ with violent percussive key-clicks and stabbing drawbar shifts; Aggressive bowed cello; Stumbling machine-gun TR-909 patterns; Bitcrushed digital stutters; Abrupt rhythmic shifts; No pads, No atmosphere, Vocals: Frantic high-velocity shrieks; Raw jagged-edge alto; Underclocked flat monotone; Dry close-mic, Production: Saturated, Violent sidechain ducking, Sudden clinical silence, Structural fatigue noise, chaotic but controlled, varying intensity, ‑pop, ‑cabaret, ‑edm, ‑house, ‑folk, ‑cinematic, ‑theatrical, ‑breathiness, ‑whisper, ‑cymbals, ‑reverb, ‑guitar, ‑acoustic drums, ‑drum kit, ‑echo, ‑delay, ‑wash, ‑sustain, ‑fade

Dissonant Thall, 70 BPM, atonal, extreme pitch-down guitars, rhythmic silence, gated percussion, no cymbals, sub-bass drops, mechanical glitch, tape-delay, bitcrushed, clinical and cold

Raw, strained, emotionally exhausted vocals; dry, cracked, no breathiness, no pop/EDM tone, forward and intimate, Classical guitar is primary: louder, sharp, tense plucks, finger scrapes, panic chords, microtonal bends, close-mic and dry, Upright bass is clearly present: deep, weighty, oppressive resonance, bowed or plucked, dark rumble, Guitar and bass periodically collapse into low-pitched, wide, industrial elements: distorted, bitcrush, detuned sub-bass, heavy LFO wobble; no bright or happy wubs, no EDM shine, Electronics should be subdued, not sharp, muted glitch edits, restrained granular pads, Percussion: dry TR-808, no cymbals, 137 BPM, steady but burdened, slight hesitations, Mix is dense, dark, low tilted; vocals, guitar, and upright bass forward; electronics behind, ‑cinematic, ‑cabaret, ‑pop, ‑soul, ‑blues, ‑indie, ‑rock, ‑house, ‑edm

Style/Genre: Dark Electronica, Minimalist, 7/4 time signature, Prompt: Moderato, Primary instrument: acoustic concert harp, aggressive pizzicato, metallic timbre, Percussion: Roland TR-606, thin distorted kick, dry rimshot on beat 7, Rhythmic stutter and 100ms silence gap every 7th bar, During [Pre-Chorus], harp plucking density increases, During [Drop], frantic dissonant harp ostinato, During [Breakdown], drums cut to low resonant sawtooth drone, ‑industrial, ‑dubstep, ‑cyberpunk, ‑cymbals, ‑hi-hats, ‑drum kit, ‑guitar, ‑synthesizer, ‑reverb, ‑4/4, ‑8-bar loop, ‑bright, ‑warm, ‑melodic, ‑harmony, ‑chorus, ‑atmosphere, ‑operatic vocals, ‑vibrato

Celeste primary melodic instrument: cold, brittle, slightly detuned, dry, rigid, starts immediately, Upright bass only low-frequency source: heavy, repetitive, present, Minimal drum machine: mechanical pulse, no fills, no swing, no groove, Pads low, muted, textural only, no lead synths, Uneven looping meter, feels like 13/8 (3-3-3-4), flat, unresolved, Vocals clean, close-mic, restricted range, limited dynamics, vocals resist release; intensity comes from refusal to resolve, exhausted, flat per section, emotion from pressure, not melody, Vocals never bloom; lines cut off early or press forward without emphasis, Dry, midrange-forward mix; vocals, celeste, bass forward; drums/pads recessed, Minimal reverb, mild saturation and bitcrush allowed, ‑indie, ‑techno, ‑edm, ‑pop, ‑funk, ‑circus, ‑cinematic, ‑post-punk, ‑soul