GiR 2: Another Reality

GiR 2nd Album intro track — calm, minimal, and intimate, Mix should emphasize the four-female ensemble vocal tone: soft unison with thin harmony layers, balanced between whisper and clarity, Keep vocals slightly forward and dry, with a narrow stereo field that feels close and real, Instrumental background should stay quiet: minimal percussive pulse, muted electric piano, subtle filtered pads, and light static textures, Avoid heavy reverb; maintain a short, realistic room tail, Overall feel: quiet awakening, real-time consciousness, and human warmth in stillness, Blend subtle digital artifacts near the fade-out for continuity with GiR’s sound world, ‑ballad, ‑orchestral, ‑cinematic score, ‑trap beat, ‑EDM drop, ‑acoustic folk, ‑dramatic soundtrack, ‑hyperpop, ‑anthem pop

Use a soft, close, four-female vocal ensemble with gentle breath detail, light unison blending, and thin upper harmonies that float just above the lead, adding subtle back-and-forth phrases and smooth layered chords without overpowering the mix, all supported by a softly open, high-resolution pop tone with warm midrange clarity, lightly airy top, smooth transients, natural instrument depth behind the vocals, and a clear, emotional autumn-light atmosphere without harshness or excessive brightness

Keep the exact arrangement, rhythm, and instruments as they are, Refine clarity and balance slightly without changing tones, layers, or adding new elements, Do not alter vocals, piano, beat, or ambience, ‑folk, ‑acoustic folk, ‑indie-folk, ‑guitar pop, ‑acoustic guitar ballad, ‑guitar arpeggio styles, ‑country, ‑singer-songwriter acoustic, ‑rock, ‑soft rock, ‑hard rock, ‑alternative rock, ‑metal, ‑EDM, ‑trance, ‑house, ‑techno, ‑synthwave, ‑retro pop, ‑trap, ‑hip-hop, ‑R&B vocal riffing, ‑gospel, ‑cinematic orchestra, ‑orchestral swell, ‑soundtrack, ‑epic drums, ‑ballad (K-ballad, ‑J-ballad, ‑pop ballad), ‑jazz swing, ‑blues, ‑funk, ‑soul, ‑Motown, ‑city pop, ‑bossa nova, ‑latin pop, ‑reggae, ‑ska

Do not change existing audio, structure, tempo, rhythm, or instruments; do not add or replace anything, Keep the piano centered, close, and clear in the midrange with no smear or distance, Keep drums centered, tight, and stable with no new hits, Keep electronic textures light, thin, and modern, placed subtly to the sides, Refine only the mix: clean low-mid mud, tighten lows, and add clean high-mid clarity with soft upper air for a brighter, more transparent sound, Use subtle depth only; no heavy or distant reverb, no wide phase, Lock the vocal tone: whisper-clear, close-mic, smooth brightness, and forward presence, Add thin, simple chord-tone harmonies without strong jazz color, Boost chorus vocal energy by giving it slightly stronger presence and clarity, not volume or intensity, Keep endings tidy with short natural tails; avoid long sustains, especially in the outro, Goal: a bright, clear GiR-style mix with a more lifted chorus and all musical content unchanged, ‑excessive reverb, ‑hall reverb, ‑heavy ambience, ‑lofi, ‑warm vintage tone, ‑analog haze, ‑tape saturation, ‑retro synthwave, ‑vaporwave, ‑R&B runs, ‑jazz scat, ‑acoustic guitar pop, ‑indie guitar rock, ‑EDM big-room, ‑trap, ‑dubstep, ‑metalcore

Use a subtle electronic reference persona only to support space and openness, Do not introduce band, rock, jazz, or live performance characteristics, Preserve the existing vocals, lyrics, melody, harmony, groove, and energy, Do not change vocal timing, phrasing, or intensity, Open the sound slightly: Allow a bit more high-frequency air and stereo breathing, Add a very light sense of space and depth, Reverb must be minimal and controlled: short decay, low wet level, no tail emphasis, Reverb should add air, not mood or drama, Keep drums electronic, dry, and rhythm-focused, No added warmth, no rounded low-mid buildup, Overall result should feel: the same track, slightly more open, slightly more breathable, never bigger or more emotional, ‑ballad, ‑lo-fi, ‑boom bap, ‑neo-soul, ‑gospel, ‑funk jam, ‑retro house, ‑disco, ‑acoustic, ‑cinematic