D&D // Aeternitas

Style: Slow sacred male choir hymn, Deep baritone and bass voices only, No percussion, no instruments except subtle organ or drone background, Tempo: 55–65 BPM, Gregorian-inspired harmonies in D-minor, Extremely reverberant cathedral space, Sound must feel ancient, solemn, and divine — beyond good and evil, Mood: Mystical, timeless, reverent, Feels like a forgotten prayer to cosmic beings that shaped reality itself

A mysterious a cappella choral piece, A small treble choir with light, airy and ethereal voices sings the entire text in unison and gentle harmony, The performance should feel enchanting and mystical, like a whispered fairytale, No instruments, only pure choir voices, soft, still, and reverent, with a sense of wonder and secrecy

Dark and ominous bardic, Sung by a clear female solo voice, soft yet compelling, with emphasis on emotion and drama, Accompaniment: minimalist, only a dark, foreboding music-box melody supporting the voice, no other instruments, Tempo ~70–90 BPM, 4/4 time, mysterious and haunting, atmospheric

A dark, slow darkwave ballad with a haunting music box intro, echoing vocals, and a cold, ethereal atmosphere, The music should feel ritualistic and, like an ancient curse being sung in whispers, Use layered synth pads, deep bass drones, and distant choirs, The tempo is slow and deliberate, evoking mist, decay, and forgotten magic, The vocal tone should be emotional but restrained, half-sung and half-spoken, as if telling a dark fairytale

Create a gothic dark fantasy narrative composition told like a story rather than a song, The music should be calm, atmospheric, and immersive, led by dark piano and low strings, with subtle choirs and gentle distorted guitars only for dramatic tension, No electronic or modern textures, A solo female voice acts as the narrator, alternating between soft spoken passages and short melodic phrases that feel like reflections, not choruses, The structure unfolds in scenes: a brief twilight awakening, the discovery of a forgotten path, the approach of a shadow, and a quiet revelation, Each section should evolve naturally, shifting mood and instrumentation like chapters of a gothic fairytale, Avoid grand symphonic climaxes; instead, focus on atmosphere, pacing, and the sense of wandering through a misty, ancient world, End quietly, as if the tale fades back into darkness, No Intro, no Outro

epic, strong, dramatic with driving percussion and soaring strings, orchestral

epic, cinematic, orchestral with heavy percussion and haunting male vocals

Baroque courtly fantasy ballad — male vocals throughout, elegant and eerie, evoking a royal masquerade with masked nobles and trickster fae, Instruments: harpsichord, lute, viola da gamba, violin, oboe, shawm, and harps, No drums or percussion, Tempo 90–110 BPM, 3/4 or 6/8 rhythm, Rich ornamentation, trills, and high woodwinds, regal and slightly unsettling, perfect for a cunning masked king in a candle-lit castle hall

Style: dark orchestral fantasy ballad, emotional and cinematic, Tempo: 90–100 BPM), starts softly and grows into a powerful climax, Female lead vocal with clear, expressive tone — emotional but controlled, no operatic vibrato, Instrumentation: piano, strings (cello, violins), subtle brass, deep percussion, ethereal choirs, distant taiko drums in the climax, Mood: tragic, mystical, heroic awakening — the journey from darkness toward light, The verses should feel introspective and poetic, while the chorus (“Doch sie will leben! / Und sie wird leben!”) must sound strong, full of resolve, with orchestral swell and layered vocals, Avoid electronic or pop sounds, Keep it cinematic, fantasy-like, with natural reverb and atmospheric depth, Emotion progression: sorrow → hope → defiance → triumph

Single lead melodic voice is replaced by instrumental lines only; no vocalizations, Timbre: Japanese medieval-inspired instruments (shakuhachi, koto, guzheng, biwa), Indian tabla/tambura drones subtly in background, Percussion: metallic hits, anvil-like clangs, cymbals, bells; dynamic, spatially placed, Arrangement: five seamless sections with varying tempos (Part1 72–80BPM, Part2 95–105, Part3 108–120, Part4 70–85, Part5 60–70); modal scales (Dorian/Phrygian-like) with occasional microtonal ornaments, Mix: dry lead instruments, intimate room reverbs, deep subbass for grounding, metallic transient emphasis, Performance: expressive phrasing, dynamic contrasts, occasional improvisatory flourishes, natural pauses for spatial depth, No choruses, no synthetic harmonies, authentic acoustic textures

A solo female voice acts as the narrator, alternating between soft spoken passages and short melodic phrases that feel like reflections, not choruses, Timbre: Japanese medieval-inspired instruments (shakuhachi, koto, guzheng, biwa), Indian tabla/tambura drones subtly in background, Percussion: metallic hits, anvil-like clangs, cymbals, bells; dynamic, spatially placed, Mix: dry lead instruments, intimate room reverbs, deep subbass for grounding, metallic transient emphasis, Performance: expressive phrasing, dynamic contrasts, occasional improvisatory flourishes, natural pauses for spatial depth, No choruses, no synthetic harmonies, authentic acoustic textures

Style: Fast-paced, energetic, playful musical number at 170 BPM, full of Disney-style charm and clever mischief, Bright, bouncy orchestration with rhythmic strings, lively brass, sprightly woodwinds, and crisp percussion, Melodies are agile, theatrical, and witty, with quick harmonic shifts to emphasize humor, roguish cleverness, and narrative storytelling, The overall feel should be whimsical, lively, and character-driven, like a mischievous stage musical introduction, Vocals: Single male lead voice, older, full-bodied and robust, slightly rough and gravelly, but warm and expressive, The voice conveys humor, cunning, and charm of a seasoned, slightly rotund traveling merchant, Fast, articulate, playful delivery with theatrical phrasing — energetic but mature, conveying both mischief and authority, Choir sings only the parenthesized lines, Intro and Outro are spoken, not sung

Nordic folk lullaby, soft female vocals, gentle airy timbre, subtle vibrato, Traditional Scandinavian instrumentation: nyckelharpa, harp, low frame drum, soft humming choir in the background, Slow tempo, warm reverb, mystical forest atmosphere, tender and soothing mood, ethereal ambience, lullaby cadence

Industrial folk at 60 BPM, No guitars, Rhythmically driven by layered drums with diverse cymbals — bright crash, dark ride, sharp hi-hats, splashes — creating a continuous metallic pulse, Deep toms and low drums add weight, Metallic percussion instruments (bells, steel plates, rattles) simulate textures of a forge or industrial environment, Single raspy female solo voice only — raw, gritty, intimate — blending with the rhythm as part of the percussion, never harmonized or doubled, Mix emphasizes forward, dry vocals with strong percussive presence and light saturation, The atmosphere is dark, elemental, hypnotic, and ritualistic, evoking ancient industrial energy, Percussion and voice are the only sound sources; all rhythm and texture are produced with instruments only

Gothic folk and dark wave track with a haunting and mystical atmosphere, featuring a soft, melancholic female voice with breathy expression, tempo around 90 BPM, layered with moody analog synthesizers, ethereal guitar arpeggios, subtle percussion and atmospheric textures, deep reverb and echo, cinematic and emotive arrangement, dark, dreamy, and ethereal soundscape with moments of tension and release, evoking both melancholy and mystical wonder