3:32
Classic big-band crooner ballad, male vocals; brushed swing kit, warm upright bass, lush horns, and velvety strings, First verse intimate and close-mic’d, then the chorus blooms with full brass hits and tambourine shimmer, Modest key lift on final chorus, backing “ooh”s and “ba-da”s, Smooth legato phrasing, plenty of room for rubato and winks between the lines, chanson
3:54
Classic big-band crooner ballad a la mid-tempo Sinatra: brushed swing groove, warm upright bass, lush strings answering the vocal, soft horns and clarinet fills, First verse intimate and close-mic; chorus opens with soaring brass swells and backing “doo-wah” harmonies, Key change on final chorus lift, with a short muted trumpet solo before the last line, Male vocals, rich baritone, front and center in the mix
3:27
Swing-Big-Band à la Rat Pack: walking bass, brushed drums, warm horns and velvety strings, Medium swing tempo; verses stay intimate with sparse piano hits, choruses bloom with full brass punches and backing “ba-da-baa”s, Male vocals with crooner vibrato, close-miked; final chorus lifts a half-step with wider harmonies and a classy horn tag
3:18
Big band swing in a classic Sinatra vibe, Chinese male vocals, Brassy horns punching on the downbeat, walking upright bass, brushed snare with crisp hits on the turnarounds, Verses croon softly over lush jazz piano and warm strings; chorus swells with full horn section, modulating up for the final repeat, Roomy vintage plate reverb on the lead, with close-knit backing harmonies answering key phrases
4:37
Big band crooner swing à la classic Sinatra, male vocals, Walking tempo with brushed swing kit, upright bass walking in quarter notes, lush jazz piano comping and a warm horn section that swells into the chorus, Strings double the melody on the hook, with subtle backing “ooh”s, End with a key change and full-band button chord for that show-closing New Year’s feel
3:39
Vintage big band swing, brushed kit and upright bass walking with swagger, Warm brass punches around a smooth piano comp; strings swell subtly in the choruses, Male vocals croon up close in the verses, opening into lush background harmonies on the hook, Classic key change in the final chorus, band tight and bright with a wink on the last chord
2:12
Новогодняя песня о том, как Санта Клаус влюбился в русскую Снегурочку HIP-HOP / POP-RAP (100 BPM) — Кошка Доджа vibe, BPM: 100
Key: B minor
Accords: Bm – A – G – F#
Swag, flirt, royal attitude, аккордеон, dub, edm, pulsating bassline, Catchy hook and chorus, rhytmic, dubstep
Track length: 3:50
1:49
Style reggae, tempo 90 BPM, groove chaloupé, регги в духе B, Marley – Is This Love или One Love, вокал женский ангельский сексуальный манящий с хрипотцой
3:19
Big band swing in the vein of classic Sinatra, lush brass and sweeping strings, Tempo mid-up, walking upright bass and brushed drums under a crooner-style male vocal in Korean, Verses stay intimate with soft horns and piano comping; chorus blooms with full band hits, modulations, and soaring background “ooh”s, Final refrain lifts with key change, cymbal swells, and a long held note over a sparkling horn flourish, k-pop
3:14
Big band swing, brushed jazz kit, walking upright bass, warm brass section with lush sax and trumpets, Male vocals, crooner tone upfront; verses glide over soft piano comping, chorus blooms with full horns and backing “ba-ba”s, Energy starts intimate, then swells into a classic New Year’s Eve ballroom feel, with a final held note and shimmering cymbal tail, New Year's Eve celebrations in Turkey
3:57
Vintage big band swing in the Sinatra lane, brushed kit and walking upright bass under lush horns and warm strings, Male vocals croon up close in the verses, then the chorus widens with soaring brass hits and soft backing oohs, Gentle key change in the last chorus, band swells for a cinematic New Year’s Eve finale, then tapers to a soft piano-and-brushes outro, New Year's Eve celebrations in Spain
4:11
Vintage big band swing, brushed kit and walking upright bass, Horn stabs punctuate the verses, strings swell in the pre-chorus, and the chorus blooms with full orchestra hits, Male vocals, crooner-style phrasing, roomy plate reverb; tempo stays steady but band pushes a little in the final chorus for that show-stopping, tux-and-ballgown finale, vocals and performance style, like F, Sinatra, a song like a song by F, Sinatra "New York"