3:38

あなたなしで
v4.5-all
Soft piano ballad with female vocals, close-mic and intimate, First verse almost whispered over sparse chords and subtle reverb; chorus swells with warm strings and a distant pad, then drops back down on the last line, Gentle brushed kit creeps in on the second chorus, vocal doubles on the hook for emotional lift, ending on a fragile a cappella phrase that hangs in silence
3:23

あなたなしで
v4.5-all
Soft piano ballad with female vocals, close-mic and intimate, First verse almost whispered over sparse chords and subtle reverb; chorus swells with warm strings and a distant pad, then drops back down on the last line, Gentle brushed kit creeps in on the second chorus, vocal doubles on the hook for emotional lift, ending on a fragile a cappella phrase that hangs in silence
6:13

竜の焔と君の名
v4.5-all
Fantasy orchestral pop with female vocals; intimate harp arpeggios and delicate strings cradle the first verse, then an expansive lift into the chorus with bold brass swells, timpani, and cinematic percussion, Key changes add drama as choir layers paint dragon magic and knightly conflict; closing section thins to harp, soft strings, and distant choir pads for a fragile yet hopeful fade
6:30

竜の焔と君の名
v4.5-all
Fantasy orchestral pop with female vocals; intimate harp arpeggios and delicate strings cradle the first verse, then an expansive lift into the chorus with bold brass swells, timpani, and cinematic percussion, Key changes add drama as choir layers paint dragon magic and knightly conflict; closing section thins to harp, soft strings, and distant choir pads for a fragile yet hopeful fade
6:27

竜の焔と君の名
v4.5-all
Fantasy orchestral pop with female vocals; intimate harp arpeggios and delicate strings cradle the first verse, then an expansive lift into the chorus with bold brass swells, timpani, and cinematic percussion, Key changes add drama as choir layers paint dragon magic and knightly conflict; closing section thins to harp, soft strings, and distant choir pads for a fragile yet hopeful fade
7:44

竜の焔と君の名(2)
v4.5-all
Fantasy orchestral pop with female vocals; intimate harp arpeggios and delicate strings cradle the first verse, then an expansive lift into the chorus with bold brass swells, timpani, and cinematic percussion, Key changes add drama as choir layers paint dragon magic and knightly conflict; closing section thins to harp, soft strings, and distant choir pads for a fragile yet hopeful fade
2:03

オートローデでめくられる
v4.5-all
rap, Moody Japanese hip-hop ballad with male vocals; spacious piano over tight boom-bap drums, warm sub and crisp hats, Verses almost whispered over minimal chords; chorus blooms with layered harmonies, distant guitar swells, and subtle vinyl grit, Energy arcs from introspective storytelling to a cathartic, sing-rap hook that feels like late-night confession, hip hop
2:10

オートローデでめくられる
v4.5-all
rap, Moody Japanese hip-hop ballad with male vocals; spacious piano over tight boom-bap drums, warm sub and crisp hats, Verses almost whispered over minimal chords; chorus blooms with layered harmonies, distant guitar swells, and subtle vinyl grit, Energy arcs from introspective storytelling to a cathartic, sing-rap hook that feels like late-night confession, hip hop
3:17

Сладость вчерашних дней
v4.5-all
Airy indie-pop with minimalist groove: female vocals over soft electric piano and brushed drums, hazy picked guitars circling the chords, Verses stay intimate and close-mic’d, almost whispered; chorus blooms with wide synth pads, subtle arpeggios, and lifted drum energy, Final section adds warm strings that slowly rise and swell, underlining the bittersweet afterglow and leaving a lingering, hopeful tail in the reverb
3:50

Сладость вчерашних дней
v4.5-all
Airy indie-pop with minimalist groove: female vocals over soft electric piano and brushed drums, hazy picked guitars circling the chords, Verses stay intimate and close-mic’d, almost whispered; chorus blooms with wide synth pads, subtle arpeggios, and lifted drum energy, Final section adds warm strings that slowly rise and swell, underlining the bittersweet afterglow and leaving a lingering, hopeful tail in the reverb
3:53

Под сакурой до рассвета
v4.5-all
Delicate Japanese folk ballad with female vocals; opening built on airy kokyū arpeggios and faint bells, then shamisen and sparse hand percussion enter to support intimate storytelling, Chorus swells as shakuhachi takes a lyrical counter-melody, drums broaden the space, and background harmonies lift key phrases, Final refrain strips back to solo vocal over a dissolving shamisen chord, leaving a fragile, lingering resonance
4:42

夜明け前の桜の下 (Под сакурой)
v4.5-all
Delicate Japanese folk ballad with female vocals; opening built on airy kokyū arpeggios and faint bells, then shamisen and sparse hand percussion enter to support intimate storytelling, Chorus swells as shakuhachi takes a lyrical counter-melody, drums broaden the space, and background harmonies lift key phrases, Final refrain strips back to solo vocal over a dissolving shamisen chord, leaving a fragile, lingering resonance
4:13

Холодный неон
v4.5-all
Glitchy cyberpunk club track at 126 BPM, female vocals, Tight sidechained synth-bass and sharp drum machine groove under verse, with glassy arpeggios and phased pads, Chorus explodes with stacked supersaws, wide stereo delay, and big reverb tail; vocal doubles and vocoder harmonies make it hypnotic, Bridge dives into trap-infused half-time with pitched vocal chops and sub-heavy 808-style low end, then everything slowly dissolves into fading laser-like leads and echoing topline ad-libs
4:14

Холодный неон
v4.5-all
Glitchy cyberpunk club track at 126 BPM, female vocals, Tight sidechained synth-bass and sharp drum machine groove under verse, with glassy arpeggios and phased pads, Chorus explodes with stacked supersaws, wide stereo delay, and big reverb tail; vocal doubles and vocoder harmonies make it hypnotic, Bridge dives into trap-infused half-time with pitched vocal chops and sub-heavy 808-style low end, then everything slowly dissolves into fading laser-like leads and echoing topline ad-libs
3:55

Новый мир
v4.5-all
Shiny electropop groove with funk guitar chops and warm synth layers, male vocals, Track kicks off with a punchy guitar riff over a bouncing bass; verses stay tight and slightly mysterious, drums syncopated and playful, Chorus lifts with stacked call-and-response backing vocals and brighter synth chords, bittersweet but uplifting, Final section drives up the energy into a short, expressive guitar solo that surges over the last vocal hook before a crisp, confident cutoff
4:18

Новый мир
v4.5-all
Shiny electropop groove with funk guitar chops and warm synth layers, male vocals, Track kicks off with a punchy guitar riff over a bouncing bass; verses stay tight and slightly mysterious, drums syncopated and playful, Chorus lifts with stacked call-and-response backing vocals and brighter synth chords, bittersweet but uplifting, Final section drives up the energy into a short, expressive guitar solo that surges over the last vocal hook before a crisp, confident cutoff
5:10

Там, где я теряюсь
v4.5-all
Moody Russian-language synthwave with dense sidechained bass bed and airy pads full of vinyl hiss; distant ethnic flutes and legato strings weave a slow, hypnotic groove, Male vocals in an intimate low register, choruses open with layered choir textures and glitchy vocal chops, capturing anxious self-searching, Bridge snaps into broken, polyrhythmic drums and chopped synth arps, stylistically fractured; final section turns into a sparse, bell-laced elegy with crystalline harmonies slowly fading into silence
5:12

Там, где я теряюсь
v4.5-all
Moody Russian-language synthwave with dense sidechained bass bed and airy pads full of vinyl hiss; distant ethnic flutes and legato strings weave a slow, hypnotic groove, Male vocals in an intimate low register, choruses open with layered choir textures and glitchy vocal chops, capturing anxious self-searching, Bridge snaps into broken, polyrhythmic drums and chopped synth arps, stylistically fractured; final section turns into a sparse, bell-laced elegy with crystalline harmonies slowly fading into silence
3:48

То, что не сказано
v4.5-all
Soft chamber pop ballad with acoustic guitar and delicate piano, female vocals, Intimate verses with close-mic warmth; subtle string quartet enters on the chorus, lifting the emotion with airy backing harmonies, Arrangement stays sparse, breathing around the voice; final refrain melts into a half-whisper coda with almost transparent accompaniment and a gentle rubato outro
4:25

То, что не сказано
v4.5-all
Soft chamber pop ballad with acoustic guitar and delicate piano, female vocals, Intimate verses with close-mic warmth; subtle string quartet enters on the chorus, lifting the emotion with airy backing harmonies, Arrangement stays sparse, breathing around the voice; final refrain melts into a half-whisper coda with almost transparent accompaniment and a gentle rubato outro
3:06

Грушевидный бас и верные друзья
v4.5-all
Upbeat radio pop with bright strummed guitars and playful handclap groove; male and female vocals trade quick, conversational lines in the verses, then explode into stacked gang-style harmonies on the chorus, Bouncy synth leads and a quirky, rounded bass tone keep everything light and danceable, with short stops and crowd shouts for live energy
2:40

Верные друзья
v4.5-all
Upbeat radio pop with bright strummed guitars and playful handclap groove; male and female vocals trade quick, conversational lines in the verses, then explode into stacked gang-style harmonies on the chorus, Bouncy synth leads and a quirky, rounded bass tone keep everything light and danceable, with short stops and crowd shouts for live energy
3:43

Дальше вместе
v4.5-all
Upbeat folk-pop with bright accordion lead and crunchy acoustic guitar strums; female vocals ride an optimistic major topline, Verses keep it light with hand percussion and intimate single-voice delivery, chorus explodes with layered harmonies, driving drums, and claps, Energy builds each hook, final chorus adds ad-libbed calls and a big unison shout on the title line
3:20

Дальше вместе
v4.5-all
Upbeat folk-pop with bright accordion lead and crunchy acoustic guitar strums; female vocals ride an optimistic major topline, Verses keep it light with hand percussion and intimate single-voice delivery, chorus explodes with layered harmonies, driving drums, and claps, Energy builds each hook, final chorus adds ad-libbed calls and a big unison shout on the title line
4:47

桜の花びら(лепестки сакуры)
v4.5-all
Ethereal Japanese pop ballad with female vocals: intro of solo koto plucks and soft harp arpeggios, intimate close-mic verse that blooms into a warm chorus with shimmering strings and breathy shakuhachi top line, Second pass adds subtle backing harmonies and distant choir pads, finale bringing in a muted, pulsing percussion pattern and layered vocal stacks that fade like petals in the wind
5:24

Лепестки сакуры
v4.5-all
Ethereal Japanese pop ballad with female vocals: intro of solo koto plucks and soft harp arpeggios, intimate close-mic verse that blooms into a warm chorus with shimmering strings and breathy shakuhachi top line, Second pass adds subtle backing harmonies and distant choir pads, finale bringing in a muted, pulsing percussion pattern and layered vocal stacks that fade like petals in the wind
5:19

Грань Между Мирами
v4.5-all
Epic symphonic rock with male and female vocals, wide cinematic intro of low strings and choir swells, verses ride on dark toms, brooding bass and palm-muted guitars; choruses explode into soaring violins, brass hits and stacked harmonies, light vs dark chord shifts, Bridge splits into ethereal female vocal over sparse piano and strings, answered by aggressive down-tuned guitar riff and male growl; huge final chorus cadence lands on a ringing, unresolved open chord that hangs in reverb
4:58

Грань Между Мирами
v4.5-all
Epic symphonic rock with male and female vocals, wide cinematic intro of low strings and choir swells, verses ride on dark toms, brooding bass and palm-muted guitars; choruses explode into soaring violins, brass hits and stacked harmonies, light vs dark chord shifts, Bridge splits into ethereal female vocal over sparse piano and strings, answered by aggressive down-tuned guitar riff and male growl; huge final chorus cadence lands on a ringing, unresolved open chord that hangs in reverb
6:33

Марш валькирий
v4.5-all
Symphonic epic metal with female vocals, double-kick gallop and layered choirs, Verses ride on tight palm-muted riffs and urgent strings; drums lock into a hoof-like march, Chorus explodes into wide choirs, soaring top-line, and blazing tremolo guitars, Mid-song features an intense call-and-response duel between lead guitar and full orchestra, then returns to an even bigger final chorus with stacked harmonies and war-cries
7:05

Марш валькирий
v4.5-all
Symphonic epic metal with female vocals, double-kick gallop and layered choirs, Verses ride on tight palm-muted riffs and urgent strings; drums lock into a hoof-like march, Chorus explodes into wide choirs, soaring top-line, and blazing tremolo guitars, Mid-song features an intense call-and-response duel between lead guitar and full orchestra, then returns to an even bigger final chorus with stacked harmonies and war-cries
6:19

Восход Валькирий
v4.5-all
Symphonic power metal, fast galloping tempo, male lead vocals with massive mixed choir, Double-kick drums lock to chugging rhythm guitars, low strings reinforce riffs, high violins trace Nordic-tinged melodies, Verses stay tense and minor, palm-muted guitars under snarling vocal; chorus erupts with blazing power chords, brass fanfares, and soaring choirs in stacked thirds and fifths, Mid-song, an extended guitar–orchestra duel climbs through modulations, then drops into a half-time, chant-like reprise before the final full-speed chorus
7:04

Восход Валькирий
v4.5-all
Symphonic power metal, fast galloping tempo, male lead vocals with massive mixed choir, Double-kick drums lock to chugging rhythm guitars, low strings reinforce riffs, high violins trace Nordic-tinged melodies, Verses stay tense and minor, palm-muted guitars under snarling vocal; chorus erupts with blazing power chords, brass fanfares, and soaring choirs in stacked thirds and fifths, Mid-song, an extended guitar–orchestra duel climbs through modulations, then drops into a half-time, chant-like reprise before the final full-speed chorus
5:41

Между светом и тьмой
v4.5-all
Epic rock ballad with Russian male vocals over intimate piano and rich cello, building from sparse verse textures into towering choruses with cinematic drums, distorted guitars, and wide analog synths; bridge erupts into a tense instrumental duel between strings and lead guitar, then resolves in a full orchestral finale with choir lifting the hopeful last refrain
5:00

Между светом и тьмой
v4.5-all
Epic rock ballad with Russian male vocals over intimate piano and rich cello, building from sparse verse textures into towering choruses with cinematic drums, distorted guitars, and wide analog synths; bridge erupts into a tense instrumental duel between strings and lead guitar, then resolves in a full orchestral finale with choir lifting the hopeful last refrain
3:22

Смеёмся, значит живы
v4.5-all
High-tempo pop-punk with crunchy palm-muted guitars and bouncy bass; male vocals up front, gang shouts on the hook, Verses stay tight and talky over driving drums; choruses explode with wide power chords, stacked harmonies, and big room claps, Final section eases into a lighter riff with group laughter for a feel-good outro
2:57

Смеёмся, значит живы
v4.5-all
High-tempo pop-punk with crunchy palm-muted guitars and bouncy bass; male vocals up front, gang shouts on the hook, Verses stay tight and talky over driving drums; choruses explode with wide power chords, stacked harmonies, and big room claps, Final section eases into a lighter riff with group laughter for a feel-good outro
3:25

Тайные тусовки
v4.5-all
Bubbly J-pop groove with bright female vocals, bouncy four-on-the-floor kick, playful chiptune-style synths and clean strummed guitars, Verses keep a light, danceable pocket, bass walking around the beat; pre-chorus lifts with climbing vocal stacks, Chorus bursts into gang shouts and layered harmonies, wide stereo claps and airy pads, Bridge flips into a tight rap over stripped-back beat and filtered synths, then everything slams back for a final, higher-key chorus at peak energy
3:57

Тайные тусовки
v4.5-all
Bubbly J-pop groove with bright female vocals, bouncy four-on-the-floor kick, playful chiptune-style synths and clean strummed guitars, Verses keep a light, danceable pocket, bass walking around the beat; pre-chorus lifts with climbing vocal stacks, Chorus bursts into gang shouts and layered harmonies, wide stereo claps and airy pads, Bridge flips into a tight rap over stripped-back beat and filtered synths, then everything slams back for a final, higher-key chorus at peak energy
3:14

Дочь самурая
v4.5-all
[Japanese Math Rock, Wa-Gakki Mixture, BPM 100, Rhythm:
- Afro-Beat Groove (Played by Wadaiko Only), - Heavy Wadaiko Drums (Dry & Tight), - No African Percussion, - No Djembe or Log Drums, - Syncopated Japanese Percussion, - Complex Polyrhythms, Instruments:
- Horagai (War Horn), - Tsugaru Shamisen (Distorted & Fast), - Koto (Japanese Harp), - Telecaster Guitar (Cutting), - Heavy Bass, Vocals:
- Female Vocals, - Oiran Style (Clear & Elegant), - Traditional Singing (Miyabi), - Clear Voice (Non-distorted), - Haughty Tone (Cool & Low), - Rhythmic Staccato Singing, Mood:
- Stoic, Cool, Heavy, Tense, Samurai-Rock
]
3:05

Дочь самурая(侍の娘)
v4.5-all
[Japanese Math Rock, Wa-Gakki Mixture, BPM 100, Rhythm:
- Afro-Beat Groove (Played by Wadaiko Only), - Heavy Wadaiko Drums (Dry & Tight), - No African Percussion, - No Djembe or Log Drums, - Syncopated Japanese Percussion, - Complex Polyrhythms, Instruments:
- Horagai (War Horn), - Tsugaru Shamisen (Distorted & Fast), - Koto (Japanese Harp), - Telecaster Guitar (Cutting), - Heavy Bass, Vocals:
- Female Vocals, - Oiran Style (Clear & Elegant), - Traditional Singing (Miyabi), - Clear Voice (Non-distorted), - Haughty Tone (Cool & Low), - Rhythmic Staccato Singing, Mood:
- Stoic, Cool, Heavy, Tense, Samurai-Rock
]
4:24

Ночные крыши
v4.5-all
Explosive Russian emocore with male vocals; sharp, overdriven guitar riffs lock with an aggressive drum groove from the outset, Verses pull back into open bass and slightly overdriven single-coil textures, intimate close-mic vocal on the edge of breaking, Choruses erupt with double-tracked screams, dense rhythm guitars and soaring octave leads, Bridge drops tempo with delay-soaked guitars echoing distant city noise, tom-heavy build and feedback swell launching a final, cathartic gang-vocal chorus
4:19

Ночные крыши
v4.5-all
Explosive Russian emocore with male vocals; sharp, overdriven guitar riffs lock with an aggressive drum groove from the outset, Verses pull back into open bass and slightly overdriven single-coil textures, intimate close-mic vocal on the edge of breaking, Choruses erupt with double-tracked screams, dense rhythm guitars and soaring octave leads, Bridge drops tempo with delay-soaked guitars echoing distant city noise, tom-heavy build and feedback swell launching a final, cathartic gang-vocal chorus
3:24

Первое свидание на краю
v4.5-all
Glossy hyperpop-leaning viral bop with female vocals over a minimal, clicky beat and glitchy vocal chops; verses stay breezy and ironic with airy synth plucks, then explode into a wide, detuned pad and slippery sub-bass for the chorus with stacked gang shouts and tight doubles, Final section morphs into an electronic breakdown: stuttered drums, pitch-shifted harmonies, and filtered topline exploring emotional contradictions before a sudden, shimmering cutoff
3:18

Первое свидание на краю
v4.5-all
Glossy hyperpop-leaning viral bop with female vocals over a minimal, clicky beat and glitchy vocal chops; verses stay breezy and ironic with airy synth plucks, then explode into a wide, detuned pad and slippery sub-bass for the chorus with stacked gang shouts and tight doubles, Final section morphs into an electronic breakdown: stuttered drums, pitch-shifted harmonies, and filtered topline exploring emotional contradictions before a sudden, shimmering cutoff
3:43

Против будильника
v4.5-all
Aggressive modern rock with distorted twin guitars and driving bass, male vocals, Song opens on a sharp, staccato riff locked to pounding drums, tense and clipped, Verses stay tight and gritty with rasped, close-mic vocal and dry kit; chorus detonates into a wide wall of guitars, gang shouts, and open crash accents, Breakdown slows to a heavy, dragging halftime stomp with sparse hits and feedback swells, then final chorus erupts with layered group vocals and extra-high guitar line doubling the hook
3:33

Против будильника
v4.5-all
Aggressive modern rock with distorted twin guitars and driving bass, male vocals, Song opens on a sharp, staccato riff locked to pounding drums, tense and clipped, Verses stay tight and gritty with rasped, close-mic vocal and dry kit; chorus detonates into a wide wall of guitars, gang shouts, and open crash accents, Breakdown slows to a heavy, dragging halftime stomp with sparse hits and feedback swells, then final chorus erupts with layered group vocals and extra-high guitar line doubling the hook
6:19

Эхо пустой кофейни
v4.5-all
Smoky minor-key rock ballad with male vocals; reverb-drenched electric guitar arpeggios and sparse palm-muted chords, roomy kick and brushed snare sitting deep in the mix, warm round bass outlining the chords, Verses stay intimate and hushed, vocal close to the mic; chorus swells with double-tracked vocals and a second, slightly overdriven guitar answering the melody, Outro stretches into a slow, lyrical guitar solo fading into distant room ambience and a soft, repeating cup-clink sample in the tail
6:47

Эхо пустой кофейни
v4.5-all
Smoky minor-key rock ballad with male vocals; reverb-drenched electric guitar arpeggios and sparse palm-muted chords, roomy kick and brushed snare sitting deep in the mix, warm round bass outlining the chords, Verses stay intimate and hushed, vocal close to the mic; chorus swells with double-tracked vocals and a second, slightly overdriven guitar answering the melody, Outro stretches into a slow, lyrical guitar solo fading into distant room ambience and a soft, repeating cup-clink sample in the tail
4:44

Тихий двор в сентябре
v4.5-all
Warm acoustic ballad with soft arpeggiated guitar, dry minimalist percussion, velvety female vocals; verses intimate and close-miked, chorus blooms with gentle doubles and light harmonies, Bridge adds mellow organ swells and round bass, deepening the nostalgia before the arrangement gradually thins back to a hushed, cozy ending
4:24

Тихий двор в сентябре
v4.5-all
Warm acoustic ballad with soft arpeggiated guitar, dry minimalist percussion, velvety female vocals; verses intimate and close-miked, chorus blooms with gentle doubles and light harmonies, Bridge adds mellow organ swells and round bass, deepening the nostalgia before the arrangement gradually thins back to a hushed, cozy ending

