Dopameanies

Explosive hardcore art-punk with complex rhythmic vocals, theatrical sarcasm, and machine-tight riffs, Fast 200 BPM tempo, jagged time-signature jumps, guitar distortion sharp and nasal, bass buzzing and fast, drums manic with stop-start accents, Vocals alternate between manic spoken word, shouted slogans, and rapid staccato phrasing that twists tempo mid-line, Tone swings from political fury to absurd humor without warning, Raw, chaotic, intelligent, and unpolished—screamed harmonies, gang chants, and sudden quiet dropouts replaced by spoken rants, Feels like a satirical sermon delivered inside a riot, End on feedback and a shouted slogan

Explosive hardcore art-punk with complex rhythmic vocals, theatrical sarcasm, and machine-tight riffs, Fast 200 BPM tempo, jagged time-signature jumps, guitar distortion sharp and nasal, bass buzzing and fast, drums manic with stop-start accents, Vocals alternate between manic spoken word, shouted slogans, and rapid staccato phrasing that twists tempo mid-line, Tone swings from political fury to absurd humor without warning, Raw, chaotic, intelligent, and unpolished—screamed harmonies, gang chants, and sudden quiet dropouts replaced by spoken rants, Feels like a satirical sermon delivered inside a riot, End on feedback and a shouted slogan

Lo-fi punk with sarcastic theatrical energy, blending sneering spoken vocals, nasal sing-song sarcasm, and sudden bursts of yelps and chants, Guitars are jangly, distorted, raw and playful, with feedback stabs and chaotic two-note riffs, Drum machine mimics a sloppy garage kit with harsh snares, gritty kicks, and imperfect fills, driving the song forward with anarchic momentum, Verses feel half-spoken, sardonic rants over sparse riffs, while choruses explode into sarcastic sing-shouts with gang vocals chanting “Anxiety, ” Breakdowns shift tempo wildly, with call-and-response crowd shouts, sudden falsetto yelps, and absurd humor cutting through the chaos, Bridge drops into muttered spoken lines over bass and drums before building into shrill, feedback-heavy solos, The overall mood is absurd, grotesque, and theatrical, with punk sneer and irony baked into every section, A lo-fi basement anthem that’s both funny and unsettling, ‑Female vocals

Lo-fi punk with sarcastic theatrical energy, blending sneering spoken vocals, nasal sing-song sarcasm, and sudden bursts of yelps and chants, Guitars are jangly, distorted, raw and playful, with feedback stabs and chaotic two-note riffs, Drum machine mimics a sloppy garage kit with harsh snares, gritty kicks, and imperfect fills, driving the song forward with anarchic momentum, Verses feel half-spoken, sardonic rants over sparse riffs, while choruses explode into sarcastic sing-shouts with gang vocals chanting “Anxiety, ” Breakdowns shift tempo wildly, with call-and-response crowd shouts, sudden falsetto yelps, and absurd humor cutting through the chaos, Bridge drops into muttered spoken lines over bass and drums before building into shrill, feedback-heavy solos, The overall mood is absurd, grotesque, and theatrical, with punk sneer and irony baked into every section, A lo-fi basement anthem that’s both funny and unsettling, ‑female vocals pop Auto tune autotune auto-tune country

150–170 BPM upbeat pop-punk groove, Male vocals: exaggerated cheer, theatrical sarcasm, alternating sing-song and shouted chants, Guitars bright and compressed, single rhythm track with occasional squealing bends; bass tight and simple eighth-notes, Drums steady four-on-the-floor with huge crowd claps in chorus, Mid-song bridge drops tempo to half-speed with radio-ad jingle loop and creepy salesman tone, then explodes back to double-time, Mix should sound glossy and “too perfect, ” parodying radio polish; leave brief feedback at the end, Energy arc: joyful → grotesque awareness → forced joy again, Mood: weaponized catchiness, self-aware satire of commercial pop-punk

Explosive punk with theatrical vocal dynamics, One gritty male voice shifting between screams, spoken sarcasm, falsetto shrieks, and manic laughter, Guitar raw and percussive with bright distortion and fast downstrokes, Live drums with sharp snares and tom-heavy fills, Tempo around 185 BPM, sudden tempo drops and chaotic energy, Bass simple and punchy, Production: hot, unpolished, tight and claustrophobic, Mood: anarchic, political, darkly funny, split-personality intensity, Begins mid-yell, swings between whisper and scream, ends on feedback and shouted laughter

Eccentric dynamic male vocals, 120 BPM, slow lofi punk-folk rhythm, one distorted electric guitar mic’d close, recorded live in one take, no overdubs, performance starts restrained, voice trembling, then grows jagged and desperate by midpoint, leave amp buzz and room noise in the mix, at “rage section, ” guitar is dropped; performer screams off-mic while feedback peaks, then slowly retrieves guitar to finish whispering, emotional tone: exhausted rage and personal grief colliding, this is a confession, not a performance — the sound of a man choking on silence finally breaking it open, ‑Auto tune autotune auto-tune female vocals pop rock

Eccentric dynamic male vocals, 120 BPM, slow lofi punk-folk rhythm, one distorted electric guitar mic’d close, recorded live in one take, no overdubs, performance starts restrained, voice trembling, then grows jagged and desperate by midpoint, leave amp buzz and room noise in the mix, at “rage section, ” guitar is dropped; performer screams off-mic while feedback peaks, then slowly retrieves guitar to finish whispering, emotional tone: exhausted rage and personal grief colliding, this is a confession, not a performance — the sound of a man choking on silence finally breaking it open, ‑modern, ‑rock, ‑modern rock, ‑emo rock, ‑rap, ‑country

minor chords, Tempo ~58 BPM, intentionally unstable, Male vocals: exhausted, hoarse, trembling; every line should feel accidental, Allow voice to crack, break, sob, or whisper off-mic, Mic should clip slightly when shouting, Guitar: single take, half-tuned, strings buzz, fingers slide audibly, Room noise—breathing, chair creak, amp hiss—must stay in, Dynamic map: whisper → half-sing → scream → collapse → whisper, It should sound like grief recorded at 3 a, m, by someone who’s run out of ways to hide it, ‑electronic, ‑modern, ‑high fidelity, ‑complex

male vocals, 210–240 BPM, System of a Down “Steal This Album!” aggression with END USER punk grit, heavy guitars and staccato drums, sudden tempo drops, manic shouts alternating with sarcastic spoken lines, include dentist drill, TV ads, and crowd chants, emotional tone: furious, absurd, anti-corporate, mix raw, clipping intentionally, vocals unhinged — go from whispered mockery to explosive screaming, end with dental drill fading into silence

Theatrical political metal-punk hybrid, 150–200 BPM with dynamic tempo shifts, Alternating melodic operatic male vocals and manic shouted verses, Sarcastic tone, explosive transitions, machine samples and industrial percussion, Intense, poetic, defiant atmosphere, Keep breath, feedback, and amp hum, Focus on rhythmic stop/start delivery and harmonic chaos, ‑pop

male vocals — manic dynamic range shifting between whisper, chant, scream, and operatic falsetto, Tempo: 180–210 BPM with multiple drop sections, Sound: hybrid punk-metal with raw live energy; palm-muted chug riffs, syncopated kick-snare interplay, sudden tempo whiplash, Verses: sharp rhythmic vocals, tight and percussive like spoken riffs over drop D guitar, Choruses: wide open, distorted power chords with unison gang shouts, Bridge sections include theatrical shifts — clean guitar arpeggios that explode back into chaos, Include short instrumental breakdowns with bass-driven groove and percussive stabs, then return to double-time fury, Tone: satirical, furious, eccentric — the lovechild of basement punk and political metal, Leave amp buzz, breath noise, and distortion imperfections in the mix, This performance should sound unhinged, brilliant, and one heartbeat away from collapse

eulogy spoken word, male vocals, indie

Male vocals, 58 BPM, unstable tempo, Whisper → cracked singing → clipped screams → collapse → whisper, Vocals exhausted, hoarse, trembling, recorded inches from the mic, Let voice break, sob, gasp, Background noise stays in: breathing, chair creaks, amp hiss, Guitar: single-take, half-tuned, buzzing strings, missed chords allowed, Minor chords (A minor / D minor), The whole track should feel like a 3 a, m, breakdown caught on tape, Emotion: grief, regret, hollow longing, quiet hope, ‑female vocals pop rock Auto tune autotune auto-tune country mumble cloud

[Prompt] Male vocals, Extremely fast tempo ~200 BPM, Chaotic punk rant energy, Drums relentless and dry, snare snapping nonstop, Guitars distorted but thin and frantic, sprinting rather than heavy, Bass follows guitar tightly with no groove breaks, Vocals delivered as a continuous speed-rant scream with pitch swings, breath gasps left in, occasional manic laughter, No crowd vocals, Minimal stops except for brief fake-outs before slamming back in, Production should feel reckless, urgent, and barely controlled, like a single take recorded while adrenaline is peaking, Emotional tone: rage, justification, exhilaration, and self-destruction happening all at once, ‑female vocals pop

Prompt: Male vocals, Tempo ~188 BPM, Genre: chaotic glam-punk, 80s cocaine-rock energy with modern eccentricity, Guitars: blown-out glam-metal riffs, jagged palm mutes, squealing pinch harmonics, Drums: frantic, sloppy, explosive, Bass: distorted, snarling, Vocal delivery: theatrical, unstable, rock-star-on-a-bender energy; whisper → shout → operatic belt → psycho falsetto spike, Include bottle-shatter SFX, amp buzz, breath noise, Big dynamic swings, Focus on unhinged charisma, ego meltdown, operatic drama, and self-destructive spectacle, No crowd chants, Keep it raw, manic, and dangerous, ‑female vocals pop

Prompt: Male vocals, 62 BPM, Grief-punk ballad turning into chaotic operatic mania, Performance: trembling whispers → cracked singing → guttural screams → theatrical spoken-word → collapse, Mic must clip during screams, Room noise stays (breaths, chair creak, finger slides), Guitars: half-tuned, buzzing, melancholy minor chords; explode into jagged punk riffs in breaks, Drums: sparse heartbeat in intro, then unstable fills, then full punk chaos during breakdown, Vibe: confessional, deranged, intimate, beautiful, sick, Style: whisper-sing like it hurts, scream like it matters, break like you mean it, Cinematic dynamics: sudden drops, manic consonant bursts, eccentric unexpected vowel spikes (“ayYyyOOOoOOO”), Goal: a horror-romance about heartbreak as vampirism; tenants living rent-free in your mind; grief as a roommate, ‑female vocals pop

Prompt: Male vocals, Tempo ~188 BPM, Genre: chaotic glam-punk, 80s cocaine-rock energy with modern eccentricity, Guitars: blown-out glam-metal riffs, jagged palm mutes, squealing pinch harmonics, Drums: frantic, sloppy, explosive, Bass: distorted, snarling, Vocal delivery: theatrical, unstable, rock-star-on-a-bender energy; whisper → shout → operatic belt → psycho falsetto spike, Include bottle-shatter SFX, amp buzz, breath noise, Big dynamic swings, Focus on unhinged charisma, ego meltdown, operatic drama, and self-destructive spectacle, No crowd chants, Keep it raw, manic, and dangerous, ‑female vocals pop

195 BPM, Explosive punk-rock with a hardcore mosh breakdown, Guitars aggressive and percussive, drums alternate between blast-speed verses and crushing half-time pit sections, Bass pushes physical momentum, Vocals frantic, commanding, and confrontational—shouted hooks designed for crowd movement, Sudden stops and restarts amplify impact, Tone: reckless courage, defiance, kinetic release, Goal: force bodies to move, ‑female vocals pop lofi

hardcore grunge punk, male vocals, theatrical, 180+ BPM, insane, fast paced

Prompt: Male vocals, Tempo ~60–65 BPM, Minor key, Sparse alternative punk rock ballad, Vocals must sound human and imperfect: uneven timing, pitch drift, breath and mouth noise kept in, No stacked harmonies, No vocal polish, Allow cracks and restraint, Single-take guitar playing a single chord at a time slowly to the vocals, aching, slightly detuned, audible finger slides, string buzz, amp hiss, Drums enter late and minimal, soft pulse only, Dynamic arc: whisper → fragile sing → restrained lift → exposed emotional peak → collapse, Mood: first heartbreak, shame without anger, identity fracture, Goal: a simple phrase that haunts long after the song ends, unique vocalist, professionally produced high fidelity Dolby Atmos, ‑Female vocals

eccentric Male vocals, Hardcore punk at 190 BPM, Raw, stripped-down aggression, Buzzsaw guitars with minimal effects, tight palm-muted chugs, fast downstrokes only, Drums loud and dry with aggressive snare cracks and relentless double-time sections, Bass distorted and driving, Vocals shouted, barked, and sneered—no polish, no melody smoothing, Sudden stops and restarts for impact, Gang-shout choruses, brutal breakdown for moshing, Tone: confrontational, street-level rage, zero introspection, pure boundary-setting violence, Keep imperfections, mic clipping, amp hiss, Short, fast, and explosive, ‑female vocals

dark cinematic pop-folk punk rock, male vocals, eccentric, theatrical, intense, melisma, weird vocals, insane, vibrato, banjo, ‑country, ‑female vocals

dark cinematic pop-folk punk rock, male vocals, eccentric, theatrical, intense, melisma, weird vocals, insane, vibrato, banjo, ‑country, ‑female vocals

Lo-fi pop punk at ~155 BPM, Bright but gritty guitars with slight overdrive, bouncy bass, simple driving drums with loose fills, Male vocals nasal, energetic, slightly sloppy, conversational and humorous, Gang vocals on chorus, shouted and imperfect, Minimal production polish—leave small timing flaws and breath sounds, Mood: funny panic, nostalgic frustration, self-aware adulthood dread, Catchy, fast, repeatable, playful but stressed, Ends with instruments dropping out under a half-laughing vocal, ‑female vocals pop