3:22

Free Swallow
v4.5-all
Upbeat hard rock / pop rock, energetic, catchy, emotional but lively, Female vocal, Strong drums, electric guitar riffs, bass-driven, Include a short expressive violin solo before final chorus, Bright but slightly nostalgic mood, Fast tempo (~130–150 BPM), uplifting, passionate, slightly bittersweet love vibe
4:03

Hoài Niệm Phai
v4.5-all
Traditional Vietnamese bolero, slow romantic ballad, male vocal, guitar tremolo, soft accordion, nostalgic southern Vietnamese mood
4:05

HOÀI NIỆM
v4.5-all
Vietnamese sentimental bolero ballad, female vocal, warm emotional voice, nostalgic and poetic, slow tempo (72 BPM), acoustic guitar, Vietnamese vọng cổ influence, soft piano, subtle strings, melancholic romantic atmosphere, old Saigon mood, expressive chorus, cinematic emotional build
3:09

Chị Hãy Đi Đi
v4.5-all
Romantic upbeat Vietnamese pop with light Latin rhythm (rumba / cha-cha-cha feel), slightly fast tempo, female vocal, emotional but bright mood, catchy chorus, soft acoustic guitar, light percussion, warm summer vibe, modern pop-ballad arrangement, melodic and expressive, radio-friendly, Vietnamese bolero-cha cha fusion, medium tempo, romantic nostalgic mood, acoustic guitar, light percussion with Latin rhythm, accordion or string lead, female vocal emotional but elegant, old Saigon vibe mixed with modern pop arrangement, smooth and melodic
3:37

Mưa Sơn Khê
v4.5-all
Female vocal, emotional and melancholic Vietnamese song, rumba and cha-cha-cha rhythm, slow to mid tempo (85-95 BPM), nostalgic and romantic atmosphere, Instrumentation: soft Latin percussion (conga, shaker), acoustic guitar, gentle piano, warm bass, Include a short expressive guitar solo after the second chorus, Vocal style: soft, emotional, slightly breathy female voice, full of longing and sadness, Mood: lonely, nostalgic, longing for someone absent, rainy evening city feeling, Language: Vietnamese
4:06

Ghét mà thương
v4.5-all
Female vocal, soft but expressive, emotional and romantic tone between two girls, Latin pop rumba cha-cha-cha style, starts playful then becomes more heartfelt, expressive phrasing, warm and intimate final chorus, include a soulful saxophone solo, dreamy and lingering ending
3:23

VẮNG EM
v4.5-all
Female vocal, Vietnamese song, Soft, emotional, nostalgic bolero rumba style, slow tempo, sentimental and melancholic mood, Theme: lost love, memory, loneliness in an empty city after someone is gone, Warm vintage arrangement with acoustic guitar, soft percussion rumba rhythm, light strings, Include a prominent instrumental guitar solo bridge (fingerstyle, expressive, emotional), Voice should be tender, slightly trembling, full of longing and regret, Melody slow, lyrical, deeply emotional like old Vietnamese bolero songs
3:47

Ên Bay Chơi Vơi
v4.5-all
Female vocal, emotional country ballad, slow to mid tempo, inspired by “One Hundred Miles” vibe, Acoustic guitar fingerpicking with a gentle solo intro and outro, Add soft whistle melody throughout the song, airy and nostalgic, Warm, cinematic, slightly melancholic storytelling mood, Vietnamese lyrics, Clean mix, minimal percussion (soft kick, brush snare), Focus on emotional vocal delivery, natural and heartfelt
4:09

Golden Market town Calf
v4.5-all
Female vocal, emotional bilingual country ballad (English + Vietnamese), Soft acoustic guitar fingerpicking, slow to mid tempo, inspired by “One Hundred Miles” style, Gentle whistle melody throughout, Warm nostalgic cinematic mood, slightly melancholic storytelling, Minimal percussion (soft kick, brush snare), Expressive vocal performance with emotional phrasing and natural language switching between English and Vietnamese
6:10

Dusty Calf Sky
v4.5-all
Sad cinematic country ballad, emotional female vocal, slow tempo, Acoustic guitar with delicate fingerpicking, soft piano layers, atmospheric strings, and subtle cinematic swell, Add airy whistle motif for nostalgia, Inspired by “One Hundred Miles” mood but darker and more melancholic, Wide reverb, emotional storytelling delivery, tragic and reflective tone, minimal percussion, focus on vocal expression and cinematic space
3:54

Hồn Gió
v4.5-all
Female vocal, dramatic tango / paso doble, fast tempo (130-150 BPM), epic and tragic mood, cinematic war atmosphere, emotional and powerful delivery, Vietnamese lyrics, strong rhythm with sharp accents, orchestral arrangement with strings, percussion, and a haunting flute (Vietnamese bamboo flute) solo intro and bridge, wind sound effects, intense build-up, expressive vibrato, sorrowful yet heroic tone
epic cinematic, Hans Zimmer style
prominent flute solo
4:29

Gió Rít Thê Lương
v4.5-all
Female vocal, dramatic tango / paso doble, fast tempo (130-150 BPM), epic and tragic mood, cinematic war atmosphere, emotional and powerful delivery, Vietnamese lyrics, strong rhythm with sharp accents, orchestral arrangement with strings, percussion, and a haunting flute (Vietnamese bamboo flute) solo intro and bridge, wind sound effects, intense build-up, expressive vibrato, sorrowful yet heroic tone
epic cinematic, Hans Zimmer style
prominent flute solo
4:42

今夕風聲召我歸
v4.5-all
Cantonese lyrics, male or female vocal, dramatic tango / paso doble, fast tempo (130-150 BPM), epic tragic war atmosphere, strong percussion with powerful drums, prominent Chinese bamboo flute (dizi) intro and solo, cinematic orchestral arrangement, emotional and intense delivery, sharp rhythmic accents, sorrowful yet heroic tone, wind sound effects, ancient battlefield vibe
ancient Chinese war theme
heavy war drums, deep percussion emphasis
4:00

Tự tại phong
v4.5-all
Female vocal, Vietnamese lyrics, epic wuxia (ancient Chinese gu feng) style with strong cinematic progression, Emotional, heroic, tragic yet free-spirited, Instruments: acoustic guitar intro, Chinese flute (xiao), erhu, guzheng, building into war drums, deep percussion, low strings, and cinematic impacts, Rhythm: slow intro → rising tension → powerful drum-driven chorus → emotional release, Structure: intro (guitar + flute + wind), verse, pre-chorus build, explosive chorus with drums, verse 2 (stronger), bridge (battle atmosphere), final chorus (high, emotional, powerful), outro (quiet, fading flute + guitar), Vocal: expressive female voice, soft in verses, stronger and soaring in chorus, emotional and slightly raw, Mood: wandering swordsman, chaotic world (jianghu), loneliness, honor, letting go of fame and conflict, Ending: aftermath feeling, empty battlefield, fading wind and flute
3:18

Gió Khép Mi
v4.5-all
Female vocal, Vietnamese lyrics, ancient Chinese (gu feng) style mixed subtly with paso doble rhythm, Emotional, poetic, wandering and philosophical mood, Instruments: acoustic guitar as the core, Chinese flute (xiao), light traditional elements, Gentle paso doble percussion blended with cinematic Chinese atmosphere, Structure: intro (guitar + xiao + wind ambience), verse, pre-chorus, chorus, verse, bridge, final chorus (higher and softer), slow fading outro, Vocal: soft, expressive female voice, airy, elegant, slightly melancholic, Mood: free-spirited, nostalgic, wuxia feeling, like a lone wanderer across mountains and rivers, Ending: slow, minimal, fading guitar and flute, like a sigh in the wind
4:19

Gió Lạc Kiếm
v4.5-all
Female vocal, Vietnamese lyrics, epic wuxia (ancient Chinese gu feng) style with strong cinematic progression, Emotional, heroic, tragic yet free-spirited, Instruments: acoustic guitar intro, Chinese flute (xiao), erhu, guzheng, building into war drums, deep percussion, low strings, and cinematic impacts, Rhythm: slow intro → rising tension → powerful drum-driven chorus → emotional release, Structure: intro (guitar + flute + wind), verse, pre-chorus build, explosive chorus with drums, verse 2 (stronger), bridge (battle atmosphere), final chorus (high, emotional, powerful), outro (quiet, fading flute + guitar), Vocal: expressive female voice, soft in verses, stronger and soaring in chorus, emotional and slightly raw, Mood: wandering swordsman, chaotic world (jianghu), loneliness, honor, letting go of fame and conflict, Ending: aftermath feeling, empty battlefield, fading wind and flute
4:41

CHẾT TRONG MÙA XUÂN
v4.5-all
Style:
Female vocal, dramatic tango / paso doble fusion, fast tempo (120–130 BPM), emotional and tragic, cinematic storytelling, Genre mix:
Tango + Paso Doble + modern cinematic + traditional Asian elements, Instrumentation:
Electric guitar (rhythmic + melodic), bass, electronic drums (tight tango groove), Chinese/Vietnamese flute (xiao/tiêu), đàn tranh (zither), subtle orchestral strings, Mood:
Dramatic, tragic, intense, poetic, dark beauty, emotional climax, Structure:
Intro (instrumental) → Verse → Pre-Chorus → Chorus → Verse → Chorus → Bridge (climax) → Final Chorus (key change) → Outro, Extra instructions:
Strong rhythmic phrasing, clear 4/4 dance pulse, expressive female vocal with emotional vibrato, dynamic contrast between soft verses and explosive chorus
5:05

MỘ KÝ ỨC
v4.5-all
Female vocal, Vietnamese lyrics, slow rumba bolero, Emotional, nostalgic, melancholic, Acoustic guitar dominant, soft percussion (rumba bolero), subtle strings, light piano, Mood: bittersweet, tender, reflective, Structure: intro – verse – pre-chorus – chorus – verse – chorus – bridge – final chorus – outro, Tempo: ~70–80 BPM
4:39

千年覓知音
v4.5-all
Style:
Female vocal, Cantonese / Chinese ancient drama (TVB wuxia OST), gu feng style, cinematic, emotional and tragic, Tempo:
80–95 BPM, 4/4 time signature
Mood:
Epic, tragic, dramatic, heroic sadness, intense emotional climax
Chinese flute (xiao / tiêu) – soft intro, very emotional outro solo
Guzheng (đàn tranh) – arpeggios and accents
Erhu – expressive, crying tone in chorus
Strong Chinese war drums – very powerful and fast in chorus (important)
Cinematic strings (violin ensemble)
Subtle gong / impact hits for transitions
Intro: soft xiao + guzheng, spacious, calm
Verse: gentle, poetic, minimal instruments
Pre-Chorus: build tension with strings and light percussion
Chorus: explosive, loud war drums, strong vocal belting, dramatic hits
Chorus 2: even stronger, faster drum intensity
Bridge: emotional drop, semi-spoken / soft singing
Final Chorus: maximum intensity, layered drums + choir + high vocal peak
Outro: all instruments fade, solo xiao (flute) sad and haunting
3:52

靜無聲刀兵
v4.5-all
Female vocal, Cantonese lyrics, Hong Kong TVB drama OST style, Epic, heroic, tragic tone, Fast tempo with paso doble rhythm, Instruments: strong cinematic drums, pipa (featured), erhu, Chinese flute (xiao), orchestral strings, light brass, Structure:
Intro (xiao + pipa, soft) → Verse → Pre-chorus build → Explosive chorus → Verse → Bridge (pipa solo emotional) → Final chorus (full orchestra + choir), Mood: war, loneliness, reflection, longing for peace, Vocal: powerful, emotional, dramatic phrasing, classic TVB female OST style
5:04

Đêm Tĩnh Vô Thanh
v4.5-all
Female vocal, bilingual Vietnamese + Cantonese lyrics, Style: Hong Kong TVB historical drama OST, epic, emotional, tragic heroic tone, Tempo: fast, paso doble rhythm with strong marching drums, Instruments: pipa (featured, expressive runs), Chinese flute (xiao), erhu, cinematic percussion, orchestral strings, light brass, choir in final chorus, Structure:
Intro (soft xiao + pipa) → Verse (alternating Vietnamese/Cantonese lines) → Pre-chorus build → Explosive chorus (full drums) → Verse 2 (faster) → Bridge (pipa solo emotional) → Final chorus (biggest climax), Mood: war vs peace, loneliness, philosophical reflection, hope for humanity, Vocal: powerful female, emotional, dramatic phrasing, clear bilingual delivery (Vietnamese + Cantonese)
4:59

Phượng Hoàng Rơi
v4.5-all
Style:
Female vocal, dramatic tango / paso doble fusion, fast tempo (120–130 BPM), emotional and tragic, cinematic storytelling, Genre mix:
Tango + Paso Doble + modern cinematic + traditional Asian elements, Instrumentation:
Electric guitar (rhythmic + melodic), bass, electronic drums (tight tango groove), Chinese/Vietnamese flute (xiao/tiêu), đàn tranh (zither), subtle orchestral strings, Mood:
Dramatic, tragic, intense, poetic, dark beauty, emotional climax, Structure:
Intro (instrumental) → Verse → Pre-Chorus → Chorus → Verse → Chorus → Bridge (climax) → Final Chorus (key change) → Outro, Extra instructions:
Strong rhythmic phrasing, clear 4/4 dance pulse, expressive female vocal with emotional vibrato, dynamic contrast between soft verses and explosive chorus
5:17

晴空一日
v4.5-all
Female vocal, Cantonese Chinese lyrics, ancient Chinese (gu feng) style mixed with paso doble rhythm, Emotional, poetic, wandering and philosophical mood, Instruments: acoustic guitar as the core, Chinese flute (xiao) and subtle traditional elements, Light paso doble percussion blended with cinematic Chinese style, Structure: intro with guitar and xiao, verse, pre-chorus, chorus, verse, bridge, final chorus, slow fading outro, Vocal: soft, expressive female voice, slightly airy, elegant and melancholic, Mood: free-spirited, nostalgic, like a wandering swordsman (wuxia feeling), Ending: slow, minimal, fading guitar and flute, like a sigh
3:50

Giấc mơ hoang
v4.5-all
Style: Japanese gothic choral, dark cinematic, sacred hymn, ethereal
Vocals: female only, 2–3 layered female vocalists (alto + mezzo + soprano), tight harmonies, no male voice, no rap
Vocal tone: airy, haunting, emotional but controlled, reverb-heavy, choir-like blending
Singing style: legato, long sustained notes, overlapping phrases, echo call-response between voices
Mood: tragic, spiritual, ghostly, melancholic but beautiful, like a requiem prayer
Instrumentation:
- Traditional Japanese: shamisen (plucked accents), koto (arpeggios), fue (breathy melodic lines), taiko (deep cinematic hits)
- Modern: orchestral strings (legato + staccato), piano (minimal, dark), choir pads, ambient textures
- NO bright pop synth, NO EDM, NO trap beat
Tempo: 65–75 BPM
Key: minor (D minor / A minor preferred)
Production:
- wide stereo, deep reverb, cathedral-like space
- cinematic dynamics (very soft → very powerful)
- no over-compression, keep emotional range
Language: Vietnamese
Theme: death
6:45

荒れし夢
v4.5-all
Style: Japanese gothic choral, dark cinematic, sacred hymn
Vocals: all female, Japanese lyrics, 2–3 layered female vocalists (soprano + mezzo + alto), tight harmonies
Choir: strong female choir in chorus, optional Latin choir backing in final chorus
Tone: airy, haunting, emotional but controlled, no pop style
Singing style: legato, long sustained notes, overlapping vocal lines, echo phrases, choral blending
Mood: tragic, spiritual, melancholic, ghostly, beautiful darkness
Instrumentation:
shamisen, koto, fue flute, taiko drums, orchestral strings, piano, choir pads, ambient textures
Arrangement:
intro (ambient flute + distant choir), soft verse, rising pre-chorus, explosive choir chorus with taiko, haunting bridge (whisper + shamisen), final chorus massive layered choir (add Latin chant), fading outro
Tempo: 65–75 BPM
Key: minor (A minor / D minor)
Production:
wide stereo, deep cathedral reverb, cinematic dynamics (soft → powerful), no EDM, no pop beat
Language: Japanes + choir
5:02

Tiếng Đàn Bên Suối
v4.5-all
female vocal vietnamese ancient style gu feng tvb wuxia drama vibe emotional melancholic poetic storytelling instrumentation guzheng pipa for intro and outro xiao flute and erhu for emotional layering cinematic drums for chorus strong dramatic soft wind ambience structure slow airy intro guzheng solo wind verse gentle emotional chorus powerful dramatic drums erhu xiao bridge stripped down fragile outro fading guzheng into silence mood lonely sorrowful reflective epic tragedy nostalgic style references tvb wuxia ost ancient chinese drama soundtrack J-Pop, J-Rock, Symphonic, Gothic style emotional layering reverb heavy cinematic wide soundstage language vietnamese lyrics
5:42

海は悔やまない - Latin
v4.5-all
Style / Genre:
Epic dark cinematic orchestral, Hans Zimmer style, gothic choir, Dies Irae, dark fantasy soundtrack, Japanese + Latin hybrid vocals
Mood:
apocalyptic, sacred, tragic, overwhelming, divine wrath, oceanic chaos
Tempo:
slow build (~70 BPM) → intense climax (~90 BPM)
Instrumentation:
massive cinematic drums, taiko, low brass, pipe organ, string orchestra, choir (Latin + female Japanese), shakuhachi, deep percussion, sub bass, ambient wind, final solo violin
Vocal:
Japanese female lead (soft → powerful)
Latin choir (male + female, church style)
layered chanting, echo, reverb-heavy
Structure:
intro (wind + chant) → verse JP → Latin chant → chorus hybrid → breakdown (choir) → final explosion → silent outro
Special instructions:
“Dies Irae style Latin choir chanting”
“huge cathedral reverb”
“contrast between sacred choir and violent percussion”
“like end-of-world soundtrack”
ending: empty, cold, fading wind
in the style of epic choir like Two Steps From Hell sountrack
5:55

海は悔やまない
v4.5-all
style genre epic cinematic orchestral hans zimmer style dark fantasy soundtrack japanese female vocals J-Pop, J-Rock, Symphonic, Gothic style emotional dramatic atmospheric mood melancholic mysterious haunting intense tragic beauty oceanic power tempo slow to mid tempo 70 90 bpm gradual build instrumentation deep cinematic drums taiko low brass string orchestra piano choir female mixed shakuhachi ambient wind subtle pads final violin solo structure intro ambient shakuhachi soft verse emotional build explosive chorus dark breakdown massive final chorus quiet outro violin wind vocal japanese female lead vocal soft breathy tone powerful belting in chorus layered harmonies choir support in climax special instructions big dynamic contrast very soft very loud emphasize drums like waves crashing reverb heavy cinematic space emotional storytelling end fading empty and cold
4:37

Biển Không Biết Hối
v4.5-all
Style / Genre:
Epic dark cinematic orchestral, Hans Zimmer style, gothic choir, Dies Irae, dark fantasy soundtrack, Vietnamese lyrics
Mood:
apocalyptic, sacred, tragic, overwhelming, divine wrath, oceanic chaos
Tempo:
slow build (~70 BPM) → intense climax (~90 BPM)
Instrumentation:
massive cinematic drums, taiko, low brass, pipe organ, string orchestra, choir (female ), shakuhachi, deep percussion, sub bass, ambient wind, final solo violin
Vocal:
Vietnamese female lead (soft → powerful)
choir (male + female, church style)
layered chanting, echo, reverb-heavy
Structure:
intro (wind + chant) → chorus hybrid → breakdown (choir) → final explosion → silent outro
Special instructions:
“huge cathedral reverb”
“contrast between sacred choir and violent percussion”
“like end-of-world soundtrack”
ending: empty, cold, fading wind
4:38

MƠ HOANG
v4.5-all
dark cinematic gothic ost ethereal female vocal with haunting whispers emotional anime ending theme psychological dreamscape atmosphere melancholic orchestral ambient deep cello distant piano church bell textures massive reverb surreal urban nightmare tragic beauty slow emotional build layered choir gothic chamber pop subtle industrial ambience fragile and lonely mood inspired by yuki kajiura J-Pop, J-Rock, Symphonic, Gothic aimer dark era cinematic masterpiece dreamy and existential emotional climax with angelic choir
6:06

夢幻
v4.5-all
japanese gothic cinematic anime ost ethereal female vocal haunting whispers emotional and mysterious atmosphere dark fantasy dreamscape melancholic orchestral arrangement layered japanese choir deep cello fragile piano massive cathedral reverb surreal urban nightmare tragic beauty slow emotional build anime ending theme yuki kajiura inspired J-Pop, J-Rock, Symphonic, Gothic style harmonies poetic and existential delicate but powerful climax dreamy gothic chamber pop
7:47

闇の果ての祈り
v4.5-all
Dark cinematic Japanese OST, ethereal female vocals, layered female choir, sacred atmosphere, melancholic yet transcendent, emotional storytelling, deep existential sorrow evolving into spiritual awakening, Instrumentation: taiko drums, orchestral strings, piano, harp, shakuhachi flute, fue, shamisen textures, soft bells, ambient pads, subtle choir chants, cinematic percussion, Structure begins minimal and hollow, slowly building emotional intensity, First half feels empty, cold, suffocating, expressing existential despair and the meaninglessness of human life, Vocals intimate and fragile at first, gradually expanding into layered harmonies and sacred choir, Bridge becomes ritualistic and dreamlike, whispered chants, eerie atmosphere, Buddhist-inspired spiritual tension, Final chorus explodes into a massive emotional climax with full orchestra and celestial choir
Vocal direction:
soft breathy verses → emotional layered harmonies → powerful soaring chorus → sacred choir climax
5:31

OST Sát na - 10 kiếp mộng
v4.5-all
Dark cinematic Japanese OST, ethereal female vocals, layered female choir, sacred atmosphere, melancholic yet transcendent, emotional storytelling, deep existential sorrow evolving into spiritual awakening, Instrumentation: taiko drums, orchestral strings, piano, harp, shakuhachi flute, fue, shamisen textures, soft bells, ambient pads, subtle choir chants, cinematic percussion, Structure begins minimal and hollow, slowly building emotional intensity, First half feels empty, cold, suffocating, expressing existential despair and the meaninglessness of human life, Vocals intimate and fragile at first, gradually expanding into layered harmonies and sacred choir, Bridge becomes ritualistic and dreamlike, whispered chants, eerie atmosphere, Buddhist-inspired spiritual tension, Final chorus explodes into a massive emotional climax with full orchestra and celestial choir
Vocal direction:
soft breathy verses → emotional layered harmonies → powerful soaring chorus → sacred choir climax
5:16

蝶の夜
v4.5-all
dark gothic orchestral ballad ethereal japanese female vocals dual female harmonies haunting violin fingerpicked classical guitar cinematic strings piano latin choir inspired by J-Pop, J-Rock, Symphonic, Gothic and yuki kajiura mysterious supernatural atmosphere tragic lesbian romance ghostly and emotional powerful climax with fire and redemption anime soundtrack 72 bpm d minor
2:54

OST Bướm Đêm
v4.5-all
dark gothic tango with symphonic rock elements passionate female vocals dramatic violin piano powerful orchestral strings latin choir thunderous timpani and drums sensual and rebellious atmosphere tragic lesbian romance supernatural ghost story explosive cinematic climax with fire and redemption inspired by J-Pop, J-Rock, Symphonic, Gothic yuki kajiura and dramatic argentine tango anime ost 108 bpm d minor dark gothic tango symphonic orchestra choir
2:40

Bướm Đêm
v4.5-all
dark gothic tango with symphonic rock elements passionate female vocals dramatic violin piano powerful orchestral strings latin choir thunderous timpani and drums sensual and rebellious atmosphere tragic lesbian romance supernatural ghost story explosive cinematic climax with fire and redemption inspired by J-Pop, J-Rock, Symphonic, Gothic yuki kajiura and dramatic argentine tango anime ost 108 bpm d minor
4:49

OST : 蝶の夜
v4.5-all
gothic tango orchestral anime ost japanese female vocals choir dramatic supernatural tragic romance cinematic dark gothic tango with symphonic rock ethereal japanese female vocals dual female harmonies dramatic violin cinematic piano powerful orchestral strings latin choir thunderous timpani and drums sensual and rebellious atmosphere tragic forbidden love supernatural ghost story explosive climax with fire and redemption inspired by J-Pop, J-Rock, Symphonic, Gothic and yuki kajiura anime ost 108 bpm d minor
4:01

OST : Khuôn Mặt Bị Đánh Mất
v4.5-all
female vocal japanese anime ost style gentle and melancholic acoustic guitar only as the main instrument soft fingerpicking throughout the song very subtle ambient strings in the background almost imperceptible no drums mood intimate wistful bittersweet healing mysterious themes moonlight cherry blossoms forgotten memories quiet love identity farewell vocal style soft breathy emotional female voice similar to J-Pop, J-Rock, Symphonic, Gothic solo ballads hikaru kajiura style structure intro solo acoustic guitar verse pre chorus chorus verse 2 bridge final chorus outro atmosphere like two people meeting under cherry blossoms at night tender haunting and quietly heartbreaking ending very soft fade out with guitar harmonics
5:44

Khuôn Mặt Bị Đánh Mất
v4.5-all
female vocal japanese anime ost style gentle and melancholic acoustic guitar only as the main instrument soft fingerpicking throughout the song very subtle ambient strings in the background almost imperceptible no drums mood intimate wistful bittersweet healing mysterious themes moonlight cherry blossoms forgotten memories quiet love identity farewell vocal style soft breathy emotional female voice similar to J-Pop, J-Rock, Symphonic, Gothic solo ballads hikaru kajiura style structure intro solo acoustic guitar verse pre chorus chorus verse 2 bridge final chorus outro atmosphere like two people meeting under cherry blossoms at night tender haunting and quietly heartbreaking ending very soft fade out with guitar harmonics
5:48

OST:月と桜
v4.5-all
female vocal japanese anime ost style gentle and melancholic acoustic guitar only as the main instrument soft fingerpicking throughout the song very subtle ambient strings in the background almost imperceptible no drums mood intimate wistful bittersweet healing mysterious themes moonlight cherry blossoms forgotten memories quiet love identity farewell vocal style soft breathy emotional female voice similar to J-Pop, J-Rock, Symphonic, Gothic solo ballads hikaru kajiura style structure intro solo acoustic guitar verse pre chorus chorus verse 2 bridge final chorus outro atmosphere like two people meeting under cherry blossoms at night tender haunting and quietly heartbreaking ending very soft fade out with guitar harmonics
4:29

Mùa hoa của tôi
v4.5-all
Vietnamese acoustic rumba cha-cha-cha, female vocal, nylon-string guitar and light Latin drums only, Warm, nostalgic and gently hopeful, Intimate storytelling verses, catchy uplifting chorus, smooth Latin sway, memorable melody, elegant and timeless
5:18

Nordic Celtic folk rock, Viking-inspired romantic ballad, female vocal only, Voice:
Warm alto or mezzo-soprano, mystical and emotional, slightly husky, mature and natural, Not pop-style, The singer should sound like a wandering Celtic maiden or the spirit of Spring returning after a long winter, Instruments:
Mandolin, accordion, harmonica, acoustic guitar, Nordic war drums, folk percussion, subtle orchestral strings, distant male choir chants, Style:
Celtic rock mixed with Nordic folk music, Cinematic but earthy and organic, Inspired by Viking campfire songs, northern forests, snowy mountains, and wandering bards, Mood progression:
Starts cold, lonely, wintery and melancholic, Gradually becomes warmer, more hopeful and triumphant as Spring returns, Structure:
Ambient intro with wind + harmonica, Verse, Verse, Pre-chorus build, Large folk-rock chorus with choir chants, Soft emotional bridge, Explosive final chorus, Gentle fading outro, Important:
Emotional harmonica solos
4:34

Tiếng Đàn Bên Suối / 溪畔琴聲
v4.5-all
Epic Hong Kong TVB wuxia opening theme, sung entirely in Cantonese (Hong Kong Cantonese pronunciation, NOT Mandarin), Female lead vocal with powerful emotional delivery, supported by dramatic Cantonese choir and male backing vocals, Tempo: moderately fast to fast (around 120–135 BPM), Instrumentation:
Guzheng and pipa introduction
Melancholic xiao flute carrying the main melody
Expressive erhu answering the vocal lines
Large Chinese war drums and taiko-style percussion
Driving rhythmic drums throughout the chorus
Traditional Chinese cymbals and gong accents
Epic choir in the background
Arrangement:
Intro: lonely xiao flute over wind ambience
Verse: emotional storytelling
Pre-chorus: rising tension
Chorus: explosive drum-driven climax
Bridge: emotional breakdown with erhu and xiao
Final chorus: full choir and percussion
Outro: fading guzheng and distant flute
Mood:
tragic, heroic, sorrowful, wandering swordsman, declining homeland, lost villages, nostalgia for a vanished world
3:54

Boats in Clouds
v4.5-all
Angelic hymn, female lead vocal with choir in unison, Sacred and uplifting atmosphere, Instruments: grand piano as the only instrument, No drums, no guitars, no electronic sounds, A gentle female voice begins alone, then a celestial choir gradually joins, singing together in harmony like angels gathering in heaven, Mood: comforting, innocent, radiant, full of hope and light, Inspired by children's choir, church hymn, and cinematic heavenly music, The chorus should feel uplifting and luminous rather than emotional or tragic, Themes: angels, dreams, moonlight, protection, peace, heaven, Clear English lyrics, beautiful choir harmonies, warm reverb, spiritual atmosphere
6:25

あなたは私を幸せにしたわけじゃない
v4.5-all
Female vocal, Japanese lyrics, upbeat folk-pop mixed with swing jazz and Shibuya-kei, Bright acoustic guitar, upright bass, playful drums, light accordion, violin fills, hand claps, Warm storytelling atmosphere, Optimistic, grateful and reflective, Sounds like walking through a city on a sunny afternoon after meeting old friends, Not romantic, not sad, not dramatic, Gentle happiness, appreciation for people who appeared in life, Catchy chorus, dynamic rhythm, natural Japanese phrasing, lively and expressive vocal delivery
3:45

OPTIMIST
v4.5-all
Female vocal, upbeat swing folk rock, Playful storytelling, witty and humorous, Acoustic guitar driving the rhythm, upright bass, light drum kit, fiddle and hand claps, Cheerful and optimistic despite a disastrous first date, Verses sung like a funny personal story, chorus energetic and triumphant as if celebrating a great victory, Warm pub atmosphere, catchy melody, audience-singalong feeling, Humorous, charming, self-confident, slightly theatrical, No sadness, no heartbreak, only stubborn optimism and laughter, "sounds like the heroine is proudly winning a battle that she actually lost"
3:54

只願一日安然
v4.5-all
Epic Hong Kong TVB wuxia opening theme, sung entirely in Cantonese (Hong Kong Cantonese pronunciation, NOT Mandarin), Female lead vocal with powerful emotional delivery, supported by dramatic Cantonese choir and male backing vocals, Tempo: moderately fast to fast (around 120–135 BPM), Instrumentation:
Guzheng and pipa introduction
Melancholic xiao flute carrying the main melody
Expressive erhu answering the vocal lines
Large Chinese war drums and taiko-style percussion
Driving rhythmic drums throughout the chorus
Traditional Chinese cymbals and gong accents
Epic choir in the background
Arrangement:
Intro: lonely xiao flute over wind ambience
Verse: emotional storytelling
Pre-chorus: rising tension
Chorus: explosive drum-driven climax
Bridge: emotional breakdown with erhu and xiao
Final chorus: full choir and percussion
Outro: fading guzheng and distant flute
Mood:
tragic, heroic, sorrowful, wandering swordsman, declining homeland, lost villages, nostalgia for a vanished world
4:07

NGÔI NHÀ TÌNH ÁI
v4.5-all
Vietnamese acoustic rumba cha-cha-cha, female vocal, nylon-string guitar and light Latin drums only, Warm, nostalgic and gently hopeful, Intimate storytelling verses, catchy uplifting chorus, smooth Latin sway, memorable melody, elegant and timeless
5:19

Từ đó em buồn
v4.5-all
Vietnamese female vocal, minimal acoustic Bolero Cha Cha Cha, gentle storytelling mood, subtle yuri subtext, Theme: a young woman quietly saying goodbye to her female best friend at the airport, This is not a heartbreaking breakup song, They were never lovers, One girl secretly cherished feelings she never confessed, The other girl may never know, The mood is nostalgic, warm, wistful and bittersweet rather than tragic, Arrangement: only one acoustic guitar throughout the song, Use fingerpicking and rhythmic tapping on the guitar body as percussion, No drum set, No bass guitar, No piano, No orchestra, No electronic sounds, No synthesizer, Rhythm: clear Bolero Cha Cha Cha pulse, medium tempo (96-104 BPM), gentle swaying groove, soft percussive taps replacing drums, Structure: Intro, Verse, Pre-Chorus, Chorus, Verse, Pre-Chorus, Final Chorus, Outro
4:19

LA MAISON DE NOTRE AMOUR
v4.5-all
French chanson, soft rumba bolero, light paso doble influence, romantic vintage 1960s French mood, dreamy and tender, acoustic guitar as main instrument, gentle drums and hand percussion only, warm expressive female vocal, clear French pronunciation, nostalgic rainy evening atmosphere, young lovers dreaming of a future home, emotional but hopeful chorus, elegant melody, no synth, no piano, no orchestra, intimate café-concert feeling, soft cinematic fade-out

